background image

 

The 

equalizer module

 is a three-band, sweepable frequency design using two discrete op 

amps and a second output transformer. Inspired by a late seventies console that became a cult 
classic, our spin takes the design to a whole new level. There are 15 center frequencies divided 
into three bands (Low, Mid, and High) as shown below: 

Low 

Mid 

High 

OFF 

OFF 

OFF 

20 Hz 

250 Hz 

4.8k Hz 

40 

500 

7.5k 

90 

1.2k 

9k 

200 

2.4k 

12k 

40 

4.8k 

12k (shelving) 

 

Each band features 15 dB of boost or cut with a Q of approximately 1.2. A transformer 
ba4 dBu insert point is available post-EQ. Additionally, the EQ section features a 
buffered two position second-order high pass filter (12 dB/octave) at 50 and 80 Hz. 

Finally, the 

output line amp

 uses a balanced input stage using another discrete 

transformerless amplifier to feed a "fader" with 12 dB of gain "in hand," followed by a 
console-style discrete line amplifier with a transformer balanced output. 

As with all Iron Age products, the Channel Strip uses the M2 discrete operational amplifier, 
designed and built in-house by us.  

The combination of the input gain, attenuator, and fader knob gives a wide range of sonic 
possibilities, and with up to seven op amps and four transformers in the signal path, you'll 
never want for massive mojo. This is Iron Age at its finest! 

Through the IAA Custom Shop, we also offer a variety of input transformers, output 
transformers, op amps, and even voltages to give you the sound you want. Whether you're 
looking for quiet and clear, warm and smooth, or edgy and rock and roll, this channel strip can 
do what you need.  

Reach out to us with to whiteboard your idea! 

[email protected]

 

 

©2019 by IronAgeAudioworks

Summary of Contents for Channel Strip CS1

Page 1: ...User s Manual Channel Strip CS1 2019 by IronAgeAudioworks...

Page 2: ...Any ventilation openings in the case need to remain open Don t use this around anything that s hot such as a radiator or space heater Don t defeat the ground pin on the plug or use a ground lift devic...

Page 3: ...r warm gain The mic preamp features switchable phantom power and a 20 dB pad In line input mode a second discrete op amp is used as a balanced transformerless input for a balanced 4 dBu nominal input...

Page 4: ...t stage using another discrete transformerless amplifier to feed a fader with 12 dB of gain in hand followed by a console style discrete line amplifier with a transformer balanced output As with all I...

Page 5: ...ly affects the mic input mode The 48 button provides 48V phantom power to the microphone through the XLR connector This only affects the mic input mode The MUTE button turns the input stage signal to...

Page 6: ...allows for a 12 dB boost using the output line amplifier for gain Optimum gain staging and a wide variation of tones can be obtained through the use of the input GAIN knob the input TRIM knob and the...

Page 7: ...0 36 dB Maximum Input Level Mic Preamp 3 5 dBu DI 21 dBu Line Input 20 dBu Maximum Output Level 26 dBu all outputs Input Impedance Mic Preamp 2300 Ohms DI 1 MOhms Line Input 10 kOhms Output Impedance...

Page 8: ...Frequency Response Low Frequency Mid Frequency 2019 by IronAgeAudioworks 7...

Page 9: ...High Frequency and Shelf High Pass Filter 2019 by IronAgeAudioworks 8...

Page 10: ...usage for which the product was not designed misused or abused damaged during shipping or which has been altered or modified in any way This warranty is extended to the original purchaser only THIS E...

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