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Controls 

Front Panel 

 

 

The POWER switch turns the unit on and off.  
 
The SOURCE switch is a three position toggle. In MIC mode the microphone input is engaged 
and a Jensen mic input transformer is inserted to the signal path before the input stage 
operational amplifier. In LINE mode the line input is engaged and a balanced transformerless 
amplifier is inserted to the signal path before the input stage. In DI mode the front panel 1/4" 
jack is engaged and a high impedance circuit is inserted to the signal path before the input 
stage. 

The input GAIN knob drives the gain over the op amp in the input stage for all modes (5-40 dB). 

The PAD button engages a -20 dB pad with a characteristic impedance of approximately 2300 
ohms. This only affects the mic input mode. 

The +48 button provides 48V phantom power to the microphone through the XLR connector. 
This only affects the mic input mode. 

The MUTE button turns the input stage signal to the output transformer off for all input modes. 

The PHASE button inverts the signal being sent to the primary side of the output transformer, 
inverting the phase of the output signal by 180 degrees for all input modes. 

The TRIM knob attenuates the signal after the input module’s output transformer for all modes. 
The post-attenuator signal is available at the MIC PRE OUT jack in the rear panel. 

The HPF switch is a three position toggle. It can be set to OFF, 50, or 80 for 50 and 80 Hz high 
pass filtering, respectively. 

Each of the three EQ bands has identical controls. The center frequency for each band is 
selected by the six-position frequency switch. The amount of boost or cut is selected by the 

©2019 by IronAgeAudioworks

Summary of Contents for Channel Strip CS1

Page 1: ...User s Manual Channel Strip CS1 2019 by IronAgeAudioworks...

Page 2: ...Any ventilation openings in the case need to remain open Don t use this around anything that s hot such as a radiator or space heater Don t defeat the ground pin on the plug or use a ground lift devic...

Page 3: ...r warm gain The mic preamp features switchable phantom power and a 20 dB pad In line input mode a second discrete op amp is used as a balanced transformerless input for a balanced 4 dBu nominal input...

Page 4: ...t stage using another discrete transformerless amplifier to feed a fader with 12 dB of gain in hand followed by a console style discrete line amplifier with a transformer balanced output As with all I...

Page 5: ...ly affects the mic input mode The 48 button provides 48V phantom power to the microphone through the XLR connector This only affects the mic input mode The MUTE button turns the input stage signal to...

Page 6: ...allows for a 12 dB boost using the output line amplifier for gain Optimum gain staging and a wide variation of tones can be obtained through the use of the input GAIN knob the input TRIM knob and the...

Page 7: ...0 36 dB Maximum Input Level Mic Preamp 3 5 dBu DI 21 dBu Line Input 20 dBu Maximum Output Level 26 dBu all outputs Input Impedance Mic Preamp 2300 Ohms DI 1 MOhms Line Input 10 kOhms Output Impedance...

Page 8: ...Frequency Response Low Frequency Mid Frequency 2019 by IronAgeAudioworks 7...

Page 9: ...High Frequency and Shelf High Pass Filter 2019 by IronAgeAudioworks 8...

Page 10: ...usage for which the product was not designed misused or abused damaged during shipping or which has been altered or modified in any way This warranty is extended to the original purchaser only THIS E...

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