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With two channels of fully parametric 4-band tube equalization operating

in conjunction with variable high and low pass filters, the HHB Classic 70

provides total control over any audio source. Continuously variable

controls mean that the choice of frequency is not limited to switched

settings, and the inclusion of 2 mic pre amps with phantom power enable

direct to tape recording, with 1/4" jack instrument inputs also provided.

Ideal for the precise equalization of stereo sources or an entire stereo

mix, the Classic 70 features a stereo mode switch, linking both channels

to the controls of channel 1 and applying identical processing to both.

Stunning warmth and clarity is assured by the use of six tube stages per

channel; one in each of the 4 EQ bands followed by a pair in the outboard

stage, with top quality ECC83 and 12AX7A tubes specified throughout. 

KEY FEATURES

2 channels of four band parametric tube equalization.

Balanced mic and line inputs with variable gain.

Dual sensitivity 1/4" jack instrument inputs on the front

panel for each channel.

EQ has ±15dB gain, variable Q and variable frequency:

LF band - 30Hz to 3kHz,

LM band - 30Hz to 3kHz,

HM band - 1kHz to 20kHz,

HF band - 1kHz to 20kHz.

LF and HF bands switchable peaking / shelving.

High and low pass variable filters and EQ bypass

switch for signal comparison.

Insert points before the EQ section on each channel.

Drive and peak LEDs indicate the degree of tube

warming and warn of low headroom.

250V HT voltage rail.

From a dynamic microphone to the most expensive studio condenser,

the sound of any microphone source will gain an extraordinary

openness, presence and clarity from the HHB Classic 80 tube mic pre

amp. And a 1/4" jack instrument input on the front panel ensures that

guitars and keyboards can also benefit from the added weight of HHB

Classic tube processing. Each transformer coupled mic input is followed

by a high gain, low noise EF86 pentode tube, with 2 further triode tube

stages in each channel, and the precise amount of harmonic contribution

from the tubes can be controlled through the use of separate input and

output level controls. Swit48V phantom power, high and low

pass filters and a phase reverse switch on channel 1 make the Classic 80

perfect for use in track laying or for direct to tape recording.

KEY FEATURES

High quality, 2 channel tube pre amp.

Balanced mic inputs with 48V phantom power,

balanced and unbalanced line inputs and outputs.

Input gain control, with variable fine gain trim.

Dedicated 1/4" jack instrument input on the front panel

for simple connection of guitars and keyboards.

High and low pass filters on both mic and line inputs

with three switchable cut off frequencies:

HPF - 50Hz, 100Hz or 150Hz,

LPF - 5kHz, 10kHz or 15kHz.

Phase reverse on channel 1.

Drive and peak LEDs indicate the degree of tube

warming and will warn of low headroom.

Large rotary output faders.

Illuminated VU meters showing output level.

250V HT voltage rail.

#6411 Radius/Classic Brochure  14/6/99 1:08 pm  Page 8

Summary of Contents for Radius Series

Page 1: ...HHB Radius and Classic Series Tube Processors...

Page 2: ...ce and tube stages to deliver the vintage tube sound without the inherent noise which plagued older tube designs Careful research into hybrid circuits ensures that the tubes in HHB processors achieve...

Page 3: ...gain allows optimum signal level through tubes Switchable 90Hz high pass filter Switchable 48V phantom power for connection of condenser microphones Phase reverse switch allows instant phase correcti...

Page 4: ...channels of compression the Radius 30 will soon become an indispensable part of your studio setup adding the finishing touch to the sound of individual instruments or compressing an entire stereo mix...

Page 5: ...0Hz 1kHz or 2 2kHz HM band 1 5kHz 2 2kHz 3 6kHz or 5kHz HF band 2 2kHz 5kHz 8kHz or 12kHz EQ may be switched before or after the compressor Stereo link for connecting two Radius 40s Stabilised 150V DC...

Page 6: ...Each compressor channel features variable input gain threshold attack release times compression ratio and gain make up for complete signal control Sidechain inserts for frequency controlled compressi...

Page 7: ...el Drive and peak LEDs indicate the degree of tube warming and warn of low headroom 250V HT voltage rail From a dynamic microphone to the most expensive studio condenser the sound of any microphone so...

Page 8: ...oise EIN 126dBu 22Hz 22kHz 150 source Max input level 10dBu Balanced XLR line I P Impedance gain range 5k 10 to 35dB Max input level 30dBu Unbalanced jack line I P Impedance gain range 5k 10 to 35dB M...

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