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The Radius 20, with its combination of solid state circuitry and vacuum

tube technology, will not only alter the sound of an input when required,

but also improve its tonality, ensuring every instrument or mix sounds

just the way it’s intended to. Drums become tighter and more punchy,

guitars are made to cut through any texture, and many different vocal

effects may be achieved, limited only by your imagination. Four bands of

fully parametric equalization provide complete control. With variable gain,

frequency and bandwidth, the Radius 20’s comprehensive controls are

designed for familiarity and ease of use. And with the addition of an EQ

bypass switch, any added equalization may be removed for instant A/B

signal comparison. Both channels feature a front panel 1/4" jack

instrument input so that, when rack mounted in the studio, the Radius 20

is quickly accessible. Overall levels are managed by the input and output

gain controls, controlling the amount of tube effect required.

KEY FEATURES

Two channels of four band parametric tube

equalization.

Balanced and unbalanced line inputs and outputs with

gain controls.

1/4" jack instrument input on the front panel for each

channel.

EQ has ±15dB gain, variable Q and variable frequency:

LF band - 30Hz and 1kHz,

LM band - 100Hz and 3kHz,

HM band - 1kHz and 12kHz,

HF band - 3kHz and 20kHz.

EQ bypass switch for each channel.

Drive and peak LEDs indicate the degree of tube

warming and warn of low headroom.

Stabilised 150V DC power supply.

With two separate channels of compression, the Radius 30 will soon

become an indispensable part of your studio setup, adding the finishing

touch to the sound of individual instruments or compressing an entire

stereo mix. Vocals take on a different character when compressed - quiet

singing becomes incredibly intimate thanks to the unique combination of

the Radius 30’s tube technology and solid state circuitry. Even screaming

vocal lines are controlled; only the tone of the voice shows the true

levels. Backlit VU meters for each channel monitor either the output level

or the amount of gain reduction. The Radius 30 has all the benefits of the

vacuum tube without the additional noise, due to HHB’s unique

transconductance amplifier design which avoids using VCAs. With control

of input and output gain for each channel, and variable threshold, ratio,

gain and attack / release times, the Radius 30 will control and compress

every input to your exact requirements, without missing a single beat.

KEY FEATURES

Two channels of variable ratio tube compression.

Balanced and unbalanced line inputs and outputs with

gain controls. 

1/4" jack instrument inputs on the front panel.

Sidechain inserts for frequency controlled compression.

Variable threshold, compression ratio and gain make-

up for each channel.

Drive and peak LEDs indicate the degree of tube

warming and warn of low headroom.

Stereo link mode for compressing stereo signals.

Compressor bypass switch.

Variable threshold control on the expander / gate helps

reduce noise during quiet sections in the signal. The

red LED indicates when this gate is closed.

VU monitoring of output level or gain reduction.

Stabilised 150V DC power supply.

OUTPUT

LEVEL

INPUT
LEVEL

#6411 Radius/Classic Brochure  14/6/99 1:08 pm  Page 5

Summary of Contents for Radius Series

Page 1: ...HHB Radius and Classic Series Tube Processors...

Page 2: ...ce and tube stages to deliver the vintage tube sound without the inherent noise which plagued older tube designs Careful research into hybrid circuits ensures that the tubes in HHB processors achieve...

Page 3: ...gain allows optimum signal level through tubes Switchable 90Hz high pass filter Switchable 48V phantom power for connection of condenser microphones Phase reverse switch allows instant phase correcti...

Page 4: ...channels of compression the Radius 30 will soon become an indispensable part of your studio setup adding the finishing touch to the sound of individual instruments or compressing an entire stereo mix...

Page 5: ...0Hz 1kHz or 2 2kHz HM band 1 5kHz 2 2kHz 3 6kHz or 5kHz HF band 2 2kHz 5kHz 8kHz or 12kHz EQ may be switched before or after the compressor Stereo link for connecting two Radius 40s Stabilised 150V DC...

Page 6: ...Each compressor channel features variable input gain threshold attack release times compression ratio and gain make up for complete signal control Sidechain inserts for frequency controlled compressi...

Page 7: ...el Drive and peak LEDs indicate the degree of tube warming and warn of low headroom 250V HT voltage rail From a dynamic microphone to the most expensive studio condenser the sound of any microphone so...

Page 8: ...oise EIN 126dBu 22Hz 22kHz 150 source Max input level 10dBu Balanced XLR line I P Impedance gain range 5k 10 to 35dB Max input level 30dBu Unbalanced jack line I P Impedance gain range 5k 10 to 35dB M...

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