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Revision C  •  12/05

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he rack-mount model requires 4 RU of rack space (7"

[133.4mm]). There are no special venting requirements, so

equipment can be placed immediately above or below the

mixer.

The desktop model (shown in the Desktop Model Footprint

drawing, adjacent) requires 16" x 17" of countertop space.

One or more grommet holes can be drilled through the coun-

tertop for cable access behind the console. A removable rear

cable cover hides these cable access holes during use. The desk-

top model can also be fastened to the countertop by using

four screws (user supplied) fastened through bottom holes.

The SMX

d installation kit includes a separate power sup-

ply, a 15-pin D-sub connector and the AMP MOD IV crimp

pins and housings for the audio and logic connectors.

Power Supply

A separate “line lump” power supply (Harris # 50-22) works

with line voltages from 95 to 264 VAC at 50 Hz or 60 Hz. The

detachable IEC cord (supplied with USA-type plug) should

only be plugged into isolated-ground outlets. The keyed DC

output cable plugs into J32 (Power).

Ensure that the supply is mounted so that the DC cable

plugged into the SMX

d is not under any tension.

USER CONNECTIONS

Most back panel user connections (shown on page 7) use

AMP MOD IV connectors, which consist of crimped recep-

tacle contacts locked into keyed plastic housings. These same

connectors are used on RMX

digital and BMXdigital consoles

and VistaMax Hub Cards.

NOTE

: A crimp tool is 

not

 supplied with SMX

d. Use an

AMP # 169481-1 crimp tool (Harris # 70-126) to crimp the

contacts. Use an AMP # 843477-3 pin removal tool (Harris #

70-129) to remove contacts from the housings. One each of

these tools is supplied with each VistaMax frame, RMX

digital

console and BMX

digital console. Contact Harris Tech Sup-

port (513.459.3503) about obtaining a crimp tool for use dur-

ing installation if one is not available locally.

Analog Audio Inputs & Outputs

The 6-pin AMP MOD IV analog audio connectors are pinned

the same as those used on RMX

digital andBMXdigital con-

soles. The left channel of a stereo pair connects to pins 1, 2

and 3. The right channel of a stereo pair connects to pins 4, 5

and 6. When a mono signal is connected to a stereo connector,

the two sets of signal pins must be jumpered together (- signal

to both 2 and 5, + signal to both 3 and 6). Only one shield

connection, to either pin 1 or 4, is required for mono signals.

Most analog connectors carry stereo signals, but two: J6

(Mic/Mono In and Ext. Talk In) and J9 (Mix-Minus and Talk

outputs) have two non-related mono signals on the same con-

nector.

Even though analog inputs and outputs are active and bal-

anced, unbalanced devices can connect to SMX

d since there

is an analog gain switch for each input. For balanced signals,

set the switches to the +4 dBu position. For unbalanced de-

vices, set them to the -10 dBv position and then connect the

device using the following illustration.

Installation

Pinouts for Analog Input

and Output Connectors

Right High (+)

Right Low (-)

Shield

Left High (+)

Left Low (-)

Shield

3

2

1

6

5

4

(wire insertion end view)

Connecting an Unbalanced Device

to a MOD IV Analog Input

SMXd

Balanced

Input

From the

Unbalanced

Device

R

L

Shields

3
2
1

6
5
4

6.50

5.63

4x

11.25

0.25 HOLE

4.14

DESKTOP MODEL FOOTPRINT

16"

17"

Cable Access

Cutout area: 2" x 12"

(Located below meter

panel and cable cover)

Countertop

Mounting Screw

Holes (x4 places)

Summary of Contents for stereomixer digital 99-1395

Page 1: ...n OH 45040 USA Tel 513 459 3400 FAX 513 459 2890 E Mail presupport harris com Internet http www broadcast harris com Designs by Pacific Research Engineering PR E 71 1395 rev C 12 05 99 1396 Rack Versi...

Page 2: ...ch 1 2 and or 3 are mic inputs which mute the monitor output or line inputs Channel 4 is an analog stereo line level input that features a front panelTRS jack to allow easy plug in of a field recorde...

Page 3: ...ak Room Monitor Output level control TRS Stereo Input alternate source for Channel 4 Talent Headphones level control Channel controls x7 with Bus assign and Cue or Talk buttons level control removable...

Page 4: ...nnel 4 along with the rear panel channel 4 input When both inputs are active the two signals are summed together Microphone Channels Channel 1 is typically set as the Talent Mic When On the room monit...

Page 5: ...e Mix Minus output for as long as the Talk button is pressed This action mutes the Channel 1 mic from any assigned bus it automatically turns the channel off if it was on while the Talk button is pres...

Page 6: ...removal tool Harris 70 129 to remove contacts from the housings One each of these tools is supplied with eachVistaMax frame RMXdigital console and BMXdigital console Contact Harris Tech Sup port 513 4...

Page 7: ...balanced to balanced line transformer could alternately be used to interface an S PDIF signal Note 1 A signal conversion interface must be used to con nect an AES EBU output to a S PDIF input Note2 S...

Page 8: ...andard stereo output jack for the talent s headphones On the desktop version theTRS input jack STEREO IN 4 TRS is to the right of the meter display on the meter panel The talent s headphone jack is in...

Page 9: ...from the warning lamp interface J33 has six 250 msec start command contact closures for CD players and other remote start devices Channel 2 through 7 have separate outputs Each output is identical to...

Page 10: ...t to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment This equipment gener at...

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