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Revision C  •  12/05

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The PGM 1 bus has priority, but PGM 2 is used when the

Telco is only assigned to PGM 2. The Mix-Minus with talk

outputs always have talkback—even if the Telco channel is

not assigned to a bus.

Program Outputs

There are two Program outputs: Program 1 and Program

2. Each is a mix of all channels that are turned on and as-

signed to that bus. The Program outputs are never affected by

any incoming or outgoing talkback, by any monitor muting

(which occurs when any mic channel is on), by signal selec-

tion on the Monitor Select buttons, or by any Cue activity.

Each channel is independently assignable to either or both

program buses. The channel is assigned to a bus when its bus

assignment button is lit. But, in order for the channel audio to

reach the program bus, the channel must also be turned on

(On/Off button lit), and the fader must then be adjusted to

yield the proper audio level.

Monitor Controls

One Monitor Select button is lit to indicate the signal being

shown on the meters and being sent to the room monitor and

headphone outputs. Either PGM 1, PGM 2 or an external

monitor input (EXT) can be selected.

NOTE:

 When a microphone channel is on or the Talk button

is pressed, the room monitors mute, regardless of the selected

signal. Headphone audio is never muted.

Pressing any channel’s Cue button switches the monitor out-

puts and the meters to the Cue bus. To indicate the Cue bus is

active, the active Cue button(s) wink and the active Monitor

Select button LED is turned off. The Cue bus audio comes

from the channel’s input—it is pre-fader and pre-switch.

Turning all Cue buttons off returns the monitor to the pre-

viously selected source. Cue can also be forced off by pressing

any monitor select button to select a new monitor source.

Note that Channel 1 cannot be asigned to the Cue bus.

Talk / Intercom Operation

Press and hold the Talk button on Channel 1 to send the

talent’s microphone audio—pre-switch and pre-fader, to the

Talk output and to the Mix-Minus output, for as long as the

Talk button is pressed. This action mutes the Channel 1 mic

from any assigned bus (it automatically turns the channel off,

if it was on, while the Talk button is pressed).

When an external location talks to the SMX

d, the incom-

ing talk audio is fed to both the headphones and to the room

monitor outputs.  The monitor audio is dimmed by 12 dB so

the incoming talk can easily be heard.

BASIC MIXER OPERATION

Follow these steps to initially operate the mixer:

1. Adjust all faders (channels, room monitor and head-

phones) to full off.

2. Make sure that only the PGM 1 assignment buttons

are lit on each input channel and that the PGM 1 Moni-

tor Source selector button is lit.

3. Turn on one channel with a typical audio source con-

nected.

4. Adjust the channel fader so that the average audio level

bar reaches -18 to -12 dBFS on the meters. To reach

this level with a standard level signal the linear faders

are typically aligned with the red line. On rotary faders

the equivalent setting is at “two o’clock.”

5. To hear the audio, adjust the Room Monitor fader or

the Headphones fader to a comfortable listening level.

CAUTION:

 Before plugging in headphones, always

set the Headphones fader to full off, then adjust it

to a comfortable listening level using program  ma-

terial with an average level of -18 to -12 dBFS.

NOTE:

 Setting the headphone fader beyond half-

way may supply sound pressure levels sufficiently

loud to damage headphones and cause hearing

damage, especially with sustained listening times.

Peak Meter Indications

 When the meters display both Average and Peak signals,

single LED peak indicators typically will be shown 10 dB

above the average levels. Peak indications in the yellow with

occasional red LED peaks are normal, but consistently allow-

ing signal peaks in the red LEDs should be avoided as this is

very close to overdriving the mixer. The blue peak LEDs indi-

cate the signal level is at or near signal clipping. They are set

to turn on at -6, -4, -2 or 0 dBFS via internal DIP switches.

SMX

d Bargraph Meter

L = Left Channel Level &
R = Right Channel Level,
in dB below FSD*

Blue Peak Indicator

for each channel

* FSD = Full Scale Digital—the maximum mixer output level.     -20 dBFS = 0 VU

Summary of Contents for stereomixer digital 99-1395

Page 1: ...n OH 45040 USA Tel 513 459 3400 FAX 513 459 2890 E Mail presupport harris com Internet http www broadcast harris com Designs by Pacific Research Engineering PR E 71 1395 rev C 12 05 99 1396 Rack Versi...

Page 2: ...ch 1 2 and or 3 are mic inputs which mute the monitor output or line inputs Channel 4 is an analog stereo line level input that features a front panelTRS jack to allow easy plug in of a field recorde...

Page 3: ...ak Room Monitor Output level control TRS Stereo Input alternate source for Channel 4 Talent Headphones level control Channel controls x7 with Bus assign and Cue or Talk buttons level control removable...

Page 4: ...nnel 4 along with the rear panel channel 4 input When both inputs are active the two signals are summed together Microphone Channels Channel 1 is typically set as the Talent Mic When On the room monit...

Page 5: ...e Mix Minus output for as long as the Talk button is pressed This action mutes the Channel 1 mic from any assigned bus it automatically turns the channel off if it was on while the Talk button is pres...

Page 6: ...removal tool Harris 70 129 to remove contacts from the housings One each of these tools is supplied with eachVistaMax frame RMXdigital console and BMXdigital console Contact Harris Tech Sup port 513 4...

Page 7: ...balanced to balanced line transformer could alternately be used to interface an S PDIF signal Note 1 A signal conversion interface must be used to con nect an AES EBU output to a S PDIF input Note2 S...

Page 8: ...andard stereo output jack for the talent s headphones On the desktop version theTRS input jack STEREO IN 4 TRS is to the right of the meter display on the meter panel The talent s headphone jack is in...

Page 9: ...from the warning lamp interface J33 has six 250 msec start command contact closures for CD players and other remote start devices Channel 2 through 7 have separate outputs Each output is identical to...

Page 10: ...t to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment This equipment gener at...

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