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SECTION I
HOW THE ORGAN OPERATES
1–1 GENERAL
This section contains a description of the operating principles
of L–100 Series organs.
and
depict the
locations of the various subassemblies.
is a block
diagram.
1–2 TONE SOURCE
Most tone sources, such as strings, reeds, or pipes, produce
complex tones. The Hammond tone-producing mechanism,
however, generates individual frequencies which can be
combined by means of harmonic drawbars to produce any desired
tone quality. The block diagram,
, shows the chief
components of the instrument.
Electrical impulses of various frequencies are produced in the
“tone generator assembly” which contains a number of “tone
wheels” driven at predetermined speeds by a motor and gear
arrangement. Each tone wheel is a steel disc similar to a gear, with
high and low spots, or teeth, on its edge (see
). As the
wheel rotates, these teeth pass near a permanent magnet, and the
resulting variations in the magnetic field induce a voltage in a coil
wound on the magnet. This small voltage, when suitably filtered,
produces one note of the musical scale, its pitch or frequency
depending on the number of teeth passing the magnet each
second.
A note played on either manual of the organ consists of a
fundamental pitch and a number of harmonics, or multiples of the
fundamental frequency. The fundamental and harmonics available
on each playing key are controllable by means of drawbars. By
suitable adjustment of these controls the player may vary the tone
colors at will. Several pre-selected tones are also available by use
of the preset tabs.
Figure 1–1: L–100 Console, Front View
Summary of Contents for L-100 Series
Page 1: ......
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Page 9: ...Page 9 Figure 1 4 Block Diagram L 100 Series Figure 1 5 Typical Tone Generator...
Page 38: ...Page 38 This page intentionally left blank...
Page 44: ...Page 44 Figure 5 7 Wiring Diagram L 100 Organ...
Page 45: ...Page 45 Figure 5 8 Wiring Diagram L100 1 and L 100 2 Organs...
Page 46: ...Page 46 Figure 5 9 Wiring Diagram L 200 Organ...
Page 49: ...Page 49 Figure 5 13 Parts Layout AO 41 Vibrato Amplifier...
Page 50: ...Page 50 Figure 5 14 Parts Layout AO 47 126 000023 Vibrato Amplifier...
Page 51: ...Page 51 Figure 5 14A Comparison Between AO 41 and AO 47 Vibrato Amplifiers...
Page 52: ...Page 52 Figure 5 15 Parts Layout AO 42 117 000019 Percussion Amplifier...
Page 53: ...Page 53 Figure 5 16 Parts Layout AO 43 126 000017 Power Amplifier...
Page 54: ...Page 54 Figure 5 17 Power Amplifier Fuse Location Canadian 101 000130...