Gemini FX-7000 Operation Manual Download Page 6

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10.MIC 1/TALKOVER:  The purpose of the TALKOVER section is to allow

the program playing to be muted so that the MIC can be heard above
the music.  The MIC 1/TALKOVER SWITCH (47) controls MIC 1 (19)
and has three settings.  When the MIC 1/TALKOVER SWITCH (47) is
in the “OFF” position, MIC 1 and TALKOVER are off.  When the MIC/
TALKOVER SWITCH (47)
 is in the “MIC 1” position MIC 1 is on, the
MIC/TALKOVER LED (48) will glow, but TALKOVER is off.  When the
MIC/TALKOVER SWITCH (47) is in the “TALKOVER” position, MIC 1
and TALKOVER will be on and the volume of all sources except the
MIC 1 input are lowered by 16 dB.  The HIGH (51) and LOW (50)
CONTROLS 
allow you to fully adjust the tone of MIC 1.  MIC 1 LEVEL
(49)
 controls the level of MIC 1.

11.CUE SECTION:  By connecting a set of headphones to the

HEADPHONE (20) jack, you can monitor any or all of the channels.
Press the CUE ASSIGN BUTTONS (29, 30, 31,) for CHANNELS 1-3 to
select the channel or channels to be monitored and the buttons will
illuminate.  Use the CUE LEVEL (44) control to adjust the headphone
volume without affecting the overall mix.  By rotating the CUE PGM
PAN (43)
 control to the left you will be able to monitor the assigned cue
signal.  Rotating to the right will monitor the PGM (program) output.
Pressing the CUE SPLIT (42) button lets you hear the CUE on the left
side earphone and the PGM (program) on the right.  Pressing the CUE
EFFECT (32) 
button allows you to send your EFFECT output to your
CUE MIX.

12.VU METER MODE:  The peak hold, dual function VU METER (40)

indicates either the MASTER (38) output left and right levels, or the
CUE and PGM (program) levels. You can choose the option you want
by pressing the VU METER MODE (41) button.

DSP SIGNAL PROCESSOR:

DSP EFFECT (25):  Tap the DSP EFFECT (25) button to turn ON or turn

OFF  the desired effect.

CHANNEL SELECTOR (52):  The channel selector is for selecting the

channel you want the effect to have effect on.  Use the CHANNEL
SELECTOR (52) 
to select CHANNELS 1, 2, 3, MIC 1, or the MASTER
output.  To hear it before you mix it in the PGM (program) use the
CUE EFFECT (32) button.

EFFECT SELECTOR (53):  Turning this knob selects the effect (1-16);

refer to D.S.P. EFFECTS (54) for which effect you want to use.
Displayed by the PARAMETER LED DISPLAY (55).  The effects
parameters (1-99) can be adjusted using the PARAMETER (56) knob.

DSP EFFECTS (54):  All the DSP effects are listed on the mixer here.

Turning the PARAMETER (56) knob clockwise increases the effect in
most cases.  Here is a brief explanation of their uses:

01. SEND/RETURN:  Used to connect outboard effect units.

02. DELAY:  Delay effect; adjust time with PARAMETER (56) knob.

03. ECHO REGULAR:  Echo effect, adjust time like delay effect.

04. PING PONG ECHO:  Echo effect with left/right panning, adjust time

 like delay effect.

05. REVERB:  Reverb effect for depth, adjust time just like delay effect.

06. PITCH UP:  Increases the pitch of the selected CHANNEL, Mic 1 or

 MASTER (PGM).

07. PITCH DOWN:  Decreases the pitch of the selected CHANNEL, MIC 1

 or MASTER (PGM).

08. FILTER 1:  Low pass filter increases with clockwise knob movement.

09. FILTER 2:  High pass effect increases with clockwise knob movement.

10. BRAKE:  Simulates the manual stop of a record on a turntable.

11. AUTO PAN:  Automatic panning from left to right, turning knob

 clockwise increases the effect speed.

12. FLANGER:  Flanger sound is an effect, which is often referred to as a

  “whooshing” or “airplane fly-by” sound, turning knob clockwise
   increases the intensity of the effect.

13. PHASER:  Very close to flanger, phaser is a similar but different effect.

14. ROTARY:  Simulates a rotating speaker effect.

15. AMBIENCE:  Adds ambient effect to mix.

16. PRESET REVERBS:  F1. HALL 1, F2. HALL 2, F3. ROOM 1, F4. ROOM 2,

F5. ROOM 3, F6. PLATE 1, F7. PLATE 2, F8. PLATE 3, F9. ROOM CHORUS

PARAMETER LED DISPLAY (55):  The PARAMETER LED DISPLAY (55)

displays which effect is chosen as well as the parameters.

PARAMETER (56):  The PARAMETER (56) knob changes the effects

parameters from (1-99), except for effect number 1.  However effect
number  16, has 9  different preset reverb settings (F1- F9).

WET/DRY (57):  Turning the WET/DRY (57) knob lets you pan the selected

effect into and out of the PGM (program)

SPECIFICATIONS:

AUDIO SECTION:

INPUT TERMINAL (input level/impedance) @ gain max.:
LINE 1, 2 , 4.....................................................................................................................-20dB(100mV) 47 KOhm
LINE 3, 5............................................................................................................................-20dB(100mV 13 KOhm
PHONO 1,  2, 3...................................................................................................................-54dB(2mV) 47 KOhm
MIC 1, 2...........................................................................................................-56dB(1.5mV) 2 KOhm (Balanced)
RETURN.........................................................................................................................-20 dB (100mV) 5 KOhm
OUTPUT TERMINAL (output level/impedance):
MASTER OUTPUT (RCA)..................................................................................................0 dBV (1V) 300 Ohm
MASTER OUTPUT (1/4" BALANCED)..............................................................................6 dBV (2V) 600 Ohm
REC OUTPUT .................................................................................................................-18dB(120mV) 5 KOhm
ZONE MONITOR..................................................................................................................0 dBV (1V) 300 Ohm
SEND.................................................................................................................................-18dB(120mV) 2 KOhm
PHONES..................................................................................................................................0 dBV (1V) 47 Ohm

FREQUENCY CHARACTERISTICS:

LINE/MIC..........................................................................................................................20Hz – 20 kHz (+/-2dB)
PHONO (RIAA)...............................................................................................................................20Hz – 20 kHz
SN RATIO (with effect off)............................................................................................................ better than 80dB
TOTAL HARMONIC DISTORTION.....................................................................................rate less than 0.02%
CHANNEL EQUALIZER (LINE, PHONO, MIC 2);
HI.......................................................................................................................................................+12 dB, -32 dB
MID...................................................................................................................................................+12 dB, -32 dB
LOW..................................................................................................................................................+12 dB, -32 dB
MICROPHONE EQUALIZER (MIC 1):
HI.......................................................................................................................................................+12 dB, -12 dB
LOW..................................................................................................................................................+12 dB, -12 dB
TALKOVER ATTENUATION...........................................................................................................................16dB

ELECTRICAL SECTION, ETC.:

POWER SUPPLY VOLTAGE...........................................................................AC 18 V, 50-60 Hz (from adapter)
POWER CONSUMPTION.............................................................................................................................20 W
OPERATING TEMPERATURE...............................................................................+5C to +35C (+41F - +95F)
OPERATING HUMIDITY.......................................................................................................................5% to 85%
EXTERNAL DIMENSIONS........................................254(W) 355 (D) 110 (H) mm/10(W) 14 (D) 4-1/3(H) in.
WEIGHT..............................................................................................................................................8 lbs/3.7 Kgs

ACCESSORIES:

............................................................................................................Power Adapter

Summary of Contents for FX-7000

Page 1: ...RUCTIONS FX 7000 10 PRO STEREO MIXER WITH DSP EFFECTS PRO STEREO MISCHPULT MIT DSP EFFEKTEN MEZCLADOR PRO STEREO CON EFECTOS DSP MELANGEUR STEREOPHONIQUE PROFESSIONNEL AVEC EFFETS DSP MULTI LANGUAGE INSTRUCTIONS ENGLISH PAGE 2 DEUTSCH PAGE 7 ESPAÑOL PAGE 10 FRANCAIS PAGE 13 ...

Page 2: ...e for CHANNEL 2 CHANNEL 3 SLIDE Moving this slide up or down raises and lowers the volume for CHANNEL 3 CUE CH1 Press CUE CH1 29 to hear CHANNEL 1 thru the HEADPHONES CUE CH2 Press CUE CH2 30 to hear CHANNEL 2 thru the HEADPHONES CUE CH3 Press CUE CH3 31 to hear CHANNEL 3 thru the HEADPHONES CUE EFF Press CUE EFF 32 to hear the effect that is being applied to CHANNELS 1 3 MIC 1 or the MASTER PGM w...

Page 3: ... 3 FX 7000 FACE PLEASE REFER TO FUNCTION DESCRIPTIONS FOR DETAILED INSTRUCTIONS CUT CUT CUT CUT CUT CUT CUT CUT CUT ...

Page 4: ... 4 FX 7000 FRONT AND BACK PANEL PLEASE REFER TO CONNECTIONS SECTION FOR DETAILED INSTRUCTIONS BACK FRONT ...

Page 5: ... control The ZONE 46 control adjusts the level of the ZONE OUTPUT 5 HINT ZONE OUTPUT 5 IS USED BY SOME DJS TO RUN MONITOR SPEAKERS IN THE DJ BOOTH YOU CAN ALSO USE IT AS A SECOND ZONE OR AMP OUTPUT NOTE THE RECORD OUT 6 HAS NO LEVEL CONTROL THE LEVEL IS SET BY THE CHANNEL SLIDES AND THE GAIN CONTROLS OF THE SELECTED CHANNEL TONAL QUALITIES ARE SET BY THE LOW MID AND HIGH CONTROLS OF THE SAME CHANN...

Page 6: ...RETURN Used to connect outboard effect units 02 DELAY Delay effect adjust time with PARAMETER 56 knob 03 ECHO REGULAR Echo effect adjust time like delay effect 04 PING PONG ECHO Echo effect with left right panning adjust time like delay effect 05 REVERB Reverb effect for depth adjust time just like delay effect 06 PITCH UP Increases the pitch of the selected CHANNEL Mic 1 or MASTER PGM 07 PITCH DO...

Page 7: ...ANNEL 3 SLIDE KANAL 3 SCHIEBEREGLER Das Auf und Abschieben dieses Schiebereglers steigert oder senkt die Lautstärke von CHANNEL 3 CUE CH1 Drücken Sie CUE CH1 29 um CHANNEL 1 durch die HEADPHONES zu hören CUE CH2 Drücken Sie CUE CH2 30 um CHANNEL 2 durch die HEADPHONES zu hören CUE CH3 Drücken Sie CUE CH3 31 um CHANNEL 3 durch die HEADPHONES zu hören CUE EFF Drücken Sie CUE EFF 32 um die Effekte mi...

Page 8: ...mt einen 1 4 Stecker auf Beide nehmen BALANCED oder UNBALANCED Mikrofone auf BEDIENUNG 1 STROM EIN Nachdem Sie das Gerät am Mischpult angeschlossen haben drücken Sie auf die Taste POWER 2 Der Strom wird eingeschaltet und die VU METER 40 LEDS erleuchtet 2 KANAL 1 Die Regelelemente GAIN 39 HIGH 38 MID 37 und LOW 36 ermöglichen ein vollkommenes Regulieren der ausgewählten Tonquelle CH 1 SWITCH 33 erm...

Page 9: ...dbenutzt umdieEinheiten mit den Außenbord Effekten anzuschließen 02 DELAY VERZÖGERUNG Verzögerungseffekt die Verzögerungszeit mit dem PARAMETER 56 Knopf regulieren 03 ECHO REGULAR NORMALECHO Den Echoeffekt reguliert man wie die Verzögerungszeit 04 PING PONG ECHO ZEITGETRENNTES ECHO Den Echoeffekt mit links und rechtzeitigem Schwenken reguliert man wie die Verzögerungszeit 05 REVERB NACHHALL Nachha...

Page 10: ...n del CH 3 CUE CH1 Apriete CUE CH1 29 para escuchar el CHANNEL 1 a través de los auriculares CUE CH2 Apriete CUE CH2 30 para escuchar el CHANNEL 2 a través de los auriculares CUE CH3 Apriete CUE CH3 31 para escuchar el CHANNEL 3 a través de los auriculares CUE EFF Apriete CUE EFF 32 para escuchar el efecto aplicado en los CHANNELS 1 3 MIC 1 o MASTER PGM a través de los auriculares CH 1 SWITCH INTE...

Page 11: ...te etc 5 Se puede enchufar un casco de auriculares en el jack HEADPHONE 20 del panel de frente 6 La entrada MIC 1 19 en el tablero frontal acepta conector de La entrada MIC 2 14 en el tablero trasero acepta conector de Ambas aceptan micrófonos EQUILIBRADOS y DESEQUILIBRADOS FUNCIONAMIENTO 1 POWER ON Cuando se hayan hecho todas las conexiones de equipo a su mezclador oprima el POWER SWITCH 2 El apa...

Page 12: ...ectos 1 99 con el botón PARAMETER 56 DSP EFFECTS EFECTOS DSP 54 Todos los efectos DSP están enlistadas en el mezclador El hecho de girar el botón PARAMETER 56 a la derecha aumenta el efecto en muchos casos Aquí sigue un breve resumen de sus usos 01 SEND RETURN MANDAR REGRESAR Se usa para conectar unidades de efectos externas 02 DELAY RETARDO Efecto de retardo ajuste el tiempo con el botón PARAMETE...

Page 13: ...te coulisse en haut ou en bas augmente ou diminue le volume de CHANNEL 3 CUE CH 1 Appuyez sur CUE CH1 29 pour écouter CHANNEL 1 dans vos écouteurs CUE CH 2 Appuyez sur CUE CH2 30 pour écouter CHANNEL 2 dans vos écouteurs CUE CH 3 Appuyez sur CUE CH3 31 pour écouter CHANNEL 3 dans vos écouteurs CUE EFF Appuyez sur CUE EFF 32 pour écouter l effet appliqué aux CHANNELS 1 3 MC 1 ou MASTER PGM avec les...

Page 14: ...e panneau arrière Les entrées STEREO LINE 9 11 accepteront n importe quelle entrée de ligne telle que reproducteur CD magnétophone etc 5 Les écouteurs peuvent être branchés sur le panneau avant dans le jack repéré par HEADPHONE 20 6 L entrée MIC 1 19 retrouvée sur le panneau avant accepte un connecteur de po L entrée MIC 2 14 retrouvée sur le panneau arrière accepte un connecteur de po Les deux ac...

Page 15: ...RAMETRE 56 DSP EFFECTS 54 Dans ce cas tous les effets DSP sont énumérés sur le mélangeur Le fait de tourner le bouton PARAMETER 56 à droite augmente l effet dans la plupart des cas Voici une explication sommaire de leurs emplois 1 SEND RETURN TRANSMISSION RETOUR S utilise pour brancher les appareils d effets externes 2 DELAY TEMPORISATION Effet temporisé ajustez le temps avec le bouton PARAMETER 5...

Page 16: ...ice and does not represent a commitment on the part of the vendor Gemini Sound Products Corp shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this manual No part of this manual may be reproduced stored in a retrieval system or transmitted in any form or by any means electronic electrical mechanical optical chemical including photoc...

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