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VIDEO STANDARDS:

  

 
 

It is helpful to be aware of the standards for video waveforms and the parameters that are 

used in professional S video. The main reason for measuring in I.R.E. Units instead of Volts 
peak-to-peak is simplicity of the numbers created while measuring an S video signal. For 
instance a correct amplitude video signal in Volts peak-to-peak and I.R.E. Units measure exactly: 
 

VIDEO COMPONENT

 

 

I.R.E.  UNITS

 

VOLTS peak-to-peak

 

Y (Luminance and Sync) 

 

140 

 

 

1.000000000---------- 

(Chrominance) 

  40 

  0.285714286---------- 

(Sync 

Pulse 

only) 

  40 

  0.285714286---------- 

(Color 

Burst 

only) 

  40 

  0.285714286---------- 

 
 

All professional S video measurement is made in terms of I.R.E. UNITS. The I.R.E. 

UNIT gets its name from the INSTITUTE of RADIO ENGINEERS that developed the standard 
"I.R.E. UNIT" for S video measurement used in the United States, Canada and elsewhere.  
 
 

A perfect S video signal will have a sync pulse of 40 I.R.E. units, the peak picture 

Luminance amplitude would have 100 I.R.E. units, so a standard one volt black and white  peak-
to-peak S video signal is 140 I.R.E units (40 SYNC + 100 LUMINANCE (WHITE). Both of 
these signals comprise the “Y“ or Luminance channel of the S video signal. The minimum 
bandwidth of this signal is 4.8MHz but can have significant energy at much higher frequencies. 
  
 

The color channel of an S video signal is normally 40 I.R.E. units in amplitude at 

3.58MHz in frequency. Color-Burst signals and CHROMINANCE in the picture are 40 I.R.E. 
units when the video is at 100% saturated color. This color information is phase shifted to 
convey the color information. The phase relationship between the Color Burst and the 
Chrominance dictates the true color and the amplitude of the Chrominance conveys the color 
brightness. An important bit of information here is that color pictures have a maximum peak-to-
peak output of  140 I.R.E. peak-to-peak “Luminance” and “Chrominance“ together. 
 
 

The portable battery operated CM-1 Camera Master, with the CM-1S adapter can 

measure Sync Pulse, Picture amplitude, overall Composite Sync, Picture Focus, and Color Burst 
amplitude in I.R.E. units, on any 75 Ohm unbalanced S video signal. 
 

MOUNTING THE CM-1S ADAPTOR: 
 

 

Position the CM-1 facing toward you with its BNC (female) connectors facing upward. 

Place the CM-1S adaptor above the connectors with the BNC (male) connectors facing down. 
Line up the BNC connectors to mate. Rotate the BNC (male) connectors so that the notches align 
with the BNC (female) connectors. Gently push the adaptor onto the meter and rotate the collars 
on the BNC (male) connectors to lock both of them into place. To remove the adaptor simple 
reverse this process. 
 
 
CM-1Sisb 

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Summary of Contents for CM-1S

Page 1: ...CM 1S S VIDEO CAMERA MASTER ADAPTOR INSTRUCTION BOOK IB6427 01 ...

Page 2: ...F CONTENTS FORWARD 1 DESCRIPTION 1 VIDEO STANDARDS 2 MOUNTING THE CM 1S ADAPTOR 2 CABLE LOSS COMPENSATION 2 THE KEY TO MEASURING SYSTEM PERFORMANCE 3 WHAT IS A 40 40 VIDEO SIGNAL 3 THE ANSWER TO S VIDEO LOSS 4 ...

Page 3: ...hannels of video information It can be used to verify the proper level of any S video system Use this adaptor with a CM 1 to measure any video level out of S video equipment to check and correct the levels in the system Use it to verify the proper operating level for any S video equipment The S female connector makes video connection simple The unit has a built in automatic termination for both th...

Page 4: ...have significant energy at much higher frequencies The color channel of an S video signal is normally 40 I R E units in amplitude at 3 58MHz in frequency Color Burst signals and CHROMINANCE in the picture are 40 I R E units when the video is at 100 saturated color This color information is phase shifted to convey the color information The phase relationship between the Color Burst and the Chromina...

Page 5: ... Units For our purposes a no loss signal would measure 40 40 a very easy number to remember it represents a perfect picture Any more or less represents an impairment of the S video signal TABLE 2 shows what can be expected for various lengths of cable TABLE 2 SYNC PULSE LENGTH I R E LOSS NOTE 0 Feet 40 0 In Tolerance Correct Level Good Video 100 Feet 39 2 4 In Tolerance Low but in tolerance 500 Fe...

Page 6: ...o be able to obtain high definition pictures at more than a few hundred feet THE ANSWER TO S VIDEO LOSS The answer to S video loss is to offset this loss by amplification and equalization to exactly replace the energy lost at each frequency Use the CM 1 and this adaptor to measure and set the equalization amplifiers for a perfect S video signal CM 1Sisb Page 4 of 4 ...

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