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In the past, measuring S video quality has been very difficult. Without some way to 

measure actual video transmission results, there was no way to objectively evaluate system 
performance, especially in terms of picture definition and the relative performance of the various 
types of equipment available to implement S video transmission.  
 
 

The term S Video is an abbreviation for Super Video, it is also referred to as Y/C video.  

S video differs from normal composite video in several ways. The main difference is that the 
Sync and Luminance (Y black and white) part of the signal is carried on one coaxial cable and 
the Chrominance (C color)  signal is carried on a separate cable. Usually these two cables are 
combined into one cable with both coaxial cables inside the same jacket. 
 
 

S video performs well with cable lengths under 25 feet, cable lengths longer than 25 feet 

will have noticeable loss and should be measured and corrected with amplifier equalizers as 
necessary. 
 

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The CM-1S is an adaptor that is used with the CM-1 CAMERA MASTER meter to 

measure video levels on S video installations. The adaptor conveniently mounts on the two BNC 
connectors on the top of the CM-1 CAMERA MASTER and is self terminating for both channels 
of video information. 
 
 

It can be used to verify the proper level of any S video system. Use this adaptor with a 

CM-1 to measure any video level out of S video equipment to check and correct the levels in the 
system. Use it to verify the proper operating level for any S video equipment. 
 
 

The S female connector makes video connection simple. The unit has a built-in automatic 

termination for both the Chrominance and the Luminance channels. 
 
 

It can also be used to determine the location and measure the severity of low frequency 

video loss, using the “SYNC” Position on the CM-1. Low frequency video loss can cause picture 
darkness and rolling when the level is to low. If the level is to high it will cause “Blooming” over 
brightness and loss of detail in the bright areas of the picture as well as “DIGITAL VIDEO 
RECORDER OVERLOAD” a common malfunction. 
 
 

The location and severity of high frequency loss can also be measured using the 

“COLOR BURST” position on the CM-1. High frequency loss will result in the loss of picture 
definition and can cause the video monitor to switch to black and white mode. If the video high 
frequency level is too high it can cause color saturation and distortion of the video picture. This 
can be seen as an extremely grainy picture with color flaring called “Commit Tails”. A Commit 
Tail is an unnatural streak of bright color leading off to the right hand side of an oversaturated 
color pixel. 
 
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Summary of Contents for CM-1S

Page 1: ...CM 1S S VIDEO CAMERA MASTER ADAPTOR INSTRUCTION BOOK IB6427 01 ...

Page 2: ...F CONTENTS FORWARD 1 DESCRIPTION 1 VIDEO STANDARDS 2 MOUNTING THE CM 1S ADAPTOR 2 CABLE LOSS COMPENSATION 2 THE KEY TO MEASURING SYSTEM PERFORMANCE 3 WHAT IS A 40 40 VIDEO SIGNAL 3 THE ANSWER TO S VIDEO LOSS 4 ...

Page 3: ...hannels of video information It can be used to verify the proper level of any S video system Use this adaptor with a CM 1 to measure any video level out of S video equipment to check and correct the levels in the system Use it to verify the proper operating level for any S video equipment The S female connector makes video connection simple The unit has a built in automatic termination for both th...

Page 4: ...have significant energy at much higher frequencies The color channel of an S video signal is normally 40 I R E units in amplitude at 3 58MHz in frequency Color Burst signals and CHROMINANCE in the picture are 40 I R E units when the video is at 100 saturated color This color information is phase shifted to convey the color information The phase relationship between the Color Burst and the Chromina...

Page 5: ... Units For our purposes a no loss signal would measure 40 40 a very easy number to remember it represents a perfect picture Any more or less represents an impairment of the S video signal TABLE 2 shows what can be expected for various lengths of cable TABLE 2 SYNC PULSE LENGTH I R E LOSS NOTE 0 Feet 40 0 In Tolerance Correct Level Good Video 100 Feet 39 2 4 In Tolerance Low but in tolerance 500 Fe...

Page 6: ...o be able to obtain high definition pictures at more than a few hundred feet THE ANSWER TO S VIDEO LOSS The answer to S video loss is to offset this loss by amplification and equalization to exactly replace the energy lost at each frequency Use the CM 1 and this adaptor to measure and set the equalization amplifiers for a perfect S video signal CM 1Sisb Page 4 of 4 ...

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