9
The starting point of the waveform can be set in 22.5° increments. This allows, for example, offbeat
waveforms to be realized at the same rate (180° shift).
In the 12 preset patches you will find some preset phase shifts (see list).
You can change the phases of the LFOs in the 12 user patches via SYSEX (see appendix SYSEX).
3.3 LFO - PHASE (Phase shift)
Example with three SINE waves
Sine 0°
shifted Sine +90°
shifted Sine -90°
0°
90°
180°
ADVICE:
The LFOs are set back to the set phase during a reset. If the LFO Sync is switched on, the LFO
is automatically reset to the clock according to the rate. Free-running LFOs are only reset at
MIDI start and when changing a patch.
The phase change only becomes effective after a successful reset. A rate change in sync occurs
at the next 16th note and the LFO is re-synced at the next (set) beat.
After starting the MIDI clock, the module needs one beat to sync to the tempo of the clock. At the start
and at the second bar, all LFOs are reset (i.e. restarted with the set phase) . After that, those LFOs that
are activated in the active patch are automatically reset. The reset time is defined globally in the patch.
This can be between one and 12 bars. The analog RESET input is ineffective for SYNC with MIDI
clock.
With an analog clock, all 14 LFOs can be reset using the RESET input. Then, as with MIDI Clock, it is
automatically reset (with the appropriate settings of the patch). The RESET input behaves like START
with MIDI Clock: After another bar it is automatically reset and then automatically at the point in time
that is specified in the patch (between 1 and 12 bars).
3.4 SYNC and RESET
