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SEQUENCE MODE KNOBS & CV  

The sequence played can be influenced with the three controllers at the top left:

KNOB ENVELOPE

This is one of the most interesting features of the CURVES. When the sequence is played back, the
controller can be used to "morph" through the different forms of the envelope.

When the knob is at ZERO, the sound is short and choppy. The attack and decay phases are very
short. If the control is turned up a little, you can hear the steps decay longer (the decay gets longer).
The envelope is of type AD (Attack-Decay) and is only triggered by the sequencer. The length of the
step (gate time) has no influence on the envelope. However, if the position of the controller is bet-
ween 9 and 12 o'clock, the envelope is set to type AR (Attack-Release). In this area, the gate length
of the step is evaluated and has an influence on the length of the envelope.

The graphic illustrates the behavior of the controller:

12

G

a

t

e

on

Trigger 

Trigger 

The function of the controller can also be automatically modulated by a CV. The CV input
“ENVELOPE” is available for this. The input is designed for voltages in the range 0 to +5v.

Effect of the knob on the attack and decay/release times

(0=left stop MAX=right stop)

0

MAX

center

Knob position:

Envelope shape:

AD Envelope

AD Envelope

AR Envelope

Summary of Contents for CURVES

Page 1: ...CURVES ANALOG RESONANCE FILTERBANK MANUAL Version 2 00 FLAME...

Page 2: ...el 9 3 3 Filter bank control 10 3 4 MODE Sequence 11 Knob ENVELOPE 12 Knob VARIATION 13 Knob FILL 13 3 5 MODE Manually 14 FILTERTYPE 14 CUTOFF 15 SMOOTH 15 4 MIDI functions 16 4 1 Overview 16 4 2 Sync...

Page 3: ...tions available into which a maximum of 99 four bar patterns can be loaded The patterns are selected either directly by button by MIDI program change or by CV input SEQUENCE With the help of the Curve...

Page 4: ...ty If the module is poled accidentally wrong safety diodes avoid the immediate destruction of the module but further damages cannot be excepted So please pay attention Check the connection various tim...

Page 5: ...ers channel volume Filter channel direct audio outputs MIDI input CV inputs Reset input 16th clock input Audio inputs odd mono even Audio outputs odd even ALL mono Filter channel single VCA inputs Inp...

Page 6: ...quences or firmware updates via sysex Connect the MIDI input to the MIDI output of your keyboard controller or computer An appropriate commercially available adapter MIDI DIN to Mini TRS B or a 3 5mm...

Page 7: ...MIX control is in the middle position the volumes of the original and effect signals are approximately the same The LEVEL control then determines the level of the mix signal at the ALL output socket T...

Page 8: ...hat particularly amplify the range around the respective center frequencies On the other hand the individual frequency bands do not overlap Therefore the timbre is noticeably affected because it adds...

Page 9: ...volume control via CV and a slider for manually attenuating the audio signal The VCAs can be controlled in different ways directly via channel CV input Filter simulations by manual controls CV intern...

Page 10: ...Y Display oF KNOB ENVELOPE Smoothing of passing through the filter bands KNOB VARIATION Selection of one of 6 filter types KNOB FILL Adjust filter type cutoff In CURVES there are two different ways MO...

Page 11: ...n externally This is done eit her with MIDI clock start stop or via the CLOCK and RESET sockets The analog CLOCK input requires a 16th pulse sequence Since the sequencer runs internally at a higher re...

Page 12: ...riggered by the sequencer The length of the step gate time has no influence on the envelope However if the position of the controller is bet ween 9 and 12 o clock the envelope is set to type AR Attack...

Page 13: ...This happens in addition to the playing sequence The sequence con tinues to be heard until the maximum is reached The effect can be compared to the dry wet beha vior of the MIX controller where the o...

Page 14: ...CUTOFF Adjust filter type cutoff FILTERTYPE The VARIATION control sets one of six filter types These algorithms use the filter bands to simu late classic filter types such as lowpass bandpass highpas...

Page 15: ...through the individual fil ter bands like a low pass filter You can see this from the glowing LEDs of the filter channels The filter type algorithm automatically regulates the volume of the individua...

Page 16: ...ecognized 4 2 SYNC per MIDI Each filter channel can be played with an external keyboard for example A note number is assigned to each filter band for this purpose Velocity affects the triggered volume...

Page 17: ...CA_BAND5 11 VCA_BAND6 12 VCA_BAND7 13 VCA_BAND8 14 VCA_BAND9 15 VCA_BAND10 16 VCA_BAND11 17 VCA_BAND12 18 ENV_BAND1 19 ENV_BAND2 20 ENV_BAND3 21 ENV_BAND4 22 ENV_BAND5 23 ENV_BAND6 24 ENV_BAND7 25 ENV...

Page 18: ...n both sequence keys while you power on the module The display shows UP UPDATE 4 Now send the Sysex firmware file to the module While the update runs you can see the progress indicator display shows c...

Page 19: ...IDI connections voltage problems If you have any complaints please contact your dealer or send an e mail to service flame instruments de 6 3 Terms of production conformity CE RoHS UL 6 4 Disposal The...

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