background image

N

NO

OT

TE

E  O

ON

N  //V

VE

EL

LO

OC

CIIT

TY

Y

Per track at a time can be sended one fixed note on fixed MIDI-chanel 10  with
velocity variing or by accident. If a track is activated (GATE-switch from POINT
to HOLD), this track sends a note whereas the velocity can be switched with
GATE-ruler from starting-magnitude decimal 79 to 127. Despite of inactivated
RANDOM-switch on the track you can arouse effects by accident with RANDOM-
ruler on velocity. That means, if you don`t want any or very small velocity-vari-
ations, RANDOM-ruler always have to be in middle-position. This is made, that
you can put RANDOM on velocity, even if the track is inactivated by RANDOM.

Please note, also with activated HOLD the note will be sended again in the
raster of BEAT (in opposite to clock-output, which is than contiuously on maxi-
mum pegel). The velocity-by-accident-algorythm bases on emperical value and
simulates nearly the differently strong percussive clapping by hand. That will
sound different at external sound-modules, because velocity works differently
on sounds.

M

MIID

DII--tto

o--C

CV

V--IIN

NT

TE

ER

RF

FA

AC

CE

E

On fixed midi-chanel 1 the CLOCKWORK understands note-numbers from 24 to
84 (notes outside this area are ignored). 
In integrated MIDI-to-CV-INTERFACE these notes are graduated into analogue
voltages, namely into CV-voltage from  0 to 5V (5 octaves, at 1V/octave, MOOG-
compatible) and a GATE of 0/5V per duration of the note. The velocity will not be
evaluated. This interface works autonomous of the sequencer and can be used
by running or stopped  sequencer. All other received data (except midi-clock)
will be ignored. Arriving data are signalised by yellow Led over the SYNC-
switch.

Advice:

You should avoid sending bigger gratuitous data-amounts (like e.g.

SysEx) to the CLOCKWORK, because the timing-behaviour could become inse-
cure. With every arriving midi-message the processor is occupied with the ana-
lysis of data and from a certain amount it doesn`t have the time to administra-
te its programm correctly.

M

MIID

DII--C

CL

LO

OC

CK

K

Via midi-clock the CLOCKWORK can be synchronized with other sequencers
and act as a master or slave. The running CLOCKWORK always sends MIDI-
clock-data (internal clock the same as external clock). In STOP-mode no clock-
instructions are generated. It sends or receive the START/STOP-command. It
cannot send or receive CONTINUE.

R

RE

EF

FE

ER

RE

EN

NC

CE

E

M

MIID

DII

18

Summary of Contents for Clockwork

Page 1: ...manual Version 1 03 last update april 2009...

Page 2: ...functions 13 Record 13 Analogue outputs logic of sum outputs 14 G GL LO OB BA AL L F FU UN NC CT TI IO ON NS S Tempo Sync 15 Random Pot 15 Shuffle 16 M MI ID DI I 1 17 7 SENDING 17 Control Change 17 N...

Page 3: ...ms After one year of first drafts we started the development under very helpfull influence and innovative ideas of some musician friends many thanks especi ally to Robert Junge as well as to Paul Schu...

Page 4: ...following accessories with the tool Set of mounting screws grommets Quickstart manual optionally additional informations S SH HO OR RT T D DE ES SC CR RI IP PT TI IO ON N The Flame Clockwork is a vers...

Page 5: ...r punctuated notes No problem for the Clockwork Complex RANDOM functions SHUFFLE 8th or 16th grid and TEMPO affect all three channels simultaneously RECORD Recording and looping the movements of each...

Page 6: ...F FI IR RS ST T S ST TE EP PS S F FR RO ON NT T P PA AN NE EL L C CO ON NN NE EC CT TI IO ON NS S C CA AB BL LE E 6 C CO ON NN NE EC CT TI IN NG G C CA AB BL LE E...

Page 7: ...4 punctuated quarter 1 16 6T T 16th triplet 8 8T T 8th triplet 4 4T T quarter triplet The length of the impulse is determined by GATE see below After switching the change always becomes effective with...

Page 8: ...R RE EF FE ER RE EN NZ ZC CE E T TR RA AC CK KS S 1 1 3 3 B BE EA AT T B BE EA AT T B BA AS SI IC C P PU UL LS SE E G GR RI ID DS S 8...

Page 9: ...witched off and no data will be produced or sended In position POINT the GATE has the exact length of one tick In position HOLD the note will be bound endless GATE The Clock Gate output remains on max...

Page 10: ...attention to the smaller the BEAT grid the smaller the dissolution gets and if BEAT is tick adjustment is no more possible because there is no adjustment within two Timing Clock orders At stop positi...

Page 11: ...usted BEAT RANDOM can affect on control voltages Tipp If GATE is adjusted on HOLD on CV jack permanently fits the voltage which is adjusted on CV ruler Changing the factor you ll get rasterized upstai...

Page 12: ...n gle form is available to all three tracks Differences are in lower position Track 1 saw up Track 2 saw down Track 3 alternated saw up and down Keep in mind that LFO s are rasterized per smallest chr...

Page 13: ...variations See too GLOBAL FUNCTIONS RANDOM POT R RE EC CO OR RD D When RECORD switch es of the track are in upper position the ruler switch modification of the according track will be recorded contin...

Page 14: ...0 and approx 4V continuously comes out not influenced by GATE or RANDOM All three Clock outputs flow into a Clock sum output and a Gate sum output arranged as a stereo plug The signals of the three tr...

Page 15: ...If you want to leave the analogue outputs Clock CV on chance put the right switch of the track down to RND and SHIFT CV between 0 and MAX not on LFO Starting from middle position going to both sides t...

Page 16: ...out of middle position and you ll have on every second 16th on the sum output the according Shuffle So the SHIFT ruler from track 2 becomes a SHUFFLE ruler and that with a much higher dissolution At 8...

Page 17: ...ack can be sendet but the ruler switches of the track can send nevertheless controller data All MIDI data of the track except switches are sended always with the adjusted BEAT raster of the track Tip...

Page 18: ...C CE E On fixed midi chanel 1 the CLOCKWORK understands note numbers from 24 to 84 notes outside this area are ignored In integrated MIDI to CV INTERFACE these notes are graduated into analogue voltag...

Page 19: ...ator Tap synchronizer L LI IS ST T O OF F M MI ID DI I D DA AT TA A M MI ID DI I C CV V I IN NT TE ER RF FA AC CE E Receive MIDI Channel 1 Note numbers 24 84 D DR RU UM M N NO OT TE EN N Sending MIDI...

Page 20: ...ib bu ut ti io on n Andreas Schneider Adalbertstr 80 10997 Berlin Kreuzberg Germany phone 49 0 30 9789 4131 fax 49 0 30 9789 4132 email info schneidersbuero de web www schneiders buero de J JA AP PA...

Page 21: ...c damage caused by liquids penetrating the device heat damage caused by overexposure to sunlight or heating electric damage caused by improper connecting wrong power supply jacks MIDI connections volt...

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