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Fender Cyber-Twin, Instruction Manual

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Fender Cyber-Twin Instruction Manual Download Page 32

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CYBER - TWIN

28 

Preset Edit FX Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

   !

 indicates a TAP key enabled parameter, (see page 14 for TAP usage).

Mono Delay

Delay

Out Level

I

Delay 
Time

I

Delay
Feedback

I

Delay 
Brightness

I

Delay
In Level

I

Delay Time 
Change

1.0-10.0

30-1450 ms

1.0-10.0

1.0-10.0

1.0-10.0

Ramp or Step

Dotted 8/16 

Delay

Delay 

Out Level

I

Delay 
Time

I

Delay
Feedback

I

Delay 
Brightness

I

Delay 
Stereo

I

Delay Time 
Change

1.0-10.0

30-1450 ms

1.0-10.0

1.0-10.0

1.0-10.0

Ramp or Step

One-E-Da-Delay

Delay

Out Level

I

Delay 
Time

I

Delay
Feedback

I

Delay
Brightness

I

Delay 
Stereo

I

Delay Time 
Change

1.0-10.0

30-1450 ms

1.0-10.0

1.0-10.0

1.0-10.0

Ramp or Step

Ping-Pong Delay

Delay 

Out Level

I

Delay
Time

I

Delay
Feedback

I

Delay
Brightness

I

Delay 
Stereo

I

Delay Time 
Change

1.0-10.0 

30-1450 ms 

1.0-10.0 

1.0-10.0 

1.0-10.0 

Ramp or Step

Swing Tap Delay

Delay

Out Level

I

Delay 
Time

I

Delay
Feedback

I

Delay
Brightness

I

Delay 
Stereo

I

Delay Time 
Change

1.0-10.0

30-1450 ms

1.0-10.0

1.0-10.0

1.0-10.0

Ramp or Step

Tape Echo

Echo

Out Level

I

Echo
Time

I

Echo
Feedback

I

Echo
Brightness

I

Echo
Wow&Flutter

I

 

Echo Time 
Change

1.0-10.0

 30-1450 ms 

 1.0-10.0 

 1.0-10.0 

 1.0-10.0 

 Ramp or Step

Stereo Tape 

Echo

Echo

Out Level

I

Echo
Time

I

Echo
Feedback

I

Echo
Brightness

I

Echo
Wow&Flutter

I

Echo Time 
Change

1.0-10.0

30-1450 ms

1.0-10.0

 1.0-10.0

1.0-10.0

Ramp or Step

Stereo Flam 

Delay

Delay

Out Level

I

Delay
Time

I

Delay
Feedback

I

Delay
Brightness

I

Delay
Stereo

I

Delay Time 
Change

1.0-10.0

30-1450 ms

1.0-10.0

1.0-10.0

1.0-10.0

Ramp or Step

Ducking Delay

Delay

Out Level

I

Delay
Time

I

Delay
Feedback

I

Delay
Release

I

Delay Ducking
Sensitivity

I

Delay Time 
Change

1.0-10.0

30-1450 ms

1.0-10.0

1.0-10.0

1.0-10.0

Ramp or Step

Backwards 

Delay

Delay

Out Level

I

Delay
Time

I

Delay Forward
Feedback

I

Delay Reverse
Feedback

I

Delay
Brightness

I

Delay Time 
Change

1.0-10.0

30-1450 ms

1.0-10.0

1.0-10.0

1.0-10.0

Ramp or Step

Tremolo

Tremolo

Out Level

I

Tremolo
Rate

I

Tremolo
Depth

I

Tremolo
Duty Cycle

I

Tremolo
Shape 

1.0-10.0

0.08-10.0Hz

1.0-10.0

1.0-10.0

1.0-10.0

AmpTremolo

Tremolo

Out Level

I

Tremolo
Rate

Tremolo
Depth

I

Tremolo
Duty Cycle

I

Tremolo
Shape 

1.0-10.0

0.08-10.0Hz

1.0-10.0

1.0-10.0

1.0-10.0

Auto Pan

 Pan 

Out Level

I

Pan 
Rate

I

Pan Depth

I

Pan Shape 

I

Pan Phase 

1.0-10.0

0.08-10.0Hz

1.0-10.0

1.0-10.0

1.0-10.0

Phaser

 Phaser

Out Level

I

Phaser
Rate

I

Phaser
Depth

I

Phaser
Feedback

I

Phaser
Stereo 

1.0-10.0

0.08-10.0Hz

1.0-10.0

1.0-10.0

0.08-10.0Hz 

Vibratone

 Vibratone

Out Level

I

Rotor 
Speed

I

Vibratone
Doppler

I

Rotor Frequency 
Speed1

I

Rotor Frequency 
Speed2 

1.0-10.00

0.08-10.0Hz

1.0-10.0

0.08-10.0Hz

0.08-10.0Hz 

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

Summary of Contents for Cyber-Twin

Page 1: ......

Page 2: ......

Page 3: ...A PRODUCT OF FENDER MUSICAL INSTRUMENTS CORP CORONA CA USA Copyright 2000 by FMIC ...

Page 4: ... 59 Bassman Bassman Pro Amp Prosonic Dyna Touch Hot Rod Twin Amp Twin Reverb Super Reverb Deluxe Reverb Deluxe Champ Vibro Champ Vibro King Vibrolux Reverb Tremolux Bandmaster Ultimate Chorus Princeton Chorus Princeton Reverb Sidekick Stage Sunn Telecaster and Stratocaster are trademarks or registered trademarks of FMIC All other trademarks are property of their respective owners ...

Page 5: ...DJUSTING VOLUME LEVELS DURING USE NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL ONLY FCC COMPLIANCE NOTICE This equipment has been tested and found to comply within the limits for a Class B digital device pursuant to Part 15 of the FCC rules These limits are designed to provide a reasonable protection against harmful interference in a residential installation This equipme...

Page 6: ...articular moment in time A far cry from the wonderful chaos that is at the heart of great tone Enter the Cyber Twin project Since day one Fender has been about finding one s own path the invention of the original Telecaster in an era of arched top jazz guitars is the ultimate example of Leo Fender s self expression and free thinking Originally derided as a plank theTelecaster went on to spawn an e...

Page 7: ...Turn MASTER down and plug in your guitar Switch the POWER ON Adjust TRIM so that most of the Green LEDs stay on and the Red LED flashes occasionally while playing guitar Turn MASTER to desired level Rotate the large DATA WHEEL to try different Amp Design Pre sets Experiment and play guitar ...

Page 8: ...n Description and Features 8 Basic Setup 10 Demonstration Mode Switching the DEMO Mode OFF 11 Front Panel 12 Rear Panel 16 The Display screen the DATA WHEEL the Six Modes 18 PLAY Mode Interface Display Appearance and DATA WHEEL Functions 19 Menu Navigation Parameters 20 ...

Page 9: ... Blackface Reverb 26 FX Edit Mode Menu Navigation FX Edit 27 FX Edit menu items Mono Delay ÖDotted 8 16 Delay Ö One E Da Delay Ö Ping Pong Delay Ö Swing Tap Delay Ö Tape Echo Ö Stereo Tape Echo Ö Stereo Flam Delay Ö Ducking Delay Ö Backwards Delay Ö Tremolo Ö Amp Tremolo Ö Auto Pan Ö Phaser Ö Vibratone Ö 28 Pedal Wah Ö Touch WahÖ Sine Chorus Ö Triangle Chorus ÖSine Flange Ö Triangle Flange Ö Delay...

Page 10: ...g Modulator Delay 43 Menu Navigation UTILITY 44 UTILITY menu items DEMO Mode Ö Memory Protect Ö SPDIF Patching Ö Continuous Controller Assignment Ö 44 MIDI Receive Channel ÖMIDI Transmit Channel ÖSystem Exclusive ID Ö MIDI Preset Mapping ÖContinuous Controller Echo ÖFactory Preset Restore Ö MIDI Dump Utilities ÖMIDI Dump Any Preset ÖMIDI Dump All Presets Ö 45 Engineer Speak 46 How Cyber Twin Becom...

Page 11: ...cho aMIDI Preset Mapping 53 aSystem Exclusive Device ID aMIDI Dump Utilities aMIDI Dump Any Preset aMIDI Dump All Presets 54 Appendix 1 MIDI Implementation Chart 56 Appendix 2 MIDI Program Changes 57 Appendix 3 System Exclusive Messages 58 Appendix 4 Data Transmission Format 59 Appendix 5 Troubleshooting 62 Appendix 6 Cyber Twin Specifications 63 ...

Page 12: ...se of the right side speaker Test drive that setup and if it sounds good save it If not choose from the 120 built in amp designs and start by modifying one of them On board there s room for 85 of your own amp designs in THE PLAYER S LOUNGE MIDI implementation on the Cyber Twin enables you to transfer presets to and from the Cyber Twin for backup or exchange with other Cyber Twin players The Cyber ...

Page 13: ... Tone Stacks each with 2 location parameters before after the Drive Circuitry 28 FX effects selections each with 4 or 5 adjustable parameters 10 Delay effects 11 Modulation effects 3 Special effects 4 Paired effects 11 Reverb types each with 4 adjustable parameters 4 Compression Level settings 3 Noise Gate Level settings with 1 adjustable Depth parameter 4 Timbre types give instant tone boosts for...

Page 14: ...R to the Cyber Twin and the red jewel on the front panel will illuminate Set the TRIM and MASTER knobs to desired levels There may be automatic movement of the 8 motorized knobs anytime the POWER is switched ON It is O K to interrupt the motorized rotation of any knob in motion Upon sensing resistance the knob will yield control to allow for manual knob positioning You will instantly hear adjustme...

Page 15: ...ave function of the SAVE key 1 Press the UTILITY key once The screen will indicate that the DEMO Mode is ON 2 Rotate the DATA WHEEL counterclockwise to select OFF 3 Press the EXIT key to return to the PLAY Mode With DEMO Mode set to OFF the second line of the default screen will display information about the current amp design preset tone stack type tone stack location and the active effect To get...

Page 16: ...l in the mid frequency range BASS Adjusts the signal level in the low frequency range For amp designs using the Blackface tone stack TREBLE MIDDLE and BASS affect level as well as tone a characteristic of Blackface Amps PRESENCE Adjusts the signal level in the ultra high frequency range Located after the distortion circuitry in the signal path REVERB Adjusts the out level of the active REVERB type...

Page 17: ...ange to the active preset to remind you that the current configuration is new LED continues blinking until a SAVE is completed or a different preset is selected T o SAVE 1 Press the SAVE key once and a prompt displays the PLAYER S LOUNGE preset about to be replaced example prompt shown 2 Rotate the DATA WHEEL to select a PLAYER S LOUNGE preset to overwrite with the currently active amp design last...

Page 18: ...meter for TAP key adjustment is usually controlled by the FX VAL1 knob see the FX menu map for a complete listing on pages 28 and 29 A temporary screen showing the parameter and the latest time rate interval appears after the TAP key is used LED blinks at the rate of the applicable time based parameter of the active effect if one exists TAP key in PLAY Mode TAP once and time values are set at the ...

Page 19: ...upon the current Mode of the Cyber Twin PLAY Mode Selects the active amp design preset AMP Edit Mode Selects parameter values for each amp design component FX Edit Mode Selects the active effect or parameter values for each effect UTILITY Mode Selects parameter values for most of the system or MIDI menus TUNER Mode Unused PRESET EDIT AMP Activates the AMP Edit Mode for selecting amp components and...

Page 20: ... of the following parameters per preset GAIN VOLUME TREBLE MIDDLE BASS PRESENCE REVERB MASTER VOLUME any REVERB parameter any EFFECT parameter Expression pedal assignment is saved as part of a preset This offers you the flexibility to change expression pedal assignment with each preset change automatically Expression Pedal assignment is done from the AMP Edit Mode see on page 24 for details REVERB...

Page 21: ...ted when this jack is in use Line out signals are not muted STEREO MONO While this switch is IN right and left line outputs MM are mixed together for dual MONO output from the impedance balanced XLR jacks RIGHT and LEFT XLR LINES OUT Impedance balanced jacks for stereo or dual mono output to sound reinforcement and recording equipment Output signals are frequency compensated to simulate a miked sp...

Page 22: ...creen The DATA WHEEL selects things such as amp design presets and their parameters The Modes The Cyber Twin is organized into 6 Modes of operation Here s an overview of what you can do in each Mode Example Screens PLAY Mode Play guitar Activate any preset Adjust parameter settings Save new amp designs Play on a MIDI network PLAY Mode is the default Mode after power up The EXIT key always returns ...

Page 23: ...ored value for current preset The knob icon approximates the position of the actual knob DATA WHEEL Function In the PLAY Mode the DATA WHEEL selects from the 205 amp design presets available The presets are organized into 3 banks F C00 C84 FENDER CUSTOM SHOP 85 Premium amp and effects combinations stored in permanent memory F P00 P84 PLAYER S LOUNGE 85 rewritable presets for your original Amp desi...

Page 24: ...p Rotate the DATA WHEEL to EDIT the parameter selected above Press the EXIT key to EXIT a Mode and return to the PLAY Mode The stored settings of many parameters define each amp design preset You can edit the most needed parameters directly on the front panel in PLAY Mode as well as other Modes These are included in preset saves GAIN VOLUME TREBLE MIDDLE BASS PRESENCE REVERB NOISE GATE FX LEVEL FX...

Page 25: ... with parameter information to the right ÙShaded Row lists the range of parameter values for the menu item to the left see Adjustment above denotes a column with menu items in a continuous loop denotes a row with menu items in a continuous loop PARAMETER NAME Description and instructions Sample Screen List or range of values Value1 I Value2 I Value3 I continuous menu loop 6 6 6 6 03 03 03 03 Remem...

Page 26: ...are used for high gain sounds As the drive type number 1 I 2 I 3 I 4 increases so does the gain within each drive type Blackface Fender Blackface amps Tweed Fender Tweed amps Hot Rod Fender Hot Rod amps HMB typical UK style Dyna Touch Fender Dyna Touch amps Blackface Tube 1 I 2 I 3 I Tweed Tube1 I 2 I 3 I Hot Rod Tube 1 I 2 I 3 I HMB Tube 1 I 2 I 3 I Dyna Touch 1 I 2 I 3 I 4 I continuous menu loop...

Page 27: ...elect one of four Timbre types None I Full Body I Razor Edge I Bright Light I Bass Booster I continuous menu loop Phase Polarity determines the push pull order of a speaker for each cycle of frequency response Switch the phase polarity of the Cyber Twin s left and right speakers in all possible combinations Fender Amps with Reverb have traditionally had the speakers operating in reverse polarity T...

Page 28: ...ow Effects and Reverb each have a number of dynamic values listed in braces below For a listing of effects parameters see the FX menu map on page28 For a listing of Reverb parameters see Reverb Defined on pag e25 Volume I Gain I Treble I Middle I Bass I Presence I Reverb I FX Level I FX value 1 I FX value 2 I FX value 3 I FX value 4 I Master Volume I Reverb In Level Dwell I Reverb Tone Shape I Rev...

Page 29: ... described below Their remaining parameters are shared with the other 9 Reverb types described on the next page Description Based on the much sought after tube driven Brown Tolex 63 Fender Reverb unit This is an outboard unit used primarily by players who use amps without Reverb such as the 59 Bassman In the Cyber Twin the Fender Reverb is placed before any of the Drive Circuitry or tone controls ...

Page 30: ...tting can be saved in a preset with all of the other amp set tings but does not have a default value when a Reverb is selected from the Preset Edit AMP menu If you don t hear any Reverb sound make sure this knob is higher than 1 0 and check the Reverb In Level below Reverb In Level Adjusts the level of your guitar signal into the Reverb as opposed to the REVERB knob which adjusts the level out of ...

Page 31: ...wed by a map of the FX Mode on pages 30 and 31 Find individual FX definitions on pages 32 through 45 Select a parameter to edit Press the FX key repeatedly to increment through the menu items of the active FX or Press and hold the FX key while rotating the DATA WHEEL in either direction Adjustment Rotate the DATA WHEEL to adjust the parameter selected in the step above The FX menu map on pages 30 ...

Page 32: ...I Echo Wow FlutterI Echo Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Stereo Flam Delay Delay Out LevelI Delay TimeI Delay FeedbackI Delay BrightnessI Delay StereoI Delay Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Ducking Delay Delay Out LevelI Delay TimeI Delay FeedbackI Delay ReleaseI Delay Ducking SensitivityI Delay Time Change 1 0 10 0 30...

Page 33: ...LevelI Delay TimeI Chorus DepthI Delay FeedbackI Chorus RateI Delay Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Delay Flange FX Wet Out LevelI Delay TimeI Flange DepthI Delay FeedbackI Flange RateI Delay Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Delay Phaser FX Wet Out LevelI Delay TimeI Phaser DepthI Delay FeedbackI Phaser RateI Delay Time...

Page 34: ... repeat darker and 10 0 to allow the high frequencies to repeat Use this control to simulate the high frequency absorption of acoustically dull rooms or analog echo units Note that because this control removes highs from the signal that it will also affect the number of delayed repeats Delay In Level Adjusts the input level to the delay effect Mono Delay is the only effect with this control By att...

Page 35: ...each subsequent repeat darker and 10 0 to allow the high frequencies to repeat Use this control to simulate the high frequency absorption of acoustically dull rooms or analog echo units Note that because this control removes highs from the signal that it will also affect the number of delayed repeats Delay Stereo Adjusts the amount of stereo spread in the panning left right channel shifting of the...

Page 36: ...r no ducking action and 10 0 for maximum ducking action with the highest degree of sensitivity to any input from your guitar Note that TRIM GAIN VOLUME TONE controls and Drive Circuitry selection all affect the volumes of the dry signal the delayed signal AND the ducker sensitivity To use MIDI continuous controller messages to instantly change the delay time set Delay Time Change to the Step setti...

Page 37: ...nt with a digital zip sound audible for a moment Description Delay effects with added features to get a tape echo sound Tape Echo is pure mono and Stereo Tape Echo is a two tap ping pong effect Unlike a vintage tape echo machine however there s no tape hiss nor is there the possibility of breaking a tape loop These are two of our favorites Fair warning if you try these you might never go back to a...

Page 38: ...s subjectively more even sounding Adjustable parameters Chorus Output Level Adjusts the wet dry signal ratio Select between 1 0 for 0 wet no effect and 10 0 for a 50 mix Chorus Rate Hz Range from 0 08 Hz to 10 Hz Adjusts the rate of the chorus effect The increment of change gradually increases from 0 01 Hz for the slowest rate to 0 08 Hz for the fastest rate Remember that the TAP button can always...

Page 39: ...back Adjusts how much signal from the flange taps is recycled back to the input Select between 1 0 for minimum levels that result in chorus like sounds and 10 0 for maximum flanging SineFlange Tri Flange Phase Adjusts the phase relationship between the two flange Low Frequency Oscillators Select 1 0 and the two voices of the flange are in phase which creates the deepest flange Select 10 0 and the ...

Page 40: ... effect 3 Tremolo Offset Adjusts the center of the LFO waveform Select 1 0 and the LFO will modulate the guitar signal so much that the phase is flipped giving a more extreme character Select 10 0 and the LFO is limited to just modulating the volume 4 Tremolo Shape Continuously adjusts the smoothness of the tremolo waveform Select between 1 0 for a subtle and natural effect and 10 0 for a choppy e...

Page 41: ... Adjusts the frequency that the wah pedal sweeps to in the heel down position Select between 1 0 for the lowest frequency and 10 0 for the highest frequency Note that Wah Heel Fre quency and Wah Toe Frequency can reverse positions so that the typical setup low frequency with the Heel down becomes low fre quency with the Toe down Wah Toe Frequency Adjusts the frequency that the wah pedal sweeps to ...

Page 42: ...rom 0 01 Hz for the slowest rate to 0 08 Hz for the fastest rate Remember that the TAP button can always be used to key in the rotor speed by feel two TAPs set the time it takes for the LFOs to go through one cycle Remember that although this is a stereo effect both of the voices move at the same rate Vibro Doppler Adjusts the amount of Doppler shift and how apparent the effect sounds Select betwe...

Page 43: ...the wet dry signal ratio Select between 1 0 for 0 wet no effect and 10 0 for a 50 mix Delay Time ms Range 30 to 1450 milliseconds Adjusts the time interval between the delayed repeats The increment of change gradu ally increases from 1 millisecond at the shortest delay time to 10 milli seconds at the longest delay time Remember that theTAP button can always be used to key in delay times by feel Ch...

Page 44: ...ange Select Ramp or Step to change the way the effect responds to changes in the Delay Time parameter With the Ramp setting the delay time change will be gradual with an analog sounding pitch warble audible until the delay time stabilizes With the Step setting the delay time change will be instant with a digital zip sound audible for a moment Delay Phaser Description Mono Delay plus stereo Phaser ...

Page 45: ...lly raises the volume level from inaudible to the maximum for the given preset having this control at anything less than 10 0 will cause there to be some dry signal present at all times including at the beginning of the swell For the maximum swelling action keep this control set at 10 0 Autoswell Attack Time Adjusts the amount of time it takes for the AutoSwell to come up to full volume Chorus Dep...

Page 46: ...wet all effect Pitch Adjusts the semi tone shift value of this effect within a four octave range Select between 1 0 for a shift two octaves down and 10 0 for a shift two octaves up from the dry input pitch Adjustment increments are made in semi tones intervals with 5 5 being in unison with the input signal no shift Note that the farther from center 5 5 that you turn the knob the more apparent the ...

Page 47: ... DATA WHEEL to select Mod Frequency parameter You must have an analog expression pedal plugged into the EXP PEDAL jack and Ring Mod Delay must be selected as the active effect Delay Out Level Adjusts the wet dry ratio of the delay effect Select between 1 0 for 0 wet no effect and 10 0 for a 50 mix Delay Time ms Range 30 to 1450 milliseconds Adjusts the time interval between the delayed repeats The...

Page 48: ... below is your guide to the UTILITY Mode Each menu item is represented by a pair of rows unshaded and shaded as shown in the example below PARAMETER NAME Description operational instructions example screen Listing or Range of values ÚColumn 1 lists the 13 UTILITY parameters see Select a parameter to edit above ÙUnshaded Row lists the parameter name with a description to the right ÙShaded Row lists...

Page 49: ...ing with the outgoing data ON Allows continuous controller data to repeatedly echo OFF I ON FACTORY PRESET RESTORE WARNING ALL of your presets are erased with this function PLAYER S LOUNGE presets are overwritten with FENDER CUSTOM SHOP presets Press the TAP key once to initiate this operation Press the EXIT key to cancel Press the TAP key a second time to reset all presets to factory MIDI DUMP UT...

Page 50: ...win represent because they put them there Several of the principal engineers have offered insights as only they would have starting on the next page Following Cyber Twin Insights is a technical discourse on How the Cyber Twin Becomes an Amplifier Thanks go out to all the members of the Cyber Twin team each one essential to this great success On the robotic shape shifting abilities of the Cyber Twi...

Page 51: ...mp sounds when we plugged in several different guitars and got completely different tones The Cyber Twin seems complimentary to your guitar and almost transparent at times Strats Teles Les Pauls 1 they all display their full char acter through the Cyber Twin Try that with a modeling amp This amp really allows one to define their own tone something every guitarist strives for and something that elu...

Page 52: ...rienced the humble begin nings of the Cyber Twin amp when I interviewed for the job at Fender R D The department was in the process of building a core of DSP products with the flagship DSP amp the Cyber Twin at the center of attention Before the visit to Fender it was hard to imagine the tradi tional classic Fender tube amplifier and the DSP products together although it seemed like a necessary ev...

Page 53: ...become beautiful as they are refined and defined The same has been true of the Cyber Twin As the tone painting has developed it has sounded rough at times but has ended up being an incredible sounding guitar tone creation tool The difference between the Cyber Twin s beauty and that of say a one trick pony like the inimitable Vibro King it does that one trick very well indeed is that while the Vibr...

Page 54: ...uction Fender 5F6 A Bassman was a starting point that evolved into the Tweed tone stack which came about as a re optimization for bass guitar and was first used in the 5F6 A Bassman of 1959 The Blackface tone stack came about in an effort to make a guitar amplifier sound as clean and loud as possible with a given amount of power All three tone stacks and many variations are used in guitar amplifie...

Page 55: ...ne however than tone stacks The location of a tone stack in the circuit makes an astounding difference in the sound of an amplifier even when the amp is played clean You can demonstrate this by switching the Cyber Twin s tone stack location from pre distortion to post distortion without changing anything else Also there are many drive distortion types that have been used The Cyber Twin has 12 tube...

Page 56: ...X value 4 Reverb In Dwell Reverb Tone Shape Reverb Time and Reverb Diffusion 3 4 25 1 Set the Cyber Twin to match the continuous controller device number The default setting on the Cyber Twin is 11 the number used by many MIDI pedal manufacturers The continuous controller device number is stored globally on the Cyber Twin If the numbers are not equal use the continuous controller number menu on th...

Page 57: ...elected the only continuous controller information sent out will be new data transmitted from the turning of a knob or operation the analog expression pedal This feature will aid in recording continuous controller sequences 077 1 Any MIDI program changes contained in bank 00 can be mapped to any preset on the Cyber Twin Two of the FX knobs are used to select the values in this menu The FX LEVEL kn...

Page 58: ...MO Mode Memory Protect SPDIF Patching continuous controller Number MIDI Receive Transmit Channels System Exclusive ID and MIDI Map 27 8 Dumps a selected preset The default choice is the current preset Choose any other preset with the DATA WHEEL while the Any Preset Dump menu left is active The items sent in this dump include all the parameter values for the one selected preset Audio from the amp w...

Page 59: ... 55 6 MIDI Implementation Chart 56 6 MIDI Program Changes 57 6 System Exclusive Messages 58 6 Data Transmission Format 59 6 Troubleshooting 62 6 Specifications 63 ...

Page 60: ...X X After Key s Touch Channel X X X X Pitch Bender X X Control Change O O Assignable Continuous Controller are 1 100 Prog Change True O O Internally Mapped System Exclusive O O See Appendix System Song Pos Common Song Sel Tune X X X X X X System Clock Real Time Commands X X X X Aux Local ON OFF Messages All Notes OFF Active Sense Reset GM ON X X X X X X X X X X Notes O Yes X No Mode 1 OMNI ON POLY...

Page 61: ...ge message to be sent when changing preset banks The Tuner is accessed using MIDI program change number 127 within banks 01 03 MIDI Continuous Controllers The table below lists continuous controlle rnumbers that each parameter will automatically respond to CC Parameter Value Range 07 Master Volume 0 127 32 LSB for Bank Changes 0 127 85 Effects Reverb Bypass OFF 0 63 ON 64 127 96 Data Increment Lin...

Page 62: ... Message Value Description F0H Start of System Exclusive Message 08H Fender s Manufacturer ID nnH nn Device ID minus one 11H Amp ID number 11H The upper nibble identifies the Cyber Twin and the lower nibble is the software version ffH Function ID number See list for values PnH Packet Number Data Data bytes The data bytes have been formatted following the MIDI Specification 1 0 CBH Checksum byte us...

Page 63: ...wledge ppH Packet Number F7H End of System Exclusive Message Parameter Edit ID Description F0H Start of System Exclusive Message 08H Fender s Manufacturer ID nnH nn Device ID minus one 11H Amp ID number 11H The upper nibble identifies the Cyber Twin and the lower nibble is the software version 05H Message ID number for additional parameter controls ddH Parameter ID Number See list below vvH Value ...

Page 64: ...horus 14H Sine Flange 15H Triangle Flange 16H Delay Chorus 17H Delay Flange 18H Delay Phaser 19H Auto Swell Chorus 1AH Ultra Clean Chorus 1BH Pitch Shift 1CH Ring Mod Delay Reverb Type Selection 04H 00H Small Room 01H Large Room 02H Small Hall 03H Large Hall 04H Arena 05H Small Plate 06H Large Plate 07H Blackface Reverb 08H Gated Reverb 09H Small Ambience 0AH Fender Reverb Timbre Selection 05H 00H...

Page 65: ... 0CH 00H FX Input 01H Reverb Input 02H FX Output 03H Reverb Output 04H FX Reverb Input 05H FX In Reverb Out 06H FX Out Reverb In 07H FX Reverb Out 08H Vibro Fast Slow Parameter Edit ID Description F0H Start of System Exclusive Message 08H Fender s Manufacturer ID nnH nn Device ID minus one 11H Amp ID number 11H The upper nibble identifies the Cyber Twin and the lower nibble is the software version...

Page 66: ...rs on Screen Write down the message exactly as it appears on Screen and contact your local Fender repair center with this information The unit is not responding to any MIDI program change Messages from external devices Make sure the MIDI Receive channel is set properly Make sure the MIDI Cables are connected properly The unit is not responding to any MIDI continuous controller messages from extern...

Page 67: ...SPEAKER COMPLEMENT Celestion Two 2 x G12T 100 12 inch 8 ohm FUSES PRIMARY F4A 125V for 100V and 120V units F2A 250V for 230V and 240V units SECONDARY digital supply F2A analog supply Two 2 x T1A FOOTSWITCH FOUR BUTTON Quick access key recall functions 5 pin DIN MIDI type cord ONE BUTTON Reverb Effects Bypass and Vibratone rotor speed select standard one button toggle type P N 099 4055 000 or 00 57...

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