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Eventide H90 Harmonizer, User Manual

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Eventide H90 Harmonizer User Manual Download Page 110

Bi-phase: Based on the topology of the 

Mu-Tron Bi-Phase

.

PhaseX0: A 

phase 90

 clone (but it also does phase 180 and some others if you check Stages).

Depth: Sets the modulation sweep range from narrow to wide.
Speed / Sensitivity: Sets the modulation sweep rate. Speed becomes Sensitivity when Shape is set
to Envelope or ADSR.
Shape: Selects the waveform, or source, of the modulation. The choices are:

Sine
Triangle
Peak
Random
Square
Ramp
SampHold
Envelope: The modulation becomes driven by the amplitude of the audio input.
ADSR: The modulation becomes driven by an ADSR triggered by the amplitude of the audio
input.
Manual: When selected, the Manual Mod parameter will control the modulation.

Stages/Direction: This control allows you to select the number of digital 

fi

lters. For Bi-phase, selects

the sweep direction.
Depth Mod: Controls the amount of modulation of the Depth parameter. Analogous to AM
(Amplitude Modulation).
Speed Mod: Controls the amount of modulation of the Speed parameter. Analogous to FM
(Frequency Modulation).
Mod Rate / Mod Sens: Sets the secondary LFO rate – determines how fast the Depth Mod and
Speed Mod “wiggle” their targets. Ranges from 1/8th to 8x the Speed value. Mod Rate becomes
Mod Sens when Mod Source is set to Envelope or ADSR.
Mod Source: Selects the secondary LFO waveform, or source. The choices are:

Sine
Triangle
Peak
Random
Square
Ramp
SampHold
Envelope: The modulation becomes driven by the amplitude of the audio input.
ADSR: The modulation becomes driven by an ADSR triggered by the amplitude of the audio
input.
Manual: When selected, the Manual Mod parameter will control the modulation.

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110

10. ALGORITHM GUIDE

Summary of Contents for H90 Harmonizer

Page 1: ......

Page 2: ...d trademarkof EventideInc Harmonizer isEventide strademarkfor a special effectsdevicethatincorporatespitch change MixingLink isa registered trademarkof Manifold Labs LLC All other trademarkscontained herein aretheproperty of their respectiveowners EventideInc OneAlsan Way LittleFerry NJ07643 United Statesof America 201 641 1200 www eventideaudio com ...

Page 3: ...tures 1 2 A Few Words of Advice 1 3 What s in the Box 2 Hardware 2 1 Top Panel 2 2 Rear and Side 3 Setup 3 1 Simple Guitar Setup 3 2 Two Mono Inserts 3 3 One Stereo Insert 3 4 Guitar and Vocals with MixingLink 3 5 Pre Post Amplifier 3 6 Dual Inserts with a DAW or Mixing Console ...

Page 4: ... 31 32 32 33 35 4 Terminology 4 1 List 4 2 Program 4 3 Algorithm 4 4 Preset 5 Play Modes 5 1 Select Mode 5 1 1 Program Select 5 1 2 Bank Select 5 2 Perform Mode 5 2 1 Performance Parameters 5 3 Quick Knob Assignments ...

Page 5: ...rograms 6 1 1 Saving Programs 6 2 Routing 6 2 1 Insert Routing 6 2 2 Dual Routing 6 3 Presets 6 3 1 Saving Presets 6 4 Parameters 6 4 1 Mapping 6 4 2 HotKnob 6 4 3 HotSwitch 6 4 4 Tempo Sync 7 System Menu 7 1 Global 7 2 I O 7 3 MIDI 7 4 Preferences 7 5 About 8 Tempo Menu ...

Page 6: ...9 Software Updates ...

Page 7: ...90 96 96 10 Algorithm Guide Delay Band Delay Bouquet Delay Digital Delay Ducked Delay Filter Pong Head Space Mod Delay MultiTap Reverse Tape Echo UltraTap Vintage Delay Distortion CrushStation PitchFuzz Sculpt WeedWacker EQ EQ Compressor Looper Modulation Chorus ...

Page 8: ...26 128 130 131 137 138 139 Even Vibe Flanger Harmadillo Instant Phaser Instant Flanger ModFilter Phaser Q Wah RingMod Rotary TremoloPan Tricerachorus Undulator Vibrato Multi SpaceTime Pitch Crystals Diatonic H910 H949 HarModulator HarPeggiator MicroPitch Octaver PitchFlex ...

Page 9: ...3 154 155 156 157 157 158 159 159 159 Polyphony Prism Shift Quadravox Resonator Reverb Blackhole DualVerb DynaVerb Hall MangledVerb ModEchoVerb Plate Reverse Reverb Room SP2016 Reverb Spring Shimmer TremoloVerb Wormhole Synth HotSawz Synthonizer Utility Mute Thru ...

Page 10: ...173 A Tech Support B Tech Specs C Global Mapping Chart D Startup Sequences D 1 Recovery Mode D 2 Clear Current State D 3 Factory Reset E Legalese 5 1 Safety and Warranty 5 2 Federal Communications Commission Statement ...

Page 11: ... algorithms 10 new effect algorithms Bouquet Delay Even Vibe Head Space Instant Flanger Instant Phaser Polyphony Prism Shift SP2016 Reverb WeedWacker Wormhole Includes all 52 effect algorithms from the H9 Max Harmonizer with enhanced features and improvements New low latency Polyphonic Pitch Shifting with SIFT Spectral Instantaneous Frequency Tracking technology ARM based architecture lays the fou...

Page 12: ...essing and flexibility into a compact package To get a full understanding of what the H90 offers we recommend taking the time to explore this User Guide However if you re eager to get going at least read the included Quick Reference Guide or view the Setup Chapter Section 3 to help you get started 1 3 What s in the Box The box contains H90 Quick Reference Guide Universal AC power supply USB C to U...

Page 13: ...ions 2 1 Top Panel Fig 2 1 H90 Top Panel SELECT Knob Press the Select Knob to enter Select Mode Press and hold the Select Knob to enter Bank Select Mode PERFORM Knob Press the Perform Knob to enter Perform Mode Turn the Perform Knob to adjust the Program HotKnob Section 6 4 2 OLED Display 1 2 3 2 HARDWARE 13 ...

Page 14: ...th On Off This LED indicates the H90 s Bluetooth active status Bluetooth Connection This LED indicates if the H90 is paired with another device via Bluetooth Note Bluetooth features are not implemented in the H90 s current software and will be added in a future update Quick Knobs Use the three Quick Knobs to adjust parameters and settings Programs Press to enter Programs Edit Mode to browse and au...

Page 15: ...ultaneously Presets Press to enter Preset Edit Mode and browse the Preset Library Parameters Press to enter Parameters Edit Mode to adjust Program and Preset parameters Tip Press and hold the Presets and Parameters Buttons simultaneously to access the Tempo Menu Fig 2 3 Press and hold the Presets and Parameters Buttons simultaneously 10 11 2 HARDWARE 15 ...

Page 16: ...m mode press the LED Buttons to assign a Performance Parameter to a Footswitch Footswitches In Select Bank Mode use the three Footswitches to cue up and load Programs In Perform Mode these are user programable Footswitches 2 2 Rear and Side Fig 2 4 H90 Rear Fig 2 5 H90 Side Analog Inputs 12 13 1 16 2 HARDWARE ...

Page 17: ...parameter mapping and assignment options Power Input Use the supplied 12V 1A power adapter to power your H90 Center positive 5 5 2 5mm jack USB C Connect to your computer for updates and Program and Preset management via the H90 Control app Also used to transmit MIDI over USB Line Level LEDs These LEDs indicate which inputs and outputs are set to line level MIDI DIN In Connect MIDI devices to cont...

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Page 19: ...the tuner Fig 3 1 Tuner display page Turn Quick Knob 1 to change the tuning frequency in one Hz increments Turn Quick Knob 3 to change from Mute to Thru Note that the tuner is accessible in every Mode except Perform Mode 3 1 Simple Guitar Setup It s best to start simple 3 SETUP 19 ...

Page 20: ...re the User 1 Playlist Auditioning Programs A selection of Programs have been curated from the Factory Lists and added to the User 1 List To explore this curated List press the Select knob to enter Select Mode Section 5 1 To search through all the Programs on the H90 press the Programs Button to enter Programs Edit Mode Section 6 1 20 3 SETUP ...

Page 21: ... H90 Input 1 Connect H90 Output 1 to your guitar amp Connect H90 Output 3 to MicroPitch Input Connect MicroPitch Output to H90 Input 3 Connect H90 Output 4 to H9 Max Input Connect H9 Max Output to H90 Input 4 Press the Routing Button to select where the Inserts will be in the signal path Check out Insert Routing Section 6 2 1 for more info 3 3 One Stereo Insert You can also use a single stereo ins...

Page 22: ...ath Check out Insert Routing Section 6 2 1 for more info Tip If any of your connected gear operates at line level instead of instrument level press and hold the Programs and Routing Buttons together to access the System Menu navigate to the I O menu and set the levels appropriately 3 4 Guitar and Vocals with MixingLink Using the Eventide MixingLink you can easily amplify a microphone signal as wel...

Page 23: ...s enables Preset A to be on Path 1 and Preset B to be on Path 2 Now we can use Preset A to process our guitar signal into the guitar amp and Preset B to process the microphone signal into a different input source Check out Dual Routing Section 6 2 2 for more info 3 5 Pre Post Amplifier If your guitar amp has an effects loop it is sometimes desirable to put certain effects such as drive or compress...

Page 24: ...the Routing Button and turn Quick Knob 1 to adjust the routing position to Pre Post The will place Preset A between your guitar and preamp on Path 1 while Preset B will be placed in the amp s effects loop on Path 2 Check out Dual Routing Section 6 2 2 for more info 3 6 Dual Inserts with a DAW or Mixing Console The H90 is well suited to be used as an outboard effects processor for a mixing console ...

Page 25: ... mixing console or audio interface to H90 Input 3 and 4 Connect H90 Output 3 and 4 to aux return 2 of your mixing console or to a pair of Inputs on your audio interface Press the Routing Button and turn Quick Knob 1 to adjust the routing position to Pre Post When you send audio to aux channel 1 of your mixer it will be processed by Preset A on Path 1 Audio that is sent to aux channel 2 of your mix...

Page 26: ... Tip If you d like the H90 s tempo to sync to an external MIDI device via DIN or USB navigate to the Tempo Menu Section 8 and set the Tempo Source appropriately 26 3 SETUP ...

Page 27: ... with an assortment of Factory Lists from which a choice selection of Programs have been picked for the first User List The currently active List is referred to as your Playlist Select Mode allows you to select Programs from your Playlist while Programs Edit Mode allows you to search through both Factory Lists and User Lists Fig 4 1 Programs Edit Mode with the List filter set to All 4 TERMINOLOGY ...

Page 28: ...and features spillover which allows the previous Program s reverb delay tail to decay naturally when another Program is loaded Fig 4 3 Program Select Mode displaying the Clean Ambient Program 4 3 Algorithm An Algorithm is an Eventide designed audio processing module with carefully chosen parameters Each parameter may be adjusted and mapped Section 6 4 to Footswitches knobs expression pedals and MI...

Page 29: ...t Type has a signature icon 4 4 Preset A Preset is an Algorithm with a unique combination of parameter values that can be saved to the Preset Library or within a Program Fig 4 5 The Polyphony Algorithm s Preset Jazz Vibes in Parameters Edit Mode 4 TERMINOLOGY 29 ...

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Page 31: ...uation Whether you are loading Programs for each song in a gig or engaging the perfect effect for that special moment during your guitar solo the Play Modes allow you to easily navigate and control your H90 5 1 Select Mode To enter Select Mode press the Select Knob Select Mode allows you to queue up and load Programs from your Playlist which is configured in the System Menu s Global page Select Mo...

Page 32: ...ough the banks Press any Footswitch to load one of the three Programs in the selected bank The LED above that Footswitch will illuminate to indicate that the Program is active Press the same Footswitch again to bypass the Program You can also program an aux switch or MIDI controller to perform the Bank Up or Down functions using the Global Control functions This allows you to use only the P A B Fo...

Page 33: ...sounds Furthermore the three onboard HotSwitches allow you to map a range of parameters within a Program it s like getting three additional Programs for the price of one 5 2 1 Performance Parameters In Perform Mode the P Footswitch is mapped to the Program s performance parameters and the A and B Footswitches are mapped to their respective Presets performance parameters Press the Perform Knob to t...

Page 34: ... even Insert active states An Aqua color indicates a HotSwitch Blue indicates a delay parameter like repeat or feedback oscillation Red indicates a pitch shifting parameter such as the Flex parameter for PitchFlex Green indicates a modulation parameter such as an LFO Brake Speed or Retrigger Performance Parameter Assignment Options P Footswitch A Footswitch B Footswitch Program Active Bypass Prese...

Page 35: ...rs to an external controller Press and hold the P A or B LED Button to begin mapping the P A or B performance parameters to an external auxiliary switch or a MIDI CC message Turn Quick Knob 1 to select a parameter Turn Quick Knob 2 to select a control source for that parameter These maps will be active in Select Mode as well Fig 5 6 Performance Parameter mapping menu 5 3 Quick Knob Assignments In ...

Page 36: ... A or B or mix things up between both Preset and Program level parameters Press and hold any Quick Knob to access the assignment menu Fig 5 8 Page 1 of the Quick Knob assignment menu Fig 5 9 Page 2 of the Quick Knob assignment menu press any Quick Knob to toggle pages The square at the top left of the screen indicates the current Quick Knob assignment page Press any Quick Knob to change the page T...

Page 37: ...Press and hold any Quick Knob or press the Perform Knob to exit the Quick Knob Mapping menu Note that new mappings are not saved until the program is saved 5 PLAY MODES 37 ...

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Page 39: ... Quick Knob 1 selects the List This includes both Factory Lists and User Lists Quick Knob 2 selects the effect type for which to search Quick Knob 3 selects the Algorithm for which to search Turn the Select Knob to scroll through the filtered List which auto loads each Program for quick auditioning Press the P LED Button to activate bypass the Program Press the A or B LED Button to activate bypass...

Page 40: ... 6 3 Program save naming display Move the cursor by turning the Select Knob or Quick Knob 1 Pressing Quick Knob 1 moves the cursor to the right Select the character by turning the Perform Knob or Quick Knob 2 Pressing Quick Knob 2 switches the character set between lowercase uppercase numbers and symbols Delete a character by pressing Quick Knob 3 Press the Perform Knob to save your Program Your r...

Page 41: ...ting Edit Mode appears in one of two ways depending on whether the Global Routing Configuration is set to Insert or Dual on the System Menu s Global page Section 7 1 Fig 6 4 Configure your Global Routing in the System Menu page Note Changing your routing from Insert to Dual will automatically enable an alternate set of available Lists as well as your current Playlist Programs and Lists that are cr...

Page 42: ...uting Options Series Parallel Pre A Pre A B Parallel Pre A Mid Pre B Post B Parallel Post A Post B Post A B To enable an Insert Quick Knob 1 Turn to change the routing between series and parallel 42 6 EDIT MODES ...

Page 43: ... parallel will display in the top right corner Fig 6 6 Programs with Presets routed in parallel Quick Knob 2 Turn to enable Insert 1 and adjust the Insert position Press to active bypass Insert 1 Quick Knob 3 Turn to enable Insert 2 and adjust the Insert position Press to active bypass Insert 2 Fig 6 7 Insert routing page with no active Inserts 6 EDIT MODES 43 ...

Page 44: ...ith Preset A B Fig 6 10 Inserts 1 2 routed in Parallel with Preset A B Fig 6 11 Inserts 1 2 in Parallel with Insert 1 pre Preset A and Insert 2 post Preset B Turning Quick Knob 3 completely clockwise will enable stereo insert 1 2 the position of which can then be adjusted using Quick Knob 2 44 6 EDIT MODES ...

Page 45: ...6 14 Page 2 of the Insert parameters Turn Tails on to allow the inserted device s effects to trail off naturally when bypassed Turn Tails off to mute the insert immediately when bypassed Latency only should be set when inserting digital devices Analog devices do not have appreciable latency Setting the latency properly will prevent comb filtering when the Insert s Mix isn t 100 or 0 Consult the in...

Page 46: ...cess two instruments separately through two different Presets or to connect to an amplifier in a Pre Post configuration using one Preset in your preamp section and one Preset in your amp s effects return Note Programs using Dual Routing will display in the top right corner Fig 6 15 Programs using Dual Routing Turn Quick Knob 1 to change the routing position for Presets A and B on Paths 1 and 2 Qui...

Page 47: ... Series Thru Path 1 Parallel Parallel Thru Pre Post Preset A Preset B Path 2 Parallel Thru Parallel Path 2 Series Thru Series Fig 6 16 Presets A B in Series on Path 1 Fig 6 17 Presets A B in Parallel on Path 1 Fig 6 18 Dual Routing in Pre Post 6 EDIT MODES 47 ...

Page 48: ...s Presets Edit Mode allows you to quickly hear the effects of different Algorithm Presets on the currently loaded Program Press the Presets Button to enter Presets Edit Mode Press again to toggle the selection between Presets A and B Fig 6 21 Preset Edit Mode displaying Preset A 48 6 EDIT MODES ...

Page 49: ...e Algorithm filter Turn the Select Knob to scroll through the filtered List which auto loads each Preset into the selected A or B slot for quick auditioning The original Preset will remain in the List regardless of the filters until you save the Program Press the P LED Button to activate bypass the Program Press the A or B LED Button to activate bypass each Preset within the Program Press any Foot...

Page 50: ...te a character by pressing Quick Knob 3 Press the Perform Knob to save your preset to the Preset Library which can be searched through in Presets Edit Mode Press the Select Knob to cancel If a preset already exists with the name you have chosen you will be prompted to overwrite the existing preset Fig 6 24 Existing preset prompt Note Factory Presets must be renamed and saved as a new User Preset t...

Page 51: ...general parameters Press it again to bypass activate the Program Fig 6 25 Parameter Edit Mode displaying the parameters of the Program Press the A LED Button to view the parameters for Preset A Press it again to bypass activate Preset A Fig 6 26 Parameter Edit Mode displaying the parameters for Preset A Press the B LED Button to view the parameters for Preset B Press it again to bypass activate Pr...

Page 52: ...Turn Quick Knob 2 to select a control source Turn the Select Knob to view the Control Range menu Turn Quick Knobs 1 and 2 to set the Start End or Minimum Maximum values of the controller You can reverse the direction of your external controller by adjusting the End point to be before the Start point For example setting the End point to zero and Start point to 100 will result in the Heel of your ex...

Page 53: ...much like the ribbon controller from the H9 The H90 expands upon this control by giving you three HotKnobs P A and B Press the Parameters Button to cycle through the different parameter view pages and this will determine which HotKnob is being used Note that in Perform Mode HotKnob P will always be used To map a parameter to a HotKnob Follow the above instructions to map a parameter and select a H...

Page 54: ...th different parameters for the second verse There are three HotSwitches one for each P A and B Footswitch Mapping parameter values to a HotSwitch allows you to use a Footswitch in Perform Mode to toggle those mapped values Note that only one HotSwitch can be active at a time Fig 6 30 HotSwitch mapping menu displaying the parameters for HotSwitch 1 To map a HotSwitch Press the Parameters Button to...

Page 55: ...ther certain parameters will display tempo synced subdivisions or a continuous range of rates For example UltraTap s Length parameter can display milliseconds or subdivisions while UltraTap s Speed parameter can display Hertz cycles per second or subdivisions Tempo Sync can be applied to the entire Program or to individual Presets within a Program Toggling Tempo Sync while a Preset s parameter gro...

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Page 57: ...ld the Programs and Routing Buttons simultaneously Navigate between pages either by turning the Select Knob or by pressing the Programs or Routing Button Press the Select Knob to select a page Press it again to exit that page and go back to the main System Menu Fig 7 2 System Menu display 7 1 Global Fig 7 3 Page 1 of the Global settings 7 SYSTEM MENU 57 ...

Page 58: ...t Mode Routing The H90 contains two Global Routing Configurations Insert for affecting one signal path and enabling the insertion of external effects Dual for affecting two signal paths separately These two Global Routing Configurations affect Routing Edit Mode s available options Turn Quick Knob 1 to change the Global Routing Configuration A prompt will appear to confirm or cancel the change Pres...

Page 59: ...s bypass tails Note Relay bypass is not possible for outputs 3 and 4 Spillover Time This determines how long the bypass tails will be enabled when switching Programs Configurable from 0 to 30 seconds Source Type This determines how the pitch tracking filters and tone controls will respond to the audio source While the source names suggest specific instruments these can also be thought of as the so...

Page 60: ...d For example if you d like an expression pedal to always control HotKnob P you can configure this using the Global Pedal Control Parameter Turn Quick Knob 1 to select a parameter Control Source Turn Quick Knob 2 to select control source for the currently selected parameter Note Check out the Global Mapping Chart Section C for a full list of available mappings 7 2 I O In Out Levels Individually ad...

Page 61: ...Fig 7 6 Input level display Fig 7 7 Output level display Exp Ctl 7 SYSTEM MENU 61 ...

Page 62: ...Exp Aux setup display Turn Quick Knob 3 to enable calibration Fig 7 9 This example shows one expression pedal and one aux switch being calibrated Jacks Displays which inputs and outputs are connected Fig 7 10 This example shows that input 1 and output 1 are being used 62 7 SYSTEM MENU ...

Page 63: ...ill still transmit on the configured channel Output Mode Off No MIDI information will be transmitted to the MIDI output Transmit H90 will transmit Program Change CC and MIDI Clock information from the DIN MIDI output MIDI will not be passed thru from the DIN MIDI input Thru MIDI information from the DIN MIDI input will be sent to the DIN MIDI output H90 will not transmit MIDI clock and CC informat...

Page 64: ...C 1 to control the Program Mix parameter you can configure this using the MIDI Global Controls Fig 7 13 MIDI Global Control Parameter Use Quick Knob 1 to select a parameter CC Use Quick Knob 2 to select a CC to control the currently selected parameter Transmit MIDI Transmit allow you to use controllers such as aux switches and expression pedals as MIDI controllers by having the H90 transmit corres...

Page 65: ...o select a CC for the currently selected parameter to transmit as MIDI CCs Note Check out the Global Mapping Chart Section C for a full list of available mappings 7 4 Preferences Fig 7 15 Preferences menu display LED Bright Adjust the brightness of the LEDs High Med High Low Med 7 SYSTEM MENU 65 ...

Page 66: ...ll display an H90 animation and help preserve the longevity of the H90 s OLED screen Adjustable from 30 minutes to eight hours 7 5 About Displays the H90 s serial number as well as version numbers for the audio and software Fig 7 16 Page 1 of the About menu Fig 7 17 Page 2 of the About menu 66 7 SYSTEM MENU ...

Page 67: ...ers Buttons simultaneously Fig 8 2 The Tempo Menu Tempo BPM The H90 s internal tempo can be adjusted from 20 BPM to 500 BPM With Tempo Source set to Global or Program Tap the P Footswitch or turn Quick Knob 1 to set the adjust the Beats Per Minute Tip If MIDI transmit is turned on you can sync other MIDI devices to the H90 s internal clock via the MIDI DIN output 8 TEMPO MENU 67 ...

Page 68: ... MIDI Clock Tempo will be synced to MIDI clock from DIN or USB Go to System Menu MIDI Section 7 3 to configure USB or DIN as the MIDI clock source Remember In Parameters Edit Mode press the Presets and Parameters Buttons simultaneously to toggle Tempo Sync on off for a Program or Preset Fig 8 3 A metronome icon will indicate that Tempo Sync has been enabled 68 8 TEMPO MENU ...

Page 69: ...staller icon and follow the on screen installation instructions Power on your H90 and connect it your computer via the supplied USB C to USB A cable Open H90 Control Click Connect If your computer is connected to the internet and your H90 s software is not up to date you will be prompted to update your H90 Follow the on screen instructions to update Warning Do not unplug the power supply of your H...

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Page 71: ...t mode or H90 Control Fig 1 Each Effect Type has a signature icon Delay Band Delay Delays are followed by user selectable modulated filters Mix Wet dry mixer 100 is all wet signal Delay Mix Controls the relative level of Delay A and Delay B Delay Mix s mixing behavior depends on whether you re using mono or stereo outputs For mono output Delay Mix 0 output 1 will have only delay A s contribution D...

Page 72: ...ts the modulation rate for the filter center frequencies 0 to 5 Hz Filter Select filter type Low Pass Band Pass or Hi Pass Bouquet Delay Pronounced Bucket An emulation of analog delay pedals with two different flavors and a couple of modern tricks Mix wet dry mixer 0 to 50 mixes in the delayed signal 50 to 100 mixes out the dry signal Delay Delay length control for the Delay mode in milliseconds S...

Page 73: ...ap out of the BBD emulation is connected to the second channel This controls the point at which this second delay is tapped out of the BBD Performance Parameters Self Osc A momentary or latching performance parameter that causes the BBD emulation to self oscillate Pitch Jump A momentary or latching performance parameter that instantaneously scales the delay time clock frequency of the BBD emulatio...

Page 74: ... in common note increments Delay B Same as A Feedback A Controls level of Feedback A the number of repeats Feedback B Same as A X Fade When delays change performs a crossfade function to prevent abrupt changes that could result in glitching or clicking X Fade sets the speed of the crossfade Small values result in rapid crossfades larger values more gradual crossfades Crossfade rates vary from 2 ms...

Page 75: ...the tempo and is displayed as a rhythmic sub division of the tempo beat value changing this from 0 to a whole note in common note increments Delay B Same as A Feedback A Controls level of Feedback A the number of repeats Feedback B Same as A Ducking Ratio Sets the ducking ratio or the degree to which the delay is attenuated Threshold Sets the ducking threshold the audio amplitude at which ducking ...

Page 76: ...uts will have only Delay B s contribution Delay A Sets delay time for Delay A output from 0 to 3000 ms With Tempo Sync OFF delay is displayed in ms With Tempo Sync ON delay can be sync d to the tempo and is displayed as a rhythmic sub division of the tempo beat value changing this from 0 to a whole note in common note increments Delay B Same as A Feedback A Controls level of Feedback A the number ...

Page 77: ...st delay length possible of any one Head by changing the tape speed Use a Head Div of 1 to reach full delay time of any one tap 200 3000 ms Speed Runs the tape emulation at either Half or Full speed while keeping the overall delay amounts the same At Full speed the machine ranges from 30 ips to 1 875 ips At Half the machine ranges from 15 ips to a glacially slow speed of 0 9375 ips Rec Drive Highe...

Page 78: ...s control is continuously adjustable in percentage increments between two divisions This can be used to have repeats that perfectly in sync or to space the Heads imprecisely like they would be on an actual unit The following options all include adjustments of 0 to 50 1 8 1 6 1 4 1 3 1 2 2 3 3 4 5 6 7 8 1 Pan Individual Panning controls for each Head output 100 is left panned and 100 is right panne...

Page 79: ...ly Delay B s contribution Delay A Sets delay time from 0 to 3000 ms milliseconds With Tempo Sync OFF delay is displayed in ms With Tempo Sync ON delay can be sync d to the tempo and is displayed as a rhythmic sub division of the tempo beat value from No Delay to a whole note in common note increments Delay B Same as A Feedback A Controls level of Feedback A the number of repeats Feedback B Same as...

Page 80: ...Sets delay time from 0 to 3000 ms milliseconds With Tempo Sync OFF delay is displayed in ms With Tempo Sync ON delay can be sync d to the tempo and is displayed as a rhythmic sub division of the tempo beat value from No Delay to a whole note in common note increments Delay B Same as A Feedback A Controls level of Feedback A the number of repeats Feedback B Same as A Slur Controls the diffusion of ...

Page 81: ...y A goes to output 1 only and delay B goes to output 2 only Delay Mix 100 both outputs will have only Delay B s contribution Delay A Sets delay time for Delay A output With Tempo Sync OFF delay is displayed in ms With Tempo Sync ON delay can be sync d to the tempo and is displayed as a rhythmic sub division of the tempo beat value changing this from 0 to a whole note in common note increments Dela...

Page 82: ...B Delay Mix s mixing behavior depends on whether you re using mono or stereo outputs For mono output Delay Mix 0 output 1 will have only delay A s contribution Delay Mix 50 output 1 has an equal amount of delay A and delay B Delay Mix 100 output 1 will have only delay B s contribution For stereo output Delay Mix 0 both outputs will have only delay A s contribution Delay Mix 50 delay A goes to outp...

Page 83: ... is caused when the tape motion across the magnetic heads isn t constant Flutter is a more rapidly changing variation than Wow Flutter ranges from 0 none to 10 max Filter Controls the filter characteristics to simulate tape recorder frequency response As you increase the filter value you ll hear a more pronounced tape tone UltraTap UltraTap is a versatile multi tap delay line effect capable of a m...

Page 84: ...es for a fade down over the taps Negative values for fade up over the taps Zero will result in equal gain across all taps Tone A tone control Positive values for brighter sounding taps Negative values for darker sounding taps Slurm Juicy tap slurring smearing and modulation Chop A pre tap machine chopping tremolo OR auto volume processor The tremolo has several LFO waveform choices Off Triangle Sa...

Page 85: ...elay A s contribution Delay Mix 50 delay A goes to output 1 only and delay B goes to output 2 only Delay Mix 100 both outputs will have only Delay B s contribution Delay A Sets delay time for Delay A from 0 to 3000 ms milliseconds With Tempo Sync OFF delay is displayed in ms With Tempo Sync ON delay can be sync d to the tempo and is displayed as a rhythmic sub division of the tempo beat value chan...

Page 86: ...tack release and the makeup gain to keep the overall loudness consistent Sag Turn it up to get increasingly sputtery crushed and broken sounds Inspired by power rail sag of poorly designed tube amps and the dead and dying gear of times past Octaves Mixes in out lower and higher pitch shifted octaves before the distortion and compression Grit Adds more low end before the distortion for a gritty chu...

Page 87: ... Delay Starting fully counter clockwise Group Delay sends the whole signal including all of the Pitched Voices to both delays Turning past center activates Arpeggiated Delay Mode In this mode only voices B and C are fed to the delays separately and respectively allowing the creation of arpeggiated effects Try this with Pitch Amount set to 3 0 Delay A Sets the Delay time for Delay A from 0 to 2500 ...

Page 88: ...frequency Turning right sweeps a boosting filter up in frequency similar to having a parked wah after the distortion Smoothly changes when connected to an expression pedal Envelope Follower Envelope follower that modulates both Filter Pre and Filter Post according to this input sensitivity setting The values of Filter Pre and Filter Post become the depths that the envelope glides up to Interesting...

Page 89: ...metric filter The frequency ranges from 30 Hz to 1500 Hz Width 1 Controls the bandwidth of the 1st parametric filter A value of 10 represents a larger bandwidth while a value of 1 represents a narrower bandwidth Gain 2 The gain for the 2nd parametric filter Provides 12 dB of boost or 18 dB of attenuation Frequency 2 The center frequency of the first parametric band The frequency ranges from 1000 H...

Page 90: ...t and Looper playback Loop Max Length When the Loop is Empty sets the Maximum allowed Loop Length Note that audio recording quality is degraded at slower recording speeds 1 2X and 1 4X The maximum loop length is determined by the setting of the Speed parameter as follows Speed 2X Max Loop Length 60 sec Speed 1X Max Loop Length 120 sec Speed 1 2X Max Loop Length 240 sec Speed 1 4X Max Loop Length 4...

Page 91: ...iously saved audio decays completely each time through the loop when dubbing In other words the looped audio is only played once The Loop Decay Rate control has no effect on normal Playback only dubbing Dubbing Mode The Dubbing Mode choices are Latch RECORD toggles Dubbing ON OFF Dubbed audio is added to the looped audio Punch RECORD enables Dubbing while the switch is held Dubbed audio is added t...

Page 92: ...mi tones 12 5 25 26 28 30 32 33 35 37 40 42 45 47 50 53 56 59 63 67 71 75 79 84 89 94 100 106 112 119 126 133 140 150 159 168 178 189 200 Note During loop recording Resolution is set to Octaves This guarantees that the immediate playback speed occurs at the recorded speed Speed When the Loop is Empty this control lets you select the record speed A negative speed with Empty causes playback to autom...

Page 93: ...s the MIDI clock source However you ll need to reference your own device or software manual for specific MIDI clock settings and Start Stop command setup guidance The Looper responds to MIDI Start and Stop commands as follows for each Looper State Empty MIDI Start Resets the Looper s internal beat counter and causes a Record Footswitch press to sync up to the next beat See the section on Footswitc...

Page 94: ... Play transition quantizes to the next beat Stop End recording and stop quantized to the next beat Dubbing Record Dubbing in out doesn t do any footswitch action quantization Play End Dubbing and Start Playing from Loop Start This action quantizes to the next tick Stop End Dubbing and Stop Playing This action quantizes to the next beat Playing Record Start Dubbing no footswitch quantization Play S...

Page 95: ...Lengths that don t evenly divide the total Loop Length will cause the loop to walk the downbeat thus creating interesting poly rhythms against an existing pattern Speed Varispeed When using Tempo Sync the Looper always loops about the current Play Length number of beats in the originally recorded time base regardless of changes to the Speed Thus for slower speeds the loop length will be truncated ...

Page 96: ...rnal aux switch or MIDI controller Record Press the Footswitch to start recording a loop Play Press the Footswitch to play a loop that has been recorded The Playmode parameter will determine how this works Stop Press the Footswitch to stop playback of the loop Empty Press the Footswitch to empty the loop Undo Redo Press the Footswitch to undo the last overdub Press it again to redo Modulation Chor...

Page 97: ... filter Depth Mod Controls the amount of modulation of the Depth parameter Analogous to AM Amplitude Modulation Speed Mod Controls the amount of modulation of the Speed parameter Analogous to FM Frequency Modulation Mod Rate Mod Sens Sets the secondary LFO rate determines how fast the Depth Mod and Speed Mod wiggle their targets Ranges from 1 8th to 8x the Speed value Mod Rate becomes Mod Sens whe...

Page 98: ...ion pedal to Speed for maximum vibes This is not your grandad s Uni Vibe Mix Controls the mix between the unprocessed input and the modulated output Speed Determines the rate of the modulation Tempo Sync off Hertz On subdivisions Like a classic Uni Vibe Speed will also subtly effect the intensity of the modulation Don t overthink it Intensity Adjusts the depth of the modulation Width Adjusts the s...

Page 99: ...choices are Sine Triangle Peak Random Square Ramp SampHold Envelope The modulation becomes driven by the amplitude of the audio input ADSR The modulation becomes driven by an ADSR triggered by the amplitude of the audio input Manual When selected the Manual Mod parameter will control the modulation Delay Offset Set Delay offset Depth Mod Controls the amount of modulation of the Depth parameter Ana...

Page 100: ...y tremolo automatically fades your signal up and down using a low frequency oscillator LFO Because your sound is faded down for part of the waveform the overall sound seems quieter Many tremolo pedals provide a gain or volume control to help offset this volume loss A harmonic tremolo takes a different approach It splits the signal into low and high frequency bands and then applies the LFO to the l...

Page 101: ...lues Triangle A linear up down ramp Like sine this is a good shape for smooth subtle tremolo Ramp Dn A downward ramp for the low band and an upward ramp for the high band The low band will have a plucked attack while the high band will fade in Ramp Up An upward ramp for the low band and a downward ramp for the high band The low band will fade in while the high band will have a plucked attack Pulse...

Page 102: ...ntrol adjusts the amount of overlap between the high and low bands Negative values will produce a cut at the crossover frequency and positive values will produce a boost at the crossover frequency To explore the effect of this control set X Over to 100 Depth to 0 Env Depth to 0 Drive to 0 Env X Over to 0 This removes the tremolo effect so you can hear the filtering Slowly sweep the X Over value fr...

Page 103: ...rge range At 100 it can push the internal LFO rate up to 80 Hz so we recommend starting with values closer to 0 and then adjusting the control as needed Env X Over This control uses the amplitude envelope to affect the crossover frequency To create a swept filter effect similar to an autowah set X Overlap to 100 set the X Over frequency to 200 Hz and then increase the amount of the Env X Over cont...

Page 104: ... of 6dB at certain frequencies depending on the phase shift Feedback Controls the feedback of the phase shift sections 0 sends none of the output back to the input to the phase shift sections and 100 sends the maximum amount of output back to the input of the phase shift sections Mode Adjusts the stereo width of the phasing Shallow Deep and Wide Note The original Instant Phaser had two unique outp...

Page 105: ... the original hardware Env Thresh Controls the threshold of the envelope follower This is variable from 60dB to 0dB Env Release Sets the release time of the envelope follower Release times can vary from 10 milliseconds to 10 seconds Manual Provides manual control of phasing 0 moves the nulls in the frequency response to their highest position in frequency 100 moves them to their lowest position in...

Page 106: ...d Mix it is called Depth Why is it called Depth you ask As you add more of the dry signal to the wet signal nulls appear in the output spectrum These nulls get deeper as the two signals approach equal amplitude Hence you are controlling the depth of the nulls Source Sets the source of the modulation This can be any combination of the following Oscillator The classic LFO controlled flanging with a ...

Page 107: ...o output Wide mode will be the same as Deep mode Rate Controls the rate of the LFO between 0 01 Hz and 20 Hz LFO Width Adjusts the range of the sweep of the Flanger s LFO 100 is the widest possible sweep and equivalent to the range of the original hardware Env Thresh Controls the threshold of the envelope follower between 60 dB and 0 dB An input signal will cause the biggest phase shift when it re...

Page 108: ...ices are Sine Triangle Peak Random Square Ramp SampHold Envelope The modulation becomes driven by the amplitude of the audio input ADSR The modulation becomes driven by an ADSR triggered by the amplitude of the audio input Manual When selected the Manual Mod parameter will control the modulation Unused Stereo Width In mono this control is not used In stereo this control shifts the phase of the rig...

Page 109: ...eative effects Speed Brake The Brake engages while this switch is pressed Short press to toggle between Fast and Slow Long press to engage Brake Fast Slow Press to toggle between Fast and Slow which slows the primary and secondary LFOs by a predetermined factor The Brake does not engage while this switch is pressed Brake M Slows the LFOs at a constant rate and pauses the LFOs until the switch is r...

Page 110: ...llows you to select the number of digital filters For Bi phase selects the sweep direction Depth Mod Controls the amount of modulation of the Depth parameter Analogous to AM Amplitude Modulation Speed Mod Controls the amount of modulation of the Speed parameter Analogous to FM Frequency Modulation Mod Rate Mod Sens Sets the secondary LFO rate determines how fast the Depth Mod and Speed Mod wiggle ...

Page 111: ...assic wah wah effect an auto wah or a combination of both Use Depth and or other wave shapes to create more complex wah sounds Q Intensity Increases the resonance of the wah effect Type Wah Wah Vocal Wah Bass Wah Retains the low end as the wah filter climbs to higher frequencies Bass Vocal Note The Bass types retain the low end as the wah filter climbs to higher frequencies Depth Vowel End Vowel W...

Page 112: ...e this to emulate an autowah ADSR The modulation becomes driven by an ADSR triggered by the amplitude of the audio input Manual When selected the Manual Mod parameter will control the modulation Use this to emulate a classic wah Bottom Start Vowel When Effect Type is Wah Wah or Bass Wah Bottom sets the base frequency When Effect Type is Vocal Wah or Bass Vocal the first half of this parameter sets...

Page 113: ... Mod parameter will control the modulation Performance Parameters Retrigger Retriggers the primary and secondary modulation LFOs to the beginning of their cycles Useful for re syncing during playback or creative effects Speed Brake The Brake engages while this switch is pressed Short press to toggle between Fast and Slow Long press to engage Brake Fast Slow Press to toggle between Fast and Slow wh...

Page 114: ... Triangle Peak Random Square Ramp SampHold Envelope The modulation becomes driven by the amplitude of the audio input ADSR The modulation becomes driven by an ADSR triggered by the amplitude of the audio input Manual When selected the Manual Mod parameter will control the modulation Tone Rolls off the high frequencies as it is turned clockwise Depth Mod Slightly detunes the right and left voices w...

Page 115: ... flavors A Leslie is built using a rotating speaker for low and mid range frequencies and a rotating treble horn for highs With Rotary Mod you can control the speed of the rotor and horn independently adjust the mix of the two and modulate the speeds themselves for interesting and dynamic effects Mix Wet Dry mix where 100 is an all wet signal It has a special nonlinear taper which puts most of the...

Page 116: ...r creative effects Speed Brake The Brake engages while this switch is pressed Short press to toggle between Fast and Slow Long press to engage Brake Fast Slow Press to toggle between Fast and Slow which slows the primary and secondary LFOs by a predetermined factor The Brake does not engage while this switch is pressed Brake M Slows the LFOs at a constant rate and pauses the LFOs until the switch ...

Page 117: ...n Spread Width Mono Out In mono this control spreads the tremolo and make the sound more smooth Stereo Out In stereo this control shifts the phase of the right channel s LFO creating a tremolo that will move from left to right in the stereo field When set to Max the right channel will be 180 degrees out of phase with the left creating an autopanner Depth Mod Controls the amount of modulation of th...

Page 118: ...erachorus TriceraChorus is inspired by the classic tri choruses and stompbox choruses of the 1970s and early 1980s These units used bucket brigade delay BBD chips to create chorusing TriceraChorus pairs rich BBD style trichorusing with another classic effect of the 1980s Eventide MicroPitch detuning This effect can be used to thicken the sound to add static chorusing and to spread the stereo field...

Page 119: ...a multiplier on the tapped BPM value The Env Rate control can change the apparent rate so if the rate that you are hearing is different from the value of the Rate control try setting the value of Env Rate to 0 Depth L Chorus modulation depth of the Left voice From Off to 100 When Off the voice is removed from the mix and the levels of the other voices are automatically adjusted to preserve the wet...

Page 120: ...elope Depth There are two assignable Envelope modulation destinations Env Mix Envelope to Mix Playing dynamics modulate the global Chorus Mix Vibrato Chorale Mix and Detune Mix amounts Range is 100 to 100 Negative values decrease the mix levels when you attack a note and can be used to increase the clarity of your attacks or make sustained notes more expressive over time Playing louder will reduce...

Page 121: ...the ENV Rate control Use faster rates to achieve deeper Swirl effects Retrigger Retriggers the LFOs to the beginning of their cycles Useful for re syncing during playback or creative effects Undulator Undulator is Eventide s classic modulated tremolo effect from the iconic H3000 effects processor This unique rhythmic effect combines input swell chained detuned delays and ethereal feedback run thro...

Page 122: ... Source Selects the secondary LFO waveform or source The choices are Sine Triangle Peak Random Square Ramp SampHold Envelope The modulation becomes driven by the amplitude of the audio input ADSR The modulation becomes driven by an ADSR triggered by the amplitude of the audio input Manual When selected the Manual Mod parameter will control the modulation Performance Parameters Retrigger Retriggers...

Page 123: ...amplitude of the audio input ADSR The modulation becomes driven by an ADSR triggered by the amplitude of the audio input Manual When selected the Manual Mod parameter will control the modulation Unused Stereo Width Filter Stages For Modern and Vintage controls the width of stereo panning stereo mode only For Retro selects the number of filter stages Depth Mod Controls the amount of modulation of t...

Page 124: ...constant rate and pauses the LFOs until the switch is released Multi SpaceTime SpaceTime is a multi effects Algorithm combining Modulation two Delays and Reverb into one easy to use effect Modulation is most similar to a chorus and is the first effect in the signal path The Delays are based on Eventide s Vintage Delay Algorithm from the TimeFactor pedal and the Reverb section draws from both the P...

Page 125: ...sent to the Reverb allowing only the delay repeats to have Reverb when the control reaches 100 Delay A Sets the Delay time for Delay A from 0 to 2500 ms when TEMPO Sync is OFF With TEMPO Sync ON Delay is sync ed to the Tempo BPM and is adjusted in note division increments from No Delay to a Whole Note in the most common note divisions Delay B See description for Delay A Feedback Adjusts the amount...

Page 126: ...isplayed in ms With Tempo ON delay can be sync d to the tempo and is displayed as a rhythmic sub division of the tempo beat value Reverb Mix Level Sets the Wet dry mix of the reverb level where 100 is an all wet signal Note that this mix level is part of the wet signal path so the global Mix control will still affect the amount of wet signal being heard overall Reverb Decay Rate Selects the Reverb...

Page 127: ...ontrols the amount of time delay of the A pitch shifted output With Tempo Sync OFF delay is displayed in ms With Tempo Sync ON delay can be sync d to the tempo and is displayed as a rhythmic sub division of the tempo beat value Delay B Controls the amount of time delay of the B pitch shifted output With Tempo OFF delay is displayed in ms With Tempo ON delay can be sync d to the tempo and is displa...

Page 128: ...pitch shifting is in the feedback loop allowing for arpeggiated repeats Note For the purists in our audience you may remember that the H910 and H949 were mono in stereo out devices In other words they featured a single pitch shifter with independently adjusted delays To best emulate these vintage boxes we recommend that you set either Pitch A or Pitch B to unison 1 00 and use that output for feedb...

Page 129: ...same as the hardware s the glitch is back H949 1 Algorithm 1 may cause glitches with increasing frequency as the pitch ratio deviates from 1 1 and is generally more appropriate for smaller pitch ratios H949 2 Algorithm 2 uses an intelligent splicing Algorithm that greatly reduces glitching but will add varying degrees of coloration to the signal and is more suitable for extreme pitch ratios Modern...

Page 130: ...wn three octaves to up three octaves Delay A Controls the amount of time delay of the A pitch shifted output With Tempo OFF delay is displayed in ms With Tempo Sync ON delay can be sync d to the tempo and is displayed as a rhythmic sub division of the tempo beat value Delay B Controls the amount of time delay of the B pitch shifted output With Tempo Sync OFF delay is displayed in ms With Tempo Syn...

Page 131: ...the first step note of each bar As a result although the pitch sequence is 16 steps long only four notes will sound Also use the Length control to set an appropriate length for each step so that you can clearly hear the pitch at each step The Pitch Sequence controls select one of 27 pitch sequences for A B These are selectable presets numbered from 01 to 26 plus a random sequence Set to minimum to...

Page 132: ...to up a fifth and ends on unison Four quick jumps up one fifth swooping back down to unison Swoops from unison up one octave and does it twice Swoops from up one octave down to unison and does it twice Starts at unison steps up one octave and steps back down to unison Staggers its way from unison to up one octave Similar to 22 Swoops up from unison to one octave up and does it four times Jumps bet...

Page 133: ...unison 1oct 2oct 3 1oct 1oct P5 P4 unison 1oct 2oct 4 1oct 1oct P5 P4 1oct 1oct 2oct 5 1oct 1oct P5 P4 unison Unison 1oct 6 1oct 1oct P5 P4 unison Unison 1oct 7 1oct 1oct P5 P4 unison Unison 1oct 8 1oct 1oct P5 P4 1oct Unison 1oct 9 1oct 1oct P5 P4 unison 1oct unison 10 1oct 1oct P5 P4 unison 1oct unison 11 1oct 1oct P5 P4 unison 1oct unison 12 1oct 1oct P5 P4 1oct 1oct unison 13 1oct 1oct P5 P4 u...

Page 134: ... 6 unison 1oct 1oct unison m3 Unison unison 7 1oct 1oct unison unison M2 Unison unison 8 2oct Unison 1oct unison m2 Unison unison 9 1oct Unison 1oct unison unison Unison unison 10 unison Unison unison unison unison Unison unison 11 1oct 1oct 1oct unison unison Unison unison 12 2oct 1oct 1oct P5 unison Unison unison 13 1oct 1oct unison unison unison 1oct 1oct 14 unison Unison 1oct P5 unison Unison ...

Page 135: ...n unison unison 1oct Unison M7 9 1oct 1oct 1oct P5 unison 1oct 1oct 10 1oct unison P5 unison M2 M7 M7 11 1oct unison unison unison M3 M6 M6 12 1oct 1oct unison unison P4 P5 P5 13 1oct unison unison P5 P5 P4 P4 14 1oct unison unison unison M6 M3 M3 15 m6 unison unison unison M7 M2 m3 16 M3 unison unison unison 1oct Unison M2 Pitch Sequences 22 26 22 23 24 25 26 1 unison unison unison unison 1oct 2 ...

Page 136: ...See description and table above Rhythm A These controls select the rhythm groove sequence for A B The rhythm sequences are a set of 21 selectable presets The pitch sequences are numbered from 01 to 20 plus and additional random rhythm Set the control to Off to turn off the rhythm sequence With the rhythm sequence turned Off all sixteen steps of the sequence are played at full amplitude Rhythm B Se...

Page 137: ...ts and five glitch effects to choose from Or you can select one of four different types of random effect sequences Random Filters Random Fuzz Random Glitches Random All a combination of filters fuzz and glitches Off Effect B See the description for Effect A Performance Parameter RESTART Restarts the sequence from the beginning MicroPitch MicroPitch is a fine resolution pitch shifter ideal for voca...

Page 138: ... Delays A and B Tone Control Applies filtering to voice A and voice B Performance Parameter FLEX Doubles the pitch shift amount of both voices Octaver Octavers traditionally use analog techniques to track the pitch of the input audio signal and synthesize a signal whose musical tone is an octave lower than the original Octaver creates a pair of sub harmonics one an octave below the note that you r...

Page 139: ...e heel position When OFF is selected the voice is muted at the heel position and the pitch is set to unison Heel to toe glissando These parameters are for use when using an Auxiliary Switch to control the pitch change effect for voices A and B Sets the time to move from heel to toe With Tempo Sync ON the maximum is note Toe to heel glissando Parameters for use when using an Auxiliary Switch to con...

Page 140: ...ed to individual delays with independent time and feedback controls The pitch shifting engine can be placed either inside or outside of this delay feedback loop allowing you to create unique rising or sinking chorus sounds and crystals type effects Finally the two voices can be independently panned when the output of the pedal is connected in stereo As a cherry on top the latching or momentary Fre...

Page 141: ...pplied in either direction A default setting of 10 is recommended The following parameters are available for both pitch A and B Level Adjusts the volume of the pitch Shift 2 Oct P12 P11 Oct M7 m7 M6 m6 P5 Tri P4 M3 m3 M2 m2 Uni m2 M2 m3 M3 P4 Tri P5 m6 M6 m7 M7 Oct P11 P12 2 Oct Detune The amount of detuning from 50 cents to 50 cents Delay The amount of delay from 0 ms to 1000 ms Feedback The amou...

Page 142: ... Arp Order is L M H then the arpeggio will rise from low to high frequencies However if the Arp Order is H M L then the high voice will rise following by a rising mid voice and then a rising low voice This creates a simultaneous ascending while descending sort of effect The choices are L M H L H M M L H M H L H L M H M L Auto Eq An Eq for the pitch shifted voices A default setting of 10 is recomme...

Page 143: ...o 1oct 2oct Quadravox Quadravox is similar to Diatonic but delivers up to four pitch shifted voices A B C D instead of two You can select the interval of each voice independently You can also turn off any of the voices Note that it is possible to select OFF for all four voices If you do and the Mix knob is set 100 Wet there will be no output signal Mix Wet dry mixer 100 is all wet signal Pitch A a...

Page 144: ... B C D The delays can be evenly spaced or spread out Key Selects the key Scale Selects the scale The supported scales are Major Minor Dorian Phrygian Lydian Mixolydian Locrian Harmonic Minor Melodic Minor Whole Tone Enigmatic Neapolitan Hungarian Pitch Shift C Selects the harmonic interval pitch shift for Pitch C Set to minimum to turn OFF voice C Pitch Shift D Selects the harmonic interval pitch ...

Page 145: ...vel of each of the comb filters Feedback type 1 FB1 maintains the pattern set by the rhythm knob whereas feedback type 2 FB2 degrades the pattern as it repeats Resonance Affects how intensely the comb filters resonate The comb filters will ring out more intensely as the resonance increases in either the positive or negative direction Resonance set to 0 will acts as multi tap delay without any addi...

Page 146: ... Sync is on this is set in subdivisions of the tempo Low Level Controls the level of low frequencies in the reverb tail using a shelving filter with a corner frequency of 350 Hz High Level Controls the level of high frequencies in the reverb tail using a shelving filter with a corner frequency of 2000 Hz Mod Depth Sets the modulation depth in the reverb tail This can be a subtle control which neve...

Page 147: ...me for the reverb When Tempo Sync is off this ranges from 0 s to 50 s When Tempo Sync is on this is set in subdivisions of the tempo Turning clockwise to Infinite will allow for infinite reverberation time while still letting incoming signal into the reverberation structure Turning further clockwise to Freeze sets the reverberation time to infinite and does not allow incoming signal into the rever...

Page 148: ...the gain curve is derived from the input only At maximum it is a feedback dynamics unit with gain derived from the reverb output In Omnipressor Mode this simply lets you fade between a feedforward FF and feedback FB compressor expander gate etc Hall Hall simulates the sound of large enclosed spaces Hall offers flexible control of a 3 band crossover reverb network There are independent decay contro...

Page 149: ...ck Specifically higher values greater than 70 will impart traditional reverb tails while lower values less than 70 can result in reverse reverb sounds with more build up Size Determines the size of the reverb To use MangledVerb as a distortion type effect try setting this below 15 Pre Delay Sets the amount of delay before the reverb section When tempo mode is off this range is from 0 to 1500 milli...

Page 150: ...3000 type swept verb flanging or chorusing ModEchoVerb is incredibly versatile and can be used as a standalone reverb delay chorus flanger or any combination of the three Infinite and Freeze are available on the Decay knob During Freeze the signal is rerouted to allow for parallel modulation delay over the frozen section Have fun Mix Wet dry mixer 100 is all wet signal Decay Decay in seconds or no...

Page 151: ...all the way down for a straightforward tempo sync able rush up reverse reverb use Size to dial in a second reverb for increased wetness and add Feedback around the whole thing for other worldly ambiance Infinite and Freeze are available on the Size knob and affects the forward reverb only Mix Wet dry mixer 100 is all wet signal Decay Reverse decay in milliseconds or note based with Tempo Sync ON a...

Page 152: ...ors and late reverb tail High Band Cutoff Frequency Control the corner frequency of High Band Shelving No affect if High Band Shelving parameter is is set to 0 SP2016 Reverb An emulation of the reverb processing from Eventide s classic SP2016 Signal Processor Mix Controls the mix between the unprocessed input and the reverberated output This is especially useful when some pre delay is added Algori...

Page 153: ... more pronounced effects at longer decay times and more distant position settings Additionally it s usually easier to hear the effect of changes to the high frequency controls than it is to hear changes to the low frequency controls Low Freq Sets the corner frequency for the low shelving filter the range is from 50 to 500 Hz in increments of 50 Hz Low Gain Adjustable gain for the low shelving filt...

Page 154: ... the way down and everything else all the way up Oh and remember to walk toward the light Mix Wet dry mixer 100 is all wet signal Decay arbitrary 0 100 decay less decay will also take away reverb attack Size Size of the reverb Delay Post reverb and pre pitch shift delay time in milliseconds or note based with Tempo Sync on Low Band Decay Amount of post reverb and pitch shifter low band signal this...

Page 155: ...t of low frequencies with cutoff at 350 Hz High Band Shelving Level Post reverb shelving boost cut of high frequencies with cutoff at High Freq Tremolo Shape Selects the waveform or source of the modulation The choices are Sine Triangle Peak Random Square Ramp SampHold Envelope The modulation becomes driven by the amplitude of the audio input ADSR The modulation becomes driven by an ADSR triggered...

Page 156: ...lay added before Wormhole entrance 0 t0 2000ms Stability Wormhole stability across time Controls modulation depth of the reverb 0 is the least stable Wormhole with large pitch variations happening to the reverb through time max modulation most unstable 100 is a stable Wormhole with no reverb pitch variations through time no modulation Stability Rate Movement speed of an unstable Wormhole Controls ...

Page 157: ...ions of source to destination assignments Mix Knob has four ranges each 0 to 100 Each range mixes the dry signal with various oscillator combinations Sub Mix Mixes in lower octave oscillators only S R Mix Mixes in lower octave and current register oscillators together All Mix Mixes in lower octave current register and octave above oscillators together R U Mix Removes sub octave oscillators Mixes i...

Page 158: ...rol will have no affect on signal Cutoff Assigns the Gate to modulate Cutoff frequency Volume Assigns Gate to modulate wet output level Pitch Assigns Gate to modulate pitch Range 3600 cents Returns to 0 modulation after Gate Decay Depth Assigns Gate to modulate Oscillator Depth Envelope This Envelope is triggered and drawn by dynamics of input level This parameter assigns Envelope destination and ...

Page 159: ...B Controls the attack time for the filter on synthesized voice B Verb Level Sets the reverb level Verb Decay Sets the reverb decay time Shape A Selects voice A waveshape Sine Triangle Sawtooth Organ 1 Organ 2 Sweep B Controls the sweepable filter on voice B Values from 0 to 50 sweep a low pass filter values from 50 to 100 sweep a high pass filter Performance Parameter Flex Shifts both voices up on...

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Page 161: ...ide team https etide io H90 FBUG H90 FAQ Get answers to frequently asked questions and get the most out of your H90 https etide io H90 FAQs Contact Eventide Support If you need technical assistance or product repair you can email support eventide com to submit a ticket to our support department Please include a detailed report of your problem including your H90 s serial number firmware version and...

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Page 163: ...al Specifications Sample Rate Bit Depth 48 kHz AD DA 24 bit DSP 32 bit floating point Audio Specifications Input Impedance Instrument Level 600 kOhm Line Level 80 kOhm Recommended Load 10 kOhm Output Impedance Instrument Line Level 220 Ohm Maximum Input Level Instrument Level 4 dBu Line Level 14 dBu B TECH SPECS 163 ...

Page 164: ...als two 5v control voltage sources six foot switches or combination MIDI Connections 5 pin DIN Input 5 pin DIN Output Thru USB C Physical Dimensions Size Net Weight 2 5 H x 6 5 W x 5 25 D in 1 85 lbs 65 H x 179 W x 136 D mm 1 36 kg All specifications are subject to change or improvement at any time without notice or obligation Please visit https etide io H90Specs for updated product specifications...

Page 165: ...ent Decrement and cue up a new Program Inc Load Increment Program and load immediately Dec Load Decrement Program and load immediately Bank Up Increment three Programs to next Bank Bank Down Decrement three Programs to the previous Bank Tuner Enter Exit Tuner Mode Tap Tempo Program Tap Tempo Mode Toggle Toggles b t SELECT and PERFORM Mode SELECT Mode Enter SELECT Mode PERFORM Mode Enter PERFORM Mo...

Page 166: ...1 HS2 Engage HotSwitch 2 HS2 M Momentary engage HotSwitch 2 HS3 Engage HotSwitch 3 HS3 M Momentary engage HotSwitch 3 PERFORM 1 Engage Program Performance Parameter 1 PERFORM 2 Engage Program Performance Parameter 2 PERFORM 3 Engage Program Performance Parameter 3 PERFORM 4 Engage Program Performance Parameter 4 PERFORM 5 Engage Program Performance Parameter 5 PERFORM 6 Engage Program Performance ...

Page 167: ...t Program HotKnob A HotKnob Adjust Preset A HotKnob B HotKnob Adjust Preset B HotKnob P In Gain Adjust Program Input Gain P Out Gain Adjust Program Output Gain A In Gain Adjust Preset A Input Gain A Out Gain Adjust Preset A Output Gain B In Gain Adjust Preset B Input Gain B Out Gain Adjust Preset B Output Gain P Mix Adjust Program Mix C GLOBAL MAPPING CHART 167 ...

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Page 169: ...o update your H90 D 2 Clear Current State Press and hold Quick Knob 1 while inserting the power cable until the text Clearing current state appears on the H90 s screen This will not erase any saved Lists Programs or Presets but it will clear the currently loaded Program and reset the System and Tempo settings D 3 Factory Reset Press and hold all three Quick Knobs while inserting the power cable un...

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Page 171: ...extend beyond repair or replacementasstated herein and in no eventwill weberesponsiblefor consequential or incidental damagescaused by any defect and such damagesarespecifically excluded from thiswarranty Our soleobligation isto repair or replacethedefectiveunitasdescribed herein Thewarranty DOESNOT COVER any damageto theunitregardlessof thecauseof thatdamage Theunitisa complex pieceof equipmentth...

Page 172: ...ld asused or rented etc If theunitwasshipped from our factory morethan a calendar year ago weassumeitisnotunder warranty unless Thereisa warranty registration form on fileshowing thatithasbeen purchased within thepastyear under appropriate conditions You send a copy of your purchaseinvoiceindicating warranty statusalong with theunit 3 If theunitwasused asa demo thewarranty runsfrom thedatethatitwa...

Page 173: ...owing 1 Theunitmustbeprepaid to our door Thismeansthatyou areresponsiblefor all shipping charges including customsbrokerage and duties When a unitisshipped to usitmustbecleared through United StatesCustomsby an authorized broker You mustmake arrangementsfor thisto bedone Normally your freightforwarder hasa branch in theUnited States which can handlethis transaction If you wantour assistance you mu...

Page 174: ...comply with thelimitsfor a ClassB digital devicepursuantto Part15 of FCC rules Operation issubjectto thefollowing two conditions Thisdevicemay notcauseharmful interference Thisdevicemustacceptany interferencereceived including interferencethatmay causeundesired operation 1 2 174 E LEGALESE ...

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Page 176: ... Copyright 2022 Eventide Inc ...

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