-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0
-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200
150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420
300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0
-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0
-1.0
200
150
420
300
dB
Hz
dB
Hz
Attack
Freq A
Sustain
Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0
-1.0
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0
-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200
150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420
300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0
-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0
-1.0
200
150
420
300
dB
Hz
dB
Hz
Attack
Freq A
Sustain
Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0
-1.0
8
Full Range Mode
In Full Range mode, you can increase or reduce the attack and
sustain intensity of a signal quickly and efficiently. Just turn the
two controllers to the right for more accent, or to the left for
more smoothing.
Like a compressor (and unlike in Dual Band mode), you can use the Freq
A controller to reduce the influence of low frequencies on the attack pro-
cessing, so higher frequency = less bass influence.
Should you notice clipping/distortion or big jumps in level caused by
the attack processing, please engage the Auto Gain switch for automatic
compensation.
Linked Full Range
Unlinked Full Range
Summary of Contents for nvelope
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