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- Quick Start Guide - 

 

BASIC AMPLIFIER CONNECTION SETUP  

1.

 

Using an unbalanced instrument cable, plug the output of your instrument into 

the INST Input Jack on the right side of the Ring Thing.  

2.

 

Connect an unbalanced instrument cable from the MONO L output jack on the 
left side of the Ring Thing.  Connect the other end of the instrument cable to the 

input of a guitar, bass, or keyboard amplifier. 

3.

 

Plug the AC Adapter into a wall outlet. 

4.

 

Plug the barrel connector of the AC Adapter into the 9V power jack at the top of 
the Ring Thing. 

Polarity is center negative

5.

 

Apply power to the amplifier. 

 

BASIC SETTINGS FOR RING MODULATOR MODE

 – 

This mode brings back all the 

sounds of the Frequency Analyzer, with a few extras.   

 

1.

 

Connect the Ring Thing as described in Basic Amplifier Connection Setup. 

2.

 

Press the BYPASS footswitch so the STATUS LED is on 

3.

 

Press the MODE knob so that the Left LED is lit: RM. 

4.

 

Turn the following knobs to 50% or 12 o’clock: BLEND, WAVE, FINE/DEPTH, and 

COARSE. 

5.

 

Turn the FILTER/RATE knob fully clockwise. 

6.

 

If an expression pedal is plugged in set it to the toe down position. 

7.

 

To change the modulation frequency, turn the FINE and/or COARSE knobs. 

 

Automatically Tune the Ring Modulator – 

Play a single note on your 

instrument and then press and hold the PRESET/TUNE footswitch for 1 second.  The 
Ring Thing will automatically tune its internal modulator to the note you are playing. 

This function is monophonic,

 

it is designed to search for the fundamental pitch rather 

than figure out what chord is being played.  The PRESET/TUNE footswitch can be held 
down to continuously tune the ring modulator to the input signal. 

 

The WAVE Function – 

the WAVE knob sets the waveform of the Ring Modulator 

in RM and PS modes.  Starting from full counter-clockwise, the choices are: SQUARE, 
SINE, RAMP DOWN, RAMP UP, and TRIANGLE.  Try turning the knob as you play, you 
will notice some waveforms produce more harmonics than others. Additionally you 

can crossfade from SQUARE to SINE to RAMP DOWN, then it switches to RAMP UP 
and TRIANGLE. 

 

Using an External Oscillator - 

To use an external oscillator, as the RM’s carrier, 

plug the output of another instrument, recording or mic pre into the MOD input jack 

and turn the WAVE knob fully counter-clockwise.  The signal at the MOD input jack 
will override the Ring Thing’s internal modulator. In RM, UB and LB modes, the 

Summary of Contents for Ring Thing

Page 1: ...modes Ring Modulation RM Upper Band Modulation UB Lower Band Modulation LB Pitch Shift PS Single Sideband frequency shifter with separate simultaneous upper and lower sideband outputs Automatically t...

Page 2: ...he toe down position 7 To change the modulation frequency turn the FINE and or COARSE knobs Automatically Tune the Ring Modulator Play a single note on your instrument and then press and hold the PRES...

Page 3: ...UPPER SIDEBAND MODE UB and LB modes split up the ring modulator signal into its respective sideband components Each sideband is sent to either the MONO L or R output jacks where the selected mode is a...

Page 4: ...are shifted by the same factor in Pitch Shift mode 1 Connect the Ring Thing as described in Basic Amplifier Connection Setup 2 Press the BYPASS footswitch so the STATUS LED is on 3 Press the MODE knob...

Page 5: ...n pedal s pitch shift range is set by the COARSE knob The toe down position will be the current setting of the COARSE knob the toe up position is no pitch shift though you will still hear the pitch sh...

Page 6: ...6 TREMOLO SUB OCTAVE ROTARY THING...

Page 7: ...7 OCTAVE UP WHAMMY Uses an optional expression pedal to control Pitch Shift PITCH MOD...

Page 8: ...tion that occurs as the knob is turned to or towards the extreme knob position in that direction You will notice some knobs such as BLEND do not change with the different modes while others such as WA...

Page 9: ...acting harmonics to the carrier s sine wave FILTER RATE sets the cutoff frequency for the effect s low pass filter FINE DEPTH allows the musician to fine tune the carrier modulation frequency COARSE t...

Page 10: ...see is what you get mode where the current preset is unloaded and the actual knob positions take over the sound COARSE KNOB The COARSE knob controls the Ring Modulator frequency and the Pitch Shift am...

Page 11: ...knob controls a low pass filter on the effect in the ring modulator modes The filter is disabled at full clockwise Turn FILTER RATE counter clockwise to cut high frequencies and eventually the entire...

Page 12: ...the pitch shifter the WAVE knob must be set to full counter clockwise If the WAVE knob is set above full counter clockwise the external modulator is disabled BLEND KNOB The BLEND knob is a wet dry con...

Page 13: ...lding down the PRESET TUNE FSW while in PS produces no change PRESET LED Located near the PRESET TUNE FSW the PRESET LED will light up solid when a preset is loaded It will blink rapidly when a change...

Page 14: ...Use the COARSE knob to set the toe down position or the total range of the Exp Pedal The expression pedal range can also be set by automatically tuning to a note you play on your instrument using the...

Page 15: ...ned in ring modulator frequency whether tuned using the PRESET TUNE footswitch or an expression pedal The expression pedal setting at the time of saving the preset will be saved If you save a preset w...

Page 16: ...DE knob to scroll to another preset the previously recalled preset will remain loaded At this point you could save the currently loaded preset into another preset location by holding the MODE knob or...

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