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EXP INPUT Jack 

 

The Ring Thing allows for expression pedal input via the EXP input jack. The expression 
pedal must have a Tip-Ring-Sleeve plug attached to it. It is important that the expression 

pedal have the correct polarity. The tip of the plug must be connected to the wiper of the 
potentiometer inside the expression pedal. If you are not sure what type of expression 
pedal to use, try to purchase one with a polarity switch so that it will work with many 

different types of instruments. Some suggested Expression Pedals: M-Audio EX-P, Moog 
EP-2, Roland EV-5 or Boss FV-500L. You may also connect a control voltage to this jack. 

The Control Voltage range must be between 0 V to 5 V. Here’s what you can do with an 
expression pedal: 
 

RM/UB/LB Modes

:  An expression pedal can control the ring modulator 

frequency, replacing or working in conjunction with the COARSE and FINE knobs 

or the automatic tuning function.  

To use an expression in these modes, the 

FINE knob must be set fully counter-clockwise.

 Setting the FINE knob to 

anywhere other than fully counter-clockwise will disable the expression pedal 
function. Use the COARSE knob to set the toe down position or the total range of 
the Exp. Pedal. The expression pedal range can also be set by automatically 

tuning to a note you play on your instrument using the PRESET/TUNE FSW. 
When doing this, the toe-down position will be the tuned frequency. 

 

Pitch-Shift Mode:  

An expression pedal can control the pitch shift amount, just 

like a whammy pedal.  The COARSE and FINE knob settings determine the upper 
limit or toe down position of the expression pedal. The toe up position is always 
zero pitch shift. If you have modulation set up on your pitch shift, the expression 

pedal will bend notes with the modulation.  

 

In all modes, you can save the expression pedal’s setting along with all knob settings. 

 
MONO/L and R OUTPUT Jacks 

 
When using the Ring Thing in a mono output configuration, we suggest you use the 

MONO/L output. When using it in a stereo output configuration, use both the MONO/L and 
R output jacks. 
 

In both RM and PS modes, the effect, after the BLEND knob, is sent to the L output jack 
and the R output is 100% dry signal.   In both UB and LB modes one sideband is sent to 

each output. In UB mode, the upper band is output from the L output and the lower band 
is sent out the R output. In LB mode, the lower band is output from L output and the 
upper band is sent to the R output.  

 

 

Summary of Contents for Ring Thing

Page 1: ...modes Ring Modulation RM Upper Band Modulation UB Lower Band Modulation LB Pitch Shift PS Single Sideband frequency shifter with separate simultaneous upper and lower sideband outputs Automatically t...

Page 2: ...he toe down position 7 To change the modulation frequency turn the FINE and or COARSE knobs Automatically Tune the Ring Modulator Play a single note on your instrument and then press and hold the PRES...

Page 3: ...UPPER SIDEBAND MODE UB and LB modes split up the ring modulator signal into its respective sideband components Each sideband is sent to either the MONO L or R output jacks where the selected mode is a...

Page 4: ...are shifted by the same factor in Pitch Shift mode 1 Connect the Ring Thing as described in Basic Amplifier Connection Setup 2 Press the BYPASS footswitch so the STATUS LED is on 3 Press the MODE knob...

Page 5: ...n pedal s pitch shift range is set by the COARSE knob The toe down position will be the current setting of the COARSE knob the toe up position is no pitch shift though you will still hear the pitch sh...

Page 6: ...6 TREMOLO SUB OCTAVE ROTARY THING...

Page 7: ...7 OCTAVE UP WHAMMY Uses an optional expression pedal to control Pitch Shift PITCH MOD...

Page 8: ...tion that occurs as the knob is turned to or towards the extreme knob position in that direction You will notice some knobs such as BLEND do not change with the different modes while others such as WA...

Page 9: ...acting harmonics to the carrier s sine wave FILTER RATE sets the cutoff frequency for the effect s low pass filter FINE DEPTH allows the musician to fine tune the carrier modulation frequency COARSE t...

Page 10: ...see is what you get mode where the current preset is unloaded and the actual knob positions take over the sound COARSE KNOB The COARSE knob controls the Ring Modulator frequency and the Pitch Shift am...

Page 11: ...knob controls a low pass filter on the effect in the ring modulator modes The filter is disabled at full clockwise Turn FILTER RATE counter clockwise to cut high frequencies and eventually the entire...

Page 12: ...the pitch shifter the WAVE knob must be set to full counter clockwise If the WAVE knob is set above full counter clockwise the external modulator is disabled BLEND KNOB The BLEND knob is a wet dry con...

Page 13: ...lding down the PRESET TUNE FSW while in PS produces no change PRESET LED Located near the PRESET TUNE FSW the PRESET LED will light up solid when a preset is loaded It will blink rapidly when a change...

Page 14: ...Use the COARSE knob to set the toe down position or the total range of the Exp Pedal The expression pedal range can also be set by automatically tuning to a note you play on your instrument using the...

Page 15: ...ned in ring modulator frequency whether tuned using the PRESET TUNE footswitch or an expression pedal The expression pedal setting at the time of saving the preset will be saved If you save a preset w...

Page 16: ...DE knob to scroll to another preset the previously recalled preset will remain loaded At this point you could save the currently loaded preset into another preset location by holding the MODE knob or...

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