Ecleree COMPACT 8 User Manual Download Page 6

 6

4. OPERATION AND USAGE 
 
4.1. Start up 
 
 

Power up the mixer by pushing the POWER (15) switch. The green pilot-light, integrated into the 

switch itself, will immediately light up. Although the noise generated by powering up the COMPACT 8 is 
reduced to a bare minimum and is nearly null with the OUT (17 and 20) controls down, it is always 
advisable not to forget about this power-up sequence: sound sources, mixer, equalizers, active filters 
and power amplifiers. Power down the equipment by following the inverse sequence. This way the 
peaks or transients produced by powering up / down a device do not affect the following one in the audio 
chain and, as a result, they do not reach the loudspeakers, which are the most vulnerable audio 
elements in this case. 
 
4.2. Monitoring 
 
 

The COMPACT 8 is equipped with an acoustical and visual monitoring system, through 

headphones and VU METER. When switching ON any of the PFL buttons (7), signal(s) present at the 
input(s) will be heard through the headphones and seen on the VU METER. If no switch is at the ON 
position, the signal present at the main mix bus is monitored (open faders). 
 
4.3. Channel gain and equalization 
 
 

These controls allow individual input sensitivity and tone adjustments for each channel. 

 

Thanks to the GAIN (1) control, you can precisely adjust the signal level of an incoming musical 

signal to match the level of the music that is playing on air through another channel. This operation may 
be performed visually (through the left VU-meter) and acoustically (through the headphones), 
successively comparing both signals with the PFL buttons. The Gain knobs offer an adjustment range of 
±20dB. 
 

The three band tone controls (6-9-10) affect bass, mid and treble frequencies and offer a ±15dB 

variation range. Please be careful when using the tone controls in order not to overload the 
loudspeakers. 

Furthermore, the mid section features a semiparametric control (8) that allows adjustment of the 

center frequency. The frequency adjustment range goes from 300Hz to 6k5Hz. 
 
4.4. Channel indicators 
 
 

Each of the 8 input channels features two indicators. The green SP LED (4) shows the presence 

of signal on the currently selected input. The indicator lights up at a threshold of –40dBV. 

The red PEAK LED (3) warns about the risk of saturation, that is exceeding the recommended 

signal input level limit. This LED may sporadically flash without risk of damaging the unit, but it should 
never stay lit continuously. This indicator lights up at a threshold of 10dBV 
 
4.5. Talkover 
 

This device automatically reduces the signal level of the main output. This happens at the first 

voice "hit" of the speaker on the microphone (or line) plugged into channel 8. When the speaker stops 
talking, the music level comes up to the initial level.  This function is enabled through the TALKOVER 
(25) switch, and has efficiency, EFF (26), i.e. main signal level attenuation (between 0 and 30dB) and 
recovery time, TIME (14), the time necessary for a progressive come back to the original level (between 
0,1 and 3 sec). 

The Talkover can be activated by channel 7 if certain internal jumpers for the bus-assignment 
are re-soldered. See configuration diagram. 
This modification must be performed by an Authorized Technical Service. 

Summary of Contents for COMPACT 8

Page 1: ...USER MANUAL MANUAL DE INSTRUCCIONES NOTICE D UTILISATION BEDIENUNGSANLEITUNG COMPACT 8...

Page 2: ......

Page 3: ...ation 06 4 4 Channel indicators 06 4 5 Talkover 06 4 6 Outputs 07 5 CONSIDERATIONS 07 5 1 Ground loops background noise 07 5 2 Cleaning 07 6 FUNCTION LIST 08 7 FUNCTION DIAGRAM 08 8 TECHNICAL CHARACTE...

Page 4: ...been specially designed for non technical users This simple and intuitive mixer is suited for a broad variety of installations ranging from conference rooms church sound systems or sport events to ou...

Page 5: ...OMPACT 8 have a high headroom margin before saturation and it can handle higher output cartridges than what is usual These inputs are supplied with a nominal input sensitivity of 40dBV 10mV Microphone...

Page 6: ...ugh the headphones successively comparing both signals with the PFL buttons The Gain knobs offer an adjustment range of 20dB The three band tone controls 6 9 10 affect bass mid and treble frequencies...

Page 7: ...l sources coming to the unit as well as all devices connected to its outputs do not have their grounds interconnected that is ground must never come from two different devices Should this ever happen...

Page 8: ...input sensitivity switch ATT 9 Midrange control MID 29 Ground pin GND 10 Bass control BASS 30 Phantom switch PHANTOM 11 Channel gain VOLUME 31 Mains socket 12 Space for identifying label 32 Fuse hold...

Page 9: ...dores de v a 12 4 5 Talkover 13 4 6 Salidas 13 5 CONSIDERACIONES 14 5 1 Bucles de masa ruido de fondo 14 5 2 Limpieza 14 6 LISTA DE FUNCIONES 15 7 DIAGRAMA DE FUNCIONES 15 8 CARACTER STICAS T CNICAS 3...

Page 10: ...De f cil e intuitiva utilizaci n este mezclador cubre un amplio abanico de instalaciones que pueden ir desde las salas de conferencia o salas de actos aulas centros culturales polideportivos iglesias...

Page 11: ...ersonal t cnico cualificado 3 2 Fuentes de se al conectables Platos giradiscos Deben ir equipados con c psula magn tica capaz de entregar un nivel de salida nominal entre 60 y 20dBV 1 y 100mV Dado que...

Page 12: ...veremos por el VU METER la se al presente en la s v a s de entrada Cuando no hay ning n interruptor accionado se monitoriza la se al presente en el bus de mezclas faders abiertos 4 3 Ganancia y ecual...

Page 13: ...ACT 8 se suministra con las salidas ajustadas a 0dBV 1V Siendo posible modificarlas internamente a 6dBV 2V Ver el diagrama de configuraci n Esta operaci n debe ser realizada por un Servicio T cnico Of...

Page 14: ...ejemplo tener el FADER de una v a a 2 y el VOL de la salida OUT a 10 que a la inversa En el primer caso la se al que llega al amplificador de mezcla que intr nsecamente tiene un nivel de ruido de fond...

Page 15: ...am trico FREQ 28 Conmutador de sensibilidad de micro ATT 9 Control de medios MID 29 Borne de toma de masa GND 10 Control de graves BASS 30 Conmutador phantom PHANTOM 11 Control de volumen de la v a VO...

Page 16: ...DIVERS 21 5 1 Boucles de masse bruit de fond 21 5 2 Entretien 21 6 LISTE DE FONCTIONS 22 7 DIAGRAMME DE FONCTIONS 22 8 CARACT RISTIQUES TECHNIQUES 30 9 SCH MAS 31 9 1 Sch ma de configuration 31 9 2 D...

Page 17: ...conf rence ou de s minaires aux salles de classe en passant par les centres culturels les salles omnisports les glises la sonorisation en g n ral pour ne citer que quelques exemples Sa taille r duite...

Page 18: ...nt des fusibles doit tre effectu par un personnel technique qualifi 3 2 Sources de signal Platine tourne disques celles ci doivent tre quip es d un dispositif magn tique capable de d livrer un niveau...

Page 19: ...l on visualise sur le VU METRE le signal pr sent sur la les voie s d entr e Si aucun interrupteur n est actionn le signal pr sent sur le bus de mixage faders ouverts est supervis Lorsqu aucun interrup...

Page 20: ...volume La console COMPACT 8 sort d usine avec les sorties pr r gl es 0dBV 1V Mais il est toujours possible de modifier ces r glages de fa on interne 6dBV 2V Voir sch ma de configuration Cette op rati...

Page 21: ...te Ce n est pas la m me chose par exemple de mettre le Fader d une voie 2 et le Master 10 que de mettre le Fader 10 et le Master 2 1er cas Fader 2 et Master 10 Le signal qui arrive l amplificateur de...

Page 22: ...cro MIC m dium semi param trique FREQ 28 Commutateur de sensibilit micro ATT 9 Contr le des m diums MID 29 Borne de masse GND 10 Contr le des graves BASS 30 Commutateur PHANTOM 11 Gain de la voie VOLU...

Page 23: ...4 4 Kanalanzeigen 26 4 5 Talkover 27 4 6 Ausg nge 27 5 WEITERE ERL UTERUNGEN 28 5 1 Erdungsschleifen Hintergrundrauschen 28 5 2 Reinigung 28 6 FUNKTIONSLISTE 29 7 FUNKTIONS BERSICHT 29 8 TECHNISCHE DA...

Page 24: ...sonders benutzerfreundliche Mixer ist f r ein breites Spektrum an Audioinstallationen geeignet von Konferenzr umen und Kirchen bis zu Lautsprecheranlagen im Freiem Pr sentationen Sporthallen oder allg...

Page 25: ...ehmer ausgestattet sein welcher einen Nennausgangspegel zwischen 60 und 20dBV 1 bis 100mV liefert Da die Phonoeing nge 38 eine sehr hohe bersteuerungskapazit t vorweisen ist der Anschlu von Systemen m...

Page 26: ...ffen 4 3 Eingangsempfindlichkeit und Klangregelung Diese Regler erlauben ein individuelles Einstellen der Eingangsempfindlichkeit und der Klangcharakters f r jeden Kanalzug Mittels des GAIN Reglers 1...

Page 27: ...unabh ngige Volume Regler gibt Der COMPACT 8 wird von Werk aus mit einem Nennausgangspegel von 0dBV 1V geliefert Dieser Wert kann jedoch intern bis auf 6dBV 2V gehoben werden Siehe Konfigurationsdiag...

Page 28: ...e wenn der Kanalfader auf 2 und der Master auf 10 steht als umgekehrt Im ersten Fall ist das Signal das den Verst rker des Mixers erreicht schwach daher ist auch der relative Rauschanteil gering Wenn...

Page 29: ...es 9 Mittenregler MID micro Eingang ATT 10 Tiefenregler BASS 29 Erdungsklemme GND 11 Kanalpegel VOLUME 30 Phantom Schalter PHANTOM 12 Platz f r Identifikationsetikett 31 Netzanschlu buchse 13 Line Ein...

Page 30: ...cy Response LINE 10Hz 30kHz 1dB MICRO BAL 10Hz 30kHz 1dB PHONO RIAA 0 5dB THD N LINE 0 03 MICRO 0 06 PHONO 0 04 CMRR MICRO 75dB 1kHz Signal Noise Ratio LINE 100dB MICRO 85dB PHONO 95dB Gain control al...

Page 31: ...FACTORY ADJUSTED PROGRAM TALKOVER DISABLED SOLDERING CONFIGURATION BUS ASSIGNMENT INPUT 7 INPUT 8 MICRO TALKOVER ENABLED BOTTOM VIEW CAUTION DISCONNECT THE UNIT FROM THE MAINS SUPPLY REMOVE THE SHIELD...

Page 32: ...B L inputs 1 2 3 40dB PHONO R MIC INPUT 7 0dB LINE A L R TREB PHONO PHONO BASS GAIN ATT S P MID FREQ PEAK LINE A MIC AUX PFL VOL VS PHANTOM PFL L PGM R PGM L CTR PFL MIC R MIC L PFL R ANALOG SWICTH PF...

Reviews: