Ecleree AC-6 User Manual Download Page 6

 6

 

- Headphones: In order to achieve the best performance, they should be high impedance type 

(200-600

). They will be connected to the output “32” using normalized ¼’’ stereo jacks. Connect 

ground to sleeve, ring to right and tip to left. 
 
 

- Other mixers: The MIX (38) input provides a direct access to the main mix bus, so this is a 

perfect input for another mixer to be plugged in without using up a regular input. 
 
 

- Power amplifiers: See paragraph 4.7. 

 
4. OPERATION AND USE 
 
4.1. Start up 
 
 

This is made using the POWER switch (17). Immediately the 3 green leds, identified as +5V, 

+18V and  -18V (16) will light up, advising that the different voltages that feed the mixer are working 
properly. The 5V voltage is used for the VU-meter and the LED indicators. The symmetric 18V voltage 
feeds the audio circuits. Although the noise generated by powering up the AC-6 is reduced to a bare 
minimum and is nearly null with the MASTER (27, 33) faders down, it is always advisable not to forget 
about this power-up sequence: sound sources, mixer, equalizers, active filters and power amplifiers. 
Power down the equipment by following the inverse sequence. This way the peaks or transients 
produced by powering up / down a device do not affect the following one in the audio chain and, as a 
result, they do not reach the loudspeakers, which are the most vulnerable audio elements in this case. 
 
4.2. Monitoring 
 
 

The AC-6 wears a visual and auditory monitoring system with headphones and CUE outputs and 

double VU-meter. By activating any of the PFL switches, the input signal/s can be heard through the 
headphones and seen on the right VU-meter. The left VU-meter displays the mix signal or the signals 
present on output 1 or output 2, depending on the position of the handle selector OUT1/MIX/OUT2 (20). 
The rotating potentiometer PFL/MIX (28) allows mixing the selected PFL channels with the main 
program MIX. 
 

It is also possible to realize monitoring using the CUE output (37), which can be controlled with 

the rotating potentiometer (26). This output is fed with the same signal that feeds the headphones 
output and its nominal level is 0dBV (1V). 
 
4.3. Channel gain and equalization 
 
 

These controls allow adjusting the input sensitivity and tone levels individually for each channel. 

 

With the GAIN control (4), the input gain fine adjustment, it is possible to match the signal levels 

of the different channels. This adjustment can be realized using the left and right VU-meter and the 
headphones and CUE outputs. The GAIN controls have a performance margin of ±15dB and the central 
position corresponds to the nominal gain of the selected input. 
 

The tone controls (5-6-7) of all channels provide a CUT of +10dB. 

Summary of Contents for AC-6

Page 1: ...USER MANUAL MANUAL DE INSTRUCCIONES NOTICE D UTILISATION BEDIENUNGSANLEITUNG...

Page 2: ......

Page 3: ...ding to external effects units AUX SEND 07 4 5 Using the XFADER 07 4 6 TALKOVER 07 4 7 Outputs 08 5 CONSIDERATIONS 09 5 1 Ground loops background noise 09 5 2 Cleaning 09 6 FUNCTION LIST 10 7 FUNCTION...

Page 4: ...C series In 1974 the AC 4 set the precedents to what later on would become the club mixer with sliding faders During many years the AC 4 has been praised as one of the best sounding mixers that ECLER...

Page 5: ...ed by qualified technical personnel 3 2 Connectable Signal Sources Turntables Phono They must be fitted with a magnetic cartridge with nominal output level between 55dBV and 25dBV 1 77 to 56mV The PHO...

Page 6: ...dio chain and as a result they do not reach the loudspeakers which are the most vulnerable audio elements in this case 4 2 Monitoring The AC 6 wears a visual and auditory monitoring system with headph...

Page 7: ...epare his mixes and switch from one signal to another just using the XFADER The AC 6 wears the XF SHAPE potentiometer 35 to adjust the XFADER s curve which allows to make soft fades between musical tr...

Page 8: ...ound Pin 1 The balanced circuit simulates an output transformer so if you wish to use OUT1 and OUT2 in non balanced mode you should short circuit the unused pin to ground Otherwise the signal will not...

Page 9: ...nel FADER at level 2 and the MASTER at level 10 or vice versa In the first case the signal that arrives to the mixing amplifier and has a certain noise level is weak so that the signal noise ratio is...

Page 10: ...send control AUX SEND 26 Cue volume control CUE 27 Volume control OUT 2 MASTER 2 28 PFL MIX monitoring crossfade SELECT 29 Left and Right signal sum L R 30 LED indicator L R 31 Headphones volume contr...

Page 11: ...11 7 FUNCTION DIAGRAM...

Page 12: ...s de efectos AUX SEND 16 4 5 Utilizaci n del XFADER 16 4 6 TALKOVER 16 4 7 Salidas 16 5 CONSIDERACIONES 17 5 1 Bucles de masa ruido de fondo 17 5 2 Limpieza 17 6 LISTA DE FUNCIONES 18 7 DIAGRAMA DE FU...

Page 13: ...antes Durante a os el AC 4 ha sido elogiado como uno de los mezcladores con mejor sonido que ECLER ha lanzado en su larga singladura El AC 6 recoge la esencia del AC 4 incorporando los ltimos avances...

Page 14: ...giradiscos Deben ir equipados con c psula magn tica capaz de dar un nivel de salida nominal entre 55 y 25dBV 1 77 y 56mV Dado que las entradas de PHONO 55 del AC 6 tienen una elevada capacidad de sob...

Page 15: ...los aparatos no afecta a los siguientes y por consiguiente tampoco llegan a los altavoces elementos extremadamente susceptibles de averiarse en estos casos 4 2 Monitoraje El AC 6 est dotado con un si...

Page 16: ...a considerablemente su vida til 4 6 Talkover Mediante los pulsadores MIC 5 15 y MIC 6 22 podemos activar en las v as 5 y 6 la funci n Talkover que reduce de forma autom tica el nivel de se al existent...

Page 17: ...eben estar unidos entre s de esta forma evitaremos la formaci n de bucles de masa El mezclador AC 6 ha sido concebido para obtener el menor ruido de fondo posible Independientemente de la concepci n e...

Page 18: ...2 25 Control general de envio auxiliar AUX SEND 26 Control volumen cue CUE 27 Control de volumen OUT 2 MASTER 2 28 Monitorizaci n del crossfade PFL MIX SELECT 29 Suma de se ales izquierda y derecha L...

Page 19: ...19 7 DIAGRAMA DE FUNCIONES...

Page 20: ...Talkover 24 4 7 Sorties 25 5 DIVERS 25 5 1 Boucles de masse bruit de fond 25 5 2 Entretien 25 6 LISTE DE FONCTIONS 26 7 DIAGRAMME DE FONCTIONS 27 8 CARACT RISTIQUES TECHNIQUES 36 9 DIAGRAMME DE CONFIG...

Page 21: ...b faders lin aires Pendant des ann es l AC 4 a t acclam e comme une des consoles de mixage ayant le meilleur son qu ECLER ait produites dans sa longue histoire L AC 6 reprend l essence m me de l AC 4...

Page 22: ...de signal Platine tourne disques celles ci doivent tre quip es d un dispositif magn tique capable de d livrer un niveau de sortie nominale compris entre 55 et 25dBV 1 77 56mV tant donn que les entr e...

Page 23: ...les surtensions transitoires produites par la mise sous hors tension des appareils n affectent pas ces derniers et par cons quent n atteignent pas les haut parleurs l ments extr mement susceptibles d...

Page 24: ...bouton de PFL permet d assigner au XFADER chacune des entr es en position A ou B En position XFADER OFF le signal passe directement au bus de mixage principal Le XFADER de l AC 6 est quip d un circui...

Page 25: ...s chemins diff rents sous peine de produire des bourdonnements qui d graderaient la qualit de la reproduction sonore Les blindages des c bles reli s au ch ssis ne doivent aucun moment tre reli s entre...

Page 26: ...mmande g n rale de d part auxiliaire AUX SEND 26 Contr le de volume CUE 27 Contr le de volume OUT 2 MASTER 2 28 Crossfader d coute monitoring PFL MIX SELECT 29 Somme signal Gauche et Droite L R 30 Ind...

Page 27: ...27 7 DIAGRAMME DE FONCTIONS...

Page 28: ...externe Effekteger te AUX SEND 32 4 5 Handhabung des XFADER s 32 4 6 Talkover 32 4 7 Ausg nge 32 5 WEITERE ERL UTERUNGEN 33 5 1 Erdungsschleifen Hintergrundrauschen 33 5 2 Reinigung 33 6 FUNKTIONSLIST...

Page 29: ...ixer mit Schiebereglern gesetzt Der AC 4 wurde jahrelang gelobt als einer der Mixer mit dem besten Sound den ECLER in seiner langen Laufbahn je auf den Markt gebracht hat Der AC 6 verbindet die wesent...

Page 30: ...tte f r den Wechsel der Sicherung an technisch qualifizierte Personen 3 2 Anschlie bare Signalquellen Plattenspieler M ssen mit einem Magnettonabnehmer ausgestattet sein welcher einen Nennausgangspege...

Page 31: ...ihenfolge Wenn Sie dies beachten werden die beim Einschalten erzeugten Spannungsspitzen keines der angeschlossenen Ger te in irgendeiner Weise beeintr chtigen und daher auch nicht die Lautsprecher err...

Page 32: ...FL Taster und erm glicht es jeden Eingangskanal der Position A oder B des XFADER s zuzuweisen Wenn die Position XFADER OFF gew hlt wird wird das Signal direkt an den Haupt Mix Bus geleitet Der XFADER...

Page 33: ...en Brummger uschen kommen die sogar die Qualit t der Klangwiedergabe beeintr chtigen k nnten Sollten die Kabelabschirmungen mit dem Geh use verbunden sein so d rfen sie um die Bildung von Masseschleif...

Page 34: ...r CUE 27 Ausgang OUT 2 Pegelregler MASTER 2 28 PFL MIX Crossfaderkontrolle SELECT 29 Links und rechts zusammen L R 30 LED Anzeige L R 31 Kopfh rerpegelregler VOLUME 32 Stereo Kopfh rerbuchse 33 Ausgan...

Page 35: ...35 7 FUNKTIONS BERSICHT...

Page 36: ...t level full gain PHONO 21dBV LINE 9dBV CD 11dBV MICRO 31dBV Frequency Response PHONO RIAA 0 5dB LINE CD 10Hz 40kHz 1dB MICRO 10Hz 30kHz 1dB THD N PHONO 0 03 LINE 0 02 CD 0 01 MICRO 0 03 RETURN 0 02 M...

Page 37: ...37 9 CONFIGURATION DIAGRAM 9 DIAGRAMA DE CONFIGURACI N 9 DIAGRAMME DE CONFIGURATION 9 KONFIGURATION...

Page 38: ...E POST A OFF B XFA XFB AUX PFL PGM A OFF B PRE POST AUX PFL MIC5 MIC RETURN 0dB AUX RETURN PFL MIX 0dB CTR A VCA VCA CTR B ATTENUATOR TALKOVER CONTROL TIME ATT 0 30dB REC A TO THE R CHANNEL L R REC B...

Page 39: ...39...

Page 40: ...ECLER Laboratorio de electro ac stica S A Motors 166 168 08038 Barcelona Spain INTERNET http www ecler com e mail info ecler es 50 0117 01 00...

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