background image

4

II – KF700 Series Array Philosophy

Since we set out to develop the KF700 Series for ease of use, we insisted that arrays designed to cover any venue

could be flown quickly, easily, and safely as a dead hung cluster. Such a system would save the user both time and

money while providing his/her client with an acoustically consistent and aesthetically pleasing cluster. 

To further enhance utility, the KF700 Series uses a multi-axial approach that creates compact modules that provide

the high “Q” pattern control associated with much larger devices. Combined with the tightly packed, dead-hung

nature of the cluster, this allows for maximum coupling of array elements, providing tremendous output capability

through the low and mid frequency subsections of the array.

Finally, KF700 Series arrays will provide uniform coverage with relatively simplistic processing. We have developed

AS3D array shading to enhance array control and coverage without requiring additional DSP units.

T H E   G O L D E N   R U L E S

Both our experience and user feedback has led us to develop two Golden Rules for KF700 Series usage. Following

these rules will not guarantee success. However, not following them will definitely compromise array performance.

1

Never let an audience member see a handle on a module in their primary cluster. (It is alright if someone seated

house-right sees a handle on the house-left cluster). The KF700 Series loudspeakers provide a 30

horizontal pat-

tern that drops off very rapidly outside of this nominal angle. Since the physical angle of the enclosure is also 30

,

if you can see the handle, you are out of the pattern. The difference in performance will be audible.

2

Provide separate processing for each row of KF755’s. Using multiple rows of KF755’s allows KF700 Series arrays to

work in a number of challenging venues, but each row of KF755's must be processed independently in order to

achieve proper integration. (N. B. This requires only two channels of output per row in large arrays in which the

KF750's alone produce sufficient LF response.)

III – Building Arrays: Bandwidth by Bandwidth

The soon-to-be-released KF700 Series Owner’s

Manual provides information regarding the funda-

mental design attributes of the modules within the

series. These systems are designed to exhibit pre-

dictable behavior when arrayed, but it is important to

realize that array behavior is not the same as module

behavior. In fact, when arrayed, the individual

devices within a module combine with their counter-

parts in adjacent modules to achieve a different level

of performance that must be addressed as a system. It

is vital to understand the nature of this device cooper-

ation in order to consistently build and ultimately

tune these high performance clusters. 

Distributed HF Horns

MF Line Source

LF Line Array

Summary of Contents for KF750 Series

Page 1: ...T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g E A W s K F 7 0 0 S e r i e s T o u r i n g U s a g e G u i d e...

Page 2: ......

Page 3: ...act as a single unit Developing and integrating the various loudspeaker modules in the KF850 KF860 and KF900 Series has led us to new ways of looking at array building that provide even coverage throu...

Page 4: ...ing a true continuum of success Our experience has led us to develop a ve step approach to designing the appropriate array for any venue 1 D E S I G N A R R A Y C O L U M N S Design a single array col...

Page 5: ...mize destructive interaction between array modules and produce even coverage in three space three dimensions AS3D requires that the array ampli cation be zoned in horizontal rows to permit implementat...

Page 6: ...cluster It is alright if someone seated house right sees a handle on the house left cluster The KF700 Series loudspeakers provide a 30 horizontal pat tern that drops off very rapidly outside of this n...

Page 7: ...in uenced by the edge events That is an impulse response measurement reveals two distinct upper mid frequency arrivals coming from the physical edges of the line source i e the top of the top module...

Page 8: ...T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g E A W s K F 7 0 0 S e r i e s T o u r i n g U s a g e G u i d e INTEGRATING MODULES INTO AN ARRAY COLUMN...

Page 9: ...riate processing and AS3D techniques will provide even coverage to the front of the venue without creating interference issues in the transition area between KF755 and KF750 coverage Dedicated down ll...

Page 10: ...rent arrival in order to achieve appropriate summation throughout a venue IIIa GroundstackingSB750 s Many users will choose to use SB750 s in a traditional groundstacked con guration In addition to pr...

Page 11: ...apparent impact at great distances Additional processing also allows for subwoofer beam steering Unlike conventional ground stacked subwoofers own subwoofers lose the increased output bene t provided...

Page 12: ...ronounced lobes above and below the cluster This limits the ability to project sub frequency information upward to the far reaches of the venue signi cantly reduces the subwoofer output in the front r...

Page 13: ...steering 6 5 msec delay on bottom row 3x KF750 1x SB750 1x SB750 1x KF755 IV UsingKF755 sforUp llCoverage Many larger venues medium and large arenas require up ll in order to reach the farthest seati...

Page 14: ...so as to sum with the energy from KF750 column 2 rows of upfill KF755 s in a large arena 1 237 msec 1 756 msec delay differential A B C Arrival difference from A to B 1 237 msec 2x KF755 inverted 4x...

Page 15: ...h more delay for the top row and two with less for the second row A delay unit must be carefully chosen such that the latency delay through the unit does not exceed the desired delay for the second ro...

Page 16: ...is important to remember the visible handle rule of thumb Because the KF700 Series pattern edge exhibits dramatic attenuation the clusters can be own much closer to on stage without the feedback prob...

Page 17: ...T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g E A W s K F 7 0 0 S e r i e s T o u r i n g U s a g e G u i d e AS3D ARRAY SHADING IN THREE DIMENSIONS...

Page 18: ...tly linked to the ends of the line source If the array is short these arrivals occur close together In larger arrays the arrivals are further apart These dual arrivals create problems in areas that li...

Page 19: ...of listening positions For the sake of legibility only three locations are shown 0 10 20 These locations are illustrated in Figure 2 Array Response Locations At 0 10 and 20 these are the listening loc...

Page 20: ...is generated by the same computer model referenced above By implementing these simple techniques effective and extremely consistent array performance can be provided using the simple dead hung array T...

Page 21: ...l array shading as throw distances should be relatively consistent However in venues that are particularly long or particularly narrow output levels on the short throw sides may become excessive This...

Page 22: ...ddress the increased vertical angle associated with closer proximity to the array In an extreme situation increase the horizontal area of attenuated coverage by unplugging the gap box in the second co...

Page 23: ...T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g E A W s K F 7 0 0 S e r i e s T o u r i n g U s a g e G u i d e DSP SETTINGS...

Page 24: ...ssover 2 way crossover 2 way crossover 2 way crossover 1 Band PEQ Gain Delay Lim Comp 4 Band PEQ Gain Delay Lim Comp 4 Band PEQ Gain Delay Lim Comp Gain Delay Gain Delay Delay Delay Gain Delay Gain De...

Page 25: ...14Hz 24dBButterworth PEQ Frequency Boost Cut Q USP 2Q Bandwidth EQ1 500Hz 8 5dB 2 2 0 99 0 52 EQ2 874Hz 5 5dB 10 6 84 0 10 EQ3 1k26Hz 3 5dB 3 6 2 49 0 28 HF GAIN 2 0dB DELAY 1 102msec HPF 1k68Hz 24dBB...

Page 26: ...354Hz 24dBLink Riley LPF 1k47Hz 24dBButterworth PEQ Frequency Boost Cut Q USP 2Q Bandwidth EQ1 490Hz 8 0dB 2 1 1 02 0 53 EQ2 874Hz 5 5dB 10 6 84 0 10 EQ3 1k26Hz 3 5dB 3 6 2 49 0 28 HF GAIN 2 0dB DELA...

Page 27: ...Riley LPF 1k47Hz 24dBButterworth PEQ Frequency Boost Cut Q USP 2Q Bandwidth EQ1 490Hz 8 0dB 2 1 1 02 0 53 EQ2 874Hz 5 5dB 10 6 84 0 10 EQ3 1k26Hz 3 5dB 3 6 2 49 0 28 HF GAIN 2 0dB DELAY 1 102msec HPF...

Page 28: ...4Hz 24dBLink Riley LPF 1k47Hz 24dBButterworth PEQ Frequency Boost Cut Q USP 2Q Bandwidth EQ1 490Hz 8 0dB 2 1 1 02 0 53 EQ2 874Hz 5 5dB 10 6 84 0 10 EQ3 1k26Hz 3 5dB 3 6 2 49 0 28 HF GAIN 2 0dB DELAY 1...

Page 29: ...earenaswherethebalcony isabovethelevelofthearray ThedelayofasinglerowofKF755up ll modulesiscalibratedtomeettheacoustic originofanarraycomprising3 high KF750 soverasingleKF755down ll module Three Over...

Page 30: ...quire onlyminoradjustmentdependingonhow theyaredeployed PleaseseeSection2of thisGuideformoreinformationon ying orgroundstackingSB750subwoofers SB750DSPSETTINGS LF GAIN 6 0dB DELAY 0 000msec HPF 35 14H...

Page 31: ...web www eaw com EUROPE EAW International Ltd tel 44 1494 539090 fax 44 1494 539091 T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g EAW is the worldwide technological and market leade...

Reviews: