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The first chart (Fig. 3), showing array performance with no processing or equalization, predicts significant comb 

filtering at most locations with the best summation at the far field. The next two charts (Figs. 4 and 5), show how

performance improves when the top row of KF750's is attenuated 9 dB and the next row down is attenuated 3 dB.

The final chart (Fig. 6), depicts final array performance when appropriate delay is added to the bottom row of

downfill KF755's. Note that overall output decreases only marginally while overall performance improves 

dramatically.

Vertical Array Shading in the High Frequencies

The high frequency response at FOH is governed by both the KF755 and KF750 horn arrivals. For best performance,

the KF755 must be allowed to dominate. By simply shading the KF750 high frequency devices in the row above the

KF755’s, the build up of energy between 1kHz and 2kHz is eliminated as demonstrated in Figure 7 below. Note that

this response is generated by the same computer model referenced above.

By implementing these simple techniques, effective and extremely consistent array performance can be provided

using the simple dead hung array. These subtle adjustments are also achieved without a requirement for additional

processing. In fact, short of overall low frequency level adjustment, KF700 Series arrays can be utilized and 

optimized by making minor adjustments to a few amplifier channels night in and night out in varying venues.

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Array response without AS3D™

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Now we add 9 dB attenuation on top row of KF750's...

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AS3D™ array shading techniques and their effects 

on the mid frequency response of a 4 over 1 KF700 Series array

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...and finally we add appropriate delay 

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Figure 4

Figure 3

Figure 6

Figure 5

Summary of Contents for KF750 Series

Page 1: ...T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g E A W s K F 7 0 0 S e r i e s T o u r i n g U s a g e G u i d e...

Page 2: ......

Page 3: ...act as a single unit Developing and integrating the various loudspeaker modules in the KF850 KF860 and KF900 Series has led us to new ways of looking at array building that provide even coverage throu...

Page 4: ...ing a true continuum of success Our experience has led us to develop a ve step approach to designing the appropriate array for any venue 1 D E S I G N A R R A Y C O L U M N S Design a single array col...

Page 5: ...mize destructive interaction between array modules and produce even coverage in three space three dimensions AS3D requires that the array ampli cation be zoned in horizontal rows to permit implementat...

Page 6: ...cluster It is alright if someone seated house right sees a handle on the house left cluster The KF700 Series loudspeakers provide a 30 horizontal pat tern that drops off very rapidly outside of this n...

Page 7: ...in uenced by the edge events That is an impulse response measurement reveals two distinct upper mid frequency arrivals coming from the physical edges of the line source i e the top of the top module...

Page 8: ...T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g E A W s K F 7 0 0 S e r i e s T o u r i n g U s a g e G u i d e INTEGRATING MODULES INTO AN ARRAY COLUMN...

Page 9: ...riate processing and AS3D techniques will provide even coverage to the front of the venue without creating interference issues in the transition area between KF755 and KF750 coverage Dedicated down ll...

Page 10: ...rent arrival in order to achieve appropriate summation throughout a venue IIIa GroundstackingSB750 s Many users will choose to use SB750 s in a traditional groundstacked con guration In addition to pr...

Page 11: ...apparent impact at great distances Additional processing also allows for subwoofer beam steering Unlike conventional ground stacked subwoofers own subwoofers lose the increased output bene t provided...

Page 12: ...ronounced lobes above and below the cluster This limits the ability to project sub frequency information upward to the far reaches of the venue signi cantly reduces the subwoofer output in the front r...

Page 13: ...steering 6 5 msec delay on bottom row 3x KF750 1x SB750 1x SB750 1x KF755 IV UsingKF755 sforUp llCoverage Many larger venues medium and large arenas require up ll in order to reach the farthest seati...

Page 14: ...so as to sum with the energy from KF750 column 2 rows of upfill KF755 s in a large arena 1 237 msec 1 756 msec delay differential A B C Arrival difference from A to B 1 237 msec 2x KF755 inverted 4x...

Page 15: ...h more delay for the top row and two with less for the second row A delay unit must be carefully chosen such that the latency delay through the unit does not exceed the desired delay for the second ro...

Page 16: ...is important to remember the visible handle rule of thumb Because the KF700 Series pattern edge exhibits dramatic attenuation the clusters can be own much closer to on stage without the feedback prob...

Page 17: ...T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g E A W s K F 7 0 0 S e r i e s T o u r i n g U s a g e G u i d e AS3D ARRAY SHADING IN THREE DIMENSIONS...

Page 18: ...tly linked to the ends of the line source If the array is short these arrivals occur close together In larger arrays the arrivals are further apart These dual arrivals create problems in areas that li...

Page 19: ...of listening positions For the sake of legibility only three locations are shown 0 10 20 These locations are illustrated in Figure 2 Array Response Locations At 0 10 and 20 these are the listening loc...

Page 20: ...is generated by the same computer model referenced above By implementing these simple techniques effective and extremely consistent array performance can be provided using the simple dead hung array T...

Page 21: ...l array shading as throw distances should be relatively consistent However in venues that are particularly long or particularly narrow output levels on the short throw sides may become excessive This...

Page 22: ...ddress the increased vertical angle associated with closer proximity to the array In an extreme situation increase the horizontal area of attenuated coverage by unplugging the gap box in the second co...

Page 23: ...T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g E A W s K F 7 0 0 S e r i e s T o u r i n g U s a g e G u i d e DSP SETTINGS...

Page 24: ...ssover 2 way crossover 2 way crossover 2 way crossover 1 Band PEQ Gain Delay Lim Comp 4 Band PEQ Gain Delay Lim Comp 4 Band PEQ Gain Delay Lim Comp Gain Delay Gain Delay Delay Delay Gain Delay Gain De...

Page 25: ...14Hz 24dBButterworth PEQ Frequency Boost Cut Q USP 2Q Bandwidth EQ1 500Hz 8 5dB 2 2 0 99 0 52 EQ2 874Hz 5 5dB 10 6 84 0 10 EQ3 1k26Hz 3 5dB 3 6 2 49 0 28 HF GAIN 2 0dB DELAY 1 102msec HPF 1k68Hz 24dBB...

Page 26: ...354Hz 24dBLink Riley LPF 1k47Hz 24dBButterworth PEQ Frequency Boost Cut Q USP 2Q Bandwidth EQ1 490Hz 8 0dB 2 1 1 02 0 53 EQ2 874Hz 5 5dB 10 6 84 0 10 EQ3 1k26Hz 3 5dB 3 6 2 49 0 28 HF GAIN 2 0dB DELA...

Page 27: ...Riley LPF 1k47Hz 24dBButterworth PEQ Frequency Boost Cut Q USP 2Q Bandwidth EQ1 490Hz 8 0dB 2 1 1 02 0 53 EQ2 874Hz 5 5dB 10 6 84 0 10 EQ3 1k26Hz 3 5dB 3 6 2 49 0 28 HF GAIN 2 0dB DELAY 1 102msec HPF...

Page 28: ...4Hz 24dBLink Riley LPF 1k47Hz 24dBButterworth PEQ Frequency Boost Cut Q USP 2Q Bandwidth EQ1 490Hz 8 0dB 2 1 1 02 0 53 EQ2 874Hz 5 5dB 10 6 84 0 10 EQ3 1k26Hz 3 5dB 3 6 2 49 0 28 HF GAIN 2 0dB DELAY 1...

Page 29: ...earenaswherethebalcony isabovethelevelofthearray ThedelayofasinglerowofKF755up ll modulesiscalibratedtomeettheacoustic originofanarraycomprising3 high KF750 soverasingleKF755down ll module Three Over...

Page 30: ...quire onlyminoradjustmentdependingonhow theyaredeployed PleaseseeSection2of thisGuideformoreinformationon ying orgroundstackingSB750subwoofers SB750DSPSETTINGS LF GAIN 6 0dB DELAY 0 000msec HPF 35 14H...

Page 31: ...web www eaw com EUROPE EAW International Ltd tel 44 1494 539090 fax 44 1494 539091 T h e L a w s o f P h y s i c s T h e A r t o f L i s t e n i n g EAW is the worldwide technological and market leade...

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