background image

treble 2

bass 2

volume 2

tape/cd/dat

treble 1

bass 1

volume 1

microphone

2. Description of the control elements and sockets

microphone  

 

A dynamic or a condensor microphone with XLR plug can be connected to 

 

 

 

this XLR socket. 

 

 

 

(Pin assignment: 1 = ground, 2 = hot (+), 3 = cold (-)

ATTENTION! 

   

If a phantom-powered condensor microphone is used, the jumper J4 on PCB  

 

 

 

 

 

80402.1 must be plugged to Phantom ON.

volume 1  

 

This is the volume control of the microphone input. Here the desired volume of the  

 

 

 

 

connected microphone can be adjusted.

bass 1   

 

The low frequencies of the microphone signal can be boosted or cut with this  

 

 

 

 

 

bass control.

treble 1  

 

The high frequencies of the microphone signal can be boosted or cut with this  

 

 

 

 

 

treble control.

tape/cd/dat  

 

A stereo cinch cable from a tape deck, CD player, tuner etc. can be connected to this pair 

 

 

 

of cinch (RCA) sockets. The sensitivity is 775 mV.  (Standard configuration)  

 

 

 

 

The inputs left and right are summed to mono. Mono signal sources must be plugged to 

 

 

 

socket left!

volume 2  

 

This is the volume control of the line input. Here the volume of the connected  

 

 

 

 

 

AF source can be adjusted.

bass 2   

 

The low frequencies of the AF source can be boosted or cut with this bass control.

treble 2  

 

The high frequencies of the AF source can be boosted or cut with this treble control.

mute/damping/mix  

The 3 positions of this mode switch mean:

  

 

 

mute - 

 

the module UV 300 is muted, the AF output signal is disconnected  

 

 

 

 

 

 

from the PA system.

  

 

 

damping -

  

in this switch position the microphone signal affects the volume    

 

 

 

 

 

 

of the AF signal of the cinch input, dependent on the position of    

 

 

 

 

 

 

the damping control.

  

 

 

mix - 

   

in this switch position the microphone and the line input are entitled  

 

 

 

 

 

 

to the same priority and are mixed together, affected only by the 

 

 

 

 

 

volume and tone controls. The damping control has no effect.

damping control  

With the mode switch in position “damping”, the position of this control determines,  

 

 

 

 

how much the line signal is attenuated, when someone speaks into the microphone  

 

 

 

 

(control range: -6dB ... -20dB).

on LED  

 

This green LED lights up, when the system is switched on and the module is powered.

Summary of Contents for UV 300

Page 1: ...r die Mikrofonbuchse ber Jumper steckbar Kaskadierungseingang zum Koppeln von bis zu 5 UV 300 Modulen Mute Stummschaltung des kompletten Panels Technische Daten Eing nge MIC XLR Buchse 3pol 5mV Ze 1 4...

Page 2: ...des Line Eingangs Mit ihm kann die gew nschte Lautst rke der angeschlossenen NF Signalquelle Tape Deck CD Player Tuner o eingestellt werden bass 2 Mit diesem Bassregler k nnen die tiefen Frequenzen d...

Page 3: ...und Line Eingang k nnen ber jeweils einen eigenen Lautst rkeregler in ihrer Lautst rke angepa t und mit Hilfe der Klangregler im Klang ver n dert werden Steht der MODE Schalter in der Stellung dampin...

Page 4: ...st abgeschaltet J4 X Die Phantomspannung ist eingeschaltet J5 X Das Ausgangssignal eines gekoppelten Moduls wird nicht durch die Dampingschaltung beeinflu t J5 X Das Ausgangssignal eines gekoppelten M...

Page 5: ...Beispiel 1 Anschlu eines einzelnen UV 300 an einer ELA Anlage Beispiel 2 Anschlu eines einzelnen UV 300 an einem einfachen Verst rker oder an einer Endstufe...

Page 6: ...Beispiel 3 Kopplung von 2 5 UV 300 die dann an einer Ela Anlage angeschlossen werden...

Page 7: ...ndem Plan erfolgen Die Ger te m ssen dabei mit einem Ausgangs bertrager NRS 90 189 ausger stet sein und der Ausgang jedes Moduls wird mit einem 2 2 kOhm Widerstand abgeschlossen Kaskadierungsleitungen...

Page 8: ...her der L taugen f r den bertrager zugel tet sind mu bei diesen das Zinn abgesaugt werden 3 Die 0 Ohm Widerst nde m ssen ausgel tet oder mit einem Seitenschneider herausgezwickt werden 4 Den Ausgangs...

Page 9: ...18V for the Mic socket switchable via jumper Cascade input to couple of up to five UV 300 modules Muting circuit for the complete panel Specifications Inputs MIC XLR socket 3 pole 5mV Ze 1 4 kOhm 2mV...

Page 10: ...l sources must be plugged to socket left volume 2 This is the volume control of the line input Here the volume of the connected AF source can be adjusted bass 2 The low frequencies of the AF source ca...

Page 11: ...o AF signal is passed on to the PA system In position mix the UV 300 works like a 2 channel mixer The microphone and the line inputs can be adjusted by their own volume control and altered in sound vi...

Page 12: ...wer is switched on J5 X The output signal of the coupled module is not affected by the damping circuit J5 X The output signal of the coupled module is affected by the damping circuit J6 X The internal...

Page 13: ...Sample 1 Connection of one single UV 300 to a PA system Sample 2 Connection of one single UV 300 to a mixing amlifier or power amplifier...

Page 14: ...Sample 3 Coupling of two to five UV 300 s connected to a PA system...

Page 15: ...300 s should be performed as follows the units must be fitted with an output transformer NRS 90 189 and the output of each module must be terminated with a 2 2 kohm resistor Cascading lines may not e...

Page 16: ...trofitting 2 If the holes of the soldering eyelets for the transformer are soldered the tin solder must be sucked off 3 The 0 ohm resistors must be soldered out or cut with a diagonal cutter 4 Plug th...

Page 17: ......

Page 18: ...lle MN 55337 Phone 1 952 884 4051 FAX 1 952 884 0043 Germany EVI AUDIO GmbH Hirschberger Ring 45 D 94315 Straubing Germany Phone 49 9421 706 0 FAX 49 9421 706 265 Subject to change without prior notic...

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