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6. DEMHE/HALI - Use the DEMHE voicing (Up Toggle Position) for a bass and low-mid 

boost which works great for clean channel usage.  Use the HALI voicing (Down 

Toggle Position) for a bass cut that works great for dirty channel usage.

7. FOOTSWITCH - turns the effect on and off.

8. LED - turns on when the effect is enabled.

9. OUT - connect to the next pedal’s input or to the input of your amplifier.

USING CARCOSA:

The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones 

of legend coexist with splattered and shattered Pollock abstractions.  Combining the 

Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that 

range from porcine fatness to desiccated shards.  This versatility makes the Carcosa Fuzz 

a good companion for dirty or clean amps.  True bypass, tons of output, and the visage 

of the King in Yellow sets the stage for fuzzy madness. 

The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it 

stand out in a mix.  It has been designed to cut through a dense and heavy band but still 

have great note articulation with chords.  However, when extreme bias (AFTER) ranges 

are selected many wild and over-the-top sounds are possible.

In general, the usage of the Carcosa is dependent upon how you like to run your amp.  

If you run your amp dirty, then HALI mode will keep the lows tight and the HI-CUT will 

allow for increased high-frequency detail for use as a treble-booster.  This makes the 

Carcosa excellent for use as a fuzzy lead boost.

If you run your amp clean, then DEMHE mode will boost the low-mids and this mode 

pairs especially well with American twin combo amps (with the amp’s bright switch 

disengaged).  DEMHE mode also sounds great with British amps on the edge of breakup; 

the Carcosa can thicken and drive the amp into saturation.

Wide ranges of fuzz voicings are possible with the Carcosa.  When using lower counter-

clockwise bias (AFTER) settings the Carcosa responds very well to volume knob changes 

and pick attack dynamics:  Cleaning up in a controlled and pleasing manner like classic 

overdrive fuzzes.  Once the bias (AFTER) is set for higher clockwise ranges then the 

Carcosa Fuzz AFTER (Bias)

Control Ranges

Low Gain Range

Reduced Treble

Content

Extreme Range

Gated/Sputter

‘Horn-Like’

Sounds

High Gain Range

Increased Treble Content

Carcosa Fuzz HIGH-CUT

Control Ranges

Normal

Operating

Range

Extreme Range

To Compensate

For Extreme

Sag/Gate AFTER

Settings

Treble Make-Up Range

For Low AFTER (Bias) Settings

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