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TGA-3 100 Watt Guitar Amplifier User’s Guide

INTRODUCTION

Congratulations! You’ve just purchased one of the finest, best-sounding and most versatile amps on this planet! 

Please be patient and read this manual before you power-up, and you will be richly rewarded. 

OVERVIEW

The Demeter TGA-3 was designed by James Demeter as literally three amps in one. Therefore, a basic explanation 

of the front panel controls and rear panel jacks is necessary to enable you to unlock the great potential of this 

professional tool.

Looking at the front control panel, there are four colors of knobs: yellow, green, red, and blue. The blue knobs 

are controls which are common to all channels: stereo effect returns and the presence control. We’ll talk more 

about these later on.

The yellow knobs control the “clean” channel, reminiscent of a vintage Fender Deluxe or Bassman. This channel is 

capable of delivering plenty of squeaky-clean volume for country or traditional Jazz styles. It also has a great 

blues “bite” to it when you turn up the gain, similar to a Tweed Fender Deluxe with everything on “10.”

The green and red overdrive channels give you every possible combination of distortion, feedback and sustain. 

From smooth to hard, from Vintage British Crunch to “ modded” super distortion, this amp has it all and more.

Rear Panel

Before you turn on the amp, let’s take a look at the rear panel, where you will make the proper connections to 

your system.

Speakers

No tube amp should be powered up without making sure that the speakers are connected. If you have a TGA-3-

100 combo amp the speaker will come connected, but it is always a good idea to check anyway. A tube amp can 

burn up its output transformer (an expensive repair) if operated without being connected to a speaker.

Impedance

 

Always observe proper impedance matching. The Demeter TGA-3-100 has 3 speaker output jacks: for 4, 8 and 

16 ohm cabinets. If you don’t know what the impedance of your speaker cabinet is, you should find out! If your 

cabinet or speaker is not marked (most are), you can try the following: 

Connect an ohmmeter between the terminals or to the input jack of the cabinet, and set the meter’s range for 

at least 20 ohms full-scale. The reading will usually be a bit less than the actual impedance (6 or 7 ohms for an 

8- ohm speaker, 3 or 3.5 ohms for a 4- ohm speaker, 13 to 15 ohms for a 16 ohm speaker). Impedance matching 

is necessary to get optimum volume and tone, and to avoid undue stress on your amp.

Note: most Marshall-type cabinets will have an impedance of 16 ohms, but some may be wired for 4 ohms.

6900 Kingsbury Road  |  Templeton, CA 93465  |  805-461-4100  |  http://www.demeteramps.com/

Summary of Contents for TGA-3

Page 1: ... Vintage British Crunch to modded super distortion this amp has it all and more Rear Panel Before you turn on the amp let s take a look at the rear panel where you will make the proper connections to your system Speakers No tube amp should be powered up without making sure that the speakers are connected If you have a TGA 3 100 combo amp the speaker will come connected but it is always a good idea...

Page 2: ...follows RT ____1_______________ __1__ __1__ __1__ R1 R2 R3 or ____1____ __1__ __1__ __1__ RT R1 R2 R3 Or you can take my word for it this means if you combine more than two speakers with low impedance the figure becomes too low to use with this amp Examples 4 8 ohm speakers when chained together have a total impedance of 2 ohms and 2 ohms is too low Conversely a 16 ohm Marshall cab combined with o...

Page 3: ...level turn off amp before switching this Output Balance To the left of the speaker jacks is a small adjustment screw labeled output balance To adjust turn the amp on with nothing plugged in but the speaker and listen to the amp idle With a screwdriver rotate the control clockwise and counter clockwise until you find the spot where the hum disappears This fine tuning will insure the best signal to ...

Page 4: ...ithout redundant controls The TGA 3 100 becomes the master control for both amplifiers in stereo mode with the blue stereo FX loop return right channel controlling the volume of the slaved amplifier The slave amp output also can double as a line out to a miking board or sound system Rear Extra Input To the right of the slave out is an accessory extra input for convenience when rack mounting the TG...

Page 5: ...rdrive architecture it s like having a high performance engine with two superchargers As you become accustomed to the amp you will set the gain and master controls of each channel for smooth or radical channel transitions Edge Boost Switch To the left of the green channel s gain is the edge lead switch When set to edge this control changes the gain structure of the amp to behave like a vintage pre...

Page 6: ...ntioned the right return also controls the volume of a slave amplifier whether When effects or an amp is connected to this circuit the returns become another submaster control with still more subtle changes in the sound possible Presence Control Further right is the blue presence control similar to the presence knob on Fender and Marshall amps It gives overall brightness to all amp settings Note T...

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