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TGA-3 100 Watt Guitar Amplifier User’s Guide

Tube Type Switch (Autobiasing)

Returning to the rear panel, to the left of the speaker jacks, you will notice a switch labeled tube type. This 

switch has two positions for three different kinds of output tubes. The Demeter has a state of the art feature 

known as auto-biasing, which allows you to get even more variation of sound by changing the output tubes (the 

big ones). There are three popular tubes presently in use for this amp. The 6L6 (5881) of the large Fenders, with 

it warm harmonic richness; the 6CA7 (EL34) of the vintage Marshall, with its smooth sustained distortion; and 

the 6550 of the ‘American’ Marshall and SVT, with extra power and Heavy-Metal ‘Crunch’. When the tube type 

switch is in 5881 position, the Demeter will automatically select the proper bias of 5881 or 6550 tubes. The 

other position is for 6CA7’s (EL34). Incidentally, this amp does not require matched sets of specially graded tubes 

for best performance, just make sure the tube type switch is properly set when you change your tubes: usually 

once every six months to once a year, depending on use.

1/2 Power Switch

To the right of the speaker jacks there is a switch marked 1/2 power/full power. This cuts off two output tubes 

to obtain full output and distortion at a lower level (turn off amp before switching this).

Output Balance

To the left of the speaker jacks is a small adjustment screw labeled output balance, To adjust, turn the amp on 

with nothing plugged in but the speaker, and listen to the amp “idle”. With a screwdriver, rotate the control 

clockwise and counter-clockwise until you find the spot where the hum disappears. This fine- tuning will insure 

the best signal to noise ratio, and should usually be performed when changing or installing new output tubes, or 

after several month’s usage.

Effects Loop

The effects loop of the TGA-3-100 is tube-buffered. This means that it will probably match the impedances of 

your effects. Looking to the right of the 1/2 power switch, we come to the stereo effects loop jacks. This loop is 

designed for a mono send, and a stereo or mono return. If you are using effects, the following will apply. Note: 

since there is little standardization of minimum and maximum signal levels between manufacturers of semipro 

and professional effect units, this amp has a very wide range of effect-loop gain. Make sure you don’t have your 

effect’s input level set too high (in the red). Also, if you are using guitar “stompboxes”, which generally do not 

have level controls, it is usually necessary to run the effects send control at a very low level. If you have boxes 

which are still overloading, try putting a 10dB pad on the effects send or the input of your effect.

6900 Kingsbury Road  |  Templeton, CA 93465  |  805-461-4100  |  http://www.demeteramps.com/

Summary of Contents for TGA-3

Page 1: ... Vintage British Crunch to modded super distortion this amp has it all and more Rear Panel Before you turn on the amp let s take a look at the rear panel where you will make the proper connections to your system Speakers No tube amp should be powered up without making sure that the speakers are connected If you have a TGA 3 100 combo amp the speaker will come connected but it is always a good idea...

Page 2: ...follows RT ____1_______________ __1__ __1__ __1__ R1 R2 R3 or ____1____ __1__ __1__ __1__ RT R1 R2 R3 Or you can take my word for it this means if you combine more than two speakers with low impedance the figure becomes too low to use with this amp Examples 4 8 ohm speakers when chained together have a total impedance of 2 ohms and 2 ohms is too low Conversely a 16 ohm Marshall cab combined with o...

Page 3: ...level turn off amp before switching this Output Balance To the left of the speaker jacks is a small adjustment screw labeled output balance To adjust turn the amp on with nothing plugged in but the speaker and listen to the amp idle With a screwdriver rotate the control clockwise and counter clockwise until you find the spot where the hum disappears This fine tuning will insure the best signal to ...

Page 4: ...ithout redundant controls The TGA 3 100 becomes the master control for both amplifiers in stereo mode with the blue stereo FX loop return right channel controlling the volume of the slaved amplifier The slave amp output also can double as a line out to a miking board or sound system Rear Extra Input To the right of the slave out is an accessory extra input for convenience when rack mounting the TG...

Page 5: ...rdrive architecture it s like having a high performance engine with two superchargers As you become accustomed to the amp you will set the gain and master controls of each channel for smooth or radical channel transitions Edge Boost Switch To the left of the green channel s gain is the edge lead switch When set to edge this control changes the gain structure of the amp to behave like a vintage pre...

Page 6: ...ntioned the right return also controls the volume of a slave amplifier whether When effects or an amp is connected to this circuit the returns become another submaster control with still more subtle changes in the sound possible Presence Control Further right is the blue presence control similar to the presence knob on Fender and Marshall amps It gives overall brightness to all amp settings Note T...

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