Dave Smith Instruments Pro 2 Operation Manual Download Page 142

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132 Appendix D: MIDI Implementation

Dave Smith Instruments

Mod Destination

Value

Seq Out 2 Ch 14

136

Seq Out 2 Ch 15

137

Seq Out 2 Ch 16

138

Sysex Messages

Universal System Exclusive Message (Device Inquiry)

Status

Description

1111 0000 System Exclusive (SysEx)
0111 1110 Non-realtime message
0vvv vvvv

If MIDI channel is set to 1 - 16, 0vvvvvvv must match (unless MIDI

Channel = ALL); always responds if 0vvvvvvv = 0111 1111.

0000 0110 Inquiry Message
0000 0001 Inquiry Request
1111 0111

End of Exclusive (EOX)

The Pro 2 responds with:

Status

Description

1111 0000 System Exclusive (SysEx)
0111 1110 Non-realtime message
0vvv vvvv

If MIDI Channel = ALL, 0vvvvvvv = 0111 1111. Otherwise 0vvvvvvv =

Channel Number 0 - 15.

0000 0110 Inquiry Message
0000 0010 Inquiry Reply
0000 0001 DSI ID
0010 1100 Pro 2 ID (Family LS)
0000 0001 Family MS
0000 0000 Family Member LS
0000 0000 Family Member MS
0jjj nnnn

Main Software version: jjj - Minor rev; nnnn - Major rev

1111 0111

End of Exclusive (EOX)

Summary of Contents for Pro 2

Page 1: ......

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Page 3: ...Operation Manual Version 1 0 July 2014 Dave Smith Instruments 1527 Stockton Street 2nd Floor San Francisco CA 94133 USA 2014 Dave Smith Instruments www davesmithinstruments com...

Page 4: ...ept any interference received including interference that may cause undesired operation This Class B digital apparatus meets all requirements of the Canadian Interference Causing Equipment Regulations...

Page 5: ...h 4 Saving Programs 4 Using the Pro 2 in Paraphonic Mode 5 Moving to the Next Level 6 Connections 8 Global Settings 10 Oscillators 15 Character 23 Filter 1 2 24 Filter Envelopes 1 2 27 Amplifier Envel...

Page 6: ...66 Play List 68 Cue 69 Misc Parameters 70 Using USB 72 A Few Tutorials 73 Processing External Audio 73 Filtering External Audio Using the Envelope Follower 74 Syncing the Sequencer with an External M...

Page 7: ...endix D MIDI Implementation 85 MIDI Messages 86 NRPN Messages 91 Sysex Messages 132 Packed Data Format 135 Appendix E Support 136 Troubleshooting 136 Contacting Technical Support 137 Warranty Repair 1...

Page 8: ...k Kono Andrew McGowan Joanne McGowan TracyWadley and MarkWilcox Robert Rich Matia Simovich James Terris Taiho Yamada Rory Dow Peter Dyer Keith Hillebrandt Kurt Kurasaki Kevin Lamb Peter M Mahr Tim Man...

Page 9: ...The simple truth is I m happiest creating new instruments synths that put more power and better sounds into the hands of musicians with every iteration But actions speak louder than words so here s t...

Page 10: ......

Page 11: ...parameters in the Reference section of this manual But don t hesitate to dive right in and start turning knobs and pressing buttons before you begin read ing You won t break anything and you can alwa...

Page 12: ...ccessible through the OLED display For example adjusting a knob or switch in the Oscillator section reveals the value of that parameter in the display The display also reveals addi tional oscillator p...

Page 13: ...witches as you want to see their current settings When you re finished press the Show button again to turn it off Hold down the Show button and move the pitch wheel to see its bend range settings It s...

Page 14: ...Saving a program overwrites a previously saved program Sound designers often save dozens of incremental versions of a program as they continue to refine it These intermediate versions often make good...

Page 15: ...honic instrument But we added a 4 voice paraphonic playback mode for extra performance power In this mode the four main oscillators can be triggered independently each with its own envelope The two fi...

Page 16: ...we realize that you d rather spend your time exploring its capabilities we d like to quickly point you toward a few things that will help you tailor the instrument to your needs First check out the Gl...

Page 17: ...7 Pro 2 Operation Manual Getting Started...

Page 18: ...can function as either a standard MIDI Thru or as a second MIDI output To choose the functionality you want press the global button and scroll to item 12 midi port 2 thru out and select the desired op...

Page 19: ...standard 7 Gate Out Standard inch TS connector This jack outputs a 10 volt on off signal for triggering external sequencers and other devices that support this type of connectivity 8 Audio In Unbalan...

Page 20: ...e MIDI Clock is received but not sent Slave Thru MIDI Clock is received and passed to MIDI Out In Slave and Slave Thru modes if no MIDI clock is present at the selected input the arpeggiator and seque...

Page 21: ...ly affect the Pro 2 When off the controls are transmitted via MIDI but do not directly affect the local synth that is the Pro 2 This is primarily useful for avoiding MIDI data loops that can occur wit...

Page 22: ...and normally closed Either type can be used with the Pro 2 s Sustain switch input Not sure which type you have If the behavior of the footswitch is the opposite of what is expected that is down is of...

Page 23: ...e Pro 2 and any connected CV devices are in tune with each other 24 CV 2 In Scale 127 128 Allows adjustment of the input scale of control voltage input 2 25 CV 3 In Scale 127 128 Allows adjustment of...

Page 24: ...global parameters to the factory default settings 36 Dump Current Program Transmits the current program in SysEx format via the selected MIDI port See 9 MIDI Sysex Cable Dumped programs will load back...

Page 25: ...an individual oscillator for editing To edit the same parameter on all 4 oscillators simultaneously press and briefly hold one of the oscillator select buttons In this state you can also use the soft...

Page 26: ...tings affect the pitch of all oscillators See Global Settings on page 10 for more information Fine 50 50 Fine tune control with a range of a quartertone up or down Zero is centered Steps are in cents...

Page 27: ...than 0 cause the sine wave to gradually be clipped adding harmonics and sounding somewhat distorted For the wavetable shapes Shape Mod Pulse Width crossfades between the selected shape and the Wave Le...

Page 28: ...ount 0 127 Sets the oscillator glide portamento amount Glide can be set independently for each oscillator Low values are shorter faster The glide switch must be on to hear the effect of Glide Amount F...

Page 29: ...UAD LEVEL 80 SUB OSC 25 ATTACK 40 RELEASE ENVELOPE FOLLOWER Ext Input Air Girth Char FX Sub Osc Quad Level Attack Release SubOsc Quad Level 0 127 In the sub osc tab Access this parameter by turning th...

Page 30: ...oscillator 1 Pitch while playing the keyboard The harmonic content changes but not the fundamental pitch Now select oscillator 2 and do the same thing while turning oscilla tor 2 pitch Remember only...

Page 31: ...adds a bit of randomness to the attack that can make it sound more organic When Wave Reset is on the wave is always reset to zero the start of its cycle when a note is gated on Key Follow Off On In th...

Page 32: ...n the osc mods tab in the OLED display As with FM AM uses the oscillators as carrier modula tor pairs But with AM the modulator modulates the carrier s amplitude not its frequency As with FM any oscil...

Page 33: ...IMATE DRIVE HACK Ext Input Air Girth Decimate Drive Hack SubOsc Char FX O GIRTH O AIR Ext Input Girth Air SubOsc Char FX Air Girth Decimate 0 127 Reduces the sample rate of the mixed output from the o...

Page 34: ...low pass notch high pass and band pass modes The two filters can operate in series or in parallel with the filter routing knob providing a variable mix of both modes Used in series audio is passed fi...

Page 35: ...hoose whether the filters operate in series in parallel or a variable mix of both Link FIlters When enabled adjusting the font panel frequency or resonance controls of either filter will apply the set...

Page 36: ...d band pass operation by choosing F2 normal bp as a modulation destination in the mod matrix Filter Routing Series Parallel This knob selects a variable blend of serial or parallel processing by Filte...

Page 37: ...l controls for looping the envelope and for modulating the envelope amount using keyboard velocity Sustain Release Attack Envelope Amount Decay Sustain Release Attack Envelope Amount Decay FILTER 1 EN...

Page 38: ...of the envelope Release 0 127 Sets the release time of the envelope Attack Decay Sustain Release Delay DADSR Envelope Amplitude Time Env Repeat Off On When on the Delay Attack and Decay segments of t...

Page 39: ...ilter For example on Filter 1 if Frequency is all the way up a positive envelope amount will have no effect on the filter since the filter is already completely open Velocity Amount 0 127 In the env a...

Page 40: ...ages The Pro 2 s envelope generators provide additional controls for looping the envelope and for modulating the envelope amount using keyboard velocity Release Decay Attack Sustain AMPLIFIER ENVELOPE...

Page 41: ...s control is particularly useful for ensuring that your sounds have roughly the same volume There is enough gain in the Pro 2 s voice architecture that with some settings some mild clipping distortion...

Page 42: ...he Delay Attack and Decay segments of the envelope repeat Sustain still affects the level at which the Decay segment ends but instead of sustaining at a fixed level while a note is gated on Delay Atta...

Page 43: ...e controls for looping the envelope and for modulating the envelope amount using keyboard veloc ity Auxiliary envelopes 4 and 5 can be routed to any of the modulation destinations Actually any of the...

Page 44: ...127 In the aux adsr tab of the display Sets the release time of the envelope Env Repeat Off On In the aux env amount tab of the display When on the Delay Attack and Decay segments of the envelope repe...

Page 45: ...s the level goes up the feedback will eventually oscillate at the set Tuning Medium levels of feedback add depth and movement to the sound Negative values invert the signal producing different results...

Page 46: ...gh pass filter to simulate tape echoes Delay times can be synced to the arpeggiator sequencer or MIDI clock To edit the same parameter on all 4 delays simultaneously press and briefly hold one of the...

Page 47: ...ting This allows the delay to be synced to the arpeggiator sequencer or MIDI clock The sync settings are all based upon one beat equals one quarter note When Sync is on Delay Time provides the followi...

Page 48: ...the delayed signal can be modulated using an LFO or any mod source in the modula tion matrix Use this to create auto panning effects Buffer Length Long Short In the delay filter tab of Delay 4 only Ch...

Page 49: ...ing a Time value of 31 4 8157 milliseconds or less is a good place to start Use a triangle wave LFO to modulate the delay time being careful to keep the LFO Amount low so that it doesn t drive the del...

Page 50: ...be free running reset by keystrokes or synced to the arpeggiator sequencer or MIDI clock Press any of the four LFO buttons to choose an LFO for editing To edit the same parameter on all 4 LFOs simult...

Page 51: ...inations Shape Triangle Reverse Sawtooth Sawtooth Square Pulse 1 Pulse 2 Pulse 3 Random The wave shape of the LFO Pulse 1 37 5 Square Sawtooth Reverse Sawtooth Triangle Pulse 2 25 Pulse 3 12 5 0 Rando...

Page 52: ...Qrtr 6 beats 8 Qrtr 8 beats 16 Qrtr 16 beats 32 Qrtr 32 beats Slew Rate 0 127 In the lfo control tab in the display Slew rate is defined as the maximum possible rate of change of a signal The effect o...

Page 53: ...eyed on Each step represents 2 8125 so a value of 32 equals 90 64 equals 180 and so on Use Phase to offset the start point when Wave Reset is on For Phase to have any noticeable effect Wave Reset must...

Page 54: ...8 Think of a modulation slot as a virtual patch cable that lets you connect any modulation source envelope sequencer LFO etc to any modula tion destination filter cutoff pulse width delay time etc You...

Page 55: ...multiple sources Using the Assign Mod Buttons The Pro 2 provides a shortcut for modulation routing using the Assign Mod Source and Assign Mod Destination buttons To quickly assign modulation 1 Press...

Page 56: ...ttings specified in the display ARP MODE Arp Mode ArpAutoLatch OctaveRange Repeats OCTAVERANGE ARP AUTO LATCH 0 1 Octave Up Down REPEATS Seq Arp Seq Misc Seq Arp BPM BPM Clock Divide CLOCK DIVIDE 1 16...

Page 57: ...ional note or notes causes the held notes to be released and the newly played note s to be latched on As long as at least one key is held pressing additional keys will add to the arpeggio Repeats 0 3...

Page 58: ...timing 1 8 Triplet BPM x 3 Eighth note triplets 1 16 BPM x 4 Sixteenth note 1 16 Half Swing BPM x 4 Sixteenth note half swing timing 1 16 Full Swing BPM x 4 Sixteenth note full swing timing 1 16 Trip...

Page 59: ...t provides either sixteen tracks of 16 step sequences or eight tracks of 32 step sequences depending on which mode you choose for a particular program Each sequencer track can be routed to a different...

Page 60: ...ant to analyze these to see how certain effects were achieved so you can use them in your own sequences To program a note sequence 1 Select a program with a relatively sharp attack and short release 2...

Page 61: ...new sequence To erase an existing sequence 1 Press and hold the track select button 2 Turn soft knob 1 select track to select the desired sequencer track 3 Press soft key 4 to execute the clear track...

Page 62: ...ual steps on Track 2 4 When you re done release the record button 5 To stop playback press play stop again When you re recording parameter values in real time be aware of where and when the sequence l...

Page 63: ...rd the sequencer assigns each note that you play along with its velocity to the next successive step in the sequence However it s very useful to add rests ties and additional velocity changes for grea...

Page 64: ...o increase the duration of a note in a sequence i e the number of steps that it s held You can add ties to an existing sequence or if you re creating a sequence in step mode you can add them as you go...

Page 65: ...step where the tie will start 3 Turn soft knob 4 tie and keep rotating to set the length in steps of the tie 4 To add ties to other portions of the sequence Toggle the desired step LED off and on the...

Page 66: ...as desired 5 To listen to the sequence make sure the sequencer button is on then press play stop Velocity is only available for editing on Track 1 or Tracks that have MIDI Out 1 or Out 2 as their dest...

Page 67: ...or more times to quickly set the tempo for the sequencer and arpeggiator The LED flashes at the BPM rate you set For best results tap the button 4 times Clock Divide Sets the note value for each arpe...

Page 68: ...ecording Reset Button Holding this button and pressing a numbered step LED marks that step as the end of a sequence Pressing the reset button during sequencer playback jumps the sequence back to step...

Page 69: ...ill play the sequence through one time only when triggered Restart Off On In the seq tab in the display Selects whether or not the sequence restarts from step 1 each time a trigger is received from an...

Page 70: ...articularly useful for ensuring that your sounds have roughly the same volume from program to program Volume Distortion 127 PROG VOLUME Prog Volume Distortion VCA ADSR VCAEnvAmt Vol Dist 0 DISTORTION...

Page 71: ...distortion knob or the vol dist tab of the VCA screen To access this screen turn any knob in the front panel amplifier envelope section Volume Distortion Distortion 0 127 Sets the distortion amount T...

Page 72: ...unt can be set to a different value for each of the oscillators Sync Character Pitch Shape Noise Fine Shape Mod Pulse Width Output Level Ext Input Level Glide Amount Oscillator 1 Sub Octave OSCILLATOR...

Page 73: ...curs when a note is held until the next note is played This effectively allows glide to be turned on and off from the keyboard FixTime Glide is set to a fixed time regardless of the interval between n...

Page 74: ...ime as you play The pitch wheel range can be set separately for bending up and down using the range up and range down parameters Pitch Mod RANGE DOWN RANGE UP Range Up Range Down 2semitones 2 semitone...

Page 75: ...oscillator level distortion amount and more all from the mod wheel To display the modulation matrix press the assign source or assign dest buttons in the Modulation section Modulations slots and rout...

Page 76: ...n and finger pressure Those sources appear in the modulation matrix as Slider 1 Position Slider 2 position Slider 1 Pressure and Slider 2 Pressure See Modulation on page 44 Normally the sliders affect...

Page 77: ...sonance Drive Sub Osc Level Sort Dest To assign a slider to a mod destination 1 On the front panel mod section press and hold the assign source button 2 Touch slider 1 The mod matrix appears in the di...

Page 78: ...ars If you need a program to behave differently in different situations save multiple copies of the program edited and named appropriately for each situation To create a play list 1 Press the cue play...

Page 79: ...ti ple sequences together to create a song in real time To use Cue 1 Press the sequencer button to turn on the sequencer 2 Press play stop to start the sequencer 3 Press and hold the cue play list but...

Page 80: ...e misc params button on the front panel of the Pro 2 Glide Mode FixRate FixRate A FixTime FixTime A In the key modes tab These modes determine how Glide behaves FixRate The time to transition between...

Page 81: ...the key priority when more than one key is played simultaneously Choosing paraphonic allows you to play chords of up to 4 notes at a time low note high note and last note are monophonic playback modes...

Page 82: ...he same time and transmit the same data USB Notes Under Mac OS X Pro 2 Keyboard will appear as a MIDI port when connected via USB and can be configured using the Mac s Audio MIDI Setup utility typical...

Page 83: ...of all oscillators to zero Alternatively set the waveshapes of each oscillator to osc off To process external audio 1 Connect an instrument or audio signal to the audio in jack on the rear of the Pro...

Page 84: ...the waveshapes of each oscillator to osc off To filter external audio with the envelope follower 1 Connect an instrument or audio signal to the audio in jack on the rear of the Pro 2 and turn up the i...

Page 85: ...cer with an External MIDI Device It s possible to sync the Pro 2 s sequencer with an external MIDI device such as a Tempest drum machine or digital audio workstation using MIDI clock To sync a sequenc...

Page 86: ...ator of a modular synth 1 Using a inch patch cable connect the Pro 2 s CV Out 1 to the appropriate CV In on the modular synth s oscillator module The input should support a 1 volt per octave signal 2...

Page 87: ...ch scaling isn t perfect press the global button and in the display select cv out Scale for the CV output that you re using in the previous example cv out 1 5 Use soft knob 3 to tweak the scaling whil...

Page 88: ...Pressure Aftertouch CC 2 Breath CC 4 Foot Pedal CC 11 Expression Velocity Note Number Random DC Audio Out Ext Audio In Envelope Follower Peak Hold CV Input 1 CV Input 2 CV Input 3 CV Input 1 Seq Trac...

Page 89: ...Delay 4 Amount Delay 1 Time Delay 2 Time Delay 3 Time Delay 4 Time Delay 1 Feedback Delay 2 Feedback Delay 3 Feedback Delay 4 Feedback Delay 1 Pan Delay 2 Pan Delay 3 Pan Delay 4 Pan Off Osc 1 Freq O...

Page 90: ...F2 Env Release Amp Env Release Env 4 Release Env 5 Release All Env Release Mod 1 Amount Mod 2 Amount Mod 3 Amount Mod 4 Amount Mod 5 Amount Mod 6 Amount Mod 7 Amount Mod 8 Amount Mod 9 Amount Mod 10 A...

Page 91: ...n Destinations Seq Out 2 Ch 2 Seq Out 2 Ch 3 Seq Out 2 Ch 4 Seq Out 2 Ch 5 Seq Out 2 Ch 6 Seq Out 2 Ch 7 Seq Out 2 Ch 8 Seq Out 2 Ch 9 Seq Out 2 Ch 10 Seq Out 2 Ch 11 Seq Out 2 Ch 12 Seq Out 2 Ch 13 S...

Page 92: ...1 5 7269 32 6 0675 33 6 4282 34 6 8105 35 7 2155 36 7 6445 37 8 0991 38 8 5807 39 9 0909 40 9 6315 41 10 2042 42 10 8110 43 11 4538 44 12 1349 45 12 8565 46 13 6210 47 14 4309 48 15 2890 49 16 1982 50...

Page 93: ...9 125 330 6656 126 335 8143 127 340 9631 128 346 1118 129 351 2605 130 356 4092 131 361 5580 132 366 7067 133 371 8554 134 377 0041 135 382 1529 136 387 3016 137 392 4503 138 397 5990 139 402 7478 140...

Page 94: ...0 768 3073 211 773 4560 212 778 6048 213 783 7535 214 788 9022 Value Time msec 215 794 0510 216 799 1997 217 804 3484 218 809 4971 219 814 6459 220 819 7946 221 824 9433 222 830 0920 223 835 2408 224...

Page 95: ...Clock Cable MIDI Port USB Selects the MIDI port by which MIDI clock data is transmitted and received MIDI Parameter Send NRPN CC Off Changes to the values of Pro 2 s front panel controls are transmitt...

Page 96: ...nt Bank 1101 nnnn 0vvvvvvv Channel Pressure 1110 nnnn 0vvvvvvv 0vvvvvvv Pitch Bend LS Byte then MS Byte Notes 0kkkkkkk Note number 0 127 nnnn Channel number 0 to 15 MIDI channel 1 16 Ignored if MIDI c...

Page 97: ...Description 1000 nnnn 0kkkkkkk 0000000 Note Off 1001 nnnn 0kkkkkkk 0vvvvvvv Note On 1011 nnnn 0vvvvvvv 0vvvvvvv Control Change see Transmitted Controller Messages 1100 nnnn 0ppppppp Program change 0 9...

Page 98: ...v Damper pedal Sends 0 if off 0111 1111 when on 1011 nnnn 0000 0111 0vvvvvvv Volume knob See sections below for additional Continuous Controller CC and Non registered Parameter Number NRPN messages tr...

Page 99: ...2 Osc 4 Shape 93 Osc 4 Shape Mod 94 Osc 4 FM 95 Osc 4 AM 96 Data Inc CC Param 33 Delay 4 Time 34 Delay 4 Sync 35 Delay 4 Amount 36 Delay 4 Feedback 38 Data Entry LSB 39 Program Volume 40 VCA Envelope...

Page 100: ...am 97 Data Dec 98 NRPN LSB 99 NRPN MSB 100 RPN LSB 101 RPN MSB 102 LPF Frequency 103 LPF Resonance 104 LPF Key Amount 106 SVF Frequency 107 SVF Resonance 108 SVF Key Amount 109 Girth 110 Air 111 Hack...

Page 101: ...MSB 0010 0110 NRPN parameter value LSB CC 0vvv vvvv Parameter value LSB The parameter number can be found in the two tables below one for Global parameters and the other for Program parameters The pa...

Page 102: ...1 nnnn 0010 0101 0111111 RPN parameter number MSB CC Reset NRPN parameter number when both MSB and LSB received 1011 nnnn 0010 0100 0111111 RPN parameter number LSB CC Reset NRPN parameter number when...

Page 103: ...IDI SysEx Enable 0 Off 1 On 1033 0 2 MIDI SysEx Cable 0 None 1 MIDI Port 2 USB 1034 0 3 MIDI Out Select 0 Off 1 MIDI 2 USB 3 MIDI USB 1035 0 1 Local Control 0 Off 1 On 1036 0 1 Mono Stereo 0 Stereo 1...

Page 104: ...sion 3 Master Volume 4 Filter 1 2 Frequency full range 5 Filter 1 2 Frequency half range 1041 0 1 Pedal Polarity 0 Normal 1 Reverse 1042 0 1 Aftertouch Enable 0 Off 1 On 1043 0 3 Aftertouch Curve 1044...

Page 105: ...9 Osc 1 Shape 0 Off 1 Sawtooth 2 Super Saw 3 Pulse 4 Triangle 5 Sine 6 Tines 7 Mellow 8 Church 9 Muted 10 Nasal 11 Boing 12 Gothic 13 Ahhh 14 Shrill 15 Ohhhh 16 Buzzzz 17 Meh 18 Super Tines 19 Super M...

Page 106: ...8 0 255 Osc 1 AM 9 0 127 Osc 1 Slop 10 0 127 Osc 1 Glide Amount 11 0 1 Osc 1 Sync 0 Off 1 On 12 0 1 Osc 1 Key Follow 0 Off 1 On 13 0 1 Osc 1 Wave Reset 0 Off 1 On 18 0 120 Osc 2 Pitch 19 0 100 Osc 2 F...

Page 107: ...hape Mod 41 0 11 Osc 3 Wave Left see Osc 1 Wave Left 42 0 11 Osc 3 Wave Right see Osc 1 Wave Left 43 0 255 Osc 3 FM 44 0 255 Osc 3 AM 45 0 127 Osc 3 Slop 46 0 127 Osc 3 Glide Amount 47 0 1 Osc 3 Sync...

Page 108: ...t 0 Off 1 On 72 0 127 Osc 1 Sub Octave 73 0 3 Glide Mode 0 FixRate 1 FixRate A 2 FixTime 3 FixTime A 74 0 1 Glide 0 Off 1 On 75 0 12 Pitchbend Range Up 76 0 24 Pitchbend Range Down 80 0 127 Air 81 0 1...

Page 109: ...al to Parallel 0 Fully Serial F1 into F2 127 Fully Parallel 105 0 254 Feedback Amount 0 to 126 127 to 1 127 0 128 to 254 1 to 127 106 0 48 Feedback Tuning 107 0 127 Voice Volume 109 0 127 Distortion A...

Page 110: ...Amt 135 0 127 Filter 2 Env Delay 136 0 127 Filter 2 Env Attack 137 0 127 Filter 2 Env Decay 138 0 127 Filter 2 Env Sustain 139 0 127 Filter 2 Env Release 140 0 1 Filter 2 Env Repeat 0 Off 1 On 144 0 2...

Page 111: ...160 0 127 Envelope 5 Sustain 161 0 127 Envelope 5 Release 162 0 1 Envelope 5 Repeat 0 Off 1 On 163 0 142 Envelope 5 Destination see table of modulation destinations and values 166 0 255 LFO 1 Frequenc...

Page 112: ...e of modulation desti nations and values 176 0 255 LFO 2 Frequency 177 0 15 LFO 2 Sync Setting see LFO 1 Sync Setting 178 0 1 LFO 2 Sync 0 Off 1 On 179 0 7 LFO 2 Shape see LFO 1 Shape 180 0 127 LFO 2...

Page 113: ...etting see LFO 1 Sync setting 198 0 1 LFO 4 Sync 0 Off 1 On 199 0 7 LFO 4 Shape see LFO 1 Shape 200 0 127 LFO 4 Amount 201 0 127 LFO 4 Slew Rate 202 0 127 LFO 4 Phase 203 0 1 LFO 4 Wave Reset 0 Off 1...

Page 114: ...0 127 Delay 2 Lowpass Filter 222 0 127 Delay 2 Highpass Filter 223 0 127 Delay 2 Pan 226 0 255 Delay 3 Time 227 0 11 Delay 3 Sync Setting see Delay 1 Sync Setting 228 0 1 Delay 3 Sync 0 Off 1 On 229...

Page 115: ...2 Amount 0 to 126 127 to 1 127 0 128 to 254 1 to 127 252 0 142 Mod 2 Destination see table of modulation destinations and values 254 0 51 Mod 3 Source see table of modulation sources and values 255 0...

Page 116: ...ues 270 0 51 Mod 7 Source see table of modulation sources and values 271 0 254 Mod 7 Amount 0 to 126 127 to 1 127 0 128 to 254 1 to 127 272 0 142 Mod 7 Destination see table of modulation desti nation...

Page 117: ...0 142 Mod 11 Destination see table of modulation destinations and values 290 0 51 Mod 12 Source see table of modulation sources and values 291 0 254 Mod 12 Amount 0 to 126 127 to 1 127 0 128 to 254 1...

Page 118: ...51 Mod 16 Source see table of modulation sources and values 307 0 254 Mod 16 Amount 0 to 126 127 to 1 127 0 128 to 254 1 to 127 308 0 142 Mod 16 Destination see table of modulation destinations and v...

Page 119: ...wn 3 Assign 4 Random 322 0 2 Arpeggiator Range 0 1 Octave 1 2 Octaves 2 3 Octaves 323 0 10 Arp Clock Divide 0 half 1 quarter 2 eighth 3 eighth half swing 4 eighth full swing 5 eighth triplet 6 sixteen...

Page 120: ...4 CV In 2 5 CV In 3 6 CV In 4 333 0 1 Sequencer Envelope Retrigger 0 Off 1 On 335 0 1 Sequencer Restart 0 Off 1 On 341 0 142 Track 2 Destination 342 0 142 Track 3 Destination 343 0 142 Track 4 Destina...

Page 121: ...eset see Track 1 Reset 365 1 33 Track 10 Reset see Track 1 Reset 366 1 33 Track 11 Reset see Track 1 Reset 367 1 33 Track 12 Reset see Track 1 Reset 368 1 33 Track 13 Reset see Track 1 Reset 369 1 33...

Page 122: ...Step 26 Slew 398 0 127 Track 1 Step 27 Slew 399 0 127 Track 1 Step 28 Slew 400 0 127 Track 1 Step 29 Slew 401 0 127 Track 1 Step 30 Slew 402 0 127 Track 1 Step 31 Slew 403 0 127 Track 1 Step 32 Slew...

Page 123: ...alue 521 0 255 Track 1 Step 10 Value 522 0 255 Track 1 Step 11 Value 523 0 255 Track 1 Step 12 Value 524 0 255 Track 1 Step 13 Value 525 0 255 Track 1 Step 14 Value 526 0 255 Track 1 Step 15 Value 527...

Page 124: ...0 255 Track 3 Step 11 Value 555 0 255 Track 3 Step 12 Value 556 0 255 Track 3 Step 13 Value 557 0 255 Track 3 Step 14 Value 558 0 255 Track 3 Step 15 Value 559 0 255 Track 3 Step 16 Value 560 0 255 T...

Page 125: ...tep 12 Value 588 0 255 Track 5 Step 13 Value 589 0 255 Track 5 Step 14 Value 590 0 255 Track 5 Step 15 Value 591 0 255 Track 5 Step 16 Value 592 0 255 Track 6 Step 1 Value 593 0 255 Track 6 Step 2 Val...

Page 126: ...622 0 255 Track 7 Step 15 Value 623 0 255 Track 7 Step 16 Value 624 0 255 Track 8 Step 1 Value 625 0 255 Track 8 Step 2 Value 626 0 255 Track 8 Step 3 Value 627 0 255 Track 8 Step 4 Value 628 0 255 Tr...

Page 127: ...Step 1 657 0 255 Track 2 Step 18 Track 10 Step 2 658 0 255 Track 2 Step 19 Track 10 Step 3 659 0 255 Track 2 Step 20 Track 10 Step 4 660 0 255 Track 2 Step 21 Track 10 Step 5 661 0 255 Track 2 Step 2...

Page 128: ...rack 12 Step 3 691 0 255 Track 4 Step 20 Track 12 Step 4 692 0 255 Track 4 Step 21 Track 12 Step 5 693 0 255 Track 4 Step 22 Track 12 Step 6 694 0 255 Track 4 Step 23 Track 12 Step 7 695 0 255 Track 4...

Page 129: ...rack 14 Step 4 724 0 255 Track 6 Step 21 Track 14 Step 5 725 0 255 Track 6 Step 22 Track 14 Step 6 726 0 255 Track 6 Step 23 Track 14 Step 7 727 0 255 Track 6 Step 24 Track 14 Step 8 728 0 255 Track 6...

Page 130: ...9 Track 16 Step 3 755 0 255 Track 8 Step 20 Track 16 Step 4 756 0 255 Track 8 Step 21 Track 16 Step 5 757 0 255 Track 8 Step 22 Track 16 Step 6 758 0 255 Track 8 Step 23 Track 16 Step 7 759 0 255 Trac...

Page 131: ...Step 4 Slew Tie 789 0 255 Track 2 Step 5 Slew Tie 790 0 255 Track 2 Step 6 Slew Tie 791 0 255 Track 2 Step 7 Slew Tie 792 0 255 Track 2 Step 8 Slew Tie 793 0 255 Track 2 Step 9 Slew Tie 794 0 255 Tra...

Page 132: ...Tie 822 0 255 Track 4 Step 6 Slew Tie 823 0 255 Track 4 Step 7 Slew Tie 824 0 255 Track 4 Step 8 Slew Tie 825 0 255 Track 4 Step 9 Slew Tie 826 0 255 Track 4 Step 10 Slew Tie 827 0 255 Track 4 Step 11...

Page 133: ...ie 856 0 255 Track 6 Step 8 Slew Tie 857 0 255 Track 6 Step 9 Slew Tie 858 0 255 Track 6 Step 10 Slew Tie 859 0 255 Track 6 Step 11 Slew Tie 860 0 255 Track 6 Step 12 Slew Tie 861 0 255 Track 6 Step 1...

Page 134: ...8 Step 13 Slew Tie 894 0 255 Track 8 Step 14 Slew Tie 895 0 255 Track 8 Step 15 Slew Tie 896 0 255 Track 1 Step 17 Track 9 Step 1 Slew Tie 897 0 255 Track 1 Step 18 Track 9 Step 2 Slew Tie 898 0 255...

Page 135: ...2 Step 30 Track 10 Step 14 Slew Tie 926 0 255 Track 2 Step 31 Track 10 Step 15 Slew Tie 927 0 255 Track 2 Step 32 Track 10 Step 16 Slew Tie 928 0 255 Track 3 Step 17 Track 11 Step 1 Slew Tie 929 0 25...

Page 136: ...ck 4 Step 32 Track 12 Step 16 Slew Tie 960 0 255 Track 5 Step 17 Track 13 Step 1 Slew Tie 961 0 255 Track 5 Step 18 Track 13 Step 2 Slew Tie 962 0 255 Track 5 Step 19 Track 13 Step 3 Slew Tie 963 0 25...

Page 137: ...tep 18 Track 15 Step 2 Slew Tie 994 0 255 Track 7 Step 19 Track 15 Step 3 Slew Tie 995 0 255 Track 7 Step 20 Track 15 Step 4 Slew Tie 996 0 255 Track 7 Step 21 Track 15 Step 5 Slew Tie 997 0 255 Track...

Page 138: ...ck 16 Step 15 Slew Tie 1023 0 255 Track 8 Step 32 Track 16 Step 16 Slew Tie Set bit 8 high to turn on Tie The first 7 bits set the slew value 0 127 Set bit 8 high to turn on Tie Thetablebelowshowsthea...

Page 139: ...Slider 2 Position 17 Slider 1 Pressure 18 Slider 2 Pressure 19 Aftertouch 20 Breath CC 2 21 Foot Pedal CC 4 22 Expression CC 11 23 Velocity 24 Note Number 25 Random 26 DC 27 Audio Out 28 Ext Audio In...

Page 140: ...Girth 27 Hack 28 Decimate 29 Drive 30 F1 Cutoff 31 F1 Resonance 32 F2 Cutoff 33 Mod Destination Value F2 Resonance 34 VCA 35 Pan 36 Distortion 37 Feedback Amount 38 Feedback Tuning 39 Delay 1 Amount...

Page 141: ...96 Mod 11 Amount 97 Mod 12 Amount 98 Mod 13 Amount 99 Mod 14 Amount 100 Mod 15 Amount 101 Mod Destination Value Mod 16 Amount 102 Ext CV Out 1 103 Ext CV Out 2 104 Ext CV Out 3 105 Ext CV Out 4 106 Se...

Page 142: ...ways responds if 0vvvvvvv 0111 1111 0000 0110 Inquiry Message 0000 0001 Inquiry Request 1111 0111 End of Exclusive EOX The Pro 2 responds with Status Description 1111 0000 System Exclusive SysEx 0111...

Page 143: ...Dump Status Description 1111 0000 System Exclusive SysEx 0000 0001 DSI ID 0010 1100 Pro 2 ID 0000 0110 Request Program Edit Buffer Transmit 1111 0111 End of Exclusive EOX Pro 2 will respond by sending...

Page 144: ...scription 1111 0000 System Exclusive SysEx 0000 0001 DSI ID 0010 1100 Pro 2 ID 0000 0011 Edit Buffer Data 0vvv vvvv 1024 bytes expanded to 1171 MIDI bytes in packed MS bit format 1111 0111 End of Excl...

Page 145: ...a 1 A7 A6 A5 A4 A3 A2 A1 A0 1 00 G7 F7 E7 D7 C7 B7 A7 2 B7 B6 B5 B4 B3 B2 B1 B0 2 00 A6 A5 A4 A3 A2 A1 A0 3 C7 C6 C5 C4 C3 C2 C1 C0 3 00 B6 B5 B4 B3 B2 B1 B0 4 D7 D6 D5 D4 D3 D2 D1 D0 4 00 C6 C5 C4 C3...

Page 146: ...nd loops so try to resolve any grounding issues between the computer and the Pro 2 Or use MIDI which is opto isolated The Pro 2 is behaving erratically This is almost always caused by a MIDI data loop...

Page 147: ...ar basis You should only run it if you are experiencing problems Still experiencing a problem with the Pro 2 Reset Globals in the Global menu Contacting Technical Support If you are still having a pro...

Page 148: ...best course of action for getting your Pro 2 repaired For your own protec tion as well as ours please do not return any product to Dave Smith Instruments without a return authorization RA number To i...

Page 149: ...139 Pro 2 Operation Manual Appendix E Support...

Page 150: ...140 Appendix E Support Dave Smith Instruments...

Page 151: ......

Page 152: ...Dave Smith Instruments 1527 Stockton Street 2nd Floor San Francisco CA 94133 USA www DaveSmithInstruments com DSI 979R 7 14...

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