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e. Now depress the ARM switch in the Joystick area and assign the

joystick output to L/R, Center or SRND (all or any combination).
The Virtual Vision matrix will show the panning ranges possible with
corresponding assignments.
All movements will be memorized in PowerVCA together with mutes.

NOTE:
Joystick 1 output corresponds with the upper (CHAN) row for joystick output
assignments.
Joystick 2 output corresponds with the lower (MIX) row for joystick output
assignments.

The SubBass routing switch
will not follow the joystick
outputs.
All joystick routing switches
can also be assigned directly
from the channels pan-pots,
together with the Sub Bass
output of course.;
A host of possibilities are
there to explore, It will take
some time to manipulate all
the possibilities Cinemix
gives you in this area.
Features like read and write
on the automation screen
and Solo and Mute.

2.14 TAPE SWITCH

The tape switch will globally

switch all mono dual input

channels' mix sections to

follow either the group

output or the multitrack tape

output.

Cinemix manual page: 17

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Summary of Contents for CinemIX

Page 1: ...Cinemixman lwp CinemiX OWNERS MANUAL Cinemix manual page 1 ...

Page 2: ... 1 2 section 2 11 Metering 2 12 Master in outputs 2 13 Recall automation 2 14 Tape switch 2 0 FILM MASTER 2 15 Solo Section 2 16 Meters to main 2 17 CRM Section 2 18 DECODER ENCODER Active 2 19 CRM control room monitor 2 20 Oscillator talkback section 2 21 Talk back section 2 22 Dynamics section 2 23 Aux section 2 24 Studio 1 2 section 2 25 Metering 2 26 Master in outputs 2 27 Recall automation 2 ...

Page 3: ... 4 6 Equalizer section 4 7 Balance pot 4 8 Status section B path 4 9 In outputs 5 0 Patchbay description 5 1 Patchbay points 6 0 Instructions for operation 6 1 The Tracking session 6 2 The Playback session 6 3 The Overdub session 6 4 The REmix session 6 5 MIDI or Virtual session 6 6 Surround mixing 7 0 Installation electrical 7 1 Local Electrical Voltage 7 2 Electrical Wiring 8 0 Installation audi...

Page 4: ...l flow master section 13 0 Signal flow input module 14 0 System signal flow Cinemix 15 0 Interfacingwith external equipment 16 0 Interfacing with DS4E SDU4 17 0 Interfacing with SEU4 SDU4 18 0 Interfacing with JS 3000 19 0 Installation and alignment of the Control Room Monitor Matrix 19 1 Installation and alignment of the matrix module 20 0 Conformity safety 21 0 Product safety Cinemix manual page...

Page 5: ...e We are confident that Cinemix will play the central roll in producing state of the art recordings for many years and wish you much success We value your suggestions and would appreciate you taking the time to complete and return the questionnaire included at the front of this manual once you become familiar with your Cinemix We listen and learn from your comments and you can be assured that our ...

Page 6: ...nitoring of all surround outputs is standard and automated Joysticks with Virtual Vision makes 360 degrees panning very easy to lay down in the final mix Completely modular Cinemix can be configured precisely to suit your particular system requirements A Cinemix standard is the internally wired patchbay on the right end and interfaces with all external equipment using 25 pin sub D connectors and c...

Page 7: ... frame 32 will fit 32 dual path mono 3 optional Stems modules and a miaximum of 5 dual path stereo modules the master section and patchbay Frame 32 standard configuration From left to right 24 dual path mono modules master section 3 blank modules 8 dual path mono modules and a maximum of 5 dual path stereo return modules 10 stereo returns and pacthbay Frame 48 The frame 48 will fit 48 dual path mo...

Page 8: ...rs read the monitor CRM outputs prior to the Encoder insert when the Meters to main is depressed both the main left and right meters will always follow the main Left and Right output without being interrupted by the solo system the 2 Tracks and decoder active switches When the Encoder switch is depressed the left Right meters will read the encoded signal 2 3 CRM Section The CRM control room module...

Page 9: ...t together with the Center Stereo Surround and Subbass output are on a 25 pole sub D connector Also fitted on the back of the master section are the sub D connectors for the encoding and decoding surround processors MONO The mono switch lets you check mono compatability The Mono switch allows the user to check for any out of phase signals or simply monitoring your mix in mono DIM The dim switch te...

Page 10: ...cated in the bottom of the master section is one 100mm PowerVCA controlled fader controlling six precision high end VCA s 2 6 OSCILLATOR TALKBACK SECTION The three frequency low distortion oscillator is a phase shift design The frequencies are 100Hz 1kHz and 10kHz Each frequency has its own front panel alignment trimmer A master level control is fitted to adjust the output of the oscillator for pr...

Page 11: ...e soft mutes and under control of the automation section The Aux outputs are ground compensated balanced and normalled in the patchbay to the Tie lines 2 10 STUDIO 1 2 SECTIONS STUDIO 1 and STUDIO 2 sections get their signal from several different places and feed two sets of stereo outputs which are also located in the master section of the patchbay The 2 studio outputs can source the Aux 1 2 and ...

Page 12: ...le meters have peak ballistics with 13 segments Cinemix s meters can be switched individually to read the CHANnel section or MIX section of each module locally The channel meters are a peak reading design and read 0dB when an oscillator sine wave with a 4 dB output level is sent to the meter Measuring the 4 dB output level of the channel or master with a AC voltmeter would give a 1 22 AC volt read...

Page 13: ...round is provided A detailed connection diagram will be shown in the installation section of the manual 2 13 RECALL AUTOMATION If you would like to set up for your first Cinemix session read the following simple steps It is most important to understand that the Recall Automation is static and PowerVCA faders Mutes automation is dynamic and completely separate We will first discuss Recall Automatio...

Page 14: ...asier to understand other functions being discussed in this section Step 1 Press an ARM switch on any desired input module Step 2 If you would like this module s CHANnel section routed to track 24 press the CHAN switch under the black routing switches labeled 1 2 3 4 5 6 and then press the 23 24 switch Now the routing you ve made is stored in memory Step 3 If you would like this same module s MIX ...

Page 15: ...es while the ARM switches let s you choose the module you want to ad dynamics to All data related to the selected module can be changed by pushing S1 up to S4 Its related LED lites and the encoder can change dynamics data The switches rolls through all the parameters that can be adjusted by the data wheel ESC leaves the Dynamics parameter menu and lets you move to another module by way of the loca...

Page 16: ...PowerVCA automation The Set up switch serves actually the same purpose as the ARM switches in the modules ASSIGNING A CHANNEL TO A JOYSTICK To assign a channel to a Joystick follow the next steps a depress an ARM switch in a module and be sure that no master routing switch such as L R Center SRND L R is assigned at that moment b Joystick 1 output corresponds with the CHAN routing section and Joyst...

Page 17: ...IX row for joystick output assignments The SubBass routing switch will not follow the joystick outputs All joystick routing switches can also be assigned directly from the channels pan pots together with the Sub Bass output of course A host of possibilities are there to explore It will take some time to manipulate all the possibilities Cinemix gives you in this area Features like read and write on...

Page 18: ...uts prior to the Encoder insert when the Meters to main is depressed both the main left and right meters will always follow the main Left and Right output without being interrupted by the solo system the 2 Tracks and decoder active switches When the Encoder switch is depressed the left Right meters will read the encoded signal 2 18 CRM Section The CRM control room module section contains the elect...

Page 19: ...put together with the Center Stereo Surround and Subbass output are on a 25 pole sub D connector Also fitted on the back of the master section are the sub D connectors for the encoding and decoding surround processors MONO The mono switch lets you check mono compatability The Mono switch allows the user to check for any out of phase signals or simply monitoring your mix in mono DIM The dim switch ...

Page 20: ...on high end VCA s 2 21 OSCILLATOR TALKBACK SECTION The three frequency low distortion oscillator is a phase shift design The frequencies are 100Hz 1kHz and 10kHz Each frequency has its own front panel alignment trimmer A master level control is fitted to adjust the output of the oscillator for precise alignment of the console and tape machines The level ranges from 35 dB to 20 dB with a detented m...

Page 21: ... compensated balanced and normalled in the patchbay to the Tie lines 2 25 STUDIO 1 2 SECTIONS STUDIO 1 and STUDIO 2 sections get their signal from several different places and feed two sets of stereo outputs which are also located in the master section of the patchbay The 2 studio outputs can source the Aux 1 2 and or Aux 7 8 The 2 TRACKS switch needs a little more explanation With Cinemix you can...

Page 22: ...le meters have peak ballistics with 13 segments Cinemix s meters can be switched individually to read the CHANnel section or MIX section of each module locally The channel meters are a peak reading design and read 0dB when an oscillator sine wave with a 4 dB output level is sent to the meter Measuring the 4 dB output level of the channel or master with a AC voltmeter would give a 1 22 AC volt read...

Page 23: ...ovided A detailed connection diagram will be shown in the installation section of the manual 2 28 RECALL AUTOMATION If you would like to set up for your first Cinemix session read the following simple steps It is most important to understand that the Recall Automation is static and PowerVCA faders Mutes automation is dynamic and completely separate We will first discuss Recall Automation The LCDis...

Page 24: ...ule s setup to another module or to as many or all modules you would prefer The following are easy steps describing this operation Step 1 Select a module press the S1 Copy switch and select another module or all with the DATA ENTRY control knob Step 2 As soon as you hit ENTER all data will be copied to the selected module or all and the data from these modules will be stored in Cinemix s memory on...

Page 25: ...ou can assign the Aux 5 6 in the same manner In order to have more aux send busses you can route AUX 5 6 to the 24 routing busses CHANGING CHANNEL DATA In the ARM section of the master module you can assign all module routing settings by pressing the associated switches These settings will be stored in real time If new data is entered in the ARM section and you re not pleased press the Undo switch...

Page 26: ...u move to another module PROJECT All settings related to a project are made in the Dynamics display S3 Proj selects the project In the project menu you can select a project number using the DATA ENTRY encoder control A maximum of 8 projects can be stored The S1 CALL switch Recalls a project S4 save saves the project LIB When S4 is pressed the Lib menu appears for dynamics settings you want to save...

Page 27: ...tches Now the selected macro key will activate all selections made now in the ARM area such as Tape routing Fdr cal etc etc As soon as you leave the menu by hitting the esc switch the macro key will hold the programmed information The other possibility in the macro Setup menu is the fader calibration with S4 for the upper channels part of the Cinemix input modules Every module that is selected in ...

Page 28: ...les As soon as the Setup switch is activated the following menu will be shown Depressing S1 Buss will display the following assignments Main busses Group busses 1 8 9 16 17 24 Depresing S2 Format will display the following selection criteria Left Right Surround left Surround Right Left Center Right L C R mono Surround L C R Stereo srnd off The third selection S3 is the Sub Woofer The level of the ...

Page 29: ...f possibilities are there to explore It will take some time to manipulate all the possibilities Cinemix gives you in this area Features like read and write on the automation screen and Solo and Mute 2 29 TAPE SWITCH The tape switch will switch a mono dual input channels mix section to follow either the group output or the multitrack tape output Cinemix manual page 29 ...

Page 30: ...nel path and the bottom control adjusts the tape input of the MIX path When the GAIN control is accurately set it is possible to achieve the very best signal to noise ratio and maximum headroom Cinemix was designed to achieve 3 2 EQUALIZER SECTION CHANNEL PATH This four band parametric equalizer is unique in its design There are four bands the high and low bands are sweepable frequency shelving ch...

Page 31: ...CHAN setting when desired Aux 3 4 are sourced always from the CHAN part of the module 3 4 PANPOT Cinemix s panpot is built to achieve minimum crosstalk between two selected busses A center detent with 3 dB attenuation is standard 3 5 PHASE The PHASE switch below the CHAN pan control is used to reverse the phase of any mike or line input A successful method of checking for out of phase signals is t...

Page 32: ... the ultra low distortion is of the second harmonic type responsable for a natural sound 3 11 CHANNEL MIX STATUS SECTION USING ARM There are four white sections with LED s that indicate when the ARM system is active and let you know what is routed The upper ARM status section has three LED s yellow for activated routing assignments Green for assigned L R busses and another green for assigned dynam...

Page 33: ...ECTION Routing AUX 5 6 to the Multitrack Busses Step 1 Press ARM on the module you would like to route auxes from Step 2 Press the red AUX switch below the buss switches in the master section Step 3 Press the Buss switch or switches you would prefer to buss to Step 4 From Cinemix s patchbay patch the group outputs to your choice of signal processing equipment s inputs 3 12 MIX PATH The MIX section...

Page 34: ...s have been carefully selected following extensive examination of all types of music and noise Test comparisons of other equalizers helped the D R design team create an equalizer that sounds very musical but at the same time raising the standard in specs and sound quality Noise and distortion are kept to an absolute minimum An equalizer in out switch with LED indicator is fitted to allow easy comp...

Page 35: ...r modules are not muted within the stereo mix buss MUTE The MUTE system is a special soft muting circuit click free and associated with the automation circuitry A MUTE indicator is fitted alongside the MUTE switch FADER The 100 mm linear fader controls the internal VCA An optional Motorfader can be fitted which follows the VCA control voltage Today s VCA s have very low distortion and very impress...

Page 36: ...frequencies produced the most musical sounding results HF 10kHz The HF high frequency section has shelving characteristics with a boost or cut of 16dB at a fixed frequency of 10kHz HMF 5kHz The HMF high mid frequency section has bell curve characteristics with a boost or cut of 16dB at a fixed frequency of 5kHz LMF 250Hz The LMF low mid frequency section has bell curve characteristics with a boost...

Page 37: ...ten Master status switching located in the master section selects the PFL or AFL mode for the entire console except for the Aux master solo s Activating the solo switch in the PFL mode will send the prefader signal of the A section to the CRM speakers In the AFL mode non destructive the stereo post A balance signal is heard and all other modules are not muted within the stereo mix buss MUTE The MU...

Page 38: ...section On top of all these features it is also possible to route the outputs of this stereo Aux send to the busses via the ARM system The ARM LED indicates when AUX 5 6 is assigned to one or more of the digital routing busses AUX 7 10 Send Section Aux 7 through 10 are always in the Stereo B path Aux 7 10 are dual concentric controls with 7 9 being the top knob and 8 10 the bottom knob Aux 7 8 is ...

Page 39: ...oth Read and Write LED s on SOLO The SOLO switch has an adjacent LED as an indicator for the solo The SOLO system has two modes PFL pre fade listen AFL after fade listen Master status switching located in the master section selects the PFL or AFL mode for the entire console except for the Aux master solo s Activating the solo switch in the PFL mode will send the prefader signal of the B section to...

Page 40: ...n optional compressor limiter gate or other effects signal processors will be active in the signal path The modulation of the LED indicates the amount of processing applied to this module The master control of the dynamics is part of the recall automation section s menu STEREO A B ARM SWITCH The ARM switch assigns a module to the ARM section in the master where assignments can be made and stored P...

Page 41: ...d Return Grp group output MIX from tape input and Mix insert Send Return The tape input and outputs are normalized to Group outputs and MIX inputs The master section contains fifteen rows of Bantam type jacks Row 1 Left Right master outputs insert send returns and Osc TB Row 2 Tape or mastering machines A B C D inputs normalled to left and right outputs Row 3 Tape or mastering machines A B C D out...

Page 42: ...alled to signal processor outputs 9 10 Cinemix has 256 tie lines mounted in 32 rows of eight The tie lines are patch ing the inputs and outputs of any signal processing equipment For ease of use all outputs are blue sockets and all inputs are black sockets The blue and black jack sockets can be interchanged for use with any equipment other than normal stereo two inputs and two outputs devices All ...

Page 43: ...ed in the mic mode by leaving the line switch in the up position if the microphone input is to be used in this channel Phantom powering is applied if necessary The EQ switch should be in the up position unless you require EQ on that channel signal The signal flows through the Channel fader and is available postfader to be routed by way of the ARM system feeding the input to your multitrack recorde...

Page 44: ...in the On position for monitoring post tape master tape switch lites Insert Channel Group For high dynamic range types of inputs a signal processor such as a compressor limiter can be inserted in the channel insert or in the MIX insert or activate the optional Dynamics package Headphone Cue During recording it is essential that the talent hears an independent mix of what the engineer and producer ...

Page 45: ...hould get their signal from the MIX section It is best to activate aux 7 8 to pre fader at anytime you re using Aux 7 8 for a headphone mix 6 4 The Remix session Remix is the process of combining all recorded tracks with keyboards and drum machines for MIDI signal processing and sending the mix to a two track master machine DAT machine or cassette recorder On the dual path module your multitrack i...

Page 46: ...al when the Encoder is on These signals are fed to the encoder unit by way of the 25 pole sub D connector and the stereo outputs are fed back into the mixer for checking purposes By depressing the Encoder Active switch the four output signals will be fed to the external Encoder and not to the 4 CRM outputs anymore At that very moment the stereo output of the Encoder is fed to the main CRM monitors...

Page 47: ...uzzes and instability are often caused by improper wiring and poor grounding All equipment using three wire ac connectors should have a ground lift adapter on each cable before plugging into the ac outlet In most cases the incoming electrical ground is inadequate and a dedicated ground system should be installed for the audio equipment Your local electric power company will provide you with all lo...

Page 48: ... should be totally isolated from the equipment rack and other equipment so ground loops are avoided Equipment can be mounted in wood rack rails to avoid ground loops or you can use HUMFREES Now you can run a 12 stranded wire with jacket from each piece of equipment to the central star ground point All ground wires should be the same length with a tolerance of plus or minus 10 in order to have the ...

Page 49: ...y hum buzz or interference Slowly turn the CRM control clockwise until it is wide open while listening for excessive noise You should only hear a faint hiss If everything is O K continue If any hum or excess noise is present stop and try different ground and shielding arrangements until the system is clean After checking the main power amp and speakers check CRM 2 and 3 b Before making any other c...

Page 50: ...lled the system will be clean and noise free It is important to understand the term balanced Balanced does not mean the input or output is professional the single factor that normally determines whether something is professional is the level of the input or the output 4 dBu is considered professional 10 dBv is considered to be consumer level semi professional Because many semi professional tape ma...

Page 51: ...the modules positioned left and right of the module under test Remove the LEDbar wiring and remove the metal cover underneath the ledbar front which conceals the screws retaining the module It is now possible to remove the two module retaining screws and carefully lift the module until the flatcable wiring can be unplugged At this point extender cables if ordered can be connected The master sectio...

Page 52: ...CRM 2 right in phase 6 CRM 2 left out of phase ground compensated 19 Ground 7 CRM center in phase 20 CRM center outof phase ground compensated 8 Ground 21 CRM surround left in phase 9 CRM surround left out of phase ground compensated 22 Ground 10 CRM surround right in phase 23 CRM surround right out of phase ground compensated 11 Ground 24 CRM sub bass in phase 12 CRM sub bass out of phase ground ...

Page 53: ...ed 5 Ground 18 To Encoder Surround mono in phase 6 To Encoder Surround mono out of phase ground compensated 19 Ground 7 From Encoder Surround right mono in phase 20 From Encoder Surround right mono out of phase gnd comp 8 Ground 21 From Encoder Center in phase 9 From Encoder Center out of phase ground compensated 22 Ground 10 From Encoder Left in phase 23 From Encoder Left out of phase 11 Ground 2...

Page 54: ...ound compensated 8 Ground 21 From Decoder Sub Bass in phase 9 From Decoder Sub Bass out of phase DECODER To decoder from Cinemix on 25 pole Sub D 1 To Decoder Left in phase 14 To Decoder Left out of phase ground compensated 2 Ground 15 To Decoder Right in phase 3 To Decoder Right out of phase ground compensated 16 Ground 4 To Decoder Center in phase 17 To Decoder Center out of phase ground compens...

Page 55: ...enter in phase 17 Center out of phase 5 Ground 18 Surround left in phase 6 Surround left out of phase 19 Ground 7 Surround right in phase 20 Surround right out of phase 8 Ground 21 Sub Bass in phase 9 Sub Bass out of phase 22 Ground 10 Not connected 23 Not connected 11 Ground 24 Not connected 12 Not connected 25 Ground Cinemix manual page 55 ...

Page 56: ...hat n eed to be wired to the direct and playback outputs of the Stems recorders 1 4 are the direct inputs and 5 8 are the 1 4 playback inputs See the connector at the right side of the page Every connector takes care of 4 inputs dir playback Meters can also be connected on the 4 extra Stems meter sub D connector outputs MIC inputs XLR 3 pole female 1 Ground 2 Hot in phase 3 Cold out of phase ANALO...

Page 57: ...10 2 PATCHPANEL CONNECTORS All in outputs are connected via 25 pole sub D connectors in an identical way see diagrams Cinemix manual page 57 ...

Page 58: ...Ohm balanced 0 dBu OUTPUTS Tape outputs 47 Ohm 4dBu balanced 10dBV unbalanced selectable Insert sends 47 Ohm ground compensated 0 dBu level All other outputs 47 Ohm balanced 4dBu max 22dBu OVERALL Headroom no less than 22 dB Frequency response 10 200 000 Hz 2dB VCA out 10 30 000 Hz 2dB VCA in Harmonic distortion 0 007 VCA out 0 016 VCA in Noise 32 channels assigned 89dBr Crosstalk No less than 90d...

Page 59: ...12 0 SIGNAL FLOW MASTER SECTION Cinemix manual page 59 ...

Page 60: ...13 0 SIGNAL FLOW INPUT MODULE Cinemix manual page 60 ...

Page 61: ...14 0 System signal flow Cinemix Cinemix manual page 61 ...

Page 62: ...15 0 Interfacing with external equipment Cinemix manual page 62 ...

Page 63: ...16 0 Interfacing with DS4E CP65 17 0 Cinemix manual page 63 ...

Page 64: ...17 00 Interfacing with Dolby SEU4 SDU4 Cinemix manual page 64 ...

Page 65: ...18 00 Interfacing with JS 300 Cinemix manual page 65 ...

Page 66: ...nemix block diagram or assigned to the 6 main busses for final track lay down in various formats such as 5 1 4 stereo 5 The STEMS module is divided into 4 identical sections for STEMS like Ambiance Effects Music and Dialogue 6 On top of the STEMS module is a general programming area of 6 buttons 7 The programming switches have the following functions 8 MAIN TO CRM connects the main outputs L C R S...

Page 67: ... the LED of the SET switch is off and the channel can be switched by the master DIR PLBK switch Any combination of individual switching between direct DIR and playback PLBK and master DIR PLBK switching can be programmed in this way The SET switch is also to be used for MATRIX SETUP see point 12 14 SOLO puts one input either Direct or Playback on Cinemix s Solo buss post TRIM control 15 MUTE cance...

Page 68: ...er things you normally would not expect from a mixing console call D R HQ 4 Switch Matrix to CRM on Feed a balanced signal of 4dBu to input Dir 1 on the backpanel of the Mastersection With the switches DIR PLBK on the frontpanel you can switch between the Direct and Playback inputs Route the signal to the CRM Left Right or Center output of the Mastersection The level of the input now has to trimme...

Page 69: ...r 1 24 Under the tracknumber 6 assign Led s are positioned which show if the output of the track is routed to either the Left Right Center Surround Left Surround Right or Subbass master buses or CRM outputs SET The SET switch is located under the 6 assign led s The SET switch enables the engineer to switch between the Direct and Playback signal If the switch is put in Toggle mode led in the switch...

Page 70: ...me as before the Master MUTE was activated TRIM When the TRIM switch is activated the master TRIM control pot can be used to adjust the overall level of the corresponding 6 tracks when necessary If the TRIM switch is deactivated the outputs are at a fixed level MODULE MASTER FUNCTIONS At the top of the module 6 master programming function switches are located These switches are used to define and ...

Page 71: ...ading to be 0 volt d Repeat this procedure for IC 30 and all for all other VCA banks e Now the VCA s are controlled by the trimmer pots on the Matrix 4 PCB f Now adjust the 4 trimmer pots on matrix 4 PCB CPU by adjusting the trimmer pots on matrix 5 VCA IC8 and VCA IC30 Measure between pin 2 and 3 g Now all VCA s are trimmed for 0 dB unity gain h Now connect a 4dBu signal on the dir playback outpu...

Page 72: ...ing product specifications Security EN 60950 1988 A1 A2 EMC CISPR 22 1985 EN 55022 1988 class B EN 50082 1 1992 IEC 801 2 1991 prEN 55024 2 1992 3kV CD 8kV AD IEC 801 3 1984 prEN 55024 3 1991 3 V m IEC 801 4 1988 prEN 55024 4 1992 0 5kV signalcables 1 kV powercables Extra information The product passed the specifications of the following regulations Low voltage 73 23 EEG EMC regulations 89 336 EEG...

Page 73: ... power If problem persists return equipment to qualified service technician PLEASE READ THE FOLLOWING INFORMATION Especially in sound equipment on stage the following information is essential to know An electrical shock is caused by voltage and current actually it is the current that causes the shock In practise the higher the voltage the higher the current will be and the higher the shock But the...

Page 74: ...d buildings it can possibly be as high as 240 volts Allthough removing the ground wire sometimes cures a system hum it will create a very hazardeous situation for the performing musician Always earth all your equipment by the grounding pin in your mains plug Hum loops should be only cured by proper wiring and isolation input output transformers Replace fuses always with the same type and rating af...

Page 75: ...ct us or the D R USA customer support department With the Cinemix series there is no limit to your creativity We wish you many years of enjoyable mixing Best regards Duco de Rijk PRESIDENT D R HOLLAND We hope you find this manual useful and easy to understand As always we are open to any suggestions about this manual or any D R products Cinemix manual page 75 ...

Page 76: ...CinemiX SERVICE MANUAL ...

Page 77: ...ack Dec Enc con Cinemix 32C 1 Pink noise Cinemix 41A 1 Master 4 CPU Cinemix 6A 2 Master 4 CPU film master Cinemix 6C 2 Master 5 keyb1 Cinemix 7A 1 Master 5 keyb1 film master Cinemix 7C 1 Master 6 keyb2 Cinemix 8A 1 AS con Digital power Cinemix 9B 1 Automation Cent Proc Unit CPU_AMP1C 1 Automation I O mux Mux_AMP1C 1 Ledbar 13 segments LB13 1D 1 Ledbar 25 segments HR25F Phasemeter Phase 1A 1 Phasem...

Page 78: ...Powersupply logic PS_DIG2A 1 Power distribution 2POWER CON Cinemix 20B 1 ...

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Page 125: ...CinemiX CinemiX SERVICE MANUAL MATRIX ...

Page 126: ...s PCB name Block diagram Matrix function 1 Block diagram Matrix signalflow 1 Matrix keyboard Matrix 1P 1 Matrix LED buffer Matrix 2P 1 Matrix Master keyboard Matrix 3P 1 Matrix CPU Matrix 4P 1 Matrix audio in Matrix 5A 2 Matrix routing Matrix 6P 2 Matrix buss Matrix 7P 1 ...

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Page 138: ...CinemiX CinemiX SERVICE MANUAL MOTORFADERS ...

Page 139: ...Circuit diagram list Motor fader Cinemix Discription PCB name Number of Sheets Automation motor fader MTRFDR1D 2 Motor Power distribution Cineix 30P 1 Powersupply motorfader PS_MOT C 1 ...

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Page 144: ...CinemiX CinemiX SERVICE MANUAL DYNAMICS ...

Page 145: ...Circuit diagram list Dynamics Description PCB name Number of Sheets Dynamics CPU DYN_1B 2 ...

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Page 148: ...moment 1 0000 st 10400217 Condensator ker 22p R2 5 13 0000 st 10550414 Schakelaar Alps 2pole mini NS 22 0000 st 10400221 Condensator ker 47p R2 5 6 0000 st 10550415 Schakelaar Alps 4pole mini NS 21 0000 st 10400223 Condensator ker 68p R2 5 28 0000 st 10550206 Schakelaar Zippy Led black mom 41 0000 st 10401241 Condensator ker 100nF 50V R5 T 259 0000 st 10550204 Schakelaar Zippy Led gray mom 18 0000...

Page 149: ... Deksel Sifam 21mm red bulk 2 0000 st 10600141 Header haaks 64p raster 2 54 8 0000 st 10550100 Encoder ECW 1 JB 24 BC 0024 1 0000 st 10600478 Header recht 4p raster 2 54 9 0000 st 10300090 Fader JP 100mm stereo 10KA 1 0000 st 10600435 Header recht 10p nobox R 2 54 4 0000 st 10101191 Front Cinemix 11A master VU 1 0000 st 10600520 Header recht 16p box R 2 54 4 0000 st 10101180 Front Cinemix film nas...

Page 150: ...0400216 Condensator ker 18p R2 5 11 0000 st 10350776 Weerstand 10M0 5 1 4W 6 0000 st 10400217 Condensator ker 22p R2 5 1 0000 st 10350741 Weerstand 10k 5 1 4W 153 0000 st 10400221 Condensator ker 47p R2 5 3 0000 st 10350848 Weerstand 10k0 1 1 4W 169 0000 st 10400232 Condensator ker 470p R2 5 1 0000 st 10350742 Weerstand 12k 5 1 4W 3 0000 st 10401241 Condensator ker 100nF 50V R5 T 69 0000 st 103507...

Page 151: ... 4W 4 0000 st 10250032 Ic THAT 2180 LB VCA 2 0000 st 10350711 Weerstand 33E 5 1 4W 1 0000 st 10250304 Ic TL 072 CP TI dual opamp 12 0000 st 10350713 Weerstand 47E 5 1 4W 8 0000 st 10250305 Ic TL 074 CN TI quad opamp 2 0000 st 10350749 Weerstand 47k 5 1 4W 16 0000 st 10600394 Ic voet 8 pins vork contact 18 0000 st 10350714 Weerstand 56E 5 1 4W 2 0000 st 10600402 Ic voet 8 pins SIL 2 54mm 2 0000 st ...

Page 152: ...17 0000 st 10350725 Weerstand 470E 5 1 4W 10 0000 st 10250387 Led 3mm red round 7 0000 st 10350761 Weerstand 470k 5 1 4W 2 0000 st 10250388 Led 3mm yellow round 3 0000 st 10350726 Weerstand 560E 5 1 4W 10 0000 st 10700610 Moer M 3 3 0000 st 10350763 Weerstand 680k 5 1 4W 2 0000 st 10700606 Popnagel 3x7 zwart ano alu sta 2 0000 st 10250353 Zenerdiode 12V0 1W 1 0000 st 20851181 Print bestukt Cinemix...

Page 153: ...led R 2 54 4 0000 st 10300408 Potm 97 100KBx2 CC 8 0000 st 10600514 Header haaks 5p lock R 2 54 8 0000 st 10300403 Potm 97 10KBx2 CC 2 0000 st 10600140 Header haaks 34p raster 2 54 3 0000 st 10300407 Potm 97 10KBx2 10KBx2 2 0000 st 10600141 Header haaks 64p raster 2 54 2 0000 st 10300404 Potm 97 50kA 50kA 4 0000 st 10600478 Header recht 4p raster 2 54 7 0000 st 10201180 Print Cinemix 10c routing 1...

Page 154: ...8 Weerstand 270k 5 1 4W 10 0000 st 20851206 Print bestukt Matrix 2 4 0000 st 10350818 Weerstand 392E 1 1 4W 10 0000 st 20851207 Print bestukt Matrix 3 1 0000 st 10350819 Weerstand 432E 1 1 4W 10 0000 st 20851208 Print bestukt Matrix 4 1 0000 st 10350822 Weerstand 536E 1 1 4W 10 0000 st 20851209 Print bestukt Matrix 5 2 0000 st 10350823 Weerstand 619E 1 1 4W 10 0000 st 20851210 Print bestukt Matrix...

Page 155: ...st 10700975 Dubbelzijdig plakband 12mm dun 427 0000 cm 10401241 Condensator ker 100nF 50V R5 T 172 0000 st 10100440 Front Cinemix 17a ledblind 1 0000 st 10401253 Condensator poly 10n R5 0 80 0000 st 10101184 Front Cinemix 4A blind 1 0000 st 10600114 Connector chassis DIN fem 5p 3 0000 st 10101095 Front Merlin 15b afscherming 1 0000 st 10600041 Connector sub D25 female pcb 6 0000 st 10500705 Isolat...

Page 156: ...t 10250012 Ic 74HC125 quad bistab buf 14 0000 st 10101198 Plexiglas Cinemix 48 77pos 1 0000 st 10250048 Ic 74HC138 3to8 line decoder 28 0000 st 10700611 Popnagel 3 0 x 6 5 blank 12 0000 st 10250035 Ic 74HC14 hex inv schmittrig 2 0000 st 20851196 Print bestukt CPUamp1 autom 2 0000 st 10250033 Ic 74HC573 octal D latch 2 0000 st 20851192 Print bestukt Cinemix20 pwrco 3 0000 st 10250291 Ic 7805 TO220 ...

Page 157: ...000 st 10450081 Knop Fader SiFam chr conductiv 8 0000 st 10350704 Weerstand 4E7 5 1 4W 3 0000 st 10650374 Montagedraad 0 4 mm2 geel 80 0000 cm 10350741 Weerstand 10k 5 1 4W 8 0000 st 10650375 Montagedraad 0 4 mm2 groen 80 0000 cm 10350848 Weerstand 10k0 1 1 4W 8 0000 st 20851170 Print bestukt Motorfader 1 0000 st 10350856 Weerstand 20k0 1 1 4W 16 0000 st 10700786 Taptite M3x5 verzkop pozidr zw 16 ...

Page 158: ...t 10350517 Weerstand 0E 5 1 4W 6 0000 st 10700628 Rozetring M6 6 4x12 7x3 4 8 0000 st 10250345 Brugcel B80C1000 rond 2 0000 st 10550003 Schakelaar Wip 220V neonlamp 1 0000 st 10401241 Condensator ker 100nF 50V R5 T 10 0000 st 10700789 Taptite M 3 x 15 zwart 4 0000 st 10401246 Condensator poly 1n0 R5 0 4 0000 st 10700616 Taptite M3x10 bolkoppozidr zw 20 0000 st 10250343 Diode 1N4004 rectifier 8 000...

Page 159: ...TOP 3 TIP 3055 22 0000 st 10150927 Kast Voeding 2HE A TIP3055 1 0000 st 10650495 Kabel 7 aderig 2 5 mm2 600 0000 cm 10720664 Koelblok KL 135 75mm TO 3 zwrt 4 0000 st 10600007 Kabelschoen boutgat M3 rood 1 0000 st 10500682 Krimpkous 6 mm rond 18 0000 cm 10600006 Kabelschoen boutgat M4 blauw 10 0000 st 10500684 Krimpkous 38 mm RNF100 1 5 zw 38 0000 cm 10700625 Kartelring M 3 buitenvertan 31 0000 st ...

Page 160: ... st 10350828 Weerstand 976E 1 1 4W 1 0000 st 10250340 Zenerdiode 2V4 400mW 1 0000 st 10650446 Bandkabel 10p R 1 27 40 0000 cm 10600434 Connector bandkabel female 10p 2 0000 st 10100441 Front Merlin 18C ledbar 25 seg 1 0000 st 10250393 Led 5x2mm ORANGE 1 lead 7 0000 st 10250391 Led 5x2mm green BRIGHT 15 0000 st 10250392 Led 5x2mm red BRIGHT 3 0000 st 10700690 Platstaf 25 x 10 x 10mm 2 0000 st 10700...

Page 161: ...very sensitive to all environment changes such as humidity of the record room as well as the skin conditions of the engineer working at console 3 Put all channels in the Write Mode Ctrl W as a short cut 4 Move all faders to their top position by hand 5 Now check if the PowerVCA screen also has repositioned the faders 6 Now put all the faders in the Read Mode Ctrl R as a short cut 7 Now move all th...

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