Crest Audio X-RACK XRM Owner'S Manual Download Page 39

p. 39

Master section

3

Rear panel features (continued)

Solo Link

When using multiple X-Rack mixers together, the solo systems can be linked.This Solo Link is
compatible with the XR-20 and XR-24 Rack mixers. A 5-pin, shielded DIN cable, wired pin-to-
pin, can be used to link the Solo Audio and control signals between mixers.The “Slave” mixer
has its own solo’d signals appear in its own solo system, but these signals are also passed to
the “Master” mixer where they also show up in the Master mixer solo system, added to any
existing solo’d signals, or triggering the Master solo if nothing else was present.The Master and
Slave consoles are designated by the IN-to-OUT relationship between the Solo Link connec-
tors.The Master mixer should have the DIN cable plugged into the IN jack, the other end of
the cable should plug into the Slave’s OUT jack.
This linking can extend to additional mixers (no practical limit). Just keep plugging additional
DIN cables between the added mixers.The daisy-chain continues, the ultimate Master will be
the mixer with only one DIN cable plugged into the Link-IN jack.

NOTE 1

:You should not plug the ends of the link-cable into both Link-IN jacks or both Link-

OUT jacks across two mixers. No permanent damage will result, but there may be erratic solo
behavior (besides, it’s not a nice thing to do to the XRM).

NOTE 2:

Even though the DIN connector is the same type as used in MIDI systems, the Link

connection is not MIDI and should not be connected to a MIDI device.

Audio Linking

The XRM is equipped with bus-in jacks on all the main mix buses (see earlier Rear-Panel detail) allow-
ing the user to create a larger console out of multiple XRM, XR-20/24 or combinations of all types.
Similar to the Solo-Link description,“Slave” mixers can be fed to “Master” mixers by using standard,
shielded XLR cables to tie the Slave balanced outputs to the Master mixer’s bus inputs.The Slave out-
puts (still controlled by their our master faders) are fed to the Master mixer as a sub-mix. No addi-
tional inputs are taken up, the bus inputs allow for easy expansion.

AC Input

The XRM uses an internal switching power supply which is capable of accepting a wide range of line
voltages.This industry-standard IEC connector will mate up with any of the common IEC line cords.
The incoming voltage can be anywhere between 100 and 240 volts, +/- 10%.The AC mains frequency
can be 50 Hz or 60 Hz.

Connector Pinout detail

The rear panel of the XRM is screened with the pinout and electrical details of the I/O connectors. It
is reprinted here for your reference.

XRM  Internal Options

The Input Channels have various options that can be selected. If specified at time of order, the factory
will set-up the XRM with the user’s desired settings. If configured from the factory, the appropriate
check-box will be marked, showing which option was changed, and what it was changed to.

Mix 1-4 PRE:

This PRE source is normally Pre-fader. It can be changed to Pre-Insert or Pre-EQ

PRE-Follow Mute:

Normally, the PRE signal (no matter what the source) will be muted when the

main channel is muted (MUTE sw depressed).An option allows the PRE source to ignore the channel
mute and be active (ON) at all times.

Summary of Contents for X-RACK XRM

Page 1: ...owner s manual X Rack rack mount mixers XRM 12 Output Monitor Mixer...

Page 2: ...unit or operate the unit while standing in liquid 8 The power cord of equipment should be unplugged from the out let when left unused for a long peri od of time Service Information Do not open unit O...

Page 3: ...features coupled with intelli gent circuit design and the highest standards in construction workmanship all Crest Audio console products excel above and beyond the competitor s products in every area...

Page 4: ...CIRCUIT PROTECTION POLY FUSES XRM BLOCK DIAGRAM GC P GAIN ROTARY POT PAD LED AMP PANEL SWITCH FADER FET SWITCH BALANCED DRIVER ALL SWITCHES SHOWN IN THE UP DESELECTED POSITION AMP LIFIER GAIN SHOWN IN...

Page 5: ...t flexi ble feature rich addition to Crest Audio s growing line of audio mixing console products conventions Control Icons This manual uses symbols to illustrate what the control descriptions are refe...

Page 6: ...10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 SIG PK 1 MUTE GAIN LO CUT 20 10 50 70 40 500 500 500 PRE 1 2...

Page 7: ...nput signal is disconnected and the signal present on the 1 4 plug is fed to the preamp If plugs are inserted into both the XLR andTRS jacks this switch acts as an input selector switch between the tw...

Page 8: ...3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 SIG PK 1 MUTE GAIN LO CUT 20 10 50 70 40 500 500 500 PRE 1 2 3 4 5 6...

Page 9: ...able boost cut and adjustable fre quency high frequency HF Boost Cut 15dB boost and cut Shelving 12 kHz high mid HM Frequency Continuously variable between 400 Hz and 8 kHz Boost Cut 15dB boost and cu...

Page 10: ...3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 MUTE PRE 1 2 3 4 5 6 7 8 9 10 11 12 S T R S T R S T R S T R S T R S T R HF PRE SOURCE...

Page 11: ...ant the Chan Level to affect the signal On the XRM Mixes 1 thru 4 can be switched to receive their sig nal PRE the Chan Level pot Pre fader The default PRE setting for Mixes 1 4 is pre fader but it is...

Page 12: ...0 70 40 500 500 500 PRE 1 2 3 4 5 6 7 8 9 10 11 12 S T R S T R S T R S T R S T R S T R 2 3 PFL 40 20 10 0 10 5 30 CHAN LEVEL 6 SIG PK 1 MUTE HF PRE SOURCE SELECT PRE SOURCE MUTE SOLO DC 10 MUTE EQ ON...

Page 13: ...el Level Pot This rotary pot controls the level of Post Fader signal sent to the individual Mix Sends Mix Sends 5 thru 12 always receive this Post Fader signal Mix Sends 1 thru 4 have the option of se...

Page 14: ...Pin1 Lift Split Out Balanced Input 9 48V On Chan Insert 10 XLRs Pin1 Lift Split Out Balanced Input 10 48V On Chan Insert 11 XLRs Pin1 Lift Split Out Balanced Input 48V On Chan Insert 12 XLRs Pin1 Lift...

Page 15: ...ive Input Ring is Negative Input Sleeve is Chassis Ground Input impedance is 20K balanced XLR Mic Input jack This balanced latching female XLR accepts a low impedance microphone signal or a line level...

Page 16: ...Pin1 Lift Split Out Balanced Input 9 48V On Chan Insert 10 XLRs Pin1 Lift Split Out Balanced Input 10 48V On Chan Insert 11 XLRs Pin1 Lift Split Out Balanced Input 48V On Chan Insert 12 XLRs Pin1 Lift...

Page 17: ...lows an external signal processor to be inserted into the signal path of the channel The tip carries the SEND signal from the channel and the ring carries the RETURN signal back to the channel The ins...

Page 18: ...0 6 3 30 40 20 10 0 6 3 30 SIG PK S1 MUTE PRE 1 2 3 4 5 6 7 8 9 10 11 12 S T R S T R S T R S T R S T R S T R 0 1 2 GAIN F 500 T 500 500 500 500 500 500 500 0 HF 500 SUM INPUTS STR LINE IN MIC PAD 20...

Page 19: ...onnec tors or the 1 4 TRS input jacks located on the rear panel The XLR signal is normal d to the 1 4 TRS jack If nothing is plugged into theTRS jack the XLR signal is fed to the preamp when the LINE...

Page 20: ...40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 SIG PK S1 MUTE PRE 1 2 3 4 5 6 7 8 9 10 11 12 S T R S T R S T R S T R S T R S T R GAIN 2 M LF HF M 2 K 500 T...

Page 21: ...d and Low Mid bands have a bell shaped response each band features variable boost cut and adjustable fre quency high frequency HF Boost Cut 15dB boost and cut Shelving 12 kHz high mid HM Frequency Con...

Page 22: ...0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 40 20 10 0 6 3 30 S1 MUTE PRE 1 2 3 4 5 6 7 8 9 10 11 12 S T R S T R S T R S T R S T R S T R 0 3 2 3 2 3 PFL 40 20 10 0 10 5 30 CHAN LEVEL 40 20 0 6 3 30 4...

Page 23: ...4 PRE MIX Sends 1 4 are Post Fader MIX Sends 1 4 are Pre Fader Normally the signal feeding the Mix Sends is derived after the main Chan Level Pot Post Fader This Chan Level pot controls the level of t...

Page 24: ...Module Block diagram Controls FOUR BAND EQ LEFT LEVEL LF LOW MID HI MID HF PRE SOURCE MUTE 10 MUTE EQ ON FADER AMPS PRE SOURCE BUFFERS NO YES SOLO LEFT XRM STEREO INPUT MODULE 4 STEREO INPUTS AVAILABL...

Page 25: ...Channel Level Pot This rotary pot controls the level of the Post Fader signals sent to the individual Mix Sends Mix Sends 5 thru 12 always receive this Post Fader signal Mix Sends 1 thru 4 have the op...

Page 26: ...Chan Insert 10 XLRs Pin1 Lift Split Out Balanced Input 10 48V On Chan Insert 11 XLRs Pin1 Lift Split Out Balanced Input 48V On Chan Insert 12 XLRs Pin1 Lift Split Out Balanced Line In Balanced Input X...

Page 27: ...unctions 1 A shield connection point that allows interference signals picked up by the cable shield to be effectively shunted to ground thus avoiding signal degradation 2 A DC return path for the 48 v...

Page 28: ...TR PAIR LO CUT 2 3 4 5 6 7 9 0 1 2 1 R N LAMP 12V SOLO PWR L R SPEAKERS ON COMMON INPUT P H O N E S 1 3 5 7 10 0 9 2 8 6 4 F 500 N 1 3 5 7 10 0 9 2 8 6 4 LEV LEV 0 9 6 12 3 6 9 3 15 24 18 21 500 STR P...

Page 29: ...ng solo switches pressed PFL orAFL will be mixed together The resulting mixed signal will be displayed on the meters and heard in the phones and monitor system Headphone jack PHONES This 1 4 TRS jack...

Page 30: ...N MIX BUS IN G R HPF HPF 40Hz 18dB Oct STEREO PAIR STEREO PAIR LO CUT ON AFL EVEN CTRL TO INPUT SENDS SOLO LOGIC SWITCH AFFECTS BOTH ODD EVEN COMMON INPUT L COMMON INPUT LEVEL ODD MIX BUSES 1 3 5 7 9...

Page 31: ...anges the pair of outputs from independent mono to linked stereo The LO CUT switch activates the hi pass filters on both outputs 40Hz 18dB Oct When operating the mixes as separate Mono outputs each fa...

Page 32: ...OLO PWR COMMON INPUT M F M 500 500 5 10 0 5 10 20 30 SIG PK 1 AFL 2 3 4 OUTPUT MASTERS STR PAIR LO CUT STR PAIR LO CUT 1 2 3 4 STR PA R O CUT STR PA R O CUT 500 500 500 500 500 500 MAIN BBON ABLE 0 WA...

Page 33: ...by the operator In Mono mode only the associated mix is fed to the Solo system It appears as a mono signal in the Solo system equal level in both left right If the associated STR PAIR switch is depres...

Page 34: ...RT SEND RTN XRM MIX PAIR 1 OF 6 PAIRS SHOWN ODD MIX AMP 10 PEAK AFL SIG SIG PK LED POST FADER ODD FADER 60MM PRE FADER ODD MIX BUS IN SOLO DC SOLO LEFT SOLO RIGHT AFL ODD G R HPF HPF 40Hz 18dB Oct EVE...

Page 35: ...he Lo Cut filter on the output the return comes back at the top of the master fader Tip is Send Ring is Return Sleeve isAudio Ground Send output impedance is 100 unbalanced Return input impedance is 5...

Page 36: ...ITOR HP LEVEL L R HEADPHONE AMP SOLO LEFT SOLO MIX AMPS SOLO DC SOLO FEED L R SOLO CONTROL LOGIC 9 6 3 0 3 6 9 12 15 18 21 24 SOLO ON PWR ON LED METERS FOLLOW SOLO SOLO RIGHT SPEAKER ON MONITOR OUT R...

Page 37: ...am TRS Tip Hot Ring Cold Sleeve Chassis Nominal input level is 4dBu Monitor Output This output follows the Solo system and is controlled by both the HP Mntr pot and SPEAKER ON switch on the front pane...

Page 38: ...3 OUT 2 1 3 1 CHS 2 IN 3 IN XLR Female XLR Male 1 4 TRS Input 4dBu 4dBu Passive 4dBu 4dBu 60dBu 4dBu 4dBu 4dBu T Send R Rtn S GND 1 4 TRS Insert 4dBu 2dBu T OUT R OUT S CHS 1 4 TRS Output 4dBu I O Con...

Page 39: ...ce Audio Linking The XRM is equipped with bus in jacks on all the main mix buses see earlier Rear Panel detail allow ing the user to create a larger console out of multiple XRM XR 20 24 or combination...

Page 40: ...ating Levels Impedance 2 1 3 1 2 3 X Rack Preamp Press For Pin 1 Lift X Rack Chassis Connection XLR Input Passive Split Out When Lift Switch Is Pressed Pin1 Of BOTH XLRs Is Disconnected From Mixer Cha...

Page 41: ...Mix Send attenuation 85dB Phase Shift 30 degrees 20Hz to 20kHz mic in to mix out XLR In F XLR 4k ohm balanced max voltage gain to mix outs 92dB Split Out M XLR 4k ohm balanced Passive Y Split of XLR...

Page 42: ...XRM owner s manual Version 1 01 May 28 2002 Crest P N D7000028 Crest Audio 16 00 Pollitt Drive Fair Lawn NJ 07410 201 475 4600 www crestaudio com...

Reviews: