Clever Little Box LB-5A Installation & Operating Instructions Manual Download Page 14

Creating  MP3  audio  files  requires  the 
use of a ‘ripping’ program; software that 
can  encode  your  conventional  audio 
files into the much more compact MP3 
format.  While  Windows  XP  technically 
provides this ability with recent versions 
of  Windows  Media  Player,  it  is  strongly 
suggested  that  you  will  find  it  much 
easier  using  freely  available  third  party 
software.

MP3  encoding  software  can  be  either 
downloaded for free or purchased online 
from  many  web  sites.  Some  of  the 
free  versions  have  a  limited  number  of 
options and features.

Any  modern  computer  fitted  with  a 
sound  card  and  speakers  and  loaded 
with  suitable  software  can  create  good 
quality MP3 files.

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• The Settings:

Good  MP3  encoders  give  the  user 
total  control  over  creating  MP3  files, 
with  the  many  settings  and  functions 
available  with  the  software.  But  these 
functions  and  setting  of  the  software 
could  be  confusing  at  first.  Read  the 
documentation  that  accompanies  the 
software;  take  a  tutorial  offered  by  the 
publisher (if offered) or simply go through 
the  software  to  familiarise  yourself  with 
the different functions to overcome your 
confusion and better use the software

Guide to creating MP3 files:

• What are MP3 files?

MP3 – stands for ‘MPEG-1 Audio Layer-3’ 
and  is  one  of  the  most  popular 
compressed  digital  audio  file  formats 
and  they  have  become  an  almost 
universal way to store music files on both 
computers and portable devices. An MP3 
file is a compressed version of a digital 
audio recording, such as a track from a 
CD. The original song data is ‘encoded’ 
using  a  variety  of  techniques  that 
reduce the size of the resulting file whilst 
preserving  much  of  the  (perceptible) 
sound quality of the original

Digitised  audio  is  governed  by  bit-rate, 
or  the  amount  of  song  data  that  is 
transferred  per  second  to  the  device 
that  is  playing  the  song.  A  digital  audio 
recording  using  the  ‘Redbook’  audio 
CD  standard  uses  1.4  million  bits  of 
data  per  second.  This  is  the  amount  of 
information necessary to play a virtually 
identical digitised version of the original 
analogue music. 

The MP3 format reduces this bit-rate by 
a  factor  of  ten  or  more,  while  retaining 
much  of  the  essential  qualities  of  the 
audio. The secret to this is analysing the 
frequency of the sounds contained in the 
CD track. 

Any  audio  recording  is  likely  to  contain 
various  noises,  incidental  or  otherwise, 
that  are  of  a  frequency  we  cannot 
perceive. Likewise, any multi-track audio 
recording is likely to have portions where 
one  track  drowns  out  others  due  to  its 
volume  at  that  point.  MP3  encoders 
analyse  the  frequency  pattern  of  an 
audio file and filter out sections of the file 
which would be difficult or impossible for 
us to hear. 

Essentially, the MP3 format reduces the 
size  of  audio  files  by  ‘biasing’  them  for 
human hearing, stripping them down to 
the essential, easily audible frequencies 
which  would  be  all  we  would  generally 
hear  anyway.  The  resulting  file  is  then 
compressed  using  more  traditional 
software methods. 

We  can  levy  some  control  over  the 
sound  quality  of  an  MP3  by  adjusting 
the sampling frequency (typically 44kHz) 
and  bit  rate  (64kb/s  -  196kb/s,  and  in 
some  cases  as  high  as  320kb/s)  when 
the  MP3  audio  file  is  originally  being 
encoded, which can dramatically impact 
on  the  end  result.  Though  just  as  vinyl 
records  are  considered  superior  to  the 
Compact Disk, CDs are superior to most 
MP3  recordings;  though  choosing  the 
right encoding settings narrows the gap 
significantly. 

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Summary of Contents for LB-5A

Page 1: ...LB 5A Digital Audio Store Installation Operating Instructions Designed and built in the UK...

Page 2: ...contact remains the recording will play continually until disengaged TU16A LB 5A PIR SWITCH BUTTON RELAY ACTIVATION OF MESSAGE VIA AUX IN AMPLIFIER LB 5A Digital Audio Store Contents Introduction 04 N...

Page 3: ...e media and is non volatile which means it does not require any backup supply or battery This removable memory stick must be pre loaded with MP3 files and then plugged into the socket located on the c...

Page 4: ...that the unit installation is fully functionally tested using the supplied memory stick before replacing any of the files with new ones If you have any concerns regarding the installation of this unit...

Page 5: ...ut can then be connected to an amplifier using the appropriate connections which can be either the stereo phono sockets or the balanced mono terminals For more information about which of these outputs...

Page 6: ...e A way of understanding how this works is to visualise the five switches described in the previous section but replicated two more times to form three banks of five switches One bank will be used to...

Page 7: ...r all the other groups and will automatically override their output It also has its own internal file hierarchy whereby one message may override a lower message in the group i e message 1 has the high...

Page 8: ...a contact closure Switch 3 activated by an opening contact JP4 Switch 4 activated by a contact closure Switch 4 activated by an opening contact JP5 Switch 5 activated by a contact closure Switch 5 act...

Page 9: ...To play the file again the contact closure must first be broken and then re made Additional Functions Repeat Interval Timer The LB 5A is equipped with an adjustable interval timer which operates on th...

Page 10: ...20 for more details The audio files themselves can be of any suitable type the only requirement is that they are MP3 files i e they have the mp3 extension They don t have to be re named or be of any...

Page 11: ...Any size of USB memory stick can be used with the unit but it must be formatted to a FAT 32 file system the usual file system used on this type of device Any file preparation is best carried out on a...

Page 12: ...ifier or mixer with which it is to be used If required it is possible by means of the Jumper J10 located on the circuit board to configure these outputs to mono allowing only a single connection to th...

Page 13: ...pliance Restriction of Hazardous Substances 2002 95 EC CIE Group has taken due care to ensure that this product contains no hazardous substances as specified in the RoHS Directive 25 Specifications As...

Page 14: ...rving much of the perceptible sound quality of the original Digitised audio is governed by bit rate or the amount of song data that is transferred per second to the device that is playing the song A d...

Page 15: ...per second that the original sound source was sampled during recording CD quality audio is recorded in stereo at a sampling rate of 44 1KHz No matter what bit rate you use to record audio it will neve...

Page 16: ...t closure Switch 2 activated by an opening contact JP3 Switch 3 activated by a contact closure Switch 3 activated by an opening contact JP4 Switch 4 activated by a contact closure Switch 4 activated b...

Page 17: ...e 2 Timer Jumpers Table 2 CONN 3 MCU Programming connector CONN 2 PC Interface Programming connector J10 Mono Stereo Select Table 3 CONN 1 USB Memory Stick connector J6 For setup and test use only J7...

Page 18: ...Selection LED Indicators Power Connector Anchor Point Stereo Audio Output L R Headphone Monitor Socket File Activation Switches SW1 SW5 Aux 12v DC Output Chime Group Select Contacts Activity Indicato...

Page 19: ......

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