Page 84
About Subtractive Synthesis
The Amplifier
An amplifier is most often used at the final stage of a synth signal chain, to control volume. By modulating
the amplifier with an envelope, the sound can be given its basic “shape”. In fact, the “volume shape” is
one of the most important factors to how we identify the sound. By setting up a proper volume envelope
you can make a sound “soft”, “hard”, “plucked” “static” etc.
The volume envelope curve (to the left) determines how the amplitude of the waveform changes over time.
Envelopes
ADSR-Envelope
Envelopes are used to modulate pitch, amplitude, filter cutoff and other parameters in a sound. This is
used to give the sound a varying character from the moment the key is pressed to the moment it is re-
leased.
The classic synthesizer envelope has four parameters, Attack, Decay, Sustain and Release, and is there-
fore often referred to as an “
ADSR-envelope
”.
When you press a key, the envelope is
triggered
. This means is starts rasing from zero to maximum level.
How long this should take, depends on the
Attack
setting. If the Attack time is set to “0”, the envelope
will instantly reach full level. If it is raised it will take longer.
If you for example have an envelope controlling volume, raising the attack will give the sound a “softer”
character. If you have the envelope routed to the filter, it might give the sound a “wah” type of start.
+
=
Attack
(time)
Key Down
Level
Time
Summary of Contents for nord lead
Page 1: ...Owners Manual Software Version 2 x English Clavia DMI AB 1996...
Page 6: ...Page 4 Table Of Contents...
Page 8: ...Page 6 Introduction...
Page 22: ...Page 20 Basic Operations...
Page 74: ...Page 72 MIDI...
Page 90: ...Page 88 About Subtractive Synthesis...
Page 110: ...Page 108 MIDI Implementation Chart...
Page 114: ...112 Index...