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32 | NordLead4UserMaNUaLv1.3x

Filter Resonance

Filter Resonance is used to emphasize frequencies around the Filter 
Frequency . If you are using a low pass filter, increasing resonance will 
emphasize frequencies around the set Filter Frequency and de-empha-
size the rest of the frequency spectrum .

Further raising the Filter Resonance will make the sound resonant to a 
point where the filter adds a ringing quality to the sound . Some of the 
filters will even start to oscillate at high resonance settings .

Drive 

Drive adds a distortion inside the filter with a range 
that spans from gentle to quite rude .

 

Try the drive with high filter resonance set-
tings.

Envelope Amount (Env Amt) 

Env Amt controls how much the Filter Envelope 
should modulate the cutoff frequency . Positive and 
negative settings are possible, the envelope can 
open or close the filter . At the center detented 12 
o’clock position, the modulation is zero .

Keyboard Tracking (KB Track) 

Keyboard Tracking is used for adjusting the Filter 
Frequency cut-off point depending on where in 
the keyboard range you play . 

This is related to basic acoustics; if you raise the pitch of a waveform, 
the harmonics will also have their frequencies increased . If the filter cut-
off frequency is constant, the sound will be perceived as getting duller 
the higher up the keyboard you play . 

• With KB Track disabled, the Filter Frequency cutoff is fixed regardless 

of where on the keyboard you play . 

• With KB Track enabled, the Filter Frequency cutoff will be higher for 

higher notes, and lower for lower notes . The point of reference is the 
key of C2 . 

• With KB Track at the 1/3 setting, the cutoff frequency will track the 

keyboard in a 1:3 relationship, play one octave higher and the cutoff 
frequency will move by 1/3 of an octave .

• With KB Track at the 2/3 setting, the cutoff frequency will track the 

keyboard in a 2:3 relationship, play one octave higher and the cutoff 
frequency will move by 2/3 of an octave .

•  With KB Track at the maximum setting of 1, the cutoff frequency will 

track the keyboard in a 1:1 relationship .

Filter Type 

Select one of the seven available filter 
types .

Low Pass 12, 24 & 48 

Frequencies above the filter frequency setting will be attenuated . The 
number indicates the slope, how steep the filter would become above 
the filter frequency . A 24 dB filter has a steeper slope than a 12 dB, the 
48 dB has the steepest slope .

Band Pass

A band pass filter lets frequencies at the filter frequency to pass, while 
frequencies above and below the filter frequency will be attenuated .

Keyboard tracking (KB track)

freq

 

gain

Low pass 12, 24 & 48

Filter Frequency

48 dB

12 dB

24 dB

freq

 

gain

Band pass

Filter Frequency

freq

 

gain

Summary of Contents for Nord Lead 4

Page 1: ...User Manual Nord Lead 4 Nord Lead 4R OS Version 1 3x Part No 50407 Copyright Clavia DMI AB Print Edition G...

Page 2: ...flash with the arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated voltage within the products en closure that may be of sufficient magnitude t...

Page 3: ...ess B 19 Random 19 Executing the Mutation 19 Undo a Mutation 19 Mutator Examples 20 8 Panel Reference Master Level 21 MIDI LED 21 Continuous Morphs Morph 21 Clear Continuous Morphs 21 Program Dial 21...

Page 4: ...45 1 Mst Clk Kbd Sync 45 2 Delay Mode 45 3 Vibrato Rate 45 4 Vibrato Amount 45 5 Impulse Morph Merge 45 Mutator 45 12 MIDI Nord Lead 4 MIDI operation 46 MIDI Settings 46 Global MIDI Channel 46 Slot M...

Page 5: ...has a wide array of modulation destina tions and can function either as an attack decay or as an attack release envelope It can be triggered by either the keyboard or an Impulse Morph button The filte...

Page 6: ...ession by bending notes with the Pitch Stick add vibrato or continuous parameter changes with the Modulation Wheel The Pitch Bend range can be set for every program M M Physical Pitch Bend and Mod Whe...

Page 7: ...ffects sections Effects The FX section contains a bit crusher a compressor a tube style overdrive two unique talk effects and a comb filter To gether with the delay or reverb these great sounding effe...

Page 8: ...different ways Tap the button in the tempo you wish to use The current tempo in BPM will be shown numeri cally in the Display and the beats detected in your taps will be indicated with three dots in t...

Page 9: ...soon as you start turning a knob the parameter s value will snap to the knob s position 1 In Program Mode select a program and turn for example the Filter Freq knob The parameter value will be shown b...

Page 10: ...uttons you can quickly switch from one program to another without turning the Program Dial Selecting Performances 1 Press the Perf Mode button to select the Performance Mode 2 Turning the Program Dial...

Page 11: ...elect a destination perfor mance 4 Hold Shift Paste and press the Slot button where you want your settings to be copied to Ps and the destination Slot will be shown in the Display The settings will be...

Page 12: ...d Slot LED will be lit When several slots are active the focused Slot LED will be flashing and the other active slots will have their LEDs lit A layer is created by pressing several Slot buttons at on...

Page 13: ...l The Program is then loaded into the selected Slot not affecting the others The program focus for that Slot is stored in the Performance as an indication to where that sound came from Storing Storing...

Page 14: ...ed divisions will push the repeats back one half of the note value Delay 4bt 2bt 1t 4 bar 2 bar 1 bar triplet divisions LFO 1 2 2t 4t 8t 16t 32t Half note to 32nd triplet divisions Arp Delay LFO 1 2 4...

Page 15: ...e arpeggiator with delay repeats that are synced at 8 notes and the LFO 2 that opens up the filter once every 2 bars 7 Hold the Mst Clk button and turn the Program Dial The tempo changes and the three...

Page 16: ...you define when you set up the Morph This means that you can control a very small range on one param eter at the same time as you control a very large range on a another parameter One parameter can be...

Page 17: ...rameters Oct Shift Mono Mode Glide LFO1 Wave LFO1 Dest LFO1 Rate LFO1 Amount LFO1 Clk Division LFO2 Wave LFO2 Dest LFO2 Amount LFO2 Clk Division Mod Env Attack Mod Env Decay Mod Env Amount Mod Env Des...

Page 18: ...hift and Paste then press the destination Morph button s Pst will be shown in the Display Morph Lock Mode Morphs can be locked making it possible to lift your finger off the Morph button while setting...

Page 19: ...utator uses probability and degrees of preservation together with the level of strength that is chosen Some parameters are less likely to be changed than others As an example if the original pro gram...

Page 20: ...ce that you need to make some adjustments in order to make this sound keyboard playable 8 Hold Copy and turn the dial one step at a time counter clockwise The Display will count down from 1 for each s...

Page 21: ...e Arp Tempo FX Amount Rev Del Dry Wet Delay Tempo Reverb Bright Modulation Wheel The Modulation Wheel or a control pedal is an excellent Morph control great for adding drastic or subtle continuous par...

Page 22: ...all four Slot buttons again If several Slots are active the slot with the flashing Slot LED has the Panel focus the knobs and buttons on the panel will change the pro gram in that Slot Press an active...

Page 23: ...ategorized this is indicated by an initial letter in the display which is followed by a pattern number Read more about Patterns on page 15 The Pattern selection is a Morphable parameter You can jump t...

Page 24: ...hion as on the classic analog poly phonic synthesizers Unison will posi tion voices left and right with various strengths in the stereo panorama Unison 1 adds one slightly de tuned voice slightly pann...

Page 25: ...tooth Ramp that is speeding up a Nonlinear Sawtooth 2 Ramp that drops a bit slower a Inverted Nonlinear Sawtooth 2 Ramp that speeds up a bit slower a Waveform Description LFO1 LFO2 Triangle Suitable f...

Page 26: ...d fully to the right Arpeggiator Divisions Division Description 2 4 8 16 32 The straight divisions range from 1 2 notes to 1 32 notes 2t 4t 8t 16t The t indicates the triplet divisions Pat When the ar...

Page 27: ...of the envelope will be the nominal pitch of the oscillator AR mode Selecting A R changes the Attack Decay envelope to a Attack Sus tain Release envelope Impulse Morph Sync Imp Sync The Modulation Env...

Page 28: ...n the coarse tuning are set to even octaves 12 24 12 24 etc Oscillator Modulation Osc Mod Oscillator Modulation is about having the waveform produced by oscillator 2 or the extra sync oscil lator modu...

Page 29: ...the synchronized sawtooth wave forms in our example 2 3 Osc Mod Amount The Amount knob controls the amount of modulation Type Type activates and selects the type of oscillator modulation Settings FM 1...

Page 30: ...ack Attack is the time it will take for the envelope to go from zero to the maximum amplitude as soon as a key have been pressed Range 0 5 ms to 45 s A very short attack time could produce a click in...

Page 31: ...everal functions The Nord Lead 4 features a selection of traditional synthesizer low pass band pass and high pass filters a steep 48 dB low pass filter and two unique emulations of filters that are mo...

Page 32: ...cy is constant the sound will be perceived as getting duller the higher up the keyboard you play With KB Track disabled the Filter Frequency cutoff is fixed regardless of where on the keyboard you pla...

Page 33: ...Amp Velocity allows the loudness to be controlled with velocity Output Level Output Level sets the amplitude The setting of this parameter is stored in the Program FX The Nord Lead 4 has a collection...

Page 34: ...ding to their perceived tempo This means that the 4d will be ahead of 2t 4s is ahead of 4 and 4t is after 4 etc Feedback Feedback allows you to select the number of repeats There are 4 settings to cho...

Page 35: ...o the Lead 4 and a function to backup and restore the entire Nord Lead 4 memory The Nord Sound Manager application and user manual is available on the www nordkeyboards com website in the Download are...

Page 36: ...like the string on a string instru ment it vibrates to create sound Filter The signal from the oscillator is sent through the Filter which shapes the timbre of the sound to make it bright dull thin e...

Page 37: ...fundamental in our example 880 Hz The next harmonic appears at a frequency three times the fundamental in our example 1320Hz and so on In a spectral display of a waveform you can see the frequency pi...

Page 38: ...et a spectrum where the overtones appear at frequencies somewhere between the perfect harmonics This results in an in harmonic sound which often sounds metallic Sync One some synthesizers one oscillat...

Page 39: ...example wave this filter cuts away some of the high frequency material in the wave like this Filter types There are many types of filters all with their different purposes Let s discuss the three mos...

Page 40: ...dually lowered the filter closes as the sound decays This would emulate the way most plucked string sound piano guitar etc behave the amplitude of the harmonics decreases as the sound decays Keyboard...

Page 41: ...ly have to fall all the way back to zero level at the end of the Decay Instead the ADSR envelope has a Sustain setting used to determine the level the envelope should rest at after the Decay If you fo...

Page 42: ...ected to other modules to provide modulation of parameters If you for example route an LFO to pitch you get a vibrato If you route it to the amplifier you get a tremolo The three basic parameters for...

Page 43: ...Continuous Morph Controller Range c1 Volume default c2 Wheel Morph 7 Ctrl Pedal Gain Add some gain to the output of a connected Control pedal if it does not reach the maximum level Operating a connect...

Page 44: ...ontrol Change Mode specifies how the front panel s knobs and but tons are handled in the MIDI communication with MIDI Control Change messages The options are either send or receive or both or if these...

Page 45: ...re a parameter this parameter will not be included in the merged results Mutator The Mutator is an automatic program generator with three different methods of generating programs The A and B process w...

Page 46: ...tself Slot MIDI Channels By using the individual Slot MIDI Channels in the Nord Lead 4 you have individual control of the Slots for notes as well as for parameters This can for example be used as a mu...

Page 47: ...he Global Channel or any of the Slot MIDI Channels MIDI Local If a sequencer is set to echo back incoming MIDI data this can cause double triggered notes if the Nord Lead 4 keyboard is used If this oc...

Page 48: ...sion 87 Arp Direction 89 Arp Run 90 Arp Range 88 Arp KBS 92 Arp Impsync 93 LFO 2 Rate 23 LFO 2 Waveform 85 LFO 2 Destination 24 LFO 2 Amount 25 LFO 2 Mst Clk 18 LFO 2 Clk Divisions 14 LFO 2 KBS 12 LFO...

Page 49: ...ON Note Off O v 1 127 X O v 1 127 X After Key s Touch Channel X X X X Pitch Bender O O Control Change O O See MIDI CC on page 48 Program Change True O 0 98 O 0 98 Bank Sel CC00 CC32 System Exclusive...

Page 50: ...d bipolar Amount controls LFO 1 Waveforms Square inverted Saws Saws Triangle Bipolar Amount control LFO 1 Destinations Filter Osc Mod Osc Mix Osc 2 Pitch Ampli tude Pulse width LFO 2 Waveforms Square...

Page 51: ...n the Nord Sound Manager application or be used if the Nord Lead 4 operating system needs to be updated USB MIDI The USB connection on the Nord Lead 4 can also transmit and receive MIDI messages E E C...

Page 52: ...Slot to a destination Slot a b c or D CP x Copy Impulse Morph x is 1 7 PS x Pasting a copy to a destination Impulse Morph 1 7 CPY Copy Velocity Wheel Morph PSt Pasting a Velocity Wheel Morph 5 0 Copy...

Page 53: ...lector 25 Rate 25 Waveform Selector 25 Local 44 Low Pass 32 M Master Clock 14 23 Master Level 7 21 Memory Protect 43 MIDI 44 Connections 51 Controller 48 LED 21 MIDI Channel 44 MIDI Interface 44 Mod E...

Page 54: ...the source of interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the...

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