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POINTS TO REMEMBER
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In all cases, use good quality twin screened audio cable. Check for instability at the output.
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Always connect both conductors at both ends, and ensure that the screen is only connected at one end.
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Do not disconnect the mains earth from each piece of equipment. This is needed to provide both safety and
screen returns to the system start point.
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Equipment which has balanced inputs and outputs may need to be electrically isolated from the equipment rack
and/or other equipment, to avoid earth loops.
It is important to remember that all equipment which is connected to the mains is a potential source of hum and
interference and may radiate both electrostatic and electromagnetic radiation. In addition, the mains will also act as a
carrier for many forms of RF interference generated by electric motors, air-conditioning units, thyristor light dimmers
etc. Unless the earth system is clean, all attempts to improve hum noise levels will be futile. In extreme cases there will
be no alternative but to provide a completely separate and independent ‘technical earth’ to replace the incoming ‘noisy
earth’. However, always consults your local electricity supply authority to ensure that safety regulations are not being
infringed.
Summary of Contents for CVM-1224FXUSB
Page 19: ...19 CONNECTIONS CONNECTOR AND CABLE CONFIGURATIONS...
Page 21: ...21 APPLICATIONS LIVE PERFORMANCE...
Page 22: ...22 BLOCK DIAGRAM...
Page 30: ...30 CVM 1224FXUSB CVM 1624FXUSB TABLE DE MIXAGE AUDIO PROFESSIONNELLE...
Page 47: ...47 CONNEXIONS CONFIGURATIONS DES CONNECTEURS ET DES CABLES...
Page 49: ...49 APPLICATIONS REPRESENTATIONS EN LIVE...
Page 50: ...50 SCHEMA DE PRINCIPE...
Page 58: ...58 CVM 1224FXUSB CVM 1624FXUSB MESA DE MEZCLAS PROFESIONAL...
Page 75: ...75 CONEXIONES CONFIGURACIONES DEL CONECTOR Y CABLE...
Page 77: ...77 APLICACIONES ACTUACIONES EN DIRECTO...
Page 78: ...78 DIAGRAMA DE BLOQUES...
Page 86: ...86 CVM 1224FXUSB CVM 1624FXUSB PROFESSIONELLEN AUDIO MIXER...
Page 103: ...103 ANSCHL SSE VERBINDER UND KABELKONFIGURATIONEN...
Page 105: ...105 ANWENDUNGEN LIVE PERFORMANCE...
Page 106: ...106 BLOCKDIAGRAMM...
Page 114: ...114 Note s Remarque s Nota s Hinweise...