background image

in 100° Kelvin intervals in a range of 2,000–15,000°

Kelvin

Operational Enhancements: 

The camera’s

Push

Auto Exposure

button overrides manual aperture

and gain for convenient exposure setup when

shooting in Manual mode. The camera is equipped

with 

2 custom keys

that may be assigned to any of

a wide variety of functions at the user’s discretion.

Buttons can also be set not to respond in the event

of an accidental press. The camera can display Color

Bars (one for NTSC and the other for PAL) that can be

recorded and used as reference signals in playback.

Clear Scan: 

Clear Scan eliminates the flicker and

black bands typical when shooting CRT screens. A

total of 100 levels are available from 60Hz to 203.9Hz.

Program AE Modes

The camcorder’s seven pre-programmed 

Auto

Exposure modes

cover a wide variety of shooting

situations. Ideal settings produce top-quality

results quickly and easily. To simplify operation,

Manual Mode is now located next to OFF on the

Power Dial. 

Full Auto:

The camera takes over for point-and-

shoot simplicity, setting focus, shutter speed,

aperture, gain, white balance, and AE program

shift to achieve ideal results.

Auto: 

This mode offers all the convenience of Easy

Recording, but allows the operator the option of

manually changing the settings. 

Shutter Priority:

The user selects the shutter speed

and the camera automatically selects the proper

aperture for correct exposure. 

Aperture Priority:

The user selects the lens aperture,

and the camera automatically sets the proper shutter

speed for correct exposure. 

Manual: 

This mode allows the user to select aperture

and shutter speed in any combination. The viewfinder

indicates the relation of selected combinations to

the exposure as metered by the camera. 

Spotlight:

Perfect for an automatic solution to a

typically tricky situation: when the subject is illu-

Frame Rates

The XL H1S and XL H1A can select from any combi-

nation of frame rates in 

1080 HD

or 

SD

(16:9 or

4:3 aspect ratio) formats. Selectable frame rates

include 

60i

30F

or 

24F

as well as an optional

upgrade to add 

50i/25F

frame rates (performed by

a Canon Factory Service Center).

Operational and Image Enhancement
Control

The XL H1S and XL H1A incorporate numerous fea-

tures that deliver superb control over operation

and image enhancement.

Skin Tone Detail: 

Skin Tone Detail makes it easy to

minimize imperfections without removing other

details, offering fine adjustments in Hue, Chroma,

Area and Y

level of skin

areas, plus a

level adjust-

ment for soft-

ening skin

tones.

Iris: 

The Iris Limit function can be set from OFF to

f/9.5. With the 20x HD Video Zoom Lens III attached,

the multi-level iris control becomes available beyond

the iris diffraction f number (f/9.5) all the way up

to closed (Iris Limit set to OFF). It can also be con-

trolled using LANC with the optional Canon ZR-2000.

Gain: 

Gain values can be fine-tuned in 0.5 dB

increments from 0 to +18 dB, allowing the operator

to fine tune sensitivity when shooting in low light.

Additionally, -3 dB and +36 dB settings are available.

The gain limit can also be set to your preference

during AGC, so you can control levels judiciously, for

example, when shooting in the dark. While selecting

a WB or Gain setting, a new function ensures shock-

less transitions.

Color Correction: 

Color Correction allows the user

to control R or B gain (-6 to +6) in 16 areas as well

as selected colors set at the Hue, Chroma, Area, Y

level while shooting. Selective Noise Reduction lets

the user apply noise reduction to targeted color areas.

The Menu selection bar uses numbers to simplify

EVF Setup, Skin Detail and Color Correction. 

White Balance: 

The camera’s high-precision, through-

the-lens, 128-segment white balance features an

increased adjustment range of 2,000–15,000°

Kelvin. White subjects are captured white, even in

difficult lighting situations such as candle light.

Several automatic modes also deliver accurate

color in a variety of shooting situations. 

Auto 

— The camera accurately and automatically

adjusts white balance

Outdoor

— White balance is adjusted for bright sun-

light (5,600° Kelvin)

Indoor

— White balance is optimized for incandes-

cent lighting (3,200° Kelvin)

Color Temperature

— White balance can be selected

minated by a concentrated light source (such as a

spotlight) and the background is relatively dark, this

mode automatically adjusts exposure to compensate. 

Night: 

As ambient light levels begin to fall, the

camera uses slower shutter speeds to achieve

optimal image quality. 

Viewfinder

The XL H1S and XL H1A are equipped with a 

2.4-inch

widescreen

combination EVF/LCD monitor (approx.

215,000 pixels) for a clear, high-resolution image.

Numerous functions are supplied to maximize

convenience and boost the quality of capture. 

Aspect

guides

provide industry-standard picture formats,

while 

Histogram

and 

EXIF

displays offer real-time

brightness information for highly accurate adjust-

ments. The operator can choose to display up to 8

characters of the 

Custom Preset

name and the 

SDI

bit map

display may be turned on or off. 

All Display

can be chosen to hide everything but the image in

the viewfinder. A 

Magnifying

function (operable with

the Photo button) enlarges the viewfinder image,

making it easier to perform fine image adjustments.

Remaining memory is displayed when using 

Focus

Enhancements External Hard Disk Recorders

Enhanced Operation

Versatility and convenience are hallmarks of the

XL H1S and XL H1A. Still images can be “grabbed”

from footage either while shooting or during play-

back. These images are transferred to the SD Memory

Card. The camera’s power LED illuminates green

when the camera is powered up and ready. Playback

mode preserves the letter-box format, allowing an

accurately proportioned view of captured footage.

A default write and protect function prevents acci-

dental erasures. Marker colors may be specified at

the user’s discretion. The XL H1S and XL H1A also

support 9 languages: German, English, Spanish,

French, Italian, Polish, Russian, Chinese (simplified)

and Japanese. 

Skin Tone Detail

Skin Tone Detail

Color Correction

Summary of Contents for XLH1S

Page 1: ......

Page 2: ...eadership in the design and manufacture of cameras and lenses for broadcast and still photography ensure optical excellence and superb image quality while Canon s technical prowess delivers industry standard connectivity and an extraordinary level of custom control Definitive Control Professional Functionality Exceptional Image Quality ...

Page 3: ......

Page 4: ...has become the symbol of professional lenses worldwide for its unmatched reputation as the choice of industry professionals the world over The lens also features a new manual iris ring in 1 16 stop increments for exceptional exposure control and two built in ND Neutral Density filters that reduce exposure by 1 6 2 stops or 1 32 5 stops Focus and zoom operations have also been improved so that they...

Page 5: ...ded at the standard 4 dBu 2 built in XLR terminals allow for 2 channel recording via simulta neous use of the sup plied microphone and XLR inputs BNC style HD SDI Genlock TimeCode input output terminals available on XL H1S only S Video input output composite video audio input output RCA Component output terminal Supplied microphone 6 pin IEEE1394 terminal for HDV DV input output LANC terminal HD S...

Page 6: ...om indicator is a graphic bar or a numeric display C Fn 14 Color Bars Selects EBU SD Type 1 or ARIB Multiformat HDTV Type 2 color bars C Fn 15 1kHz Tone Selects the level of the reference audio tone OFF 12 dB or 20 dB C Fn 16 Wireless Remote Selects whether or not the camcorder will respond to wireless controller commands C Fn 17 LANC AE Shift Exposure control selection using Canon ZR 2000 Zoom Re...

Page 7: ...ator to fine tune sensitivity when shooting in low light Additionally 3 dB and 36 dB settings are available The gain limit can also be set to your preference during AGC so you can control levels judiciously for example when shooting in the dark While selecting a WB or Gain setting a new function ensures shock less transitions Color Correction Color Correction allows the user to control R or B gain...

Page 8: ...r speed 1 60 Gain 18 dB Manual mode 0 4 lux shutter speed 1 4 MEMORY CARD Recording Media SDHC SD High Capacity memory card SD memory card MultiMediaCard MMC Size of Images on the Card 1920 x 1080 pixels LW 1440 x 1080 pixels L 848 x 480 pixels SW 640 x 480 pixels S File Format Design rule for Camera File System DCF EXIF 2 2 compliant DPOF compliant Image Compression Method JPEG compression Super ...

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