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Professional Functionality for

Today’s Production Environments

The XL H1S and XL H1A allow for advanced control over all aspects of audio during recording. The camcorder is

equipped with 

2 built-in XLR terminals

, each with an individual sensitivity setting. Sensitivity for the XLR line

input manual operation has been increased as well as the amplitude of the audio line output level being

switchable between 1 Vrms and 2 Vrms at full scale for added audio quality. This allows for audio output

at a m6 dBV when video

is recorded at the st4 dBu

input setting. XLR and microphone

sensitivity selections i12

dB, +6 dB, 0 dB, -6 dB and -12 dB.

2-channel recording is possible via

simultaneous use of the supplied

microphone and XLR inputs.

Automatic level control settings

for both XLR channels can be set to

link or remain independent to each

other. The camcorder is also equipped with a 

3.5mm terminal

for a camera microphone, 

3.5mm stereo

mini-phono jack

, and a rugged 

headphone terminal

with level control. Additional audio controls include

an 

audio limiter

function (manual recording mode) to prevent distortion in audio signals due to sudden

loud noises, a 

1 kHz Reference Tone

(selectable to -12 dB, -18 dB or -20 dB), and 

monitor output

selec-

tions of LR/LL/RR/monaural.

Flexible Audio Control

2 Channel Recording via supplied microphone and XLR inputs

XLR input sensitivity can be set for Channel
1/2 individually

Use the supplied microphone and XLR input at
the same time

Audio and Connections

Sensitivity for the
XLR line has been
increased; output at
a m6 dBV
is possible when
recorded at the 
st4 dBu

2 built-in XLR terminals
allow for 2-channel
recording via simulta-
neous use of the sup-
plied microphone and
XLR inputs.

BNC style HD-SDI,
Genlock, TimeCode
input /output
terminals (available
on XL H1S only)

S-Video input/output;
composite video; audio
input/output (RCA)

Component output
terminal

Supplied microphone

6-pin IEEE1394 terminal for
HDV/DV input/output; 
LANC terminal

HD-SDI, Genlock and Time Code
Connection Terminals (XL H1S only)

The Canon XL H1S is ready for any professional

application with 

HD-SDI

Genlock

and 

Time Code

Connections (BNC)

. SDI outputs conform to industry

standards HD-SDI (SMPTE 299M) or SD-SDI (SMPTE

272M. The XL H1S includes embedded audio and

time code. The HD-SDI output provides an uncom-

pressed 

1.485 Gbps 60i signal at 1920 x 1080

resolution with 4:2:2 color sampling

. Because a

single industry standard connection carries video,

audio and SMPTE (LTC) Time Code, cabling com-

plexity is significantly reduced. This enables longer

cable runs, improves the operator’s mobility, and

simplifies the cabling process. Genlock input

enables synchronization of a multi-camera, live-

switched production environment in the studio or

on location. When shooting HD, it can accept either

an 

SD (blackburst)

or 

HD (tri-level)

sync signal.

A separate SMPTE Time Code Input and Output

terminal accommodates time code requirements

in multi-camera shoots, or when synching with

other devices. 

Superior Connectivity

Additional standard con-

nectors include a resilient

6-pin IEEE1394 terminal

which provides a more

robust connection to

external hardware, com-

ponent analog video out-

put (1080/60i or 480/60i

connection), S-Video

input/output, composite

video output and LANC

terminal. The XL H1S and

XL H1A are also equipped

with a Flash Accessory Shoe for use with Canon

EX-series Speedlites.

Summary of Contents for XLH1S

Page 1: ......

Page 2: ...eadership in the design and manufacture of cameras and lenses for broadcast and still photography ensure optical excellence and superb image quality while Canon s technical prowess delivers industry standard connectivity and an extraordinary level of custom control Definitive Control Professional Functionality Exceptional Image Quality ...

Page 3: ......

Page 4: ...has become the symbol of professional lenses worldwide for its unmatched reputation as the choice of industry professionals the world over The lens also features a new manual iris ring in 1 16 stop increments for exceptional exposure control and two built in ND Neutral Density filters that reduce exposure by 1 6 2 stops or 1 32 5 stops Focus and zoom operations have also been improved so that they...

Page 5: ...ded at the standard 4 dBu 2 built in XLR terminals allow for 2 channel recording via simulta neous use of the sup plied microphone and XLR inputs BNC style HD SDI Genlock TimeCode input output terminals available on XL H1S only S Video input output composite video audio input output RCA Component output terminal Supplied microphone 6 pin IEEE1394 terminal for HDV DV input output LANC terminal HD S...

Page 6: ...om indicator is a graphic bar or a numeric display C Fn 14 Color Bars Selects EBU SD Type 1 or ARIB Multiformat HDTV Type 2 color bars C Fn 15 1kHz Tone Selects the level of the reference audio tone OFF 12 dB or 20 dB C Fn 16 Wireless Remote Selects whether or not the camcorder will respond to wireless controller commands C Fn 17 LANC AE Shift Exposure control selection using Canon ZR 2000 Zoom Re...

Page 7: ...ator to fine tune sensitivity when shooting in low light Additionally 3 dB and 36 dB settings are available The gain limit can also be set to your preference during AGC so you can control levels judiciously for example when shooting in the dark While selecting a WB or Gain setting a new function ensures shock less transitions Color Correction Color Correction allows the user to control R or B gain...

Page 8: ...r speed 1 60 Gain 18 dB Manual mode 0 4 lux shutter speed 1 4 MEMORY CARD Recording Media SDHC SD High Capacity memory card SD memory card MultiMediaCard MMC Size of Images on the Card 1920 x 1080 pixels LW 1440 x 1080 pixels L 848 x 480 pixels SW 640 x 480 pixels S File Format Design rule for Camera File System DCF EXIF 2 2 compliant DPOF compliant Image Compression Method JPEG compression Super ...

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