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Exceptional Image Quality

Only Canon Can Deliver

Canon Interchangeable XL Lens Mount

The XL H1S and XL H1A feature the 

XL mount

system

that offers the added range and flexibility of using

optional interchangeable lenses, including the wide-

angle 

Canon 6x HD Video

Zoom XL 3.4–20.4mm L

lens

(35mm equivalent

24.5–147mm), ideal for

applications requiring a

wider field-of-view. This L-series lens captures in

Full HD clarity and incorporates all of Canon’s leg-

endary optical superiority. The XL lens mount also

enables the use of the 

Extender XL 1.6x

, which

increases the focal length

by 1.6x and the 

EF Adapter

XL

, which enables users

to attach a wide array of

Canon photographic

EF

lenses

(only L-series is

recommended)—for specialized image capture.

SuperRange Optical Image Stabilizer

Steady images are ensured with Canon’s

Optical Image Stabilizer. The system

continuously compensates for shake and

jitter by activating a Vari-Angle prism when the

gyroscopic sensors detect camera movement. The

XL H1S and XL H1A can correct a wide range of

vibration because the cameras’ 20x HD Video Zoom

Lens III incorporates Canon’s

SuperRange Optical

Image Stabilizer

technology to analyze the image at

the CCD sensor. The result is extraordinary camera

shake correction, even at long focal lengths.

Three 1/3" Native 16:9
CCDs (1440 x 1080)

Its sophisticated 

3CCD

design

gives each primary color a dedicated

native 16:9 sensor. Each sensor has

approx. 

1.67 million pixels (1440 x 1080)

, giving

the XL H1S and XL H1A a high pixel count (equal to

800 TV lines of horizontal resolution). Color is ren-

dered with exceptional accuracy, in a wide dynamic

range and with virtually no color noise.

Canon DIGIC DV II 
HD Image Processor

Engineered and

manufactured

exclusively by

Canon and specifically for HD, the latest generation

DIGIC DV II HD Image Processor

delivers optimal

image quality at the highest operating speeds.

The DIGIC DV II HD Image Processor is designed for

HD, operating at 1440 x 1080 pixels with 4:2:2 color

sampling. Color reproduction is exquisitely natural,

especially in skin tones and in dark or light scenes.

A hybrid noise reduction system employs dual

processes to create brilliantly clear HD images. 

Genuine Canon 20x HD Video Zoom Lens III

The 

XL H1S

and 

XL H1A

have all the advantages of Canon’s

proven leadership in optical technology and optics drive HD

image quality. The interchangeable 

Genuine Canon 20x HD Video Zoom Lens III

(35mm

equivalent 38.9–778mm) is a new high-performance L-series lens, specifically designed for HD

production. Now in its third iteration, this redesigned lens incorporates two aspherical lenses,

Canon’s world-renowned fluorite glass and SR multi-coating technologies that produce superior image

quality with excellent resolution, contrast and minimal chromatic aberration. The 

L-series

designation that is

identified by the distinctive red ring has become the symbol of professional lenses worldwide for its unmatched

reputation as the choice of industry professionals the world over. The lens also features a new 

manual iris

ring

in 1/16-stop increments for exceptional exposure control and two built-in 

ND (Neutral Density)

filters

that reduce exposure by 1/6 (2 stops) or 1/32 (5 stops). Focus and zoom operations have also

been improved so that they allow manual focusing during zooming. Design and ergonomics have further

been improved such as a weightier zoom ring and an adjustable rotational angle for the zoom ring,

contributing to a lens feel that many professionals prefer. 

Lens Presets

also allow the operator to store

any given focus or zoom point and return to that position with a single touch of a button. 

SLOW

Approx. 4.3 sec. (speed: 16x) to approx. 5 min. (speed: 1x)

NORMAL

Approx. 2.0 sec. (speed: 16x) to approx. 3 min. (speed: 1x)

FAST

Approx. 1.2 sec. (speed: 16x) to approx. 60 sec. (speed: 1x)

Zoom speed can be set to NORMAL, SLOW or FAST via C.Fn-02

Extender
XL 1.6x

EF Adapter XL

Comprehensive Focus Control

The XL H1S and XL H1A deliver HD, which demands

precise focus. The highly responsive, independ-

ently functioning 

focus ring

(with selectable oper-

ational direction) allows the videographer to focus

manually even while zooming—in both Manual Focus

and AF mode. 

4 selectable preset focus speeds

are available along with 

three settings

of sensitivity

for the focus ring allowing you to set the respon-

siveness to your liking. 

Push AF

control lets you

temporarily override manual focus to quickly find

critical focus, while a 

Focus Limit

function (selec-

table to on or off) limits the focusing range of the

lens such as when shooting macro. To further assist

in focusing, dedicated 

Peaking

and 

Magnifying

controls are available. For Peaking, frequency (edge

thickness) and gain (edge density) levels are

adjustable. Two settings can be stored and accessed

quickly with a touch of a button. By attaching the

included external monitor cable to the component

terminal of a monitor, the operator can also use

peaking and magnify controls to check manual focus

on a larger screen rather than in the finder. 

Fast, Responsive, Versatile Zoom

With a newly designed ring shape and increased

speed, the camera’s zoom starts and stops with

exceptional smoothness and provides a comprehen-

sive array of options. The zoom can be controlled in

three different ways—the lens zoom ring, grip zoom

lever or handle zoom lever (for low-angle shots). It

features

three widely ranging zoom speeds

, and

16 levels

of speed control. With the new Genuine

Canon 20x HD Video Zoom Lens III attached, zooming

speeds from wide to tele range in speeds from 

5 min-

utes

to an astounding 

1.2 sec

. at the fastest setting.

Variable zoom speed operation with 16 levels of speed

control is also possible through the pressure-sensitive

zoom lever (rocker). Or choose from one of the 16

levels and set it so that zooming is done at a constant

pace. Furthermore, starting and stopping of zoom

movement is “

ramped

,” avoiding “

zoom shock

” in

your videos or broadcasts for a more natural effect.

Summary of Contents for XLH1S

Page 1: ......

Page 2: ...eadership in the design and manufacture of cameras and lenses for broadcast and still photography ensure optical excellence and superb image quality while Canon s technical prowess delivers industry standard connectivity and an extraordinary level of custom control Definitive Control Professional Functionality Exceptional Image Quality ...

Page 3: ......

Page 4: ...has become the symbol of professional lenses worldwide for its unmatched reputation as the choice of industry professionals the world over The lens also features a new manual iris ring in 1 16 stop increments for exceptional exposure control and two built in ND Neutral Density filters that reduce exposure by 1 6 2 stops or 1 32 5 stops Focus and zoom operations have also been improved so that they...

Page 5: ...ded at the standard 4 dBu 2 built in XLR terminals allow for 2 channel recording via simulta neous use of the sup plied microphone and XLR inputs BNC style HD SDI Genlock TimeCode input output terminals available on XL H1S only S Video input output composite video audio input output RCA Component output terminal Supplied microphone 6 pin IEEE1394 terminal for HDV DV input output LANC terminal HD S...

Page 6: ...om indicator is a graphic bar or a numeric display C Fn 14 Color Bars Selects EBU SD Type 1 or ARIB Multiformat HDTV Type 2 color bars C Fn 15 1kHz Tone Selects the level of the reference audio tone OFF 12 dB or 20 dB C Fn 16 Wireless Remote Selects whether or not the camcorder will respond to wireless controller commands C Fn 17 LANC AE Shift Exposure control selection using Canon ZR 2000 Zoom Re...

Page 7: ...ator to fine tune sensitivity when shooting in low light Additionally 3 dB and 36 dB settings are available The gain limit can also be set to your preference during AGC so you can control levels judiciously for example when shooting in the dark While selecting a WB or Gain setting a new function ensures shock less transitions Color Correction Color Correction allows the user to control R or B gain...

Page 8: ...r speed 1 60 Gain 18 dB Manual mode 0 4 lux shutter speed 1 4 MEMORY CARD Recording Media SDHC SD High Capacity memory card SD memory card MultiMediaCard MMC Size of Images on the Card 1920 x 1080 pixels LW 1440 x 1080 pixels L 848 x 480 pixels SW 640 x 480 pixels S File Format Design rule for Camera File System DCF EXIF 2 2 compliant DPOF compliant Image Compression Method JPEG compression Super ...

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