Broadcast Tools ICM-16/MHI Installation And Operation Manual Download Page 7

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7

ICM-16/MHI Installation and Operation Manual

INSTALLATION

INSTALLATION GUIDELINES

Our first recommendation is to bench test the full system.  Seven foot Cat 5 cables
are provided to handle this procedure.  We also suggest that a PC running Windows
95 or greater be available to access the Menu program.  Follow the instructions start-
ing on Page 14 to configure HyperTerminal.  After HyperTerminal is running Type
the following:  

*

m

then press the 

“ENTER”

key. 

The setup menu will display, allowing you to configure the listed functions.

Notice what types of connectors are used on the MHI:  there are XLR, removable
screw terminals, male, DB-15, DB-25, and a Cat-3 through 6 (RJ-45) connector.  On
the front panel are all controls described in the section Function Terminology.

The following is a list of areas that you need to address first.

1. Placement of your Broadcast Tools® ICM-16/MHI

In some situations, the MHI can be placed in a countertop  rack next to the console
and you won’t need to worry about out boarding the controls via the remote connec-
tors.   The operator can use the front panel switches to accomplish any function. Since
the MHI is only one rack space tall (1 3/4”), it doesn’t take up much room, but as with
any equipment, proper ventilation should be considered.  We recommend a blank
panel or better yet, a vented panel between the MHI and any other piece of gear.

2. Remote Control Operation

In On-Air studios, you may want to consider mounting the close to the talent.  
We have provided connections for the major controls and indicators on the back for 
remote operation.  You may choose to have only your studio talkback switches
installed in or near the console, which makes the intercom easy to use without hav-
ing to look at all the other controls on the front of the unit.  Most console manufac-
turers are able to supply remote control panels MHI when supplied with the remote
control information in this manual.

3. Other Broadcast Tools® ICM-16/MHI Options

In simple news rooms and voice booths, you probably only want to use the MHI for 
intercom features.  However, in the on-air studio, master control, etc., you may want
to use the following enhancements.  A full description of each of these features is
described in the section Function Terminology.

!

TIP

After each unit is con-
figured, we suggest you
label the top or rear of
each Broadcast Tools®
ICM-16/MHI with the
studio name of its desti-
nation.  You may end
up changing jumpers
and/or switches inside,
and you’ll need to
know which Broadcast
Tools® ICM-16/MHI
has been modified.

WEBSITE:

Visit our web site for
product updates and
additional information

Summary of Contents for ICM-16/MHI

Page 1: ...s of this information or new editions may be issued to incorporate such changes Broadcast Tools is a registered trademarkof Broadcast Tools Inc Copyright 1989 2005 by Broadcast Tools Inc All rights re...

Page 2: ...Section Title Page Introduction 3 Safety Information 3 Who to Contact for Help 3 Product Description 4 Function Terminology 4 Remote Control Terminology 6 Installation Guidelines 7 Interfacing to the...

Page 3: ...lt in a hazardous condition WHO TO CONTACT FOR HELP If you have any questions regarding your product or you need assistance please con tact your distributor from whom you purchased this equipment If y...

Page 4: ...ced options are programmed using a non dedicated PC Connection between the ICM 16 MHI and the ICM 16 controller is accomplished with standard Cat 5 cable FUNCTION TERMINOLOGY Talkback Buttons Twenty f...

Page 5: ...input is active low Lt Rt Mon Dim These level controls are used to adjust the amount of monitor speaker level reduc tion when a talkback function occurs This feature may be turned on or off via the s...

Page 6: ...ion selection 1 through 16 WG 1 WG 2 WG 3 and AC NOTE WG refers to Workgroups while AC refers to ALL CALL WG 1 will call stations 1 through 5 minus itself WG 2 will call stations 6 through 10 minus it...

Page 7: ...e tall 1 3 4 it doesn t take up much room but as with any equipment proper ventilation should be considered We recommend a blank panel or better yet a vented panel between the MHI and any other piece...

Page 8: ...between production rooms etc In other situations it could be annoying for instance if someone does an ALL CALL trying to locate someone This kind of dis traction most likely would be bothersome to ta...

Page 9: ...d equipment When the MHI is used with equipment with balanced inputs and outputs of any type Be sure polarities are matched if desired then connect to hi to low ground With unbalanced equipment When t...

Page 10: ...e last connection is necessary in each of your studios The MHI needs to know when the microphone is on and the monitor speakers are muted Regardless of the output your console feeds to i e the on air...

Page 11: ...our monitor speakers and headphones Particular care should be used when calibrating as the talkback level will remain constant 3 Hdph level There are two ways of setting up the headphone level through...

Page 12: ...CT TO 5 At the CONNECT TO screen a Move your cursor to the CONNECT USING box b Press the down arrow on the right of the box to select the available com port Direct to com x where x usually a number fr...

Page 13: ...ng command to access the menu m enter The screen below will be displayed Select which func tion you need to change Function explanations can be found starting on Page 4 Broadcast Tools Broadcast Tools...

Page 14: ...dBu maximum Gain Unity or 6db Connectors Removable screw terminals Monitor and Headphone Outputs Type Balanced Transformerless Maximum output level 27dBu maximum Output impedance 100 ohms Output gain...

Page 15: ...TI IE ES S O OR R R RE EM ME ED DI IE ES S TO THE MAXIMUM EXTENT PERMITTED BYAPPLICABLE LAW BROADCAST TOOLSAND ITS SUPPLIERS DISCLAIMALL OTHER WARRANTIES EITHER EXPRESS OR IMPLIED INCLUDING BUT NOT LI...

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