Behringer Virtualizer Pro DSP1024P User Manual Download Page 20

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VIRTUALIZER PRO DSP1024P

The VIRTUALIZER PRO may also be inserted between the outputs of a keyboard and the inputs of a mixing

console. If required, adjust the levels with the OPERATING LEVEL switch.

3.5Using the VIRTUALIZER PRO in a MIDI system

With its built-in MIDI interface the VIRTUALIZER PRO can be integrated into any MIDI system. It transmits and

receives both program change and controller change information to perform program changes via MIDI from a

sequenzer or any other MIDI device. Wire and set up the VIRTUALIZER PRO as shown below:

Fig. 3.4: Connecting the VIRTUALIZER PRO via MIDI to a sequencer/computer and a keyboard (optional)

3.6 Saving data via MIDI

The VIRTUALIZER PRO’s MIDI implementation also allows for archiving one or several presets on an external

storage medium. Proceed as follows:
Connect the MIDI OUT jack of the VIRTUALIZER PRO to the MIDI IN jack of a MIDI data recorder (e.g.

sequenzer). Press the STORE and IN/OUT keys simultaneously to enter MIDI mode. Set program change

mode to “0” and controller change mode to “3”. Now quit MIDI mode by pressing the STORE key. Use the JOG

WHEEL to select the preset whose data you wish to save. When the preset is activated its parameters are

transmitted as controller data and can be recorded on a sequenzer or similar device. Repeat this routine until

all presets of your choice have been sent to the external data recorder.
To load archived data back into the VIRTUALIZER PRO, you must enable controller reception in MIDI mode

(see  2.5).  Then,  start  the  sequenzer  to  automatically  transmit  each  preset  data  set  back  to  the

VIRTUALIZER PRO. Press the STORE key, select a program location to store the data and then press the

STORE key again. If you want to automate MIDI store functions you must enable the store mode, to switch on

the reception of controller #28. This allows you to directly store any modifications of the actual preset on the

preset  number  that  is  transmitted  with  the  controller.  You  can  also  restore  a  complete  preset  that  has

previously been recorded with a MIDI sequenzer on the same location it had before.
To store all presets at once, you can use a very special form of MIDI communication: system-exclusive data,

i.e. the VIRTUALIZER PRO informs the sequenzer or MIDI file recorder about its make and device type, and

transmits all parameter settings of all its presets. To activate this highly useful function, please enter the MIDI

mode by simultaneously pressing the IN/OUT and STORE buttons. Then, select the “dump” mode by pressing

the IN/OUT button five times. Now, the DISPLAY should read a small “d”. The status indicators “0” or “1” inform

you that the sys-ex function is disabled or enabled respectively. If the function is on, the DSP1024P is ready

to receive system-exclusive data from your MIDI sequenzer or similar device. If you wish to store the settings

chosen, use the JOG WHEEL to select the status indicator “2”; now your VIRTUALIZER PRO is ready to

transmit its own system-exclusive data. Select a track on your MIDI sequenzer, set it to record-ready mode,

start the recording and finally press the STORE button on your DSP1024P.

3. APPLICATIONS

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Summary of Contents for Virtualizer Pro DSP1024P

Page 1: ...User s Manual Version 1 0 August 2000 www behringer com ENGLISH VIRTUALIZER PRO DSP1024P All manuals and user guides at all guides com a l l g u i d e s c o m...

Page 2: ...the ventilation openings Heat The appliance should be situated away from heat sources such as radiators heat registers stoves or other appliance including amplifiers that produce heat Power Source Th...

Page 3: ...e the most important member of the BEHRINGER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful In return we guar...

Page 4: ...nt of the sound sources s Free VIRTUALIZER design software allows for total remote control via PC download at www behringer com s 24 bit A D and D A converters with 64 128 times oversampling for ultra...

Page 5: ...2 Using the VIRTUALIZER PRO in the aux bus 17 3 3 Using the VIRTUALIZER PRO in the insert path 18 3 4 Using the VIRTUALIZER PRO as an effects device for instruments 19 3 5 Using the VIRTUALIZER PRO i...

Page 6: ...wing criteria ensure the pro level processing of audio signals s Extremely low noise and high precision 24 bit AD DA converters s A professional sampling rate of 46 kHz ensures a high signal resolutio...

Page 7: ...ty certification requirements Please make sure that all units have a proper ground connection Please make sure that all units have a proper ground connection For your own safety do not remove the grou...

Page 8: ...e wheel to select a program directly which is shown by a dot lit up in the DISPLAY While this dot is on you can select a program though its settings will not take immediate effect When the JOG WHEEL h...

Page 9: ...1024P against user errors three important edit commands have been implemented as a series of key combinations For example in normal operating modes the presets cannot be reset to their factory default...

Page 10: ...used with different mains voltage ratings Please check the description on the back of the unit and the box 1 4 The effect algorithms In a digital effects device all effect programs are based on algor...

Page 11: ...pth EDIT B ENG R stereo width and to make them sound fresher EDIT B ENG L brilliance Additionally you can set the reverb time with VARIATION and the diffusion with EDIT A Designed for live application...

Page 12: ...channel is used to modulate another signal in the left e g synth sound which sounds as if the synth was talking robot voice VARIATION determines the type of vocoder EDIT A the degree of distortion an...

Page 13: ...s way you can use the DSP1024P s dual engine processor as if it were two separate mono effects devices Pitch Reverb Here you have a pitch shifter in the left channel ENGINE L with the usual edit optio...

Page 14: ...used To select another preset use the JOG WHEEL to enter the preset number of your choice Turn the wheel clockwise to increment the preset number or counterclockwise to decrement it Please note that t...

Page 15: ...activated to the other channel so that both of them have an identical set of parameter values Finally you can also save the changes made to the preset 2 4 Saving programs Use the STORE key to save an...

Page 16: ...e MIDI backup and restore operations without express confirmation at the VIRTUALIZER PRO It is therefore recommended to disable flag 0 this mode as soon as the intended data transfer has ended This is...

Page 17: ...levels deteriorate the dynamics of the music signal which results in a poor weak and noisy sound On the other hand excess levels overdriving the converters in the VIRTUALIZER PRO should also be avoide...

Page 18: ...IT A key The modulation depth of the chorus effect can be set by pressing the EDIT B key Having edited all parameters as desired you can save the changes to the original or any other preset 3 3 Using...

Page 19: ...the effect intensity present at the output of the VIRTUALIZER PRO is 100 and you can use the effect loop to determine the amount of effect added to the guitar signal Instrumentalists can benefit from...

Page 20: ...MIDI mode see 2 5 Then start the sequenzer to automatically transmit each preset data set back to the VIRTUALIZER PRO Press the STORE key select a program location to store the data and then press the...

Page 21: ...ed to determine the position of a sound source In certain situations this capability can be very useful or even of vital importance The fact that we can actually hear the size of a room shows how stro...

Page 22: ...its shape architecture and the materials used to construct it For this reason experts in architectural acoustics design rooms concert halls recording studios etc to produce a specific sound and rever...

Page 23: ...reverb quality s Mass production allows for reducing the prices of digital reverb devices s Many parameters can be modified and stored s With their compact design digital devices are easily portable...

Page 24: ...ged See the technical specifications in the appendix A safety fuse protects the unit from serious defects If the fuse blows this is a warning sign and always indicates that the circuit is overloaded T...

Page 25: ...oard effect devices typically digital reverberation and delay units The VIRTUALIZER PRO may be controlled in real time in this studio environment MIDI for Musical Instruments Digital Interface The MID...

Page 26: ...rtion Type Delay Time x 10 ms Delay Mix 15 ROTARY SPEAKER Rotary Type Horn Speed Rotor Speed 16 VOCODER Vocoder Type Vocoder Distortion Vocoder Sens 17 PITCH Cent Cent Semi Tone Semi Tone 18 FLANGER M...

Page 27: ...60 3190 10 14 0 630 3200 3830 10 15 640 1270 1280 1910 10 16 640 1270 1920 2550 10 17 640 1270 2560 3190 10 18 640 1270 3200 3830 10 19 1280 1910 1920 2550 10 20 1280 1910 2560 3190 10 21 1280 1910 32...

Page 28: ...X X X X Aux Messages Local ON OFF All notes OFF Active Sense Reset X X X X X X X X Notes O YES X NO Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO Tab 6 3 MIDI Imple...

Page 29: ...er 14 18 14 16 Vocoder 4 10 56 17 Pitch 0 0 0 0 18 Flanger 1 6 56 6 56 19 Chorus 1 32 63 32 63 20 Tremolo Delay 19 63 63 0 0 21 Delay Reverb 21 63 9 57 56 22 Pitch Reverb 6 0 50 52 23 Flanger Reverb 4...

Page 30: ...ket IN OUT THRU Digital Processing Converters 24 bit Sigma Delta 64 128 times Oversampling Sampling Rate 46 875 kHz Display Type 2 digit numeric LED Display Power Supply Mains Voltages USA Canada 120...

Page 31: ...the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a na tional or local level in any country which is not the country for which the product...

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