Behringer Virtualizer Pro DSP1024P User Manual Download Page 19

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VIRTUALIZER PRO DSP1024P

3.4 Using the VIRTUALIZER PRO as an effects device for instruments

With its extensive MIDI implementation the VIRTUALIZER PRO can also be used, for instance, as a multi-

effects device in a guitar rack. Of course, you can connect it up in both stereo and mono. The following hints

illustrate the VIRTUALIZER PRO’s versatility if used with a guitar amp.

Fig. 3.3: Connecting the VIRTUALIZER PRO to a guitar amp (send/return-mono)

Basically, the VIRTUALIZER PRO should be inserted between the preamp and the power stage. Almost all

guitar amps have an insert or effect loop to send the preamp signal of the guitar amp to the audio inputs of the

VIRTUALIZER PRO. The VIRTUALIZER PRO processes the preamp signal and sends it back via the guitar

amp’s return bus (power amp in), from where it is routed to the power stage. When you use a stereo rack

system for amplification, you can wire the VIRTUALIZER PRO in stereo. Connect the preamp to the audio

inputs of the VIRTUALIZER PRO, and the audio outputs (left/right) to one channel each of the power amp (left/

right).

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Since  most  guitar  amps  only  have  a  serial  insert  loop,  you  should  make  sure  that  the

VIRTUALIZER PRO is set to Mix Internal mode. In this mode you can control the effect intensity

applied to the guitar signal. However, if your amp features a parallel effect loop which allows

for adding the effect-signal portion (similar to an aux path in a mixing console), we recommend

that you use the VIRTUALIZER PRO’s Mix External mode. In this case, the effect intensity

present at the output of the VIRTUALIZER PRO is 100%, and you can use the effect loop to

determine the amount of effect added to the guitar signal.

Instrumentalists  can  benefit  from  a  variety  of  advantages  offered  by  the  VIRTUALIZER PRO‘s  MIDI

implementation. For example, you can use a MIDI footswitch board, e.g. the BEHRINGER MIDI FOOT

CONTROLLER FCB1010, to send program change commands via MIDI. Connect the MIDI OUT jack of your

MIDI board to the MIDI IN jack on the VIRTUALIZER PRO. If the VIRTUALIZER PRO fails to respond to the

program change commands sent from the MIDI board, check the MIDI channel settings. Consult the user’s

manual of your MIDI board to find out on which channels program change commands are transmitted (usually

in Omni mode). Set the MIDI channels appropriately in MIDI mode (see 2.5) and enable the VIRTUALIZER PRO

to receive program change commands.
If your MIDI board allows you to transmit MIDI controller data, you can even change parameter settings via MIDI

while playing. For instance, you can freely change the effect intensity from 0 - 100% while playing (Contr. 27,

Value 0 - 100). Set the controller for Mix-Internal mode (Contr. 30, Value 0) so that it can be used to increase

the effect intensity. In this way, guitar solos can be enhanced with chorus and delay effects, while the effect

intensity is gradually reduced when playing rhythm. You can even control the function of the IN/OUT switch to

bypass the VIRTUALIZER PRO when an unprocessed signal is needed. Basically, all MIDI devices that are

capable of transmitting MIDI controller commands, e.g. keyboards/sequenzers, will allow for using these

features.

3. APPLICATIONS

All manuals and user guides at all-guides.com

Summary of Contents for Virtualizer Pro DSP1024P

Page 1: ...User s Manual Version 1 0 August 2000 www behringer com ENGLISH VIRTUALIZER PRO DSP1024P All manuals and user guides at all guides com a l l g u i d e s c o m...

Page 2: ...the ventilation openings Heat The appliance should be situated away from heat sources such as radiators heat registers stoves or other appliance including amplifiers that produce heat Power Source Th...

Page 3: ...e the most important member of the BEHRINGER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful In return we guar...

Page 4: ...nt of the sound sources s Free VIRTUALIZER design software allows for total remote control via PC download at www behringer com s 24 bit A D and D A converters with 64 128 times oversampling for ultra...

Page 5: ...2 Using the VIRTUALIZER PRO in the aux bus 17 3 3 Using the VIRTUALIZER PRO in the insert path 18 3 4 Using the VIRTUALIZER PRO as an effects device for instruments 19 3 5 Using the VIRTUALIZER PRO i...

Page 6: ...wing criteria ensure the pro level processing of audio signals s Extremely low noise and high precision 24 bit AD DA converters s A professional sampling rate of 46 kHz ensures a high signal resolutio...

Page 7: ...ty certification requirements Please make sure that all units have a proper ground connection Please make sure that all units have a proper ground connection For your own safety do not remove the grou...

Page 8: ...e wheel to select a program directly which is shown by a dot lit up in the DISPLAY While this dot is on you can select a program though its settings will not take immediate effect When the JOG WHEEL h...

Page 9: ...1024P against user errors three important edit commands have been implemented as a series of key combinations For example in normal operating modes the presets cannot be reset to their factory default...

Page 10: ...used with different mains voltage ratings Please check the description on the back of the unit and the box 1 4 The effect algorithms In a digital effects device all effect programs are based on algor...

Page 11: ...pth EDIT B ENG R stereo width and to make them sound fresher EDIT B ENG L brilliance Additionally you can set the reverb time with VARIATION and the diffusion with EDIT A Designed for live application...

Page 12: ...channel is used to modulate another signal in the left e g synth sound which sounds as if the synth was talking robot voice VARIATION determines the type of vocoder EDIT A the degree of distortion an...

Page 13: ...s way you can use the DSP1024P s dual engine processor as if it were two separate mono effects devices Pitch Reverb Here you have a pitch shifter in the left channel ENGINE L with the usual edit optio...

Page 14: ...used To select another preset use the JOG WHEEL to enter the preset number of your choice Turn the wheel clockwise to increment the preset number or counterclockwise to decrement it Please note that t...

Page 15: ...activated to the other channel so that both of them have an identical set of parameter values Finally you can also save the changes made to the preset 2 4 Saving programs Use the STORE key to save an...

Page 16: ...e MIDI backup and restore operations without express confirmation at the VIRTUALIZER PRO It is therefore recommended to disable flag 0 this mode as soon as the intended data transfer has ended This is...

Page 17: ...levels deteriorate the dynamics of the music signal which results in a poor weak and noisy sound On the other hand excess levels overdriving the converters in the VIRTUALIZER PRO should also be avoide...

Page 18: ...IT A key The modulation depth of the chorus effect can be set by pressing the EDIT B key Having edited all parameters as desired you can save the changes to the original or any other preset 3 3 Using...

Page 19: ...the effect intensity present at the output of the VIRTUALIZER PRO is 100 and you can use the effect loop to determine the amount of effect added to the guitar signal Instrumentalists can benefit from...

Page 20: ...MIDI mode see 2 5 Then start the sequenzer to automatically transmit each preset data set back to the VIRTUALIZER PRO Press the STORE key select a program location to store the data and then press the...

Page 21: ...ed to determine the position of a sound source In certain situations this capability can be very useful or even of vital importance The fact that we can actually hear the size of a room shows how stro...

Page 22: ...its shape architecture and the materials used to construct it For this reason experts in architectural acoustics design rooms concert halls recording studios etc to produce a specific sound and rever...

Page 23: ...reverb quality s Mass production allows for reducing the prices of digital reverb devices s Many parameters can be modified and stored s With their compact design digital devices are easily portable...

Page 24: ...ged See the technical specifications in the appendix A safety fuse protects the unit from serious defects If the fuse blows this is a warning sign and always indicates that the circuit is overloaded T...

Page 25: ...oard effect devices typically digital reverberation and delay units The VIRTUALIZER PRO may be controlled in real time in this studio environment MIDI for Musical Instruments Digital Interface The MID...

Page 26: ...rtion Type Delay Time x 10 ms Delay Mix 15 ROTARY SPEAKER Rotary Type Horn Speed Rotor Speed 16 VOCODER Vocoder Type Vocoder Distortion Vocoder Sens 17 PITCH Cent Cent Semi Tone Semi Tone 18 FLANGER M...

Page 27: ...60 3190 10 14 0 630 3200 3830 10 15 640 1270 1280 1910 10 16 640 1270 1920 2550 10 17 640 1270 2560 3190 10 18 640 1270 3200 3830 10 19 1280 1910 1920 2550 10 20 1280 1910 2560 3190 10 21 1280 1910 32...

Page 28: ...X X X X Aux Messages Local ON OFF All notes OFF Active Sense Reset X X X X X X X X Notes O YES X NO Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO Tab 6 3 MIDI Imple...

Page 29: ...er 14 18 14 16 Vocoder 4 10 56 17 Pitch 0 0 0 0 18 Flanger 1 6 56 6 56 19 Chorus 1 32 63 32 63 20 Tremolo Delay 19 63 63 0 0 21 Delay Reverb 21 63 9 57 56 22 Pitch Reverb 6 0 50 52 23 Flanger Reverb 4...

Page 30: ...ket IN OUT THRU Digital Processing Converters 24 bit Sigma Delta 64 128 times Oversampling Sampling Rate 46 875 kHz Display Type 2 digit numeric LED Display Power Supply Mains Voltages USA Canada 120...

Page 31: ...the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a na tional or local level in any country which is not the country for which the product...

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