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E

Fig. 6.2: Using the ULTRAFEX PRO as “sidechain” processor

Within a “sidechain” scenario, the original signal must be muted by depressing the SOLO switch, so that

phase cancellations (comb filter effects) and additional noise will be effectively avoided.
Pre-monitoring of the solo signal will only allow for a rather restricted evaluation of the sound, since this signal

only provides sound enhancement if combined with the original signal.

6.2 Basic Settings

We recommend setting the controls as indicated in the following three sections. This will give you a better

idea of switch and control functionality:
1. Set the BEHRINGER ULTRAFEX PRO to bypass mode (IN/OUT switch not depressed), the TUNE controls

to center position and all switches to their OUT position.

2. Turn all other controls fully CCW and depress both IN/OUT switches. Now turn the MIX controls of the low

and high-frequency sections slowly clockwise until the fundamental bass and high frequencies become

more emphasized and the sonic image begins to “open up” or to “widen”.

3. The quality of the sound enhanced signal can be adapted to the program material by varying the cut-off

frequency using the SHIFT and MODE switches and/or the TUNE and PROCESS controls.

4. Now switch in the noise reduction section by depressing the AUTO NR switch and adjust the NR

SENSITIVITY controls so that the first LED lights up, even with low signal levels and all LEDs are fully

illuminated with loud signals.

+

Please note that the NR SENSITIVITY control does NOT have the same effect as the DRIVE

control on other exciters. This control is not effecting the Natural Sonic processor, but controlling

the filter circuit which is responsible for noise-reduction. Excessively high sensitivity will not

produce audible distortion, however, the noise level might increase during signal pauses.

When using enhancers or exciters it is easy to get carried away. Therefore, we recommend regular A/B

comparisons (IN/OUT) while setting the controls, in order to constantly check the signals integrity.
Rule of thumb: the enhancer’s effect only should be noticeable when it is lacking, but not when it is present!
Listening at high volume levels over long periods (in studios, for example) leads to listening fatigue and thus

reduces sensitivity to higher frequencies. Regular pauses keep your hearing “healthy” and exaggerated

sound processing should be avoided.

6. APPLICATIONS

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All manuals and user guides at all-guides.com

Summary of Contents for ULTRAFLEX PRO EX3200

Page 1: ...1 E User s Manual Bedienungsanleitung D ULTRAFEX PRO EX3200 Version 1 1 May 1998 www behringer de www audiovias com All manuals and user guides at all guides com...

Page 2: ...on and if applicable Article No which refers to this declaration is in accordance with the following standards or standardized documents x EN 60065 x EN 61000 3 2 x EN 55020 x EN 61000 3 3 x EN 55013...

Page 3: ...ings Heat The appliance should be situated away from heat sources such as radiators heat registers stoves or other appliance including amplifiers that produce heat Power Source The appliance should be...

Page 4: ...ou to control the frequency range of added bass punch s Surround processor provides you real spatial enhancement and improved stereo imaging s Built in Noise Reduction system with precision LED displa...

Page 5: ...ber of the BEHRINGER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful In return we guarantee you uncompromising...

Page 6: ...ces 16 5 3 1 Frequency Correction 16 5 3 2 Phase Shifting 16 5 3 3 Artificial Harmonics Generation 17 5 4 The Bass Processor Of The ULTRAFEX PRO 17 5 5 The Surround Processor Of The ULTRAFEX PRO 17 6...

Page 7: ...set new standards Previously encountered problems of restricted leveling range plus increased noise level and audible distortion during signal processing are typical shortcomings of conventional circu...

Page 8: ...X PRO With this processor the intensity of the stereo effect can be dramatically improved The program material gains in liveliness depth and transparency As in a cinema with its special acoustics the...

Page 9: ...nnection or failure These relays are also active at switch on to isolate the ULTRAFEX PRO until the power rails have settled thus preventing the possibility of a potentially damaging switch on thump 2...

Page 10: ...these triangles opposing each other Your ULTRAFEX PRO is set to the operating voltage printed next to these markers and can be set to another voltage by turning the fuse holder by 180 CAUTION this in...

Page 11: ...lief clamp Ring cold ve For connection of balanced and unbalanced plugs ring and sleeve have to be bridged at the stereo plug 1 Ground Shield 2 hot ve 3 cold ve For unbalanced use pin 1 and pin 3 have...

Page 12: ...ancement Please make sure that the sensitivity of the unit is high enough especially at low level signals Otherwise audible pumping may occur The first LED should always be illuminated even at low lev...

Page 13: ...HIFT switch determines the cut off frequency of the bass processor Depending on the program material you can select between Low and Ultra low 10 The LOW MIX control of the low band determines the amou...

Page 14: ...nded warranty 15 FUSE HOLDER VOLTAGE SELECTOR Please make sure that your local voltage matches the voltage indicated on the unit before you attempt to connect and operate the ULTRAFEX PRO Blown fuses...

Page 15: ...acoustics examines the effect of sound on the listener and the reasons for certain sonic impressions How a sound is interpreted is influenced by a lot of factors most of them can hardly be measured ye...

Page 16: ...e commonly used What do these terms actually mean The following chapter will shed some light on this Although the psycho acoustic effect of enhancers and exciters etc has been known for several decade...

Page 17: ...With the help of frequency selective phase shift combined with sub bass boost the bass processor of the BEHRINGER ULTRAFEX PRO is capable of compensating for this loss giving the program material new...

Page 18: ...or by inserting it into the line inserts of a mixer Fig 6 1 Using the ULTRAFEX PRO as in line processor 6 1 2 The ULTRAFEX PRO As Sidechain Processor The following illustration shows the BEHRINGER ULT...

Page 19: ...he cut off frequency using the SHIFT and MODE switches and or the TUNE and PROCESS controls 4 Now switch in the noise reduction section by depressing the AUTO NR switch and adjust the NR SENSITIVITY c...

Page 20: ...e last component in the chain of effects devices The summed signals will then be routed through the ULTRAFEX PRO and sent back to the master via the effect returns With the SOLO switch depressed the c...

Page 21: ...ULTRAFEX PRO offers astounding advantages 1 In audio systems for announcements and background music the BEHRINGER ULTRAFEX PRO is placed in a similar way to recording and tape duplication directly be...

Page 22: ...n 1 IMD 0 01 typ SMPTE Crosstalk 100 dB 22 Hz to 22 kHz BASS PROCESSOR Type Dual Mode Bass Processor Low Mix variable 0 to 6 MULTIBAND PROCESSOR Type Natural Sonic processor with VSP Variable Sound Pr...

Page 23: ...fails to submit a written repair order within 4 weeks after notification BEHRINGER INTERNATIONAL will return the unit C O D with a separate invoice for freight and packing Such cost will also be invoi...

Page 24: ...to claim consequential damages In no event shall the liability of BEHRINGER INTERNA TIONAL exceed the invoiced value of the product 7 OTHER WARRANTY RIGHTS This warranty does not exclude or limit the...

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