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11

EURODESK MX2442A

5. SUBGROUPS AND INSERTS

5.1 Subgroups

The principal routes to multitrack are via the subgroup outputs. There are four mono (or two stereo) subgroups.

All channels can access all of them, as can aux returns 1 and 2 (

 & 

). The subgroup level is determined

by the SUBGROUP fader 

, while the signal level may be accurately checked by solo-ing (

).

Subgroup outputs can also be assigned to the main mix during mixdown by pressing the MAIN MIX switch

, in which case stereo position in the L/R mix is determined by the subgroup’s PAN pot 

.

+

Try  inserting  compression/de-essing/an  exciter  or  a  noise  gate  on  grouped  signals  (e.g.

backing vocals, drums, layered synths).

+

Try merging a dry signal with a little wet, then compressing the sum heavily. Though the

reverb proportion will be low when a signal is present, the resultant reverb tail pumped up by

the compressor at the start of each silence will give the illusion that the reverb was massive at

the time. (The listener will be left wondering how the singer could sound so dear in such wet

acoustics!)

5.2 Insert Points

Insert points are useful for adding dynamic processing or equalization to a channel, a group, or the mix. Unlike

reverbs etc., which are usually added to the dry signal, dynamic processing is normally applied across an

entire signal. Here, an aux send would be inappropriate. Instead, the signal is intercepted somewhere along

the channel, fed through the dynamics processor and/or EQ, then returned to the console at the same point

where it left. The insert point is normalized, i.e. the signal is only interrupted when a jack is plugged into it.
All mono input channels have got insert points, as have the subgroups and the main mix. Each insert point is

accommodated on a single TRS jack socket wired tip = send, ring 

=

 return, sleeve = ground/screen. Inserts are

always pre-fader, and also pre-EQ/pre-aux sends for channels.

+

The insert points may be used as pre-EQ-outputs without interrupting the signal. By switching

them to a patchbay the insert points can be used in a more complex manner since the sends

and returns dispose of separate inserts.

+

If you want to insert a dynamics processor etc. into one of the stereo channels, it must be done

between the source output and the EURODESK, since these channels have no bona-fide insert

point.

Fig. 5.1: Inserting into a stereo channel

5. SUBGROUPS AND INSERTS

All manuals and user guides at all-guides.com

all-guides.com

Summary of Contents for Eurodesk MX2442A

Page 1: ...EURODESK MX2442A www behringer com Version 1 1 May 2002 User s Manual ENGLISH All manuals and user guides at all guides com a l l g u i d e s c o m...

Page 2: ...ventilation openings Heat The appliance should be situated away from heat sources such as radiators heat registers stoves or other appliance including amplifiers that produce heat Power Source The app...

Page 3: ...ER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful In return we guarantee you uncompromising quality manufactu...

Page 4: ...e main mix s Clear and easy comprehensible design as split console input and main sections divided s State of the art 4580 ICs and high quality components guarantee crystal clear audio performance and...

Page 5: ...ubgroups 11 5 2 Insert Points 11 6 MAIN SECTION 13 6 1 Aux Masters 13 6 2 Monitoring 14 6 3 Headphones 14 6 4 SOLO PFL 14 6 5 2 Track In and Output 14 6 6 Talkback 15 7 CONNECTIONS 15 7 1 EURODESK MX2...

Page 6: ...p will always refer to a sub mix of channels Similarly the term band will be mentioned only in conjunction with frequency 1 2 Structure Working with complex systems like live or studio mixing consoles...

Page 7: ...des six master aux send outputs each with separate SOLO switch Stereo aux returns In the mid upper section you will find two stereo aux returns each of them equipped with a SOLO switch BALANCE and LEV...

Page 8: ...PSU and thereby your EURODESK 3 MONO INPUT CHANNELS Each channel comes with a balanced line level input on 1 4 TRS jack and an XLR mic input Press the PHANTOM switch at the back panel if required The...

Page 9: ...will be heard In most consoles such a wet mix requires the use of a pre setting for the channel aux send losing fader control With the EURODESK you can have a virtually wet mix with fader control Chan...

Page 10: ...aves The upper and lower shelving controls have their turnover frequencies fixed at 12 kHz and 80 Hz whereas the midrange controls and have their bell center frequencies set at 3 kHz and 500 Hz All ba...

Page 11: ...cessing or equalization to a channel a group or the mix Unlike reverbs etc which are usually added to the dry signal dynamic processing is normally applied across an entire signal Here an aux send wou...

Page 12: ...the EQ dynamics processing takes place If you want the aux sends to be post processing you will need to address the signal to one of the subgroups and then insert the EQ dynamics processor between the...

Page 13: ...returns which can also be seen as two additional mono or stereo line inputs On these inputs there is up to 20 dB of gain available Alternatively a mono center panned signal may be returned by pluggin...

Page 14: ...EQ settings for four headphone mixes a total of 12 headphones can be connected 6 4 SOLO PFL SOLO SOLO is short for Solo in Place and is the preferred method for auditioning an isolated signal or grou...

Page 15: ...2A Back Panel Serial Number DC power in This circular multiway connector distributes the different DC operating voltages delivered by the PSU 18 V audio circuits 48 V mic phantom power 12 V lamp and 5...

Page 16: ...Use custom made RCA cables for the 2 track in out traffic center post signal ve sleeve ground screen Monitor control room outputs Will feed a pair of speakers via an amp of course Balanced 1 4 TRS soc...

Page 17: ...17 EURODESK MX2442A Fig 7 1 Different plug types 7 CONNECTIONS All manuals and user guides at all guides com...

Page 18: ...esired low frequency content 4 Set CHANNEL MODE to PFL up 5 Depress the SOLO switch 8 3 Auditioning a Signal and Setting Up a Channel 1 Make a typical noise or roll the tape There should now be some a...

Page 19: ...and way The broader the band the more musical but less instrument specific the effect Applying boost over a narrow bandwidth will sound Honky The two semi parametric bands of the EURODESK EQ have thei...

Page 20: ...ter says you re just hitting 0 dB then it must be coming from the aux send amp or the FX unit If PFL on the aux send reveals nothing amiss turn down the input on the FX unit and turn up the desk s aux...

Page 21: ...areas around the holes and bowed slightly upwards in between Aux sends 1 2 pre EQ All channel aux sends are post EQ If you want to convert them carry out the modification described below to each chan...

Page 22: ...nels assigned Unity gain channels muted 87 0 dBr ref 4 dBu all input channels assigned Unity gain Submaster output Max output 22 dBu balanced unbalanced Fader range 10 dB to 85 dB Main mix section Noi...

Page 23: ...will be repaired or replaced within 30 days of receipt of the product at BEHRINGER 2 If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on...

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