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Xpand! Plug-In Guide

 

10

 

Mod (Modulation) Page

 

The Mod page lets you easily create sophisti-
cated modulation settings for shaping a Part. 
Your MIDI keyboard’s modulation wheel and 
pressure (also called aftertouch) can be used as 
modulation sources.

Normally, the modulation wheel provides a pe-
riodically repeating modulation such as vibrato, 
and aftertouch provides a static offset to the se-
lected destination such as volume or filter 
swells.

Many Xpand! Patches and Parts have pre-as-
signed settings for modulation wheel and pres-
sure. With the following controls you can adapt 
them or create your own.

 

Modulation Wheel Controls

 

Shape & Destination

 

Select the waveform shape for the modulation 
from the upper pop-up list—an LFO waveform 
used to modulate the selected destination. For 
most waveforms there is a choice of a freely ad-
justable and a tempo-synchronized setting 
(Sync), except for “Off” and “Random.” If the 
pop-up is set to Off the movements of the mod-
ulation wheel will directly modulate the desti-
nation without a time varying waveform. 

Select a destination for the modulation by your 
MIDI keyboard’s modulation wheel from the 
lower pop-up list:

 

Rate

 

Move this knob to set the speed or rate of the 
modulation wheel’s modulation. When using a 
synchronized shape (such as Saw Sync), the Rate 
control sets the speed in fixed, tempo synchro-
nized steps. When using other shapes (such as 
Sine, Tri, and Saw), the LFO speed is freely ad-
justable.

 

Depth

 

This knob sets the strength or amount of how 
much the signal is affected by the modulation. 
Depth is a bipolar control, which means that it 
can be set to positive or negative values.

 

Destination

Description

Pitch

Affects the Part’s pitch.

Wave

Changes the sound based on its 
Part. For example, shaping wave-
forms, FM modulation depth, 
sample start point offset, detun-
ing.

Filter

Affects the Part’s filter cutoff fre-
quency.

Volume

Affects the Part’s volume level.

Pan

Affects the Part’s position in the 
stereo field.

 

For example, with the modulation wheel’s 
shape set to Off and destination to Pan, 
moving the mod wheel up makes the signal 
go to the left (negative Depth value) or to the 
right (positive Depth value).

Summary of Contents for Xpand!

Page 1: ...Xpand Version 1 0...

Page 2: ...d Digidesign Digi 002 Digidesign Command 8 Digidesign Control 24 Digidesign D Command Digidesign D Control Digidesign ProControl and RTAS are either trademarks or registered trademarks of Avid Technol...

Page 3: ...Xpand 3 Removing Xpand 3 Chapter 3 Operate Xpand 5 Editing Parameters 5 Assigning Parameters to MIDI Controllers 6 Smart Knobs 6 Edit Pages 7 Mix Mixer Page 8 Mod Modulation Page 10 Arp Arpeggiator Pa...

Page 4: ...Xpand Plug In Guide iv...

Page 5: ...eating complex sounds very efficiently allowing for multiple si multaneous patches with integrated effects on any Pro Tools system Features Supported Formats Xpand is only available in RTAS format for...

Page 6: ...djusting Plug In Parameters Automating Plug Ins Using the Plug In Settings Librarian Conventions Used in This Guide All Digidesign guides use the following conven tions to indicate menu choices and ke...

Page 7: ...ogram Files Digidesign Xpand On Mac OS X Library Application Support Digidesign Xpand Removing Xpand If you need to remove the Xpand plug in from your system follow the instructions below for your com...

Page 8: ...Xpand Plug In Guide 4...

Page 9: ...gle Patch Xpand comes with a set of over 1000 Patches created by renowned sound designers It s worth brows ing through these Patches to get an impression of the versatility of Xpand Editing Parameters...

Page 10: ...I controller to the parameter you have chosen To remove a MIDI controller assignment Right click Windows or Control click Mac intosh an assigned control and choose Forget to remove its MIDI controller...

Page 11: ...r values of in coming automation Click parameters without moving the mouse to show their current value without changing it Select Global from the Smart Knob Assign ment list to show a short descriptio...

Page 12: ...ts by moving the mouse cursor above the Name field and moving the scroll wheel up or down Level Move the slider to set the Part s volume level in creasing volume to the right and decreasing to the lef...

Page 13: ...ue Hi Lo Key Use the Hi Lo Key controls to assign Parts to dif ferent keyboard ranges This can be useful for splitting your keyboard across different Parts For example Part A holding a bass sound coul...

Page 14: ...directly modulate the desti nation without a time varying waveform Select a destination for the modulation by your MIDI keyboard s modulation wheel from the lower pop up list Rate Move this knob to se...

Page 15: ...Depth This knob sets how much the signal is affected by the pressure control signal Depth is a bipolar control which means that it can be set to posi tive and negative values Destination Description...

Page 16: ...mode the Part s Arpeggiator will continue to play after releasing keys until playback is stopped Released keys are only re moved from the arpeggio when new keys are pressed When Latch mode is activate...

Page 17: ...ick the FX type display to select an effect from the pop up list Parameters 1 2 Edit the selected effect by two parameters The parameters are varying and depend on the type of effect To FX1 FX2 Send t...

Page 18: ...Xpand Plug In Guide 14...

Page 19: ...3 19 Part A Smart Knob 4 72 Global Release 73 Global Attack 74 Global Cutoff 75 Global Decay 79 Global Filter Env Depth 80 Part A Smart Knob 5 81 Part A Smart Knob 6 91 Part A FX1 Send 93 Part A FX2 S...

Page 20: ...Xpand Plug In Guide 16...

Page 21: ...right Pads Action Pads Pad Layers Percussive Polysynths Synth Brass Soft Leads Hard Leads Ambience FX Acoustic Piano Electric Pianos Organs Clavinets Strings Vocals Brass Woodwind Mallets Bells Guitar...

Page 22: ...negun Square Sample Hold Squarish Warm Fluffy Warmth Smooth Wavetable Slow Swimmer Sine Bend Synthetic Woods Bright Pads Majestic Bright Bend Up Pad Oceanica Slap Bells Bright HPF Sweep Classic 5th Sw...

Page 23: ...Wavetable Tinkles Psychedelic Monks Pulsing Sparkle Inharmonic Nightmare Vox Wavetable Square Sweep Falling Noise Pulse Rhythmic HP Sparkles Noise Layer Magic Sequence Varied Pulse Pulsing LP Noise Wi...

Page 24: ...ck Partial FM Mallet FM Metallic Breath FM Metallic FM Percussive Vibes Attack Partial Tapped Bottle Analog Pulse Analog Saw Ac Guitar Attack Partial Muted El Guitar Attack Synth Guitar Bass Guitar Pi...

Page 25: ...i Metal D Something 2 Digital Metal Lush Digi Stack Percussive Choral Perky Chords Propogate Sync Funk Techno Chords Tines Pad Vocalised Wavey Synth Brass Attack Brass Classic Synth Horns Spitty Synth...

Page 26: ...e Melody S H Reso Atmos Vogon Alarm Clock It s Damp In Here Lonely Space Traveller Flying Zapper Pulsating Sub Mans Best Friend Didjeridont Ambient Droplets Subsonic Heavy Wind Pressure Leak Slave Shi...

Page 27: ...e Organ The Kid Cruisey Chap Cartoon OClock Nice n Smooth Full Rock Clean Funky Huge Cathedral Welcome Cathedral Organ Simple Cathedral Organ Tonewheels Bleed Transistor Bleed Clavinets Clavinet Clavi...

Page 28: ...yer Bigger Section Hybrid Brass Hybrid Octaves French Horns Hybrid Horns Solo Trumpet Soft Trumpet Hard Trumpet Trumpets Section Tenor Sax Soft Tenor Sax Hard Tenor Sax Tenor Saxes Section Clarinet So...

Page 29: ...tring Hard Nylon String Very Hard Nylon String Clean Electric Guitar Mod Wah Clean Dynamic Wah Clean Dirty Guitar Mod Wah Dirty Dynamic Wah Dirty Clean Electric 1 5 Strum Clean Major Bar Chord Clean M...

Page 30: ...e Wow Bass Subsonic 1 The Lonely Guy Tight Ow Bass 303 Imposter Unison Square Bass Wide Unison Bass 1 Osc Saw Bass 1 Osc Saw Sync Bass 1 Osc Square Pulse Bass 1 Osc Square Pulse Sync Bass 2 Osc Pulse...

Page 31: ...120 Acoustic Vintage 100 Reggae 120 Big Beat 100 01 Big Beat 100 02 Big Beat 100 03 Big Beat 100 04 Big Beat 100 05 Electronic 110 01 Electronic 110 02 Electronic 110 03 Electronic 110 04 Electronic...

Page 32: ...Xpand Plug In Guide 28...

Page 33: ...Arpeggio Description Random 2 Same as Random but notes an octave above are also played Synth Bass A typical synth bass pattern is played with the lowest held note Disco Bass A simple bass riff is pla...

Page 34: ...Xpand Plug In Guide 30...

Page 35: ...pe Soft Hall Size Shape Bright Hall Size Shape Predelay Hall Size Pre Del Dense Hall Size Shape Room Room Size Shape Soft Room Size Shape Bright Room Size Shape Predelay Room Size Pre Del Dense Room S...

Page 36: ...ft Chor Depth Rev Size Cho Rev Bright Chor Depth Rev Size Non Linear Size EQ Reverse Size Diff Early Reflections Size EQ Drum Room Size EQ Club Size Shape Overheads Size Height Stadium Size EQ Flapper...

Page 37: ...o Delay Feedback Tape Echo Delay Feedback Ducking Delay Delay Feedback Cloud Delay Delay Feedback Chaos Delay Grain Feedback Modulation Chorus Rate Depth Rich Chorus Rate Depth Ensemble Rate Depth Spa...

Page 38: ......

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