Mode 3, 7 intervals x 15 harmonics
1.
Connect envelope generator outputs to all those of the
envelope inputs
that you have selected for the
desired sliders using the virtual switchboard. Note that both the 15 harmonics (sliders 1 to 15) and the
7 interval amplitude responses (sliders 16 to 22) can be modulated.
2.
Use sliders 23 – 26 to select the key to be played, using table 1 to define the correct one.
3.
Optionally, connect the
CV pitch
and
CV velocity
inputs to the corresponding MIDI input module
outputs.
–
No function for
adjust 1, adjust 2, modulation 1,
nor
modulation 2
.
Mode 4, Pseudo-VCF with noise control, Mode 13: Pseudo-VCF with PM control
1. Connect envelope generator outputs to all those of the
envelope inputs
that you have activated for the
desired harmonic sliders 1 – 15, and for the filter amplitude sliders 16 – 27.
2. Connect envelope generator output to
modulation 2
to do the center frequency modulation of the
pseudofilters.
3. If you want to use the noise features (Mode 4), or PM (Mode 13), connect also envelope generator
output to
modulation 1.
4. Optionally, connect the
CV pitch
and
CV velocity
inputs to the corresponding MIDI input module
outputs.
–
Use
adjust 2
to control of the pseudofilter center frequency modulation sensitivity.
–
Use
adjust 1
set the modulation level for noise (Mode 4) or PM (Mode 13).
–
Use Sliders 1 -15 to set the harmonic spectra.
–
Use Sliders 16 – 27 to set the pseudofilter spectral response.
–
Use Sliders 28, 29 and 30 to select the noise or PM modulation strength selectively to three harmonic
ranges (1&2; 3-5; and 6 – 15 correspondingly).
Mode 5, True chorus with 10 chorus members, each having maximum of 19 harmonics. Also possibility to
generate non-harmonic overtones.
1. Connect envelope generator outputs to all those of the
envelope inputs
that you have activated for the
desired harmonic sliders 1 – 20.
2. Correspondingly, Connect envelope generator outputs to to all those of the
envelope inputs
you have
activated for sliders 21 - 30 to control the chorus member amplitudes.
3. Connect an envelope output to
modulation 1
if you
want to activate/modulate the frequency deviation
between the chorus members. Modulation 2 has no function
4. Optionally, connect the
CV pitch
and
CV velocity
inputs to the corresponding MIDI input module
outputs.
–
Set the chorus member spectra by sliders 1-19 (all members have identical spectra) and relative chorus
member amplitudes using sliders 21-30.
–
Use
adjust 1
to control the sensitivity to the signal at
modulation 1
.
–
Use
adjust 2
to shift the overtones out of harmony, if desired.
The vocoder modes 6-9
The vocoder modes are quite different from all the other modes, therefore please study carefully the settings,
starting perhaps from Mode 6. Both Mode 6 and Mode 8 have quick setup instructions in the beginning of their
corresponding detailed descriptions, so they are not repeated here.
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