ATC C1 Sub User Manual Download Page 18

5   :  

F u n c t i o n s / S e t t i n g s   – C 1   S u b

The C1 Sub amplifier control panel is shown in 

Figure 2

.

Mounted on the panel are three rotary knobs enabling 
adjustment of Level, Low Pass Crossover Frequency and Phase.
Located next to the phase knob is a in/out phase switch.

Overall input sensitivity 

of the Subwoofer can be set via the

Level rotary knob and should initially be set towards the centre
of its range (12 o’clock) and only adjusted once the upper filter
cut-off frequency has been set.  

Filter Frequency 

is controlled via the Frequency rotary knob.

The filter frequency is the fundamental parameter that defines
how the subwoofer integrates with the satellite/main loud-
speakers. The filter frequency should be set at, or just above the
cut-off frequency of the satellite/main loudspeakers. The 
recommended initial filter settings for the C1 Sub when used
with ATC satellite/main loudspeakers are shown below:

SCM7 – 60Hz; SCM11 – 55Hz; SCM19 – 55Hz; SCM40 – 50Hz
HTS7/HTS7C – 55Hz; HTS11/HTS11C – 50Hz; HTS40 -50Hz.

Phase 

is adjusted using a combination of the Phase rotary knob

and the in/out switch. These controls change the phase of the
acoustic output signal with reference to the input signal. This can
be used to improve the integration of the sub – satellite/main
loudspeakers by correcting for phase problems due to different
distances from listener to sub and satellite/main loudspeakers.
This control can be set by listening to well-known material and

choosing the preferred setting or, by using a test tone. If using
the test tone method, select a tone at, or very close to the sub-
satellite crossover frequency and play it back through the sub
and satellite loudspeakers. Flip the in/out phase setting and
rotate the knob to listen to which gives the highest total output
at the listening position. Alternatively, a sound level meter could
be used to measure the level

L+R Output 

provides a line level summed output of the left

and right input signals. This can be used to “Daisy Chain” C1
subwoofers together. There are no limits to the number of C1
Subwoofers that can be connected in this manner. The control
panel settings have no bearing on the output, i.e the output is
unfiltered and as such each Subwoofer in the chain will require
independent setting of Level and Phase.

Standby/Limit. 

A single Bi-Colour LED is mounted on the

front panel of the C1 Sub. When the loudspeaker is powered on,
the LED will illuminate Green. The amplifier in the C1 Sub
employs ATC's Active FET momentary gain reduction protection
circuitry which when activated will cause the LED to blink red.
This circuit ensures that when driven to overload the amplifier
will clip in a soft manner, minimising typical limiter related 
distortions. If the Power/Limit LED is regularly blinking Red, the
Level is too high and should be reduced, either on the Control
Panel or at source.

ENTRY MANUAL 040919_ENTRY BROCHURE 13.3  10/09/2019  15:19  Page 18

Summary of Contents for C1 Sub

Page 1: ...e n t r y s e r i e s A C O U S T I C E N G I N E E R S u s e r m a n u a l ENTRY MANUAL 040919_ENTRY BROCHURE 13 3 10 09 2019 15 19 Page 1...

Page 2: ...ompany today An enthusiastic pianist and engineer he was naturally drawn to loudspeaker design and after a period working at Goodmans where many of the names that went on to found British loudspeaker...

Page 3: ...the better solution Not cheaper not quicker but better It was the development of active loudspeakers that first brought ATC into electronics design and engineering Active speakers demand multiple powe...

Page 4: ...be built into an installation such as a bookcase or cabinet that may impede the flow or air around the appliance 7 Heat the appliance should be situated away from heat sources such as radiators stove...

Page 5: ...larisation precautions should be taken so that grounding or polarisation means for the appliance are not defeated 16 The SCM19A and SCM40A active loudspeakers feature a push in power switch which when...

Page 6: ...es from the back If the balance is bass light the monitors can be moved towards the back walls For stereo listening loudspeakers should be positioned so they form an equilateral triangle with the list...

Page 7: ...ce x distance y distance z Loudspeaker Positioning Stereo Acoustic Axis acoustic axis mid point between bass mid and tweeter 2 way systems acoustic axis mid range driver 3 way systems Fig 1 Fig 2 ENTR...

Page 8: ...on will ruthlessly reveal deficiencies in ancillary equipment It is advisable therefore to audition your speakers with your proposed amplifier and ancillary system The range of ATC amplifiers and pre...

Page 9: ...s and alternatives should not be substituted If you intend to use your monitors in an alternative territory please contact ATC for advice The mains connection must always be earthed The signal cable a...

Page 10: ...uses often fail because of a serious electrical fault If this is the case then simply replacing the fuse will only result in another fuse failure The monitor should be returned to ATC if a second fuse...

Page 11: ...s a trading name and Is the registered Trade Mark of Loudspeaker Technology Ltd Laite on liitett v suojakoskettimilla varustettuun pistorasiaan Apparatet m tilkoples jordet stikkontakt Apparaten skall...

Page 12: ...may be necessary to reduce excess bass It is always preferable however to experiment with loudspeaker positioning before resorting to electronic equalisation If the centre speaker is to be positioned...

Page 13: ...nnel mix decisions while in domestic systems correct positioning will offer the best chance of programme material being heard as intended The basic guidelines for positioning the full bandwidth loud s...

Page 14: ...etail price of a product such as a loudspeaker is to cut back on the quality of the components used However when designed properly there is a direct relationship between the cost of a moving coil loud...

Page 15: ...the use of Bass Management in modest cost sensitive systems with restricted dynamic range However when applied to high quality systems the side effects are likely to be intrusive We strongly recommen...

Page 16: ...s on the amplifier C1 Sub The Subwoofer is provided with both line level inputs via a pair of phono connectors and hi level speaker level inputs on a pair of binding posts Only one type of input shoul...

Page 17: ...9 7 9 9 7 9 7 5 5 12 86 5 6 59 3 576 16 DLWH RQ OLLWHWWl Yl VXRMDNRVNHWWLPLOOD YDUXVWHWWXXQ SLVWRUDVLDDQ SSDUDWHW Pn WLONRSOHV MRUGHW VWLNNRQWDNW SSDUDWHQ VNDOO DQVOXWDV WLOO MRUGDW XWWDJ SRZHU 21680...

Page 18: ...nd satellite main loudspeakers This control can be set by listening to well known material and choosing the preferred setting or by using a test tone If using the test tone method select a tone at or...

Page 19: ...ENTRY MANUAL 040919_ENTRY BROCHURE 13 3 10 09 2019 15 19 Page 19...

Page 20: ...er loaded and the volume level should be reduced 2 C a r e M a i n t e n a n c e High technology material finishes are used in this product The surfaces are durable and with a little care can be kept...

Page 21: ...ENTRY MANUAL 040919_ENTRY BROCHURE 13 3 10 09 2019 15 19 Page 21...

Page 22: ...sponse 6dB 48Hz 22kHz Dispersion 80 Coherent Horizontal 10 Coherent Vertical Sensitivity 85dB 1W 1metre Max SPL 112dB Recommended Power Amplifier 75 to 300 Watts Nominal Impedance 8 Ohm Crossover Freq...

Page 23: ...plifier 75 to 300 Watts Crossover Frequency 2 2kHz Cabinet Dimensions HxWxD 230x500x303mm grill adds 28mm depth Weight 18kg C3C Drivers HF ATC 25mm Neodymium Mid LF 125mm Matched Response 0 5dB Freque...

Page 24: ...rd will have their warranty period extended up to a period of six years from the date of purchase This guarantee does not limit statutory rights A C O U S T I C E N G I N E E R S Acoustic Transducer C...

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