Arturia Moog Modular V, User Manual

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130 ARTURIA – MOOG MODULAR V – USER’S MANUAL
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Now connect the L4 sequencer output (at the bottom of the section) to the first modulation input
of filter2. You can also try a positive or negative value.
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Select the “Seq Trig” output by clicking on the “Trig” input of VCA2 and separate the potentiome-
ters of the 2 VCA in order to create an evolving stereo sequence.
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Move to the second section, click on the sequencer “on” button and set the 2 potentiometers
lines corresponding to filter1 and VCO4. Finally, choose the type of sequence chaining with the
fourth column.
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If you wish to add a little “portamento” to a melodic line, turn the “Smooth” potentiometer cor-
responding to your sequence line.
Turn the “Smooth” potentiometer
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to complete the evolution of the sound in stereo, you can apply modulations to the cut-off fre-
quencies of the 2 filters using a LFO. To make this effect more apparent, turn the level of the mo-
dulation input of filter1 to the left (negative value) and of filter2 to the right (positive value). By
applying a slow rotation speed to the LFO, you will get the linking of the 2 sequences in stereo
space, brought about by the opening of the 2 cut-off frequencies.
7.3 BONUS FEATURES
7.3.1 Creative use of key follows
The Moog Modular V provides you with settings for 4 independent key follows. These key follows are
mainly used to tune the oscillators in relation to the keyboard range but can also be used for differ-
ent ends.
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Try, on a filter1 cut-off frequency, opening (click several times on the key follow visualizer situ-
ated at the bottom of the filter to select the “K2” key follow). It will become increasingly brilliant
when the height is increased of the follow slope is positive and the contrary if it is negative.