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Input Section 

Because of the wide range of head unit output configurations all ARC Audio amplifiers 
have an adjustable input sensitivity or “Gain”. The gain is not a volume or a power 
limiting control like a throttle. It makes the amp more sensitive to input from the stereo. 
With the gain up the amp will reach full output at a lower volume setting on the deck. At 
higher gain settings the amp also becomes more sensitive to noise from the car’s 
electrical system. Try to run the gain at the lowest setting possible for you system.  
 
There is no correct gain setting. Because 
speakers require different power demands to 
reach the same output, the gains most often 
need to be used to compensate for these 
differences. If you tried to set all the gains at half 
way you would probably find the system didn’t 
sound very good. Using good judgment and 
listening carefully to each speaker is still the 
best way to tune a system. 
 

Crossover Controls 

A crossover is a device that removes unwanted frequencies from a speaker or 
amplifier. A tweeter can easily be destroyed by bass notes if they are not filtered out. 
Likewise a subwoofer will not sound natural if it is playing midrange notes. A 
crossover removes these sounds from the speaker. As you might guess, careful 
adjustment is need to ensure that all the speakers are playing the right sounds and 
that you are left with no 
“holes”  or low spots in the 
frequency response. 
 
 

Bass Boost

This amp has an adjustable bass boost.  On the 4 channel KS 300.4, the Input Source 
Select has 3 options. In “4 CH.” or “2 CH” the Bass Boost will be directed to the front 
speakers. In “2 CH.BB” The Bass Boost will be sent to all 4 channel equally. Begin your 
adjustments at low volume. If you do not hear 
any improvement then the woofer does not 
need any boost.
Use Bass Boost carefully. The demands on 
power output are tremendous. Try to minimize 
the use by changing woofer position or the 
enclosure size.

Input Mode Switch 

All ARC Audio amplifiers include an input mode switch. This switch controls the signal 
being sent to the amplifier sections. Most 2-channel amplifiers can be bridged into a 
single channel however if the signal to the channels is not exactly the same the 
distortion will increase significantly. The mode switch solves this problem by offering 3 
modes of operation. 
  

Stereo 

This is simple 2 channel stereo operation. Use this setting for most applications that do 
not involve bridging the output. 
 

Bridge (R IN) 

On a 2-channel amp only the Right channel input will be split and sent to both outputs.  
On a 4 channel the Right RCA Front will be sent to the front outputs. The Left Front RCA 
will be sent to the rear outputs. This is a great way of get high power to a component set. 
The amplifier now acts like a 2 channel that makes full power at 4 ohms. 
 

L+R SUM MONO 

This is the mode for bridging a subwoofer. Both the 
left and right channels are combined into a mono 
signal that is then split and sent to both output. This 
will give you a true mono output.    
 

KS 600.2

R

MIN

2

BRIDGED

MIN

4

L

MIN

2

4 X 30 AMP MAX

+12V

GND

TURN-ON

ARC AUDIO INC., USA

KS 600.2

POWER

\PROTECT

X 10

X 1

BASS

BOOST

0

15

dB

R

L

INPUT

HIGH

FULL

LOW

FREQ Hz

55

110

550

330

FREQ

RANGE

L + R

MONO

STEREO

BRIDGED (R IN)

REMOTE

LEVEL - LOWPASS

GAIN

MIN

MAX

INPUT
LEVEL

SPEAKER

PERAMP

AUTO

SENSE

OFF

ON

R

L

INPUT

INPUT
LEVEL

SPEAKER

PERAMP

AUTO

SENSE

OFF

ON

SET SENSE 

TO “ON”

SET INPUT LEVEL

TO “SPEAKER”

LEFT

SPEAKER

IN

RIGHT

SPEAKER

IN

Output to

next amplifier

TURN ON

AUTO SENSE

The KS 600.2 uses a Patent Pending Auto Sense Turn-on circuit that offers a significant 
improvement in reliability over previous designs. Instead of relaying on the music to supply 
enough signal to turn the amplifier on. Robert Zeff’s new design detects the IC (chip) used 
in the vast majority of stock head units and amplifiers.

When using the auto sense feature the remote input on the power strip becomes a remote 
output reversing the remote turn-on connection to turn on the rest of your amplifiers? 

Summary of Contents for KS 300.2

Page 1: ...D WITH OR MODIFIED OR IF ANY SERIAL NUMBERS HAVE BEEN REMOVED WILL NOT BE COVERED BY ANY PART OF THE MANUFACTURES WARRANTY All warranty returns should be sent to ARC AUDIO freight prepaid and must be accompanied by proof of purchase a copy of the original sales receipt Direct returns from consumers or non authorized retailers will be refused unless specifically authorized by ARC AUDIO with a valid...

Page 2: ...fer much lower THD and higher Damping factors then Full Range Class D designs ARC Audio SOLID CONSTRUCTION for SOUND Car Audio Systems Setting the Gains So you re worried that your 8 Volt output head unit will be too much for the ARC Audio s 4 Volt input stage Don t Be ARC Audio Amplifiers input stage is rated to 4 volts RMS 1KHz without clipping Music is very dynamic Nothing like a 1KHz test tone...

Page 3: ...ofer position or the enclosure size Input Mode Switch All ARC Audio amplifiers include an input mode switch This switch controls the signal being sent to the amplifier sections Most 2 channel amplifiers can be bridged into a single channel however if the signal to the channels is not exactly the same the distortion will increase significantly The mode switch solves this problem by offering 3 modes...

Page 4: ...to the amplifier Now is a good time to turn on the amp for the first time Make sure it turns on properly and does not go into protection 9 Connect the speaker wires to the amp and speakers make sure the amp is off first Make sure the polarity and is correct 10 Connect the RCA s to the amp 11 Double check the amplifier controls at this time Make sure everything is set correctly for your system 12 N...

Page 5: ...EO BRIDGED R IN L R MONO HIGH LOW FULL FREG RANGE X 1 X 10 FREQ Hz 55 110 240 330 550 BASS BOOST 0 15 dB GAIN MIN MAX INPUT L R BRIDGED 4 W MIN L 2W R 2W MIN MIN 3 X 25 AMP MAX ARC AUDIO INC USA GND TURN ON 12V 4 0HMS MIN 8 9 OPTIONAL SECOND SET 2 OHM STEREO Set to LOW Set to L R SUM Set to HIGH or FULL Set to STEREO KS 300 2 KS 600 4 STEREO FULLRANGE OR HIGH PASS 2 OR 4 OHMS KS 300 2 KS 600 2 BRI...

Page 6: ... 1 X 10 FREQ Hz 55 110 240 330 550 FRONT HIGH LOW FULL POWER STEREO BRIDGED F L IN L R MONO FREG RANGE X 1 X 10 FREQ Hz 55 110 240 330 550 BASS BOOST 0 15 dB GAIN MIN MAX INPUT L R STEREO BRIDGED F R IN L R MONO GAIN MIN MAX REAR FRONT 2 CH IN REAR HIGH LOW FULL SOURCE SELECT 4 CH 2 CH 2 CH BB FRONT REAR FRONT REAR FREG RANGE X 1 X 10 FREQ Hz 55 110 240 330 550 FRONT HIGH LOW FULL LOW 2 CH or 4 CH...

Page 7: ...RONT HIGH LOW FULL POWER STEREO BRIDGED F L IN L R MONO FREG RANGE X 1 X 10 FREQ Hz 55 110 240 330 550 BASS BOOST 0 15 dB GAIN MIN MAX INPUT L R STEREO BRIDGED F R IN L R MONO GAIN MIN MAX REAR FRONT 2 CH IN REAR HIGH LOW FULL SOURCE SELECT 4 CH 2 CH 2 CH BB FRONT REAR FRONT REAR FREG RANGE X 1 X 10 FREQ Hz 55 110 240 330 550 FRONT HIGH LOW FULL HIGH NOT USED BRIDGED BRIDGED X1 NOT USED NOT USED L...

Page 8: ...attery between the battery and the body It should be Upgraded to 4 AWG from the factory 8 or 10 AWG RCA CABLE RCA CABLE 4 AWG 4 AWG 8 205 mm 2 3 8 60 mm C D V 4 4 1 Z H 0 0 1 D H T 1 S M R R E W O P T U P T U O 2 0 0 3 S K 4 T U P T U O R E W O P S T T A W 2 X 0 8 1 2 T U P T U O R E W O P S T T A W 0 X 2 5 3 1 T U P T U O R E W O P D E D N E M M N O C E R T O N 4 T U P T U O R E W O P D E G D I R...

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