background image

Page 36

MICROPHONE PREAMPLIFIER

Page 37

Instruction Manual

APPENDIX A

8.2 ARCHITECT’S SPECIFICATIONS
Basic Description

A  multichannel  microphone  preamplifier  comprising  eight  identical  channels  that  are 
both locally controllable and remotely controllable by MIDI protocols through MIDI and 
Ethernet ports.  The multichannel preamp shall further comprise an optional digital audio 
output module.

The  microphone  preamps

 

shall  comprise  the  following  selectable  functions:  1.) 

+48VDC Phantom Power; 2.) Polarity Reversal; 3.) 26dB Pad; 4.) 75Hz 12dB/Octave Low 
Cut Filter; 5.) Continuous Gain Control from 26 to 65dB; 6.) MicLim™ Microphone Limiter; 
7.) Channel Mute. The gain adjustment of the preamp channels shall take place in 1dB 
stops with gain changes stepping through small fractions of a dB. 

The analog outputs

 shall comprise a Main and an Aux balanced line output for each 

channel.  The  Main  and  Aux  outputs  shall  have  their  own  separate  gain  adjustment  in 
addition  to  the  preamp’s  gain  adjustment.  The  Main  outputs  shall  occupy  individual 
XLR 3-pin male connectors. All eight Aux outputs shall occur on a single 25-pin D-Sub 
connector conforming to the Tascam analog standard pinout.

The  digital  outputs

  shall  comprise  a  15-pin  D-Sub  connector  carrying  four  AES/EBU 

signal pairs, an ADAT® Optical jack, and a 25-pin D-Sub TDIF ® connector all operating 
simultaneously. There shall be provisions to synchronize the digital module from Word 
Clock (LR Clock), Superclock, and TDIF clock as well as an internal crystal oscillator reference.  
The internal sample rates shall be selectable among 32KHz, 44.1KHz, and 48KHz. 

Physical Properties

The device shall be packaged in an all metal chassis measuring 19” (482.23mm) wide, 
3.5” (89mm) high, with an overall depth of 14.5” (355mm). Depth behind the front panel 
shall be approximately 13” (330mm). The device shall have a net weight of approximately 
14lbs. (6.37kg) and is capable of mounting in a standard electronic equipment rack. 

Power

The unit shall have a self contained power supply operating on ac line voltages from 85 to 
260V~ 50/60Hz. Connectorization and agency listings shall be appropriate to meet local 
requirements.

Summary of Contents for 1788A

Page 1: ...e of the 1788A R dedicated hardware remote control unit Please be sure to maintain a copy of that manual together with this one P N 999 4320 Revision 1 Released 05 12 2005 Manufactured by Aphex System...

Page 2: ...n the digital domain and also assures maximum resolution All these patented features make the 1788A an indispensable tool for live or studio applications We are extremely pleased that you have joined...

Page 3: ...T BLOCK 21 4 6 SECONDARY FUNCTIONS 22 4 6 1 Display Brightness 22 4 6 2 Flash Version 22 4 6 3 Synchronize 22 4 6 4 Sysex Dump 22 5 USING THE DIGITAL MODULE 23 5 1 SYNCHRONIZATION 23 5 2 SENDING DIGIT...

Page 4: ...s in front of the preamplifier to prevent overloading the front end Now you don t have to worry about clipping and you can run higher gain and higher average output level This translates not only to d...

Page 5: ...NA we give you gain stops stable gain set points in 1dB increments that are ramped through inaudibly minute 1 4dB steps smooth as a baby s bottom Presets Another Advantage The ability to create and sa...

Page 6: ...es a 12dB octave low cut filter with a corner frequency of 75hz 12 ADJUST STORE arms the ADJUST control so that MIDI Channel and Device numbers and Net numbers can be adjusted After adjustment the STO...

Page 7: ...OR for standard CAT5 Ethernet connection 4 RS 232 COM Port for downloading new firmware into the preamp 5 DIP SWITCH sets priority for external synchronization 6 AES EBU DB 15 DIGITAL OUTPUT provides...

Page 8: ...cts CAUTION 2 It has been reported that some ribbon mics may be damaged by phantom power This is unusual but it s a good idea to keep it turned off when not required 4 At this point you can try all th...

Page 9: ...ween 12dB and 6dB of headroom 8 If the input gain is set at its lowest setting 26dB and the level is still too hot use the 26dB PAD 9 To test the MicLim protection select ENABLE LIMITER You will easil...

Page 10: ...oducing equipment and whether the air is moving or still It is always best to err on the safe side We recommend at least one free rack space be allowed between each 1788A The space between units may b...

Page 11: ...female 3 pin XLR s wired with pin 2 positive 3 6 OUTPUT CONNECTORS Two separate analog outputs per channel are provided 1 Transformerless servo balanced Main Outputs on eight separate XLR s 2 Eight tr...

Page 12: ...mper option The LOADED mode is shipped by default and the user will have to change the jumper to try the UNLOADED mode CHANGING THE MODE Remove the 1788A s top cover and locate the set of jumper pins...

Page 13: ...le from your computer s Com Port to the 1788A s Com Port 3 Power up the 1788A while holding down both Test Tone buttons Load A will appear in the Global Readout Display 4 Run the update program on you...

Page 14: ...ntrols are in front of the variable gain amplifier and will therefore affect the Aux Output in both PRE and POST modes In the above example if the pad is suddenly engaged by the FOH operator then a dr...

Page 15: ...ash double dash marks to indicate their muted status The flashing dash marks will alternate with the current gain setting Even though both analog outputs are muted the digital outputs will not be mute...

Page 16: ...ill be accurate up to 21dB as that is the maximum output level when running Main Output unbalanced Higher gain settings than 21dBu will be inaccurate but will not cause any distortion If you are using...

Page 17: ...12dB per octave low cut filter is provided In general this filter could be engaged when mic ing vocals as it will not usually affect the tonality of the human voice When mic ing instruments with very...

Page 18: ...n the Local Block is pressed Then all grouped channels will take up that particular function state All uncommanded functions of the grouped channels will remain in their prior individual state 4 2 CON...

Page 19: ...s for the 1788A MIDI or LAN No matter whether you are using the MIDI or the LAN port for remote control you must first put the Mode into MIDI in order to be able to change the Set I D parameters Once...

Page 20: ...e settings on the Model 1788A will be stored upon entering the remote control state This insures that the locally made changes will not revert to the prior state and will become the new default condit...

Page 21: ...e it for other test tones When the test tone is activated for any given channel or group of channels several things happen First a low level tone is substituted for the mic input jack Second the pream...

Page 22: ...RY FUNCTIONS 4 6 1 Display Brightness You can dim or brighten the front panel display by holding down BOTH TONE BUTTONS and pressing the Channel 7 button This puts the 1788A into display mode Turning...

Page 23: ...ke three types of external sync All are received at the BNC Word Clock IN jack 1 Word Clock 2 Superclock 256 times sampling frequency 3 AES EBU Signal Dip Switch Settings Sync is detected according to...

Page 24: ...ut jack to properly terminate the transmission line If only one unit is connected then simply place the terminator plug on the single unit s Clock Out jack When the Model 1788A is operating in the int...

Page 25: ...8 MIC IN LINE OUT CH 7 MIC IN LINE OUT CH 6 MIC IN LINE OUT CH 5 MIC IN LINE OUT CH 4 MIC IN LINE OUT CH 3 MIC IN LINE OUT CH 2 MIC IN LINE OUT CH 1 MIC IN LINE OUT AES EBU OUTPUT LAN TDIF ADAT IN OU...

Page 26: ...MIC IN LINE OUT CH 4 MIC IN LINE OUT CH 3 MIC IN LINE OUT CH 2 MIC IN LINE OUT CH 1 MIC IN LINE OUT AES EBU OUTPUT LAN TDIF ADAT IN OUT UTIL 1 2 3 4 ON P MODEL 1788A 8 Channel Mic Pre Aphex Systems S...

Page 27: ...haracteristic impedance then there will be no overshoot or ringing of the word clock even at great distances The only complication is that the pulse amplitude received will be half the amplitude of th...

Page 28: ...so you can make suitable breakout adapters TDIF Jack The pinout is standardized by Tascam We have reproduced their wiring diagram for you for reference only We highly recommend that you obtain commerc...

Page 29: ...that the line input does indeed bypass the microphone preamp stage Many consoles route the line input through a loss pad right into the mic preamp In such a case you will still hear the deficiencies...

Page 30: ...en the signal fed to the individual recorder tracks is kept pure and natural Effects and processing are added later during the mix down process In this situation you can bypass the mixing console alto...

Page 31: ...h a thousand words The above illustration gives you an idea of the flexibility of the 1788A Substitute a digital house or monitor mixer analog recorder or any other combination as your design may requ...

Page 32: ...lly 20dB of limiting headroom Effectively that means you get 20dB more preamp headroom before distortion 6 5 USING POLARITY REVERSE There will be times when you need to reverse the polarity phase of a...

Page 33: ...their new ratios or differences 2 The individual channel functions will remain unchanged within the group until a function is operated At that time whatever function is operated passes to all in the g...

Page 34: ...ct unauthorized product modification or failure to follow instructions contained in the User s Manual 3 Resulting from repair or attempted repair by anyone not authorized by Aphex Systems 4 Occurring...

Page 35: ...DIGITAL AUDIO Internal Sample Rates External Sample Rates Resolution Word Clock Input Word Clock Output Dynamic Range Noise Dither Level Equivalency 32KHz 44 1KHz 48KHz Automatically syncs to any word...

Page 36: ...e Main outputs shall occupy individual XLR 3 pin male connectors All eight Aux outputs shall occur on a single 25 pin D Sub connector conforming to the Tascam analog standard pinout The digital output...

Page 37: ...t levels This tutorial will teach you about the principles of balanced and unbalanced lines wiring standards and how to effectively interface them Standards Professional audio equipment usually comes...

Page 38: ...unds and there can be a sig nificant difference of ac voltage between alternating wall outlet grounds For this reason unbalanced sys tems can sometimes never be made hum free and just changing one pie...

Page 39: ...resistance ground current paths that little current is left to flow through your audio grounds You can try adding heavy gauge for example 12 gauge copper wire from chassis to chassis You will need to...

Page 40: ...e standard balanced line wiring recommenda tion from Aphex Engineering is this In the majority of cases maximum noise rejection occurs when the shield is connected to the input ground only espe cially...

Page 41: ...Ground Shield Earth Screen Pin 2 Tip Positive Signal High Hot Pin 3 Ring Negative Signal Reference Return Low Common 1 4 TS Phone RCA Standard Wiring Convention Unbalanced Tip Center Pin Positive Sig...

Page 42: ...andard store bought cable Shield is grounded at both ends Positives Both ends are interchangeable Negatives May cause ground loops through shield contacts BETTER Custom cable Shield is grounded at rec...

Page 43: ...Voltage Balanced Outputs Mono Phone Plug Female XLR SIMPLIFIED SCHEMATIC Don t Ground or Connect Pin 3 Ground Pin 3 Directly to Pin 1 Alternatively Carry Pin 3 Through Twisted Pair Cable and Ground at...

Page 44: ...ALANCED IN Mono TS Phone Plug Stereo TRS Phone Plug Standard Method Standard Cable Guitar Cord Mono TS Phone Plug Stereo TRS Phone Plug Enhanced Method Pseudo Balanced Advantage Reduced Hum and Noise...

Page 45: ...nbalanced Unbalanced Unity Gain2 Balanced Balanced Unity Gain2 Wire single conductor with a shield coax style Wire two conductor with a shield twisted pair Wire two conductor with a shield twisted pai...

Page 46: ...unded to the equipment s ground though the XLR ground drop s case XLR ground drops are useful especially for live sound situations where the same stock of XLR cable may be used for line level patching...

Page 47: ...All matched transmission lines have losses especially at high frequencies When the cable exceeds a certain length depending on the cable s quality cable equalization may be required to recover additi...

Page 48: ...gnitude of jitter rapidly rises Very short cable runs are necessary Every piece of gear gets a separately driven feed and no terminating load is used Figure 4 above illustrates the Brute Force clock p...

Page 49: ...ine the best option for terminating the line as shown in figure 5 Clocking The 1788A With Brute Force Not knowing what the 1788A s word clock input may be driven by we made it automatically accept the...

Page 50: ...under one or more of the following Aphex patents 4 578 648 4 633 501 4 843 626 4 939 471 5 115 471 5 155 769 5 334 947 5 359 665 5 422 602 5 424 488 5 450 034 5 463 695 5 483 600 5 485 077 5 612 612 5...

Reviews: