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MICROPHONE PREAMPLIFIER

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Instruction Manual

3. INSTALLATION

3. INSTALLATION

3.1 UNPACKING AND INSPECTING

Your Aphex product was carefully inspected and packaged at the factory prior to shipment. 
The carton and packing materials are designed to protect the unit during shipment, but 
you should inspect the carton and its contents for signs of physical damage before use. 
It  is  your  responsibility  to  file  a  damage  claim  with  the  shipper.  We  encourage  you  to 
save the original packing materials in case you should ever need to ship this unit out for 
servicing.

3.2 MOUNTING

The Model 1788A occupies 2RU (90mm or 3.5 inches) of a standard EIA equipment rack. 
Allow at least an additional 3” to 4” of depth for connectors. Place the Model 1788A in 
the desired rack space and secure with the cushioned rack screws supplied or equivalent 
hardware.  Don’t  position  the  Model  1788A  directly  above  power  amplifiers  or  power 
supplies that produce strong hum fields or heat.

A word on rack mounting and ventilation

All  electronic  equipment  will  experience  premature  failure  if  operated  at  excessive 
temperatures. The 1788A requires adequate vented air space for proper cooling. What 
is  adequate  depends  on  the  ambient  temperature,  proximity  of  other  heat  producing 
equipment, and whether the air is moving or still. It is always best to err on the safe side.
We recommend at least one free rack space be allowed between each 1788A. The space 
between  units  may  be  filled  with  perforated  filler  panels,  but  we  recommend  against 
solid panels as they will restrict air flow. In severe cases, such as very hot climates or tight, 
unventilated closets, a rack-top exhaust fan may be required to keep the air moving. One 
of the best ways to know if you have adequate ventilation for a stack of 1788A’s is to feel if 
the top unit’s chassis is substantially hotter then the bottom unit. If so, you should provide 
better ventilation.   

3.4 POWER CONNECTION

The Model 1788A uses a standard IEC power cord with a voltage range of 80 -280 VAC. 
The appropriate mains plug for each country is normally shipped with each unit. However, 
if you must install or replace the plug use the correct wiring code as follows:

AUX

OUTPUT

CH 8

MIC IN

LINE OUT

CH 7

MIC IN

CH 6

MIC IN

CH 5

MIC IN

CH 4

MIC IN

CH 3

MIC IN

CH 2

MIC IN

CH 1

MIC IN

MODEL 1788A - 8 Channel Mic Pre

Aphex Systems Sun Valley, CA

MIDI

IN

OUT

THRU

90-260 V~50/60Hz 60 WATTS

RS-232

WORD

CLOCK

OPTICAL

AES/EBU OUTPUT

LAN

TDIF

ADAT

IN

OUT

UTIL

1 2 3 4

ON

LINE OUT

LINE OUT

LINE OUT

LINE OUT

LINE OUT

LINE OUT

LINE OUT

3.3 REAR PANEL VIEW

USA

IEC/Continental

Black = Live

Brown = Live

White = Neutral

Blue = Neutral

Green = Ground

Yellow/Green = Earth

Summary of Contents for 1788A

Page 1: ...e of the 1788A R dedicated hardware remote control unit Please be sure to maintain a copy of that manual together with this one P N 999 4320 Revision 1 Released 05 12 2005 Manufactured by Aphex System...

Page 2: ...n the digital domain and also assures maximum resolution All these patented features make the 1788A an indispensable tool for live or studio applications We are extremely pleased that you have joined...

Page 3: ...T BLOCK 21 4 6 SECONDARY FUNCTIONS 22 4 6 1 Display Brightness 22 4 6 2 Flash Version 22 4 6 3 Synchronize 22 4 6 4 Sysex Dump 22 5 USING THE DIGITAL MODULE 23 5 1 SYNCHRONIZATION 23 5 2 SENDING DIGIT...

Page 4: ...s in front of the preamplifier to prevent overloading the front end Now you don t have to worry about clipping and you can run higher gain and higher average output level This translates not only to d...

Page 5: ...NA we give you gain stops stable gain set points in 1dB increments that are ramped through inaudibly minute 1 4dB steps smooth as a baby s bottom Presets Another Advantage The ability to create and sa...

Page 6: ...es a 12dB octave low cut filter with a corner frequency of 75hz 12 ADJUST STORE arms the ADJUST control so that MIDI Channel and Device numbers and Net numbers can be adjusted After adjustment the STO...

Page 7: ...OR for standard CAT5 Ethernet connection 4 RS 232 COM Port for downloading new firmware into the preamp 5 DIP SWITCH sets priority for external synchronization 6 AES EBU DB 15 DIGITAL OUTPUT provides...

Page 8: ...cts CAUTION 2 It has been reported that some ribbon mics may be damaged by phantom power This is unusual but it s a good idea to keep it turned off when not required 4 At this point you can try all th...

Page 9: ...ween 12dB and 6dB of headroom 8 If the input gain is set at its lowest setting 26dB and the level is still too hot use the 26dB PAD 9 To test the MicLim protection select ENABLE LIMITER You will easil...

Page 10: ...oducing equipment and whether the air is moving or still It is always best to err on the safe side We recommend at least one free rack space be allowed between each 1788A The space between units may b...

Page 11: ...female 3 pin XLR s wired with pin 2 positive 3 6 OUTPUT CONNECTORS Two separate analog outputs per channel are provided 1 Transformerless servo balanced Main Outputs on eight separate XLR s 2 Eight tr...

Page 12: ...mper option The LOADED mode is shipped by default and the user will have to change the jumper to try the UNLOADED mode CHANGING THE MODE Remove the 1788A s top cover and locate the set of jumper pins...

Page 13: ...le from your computer s Com Port to the 1788A s Com Port 3 Power up the 1788A while holding down both Test Tone buttons Load A will appear in the Global Readout Display 4 Run the update program on you...

Page 14: ...ntrols are in front of the variable gain amplifier and will therefore affect the Aux Output in both PRE and POST modes In the above example if the pad is suddenly engaged by the FOH operator then a dr...

Page 15: ...ash double dash marks to indicate their muted status The flashing dash marks will alternate with the current gain setting Even though both analog outputs are muted the digital outputs will not be mute...

Page 16: ...ill be accurate up to 21dB as that is the maximum output level when running Main Output unbalanced Higher gain settings than 21dBu will be inaccurate but will not cause any distortion If you are using...

Page 17: ...12dB per octave low cut filter is provided In general this filter could be engaged when mic ing vocals as it will not usually affect the tonality of the human voice When mic ing instruments with very...

Page 18: ...n the Local Block is pressed Then all grouped channels will take up that particular function state All uncommanded functions of the grouped channels will remain in their prior individual state 4 2 CON...

Page 19: ...s for the 1788A MIDI or LAN No matter whether you are using the MIDI or the LAN port for remote control you must first put the Mode into MIDI in order to be able to change the Set I D parameters Once...

Page 20: ...e settings on the Model 1788A will be stored upon entering the remote control state This insures that the locally made changes will not revert to the prior state and will become the new default condit...

Page 21: ...e it for other test tones When the test tone is activated for any given channel or group of channels several things happen First a low level tone is substituted for the mic input jack Second the pream...

Page 22: ...RY FUNCTIONS 4 6 1 Display Brightness You can dim or brighten the front panel display by holding down BOTH TONE BUTTONS and pressing the Channel 7 button This puts the 1788A into display mode Turning...

Page 23: ...ke three types of external sync All are received at the BNC Word Clock IN jack 1 Word Clock 2 Superclock 256 times sampling frequency 3 AES EBU Signal Dip Switch Settings Sync is detected according to...

Page 24: ...ut jack to properly terminate the transmission line If only one unit is connected then simply place the terminator plug on the single unit s Clock Out jack When the Model 1788A is operating in the int...

Page 25: ...8 MIC IN LINE OUT CH 7 MIC IN LINE OUT CH 6 MIC IN LINE OUT CH 5 MIC IN LINE OUT CH 4 MIC IN LINE OUT CH 3 MIC IN LINE OUT CH 2 MIC IN LINE OUT CH 1 MIC IN LINE OUT AES EBU OUTPUT LAN TDIF ADAT IN OU...

Page 26: ...MIC IN LINE OUT CH 4 MIC IN LINE OUT CH 3 MIC IN LINE OUT CH 2 MIC IN LINE OUT CH 1 MIC IN LINE OUT AES EBU OUTPUT LAN TDIF ADAT IN OUT UTIL 1 2 3 4 ON P MODEL 1788A 8 Channel Mic Pre Aphex Systems S...

Page 27: ...haracteristic impedance then there will be no overshoot or ringing of the word clock even at great distances The only complication is that the pulse amplitude received will be half the amplitude of th...

Page 28: ...so you can make suitable breakout adapters TDIF Jack The pinout is standardized by Tascam We have reproduced their wiring diagram for you for reference only We highly recommend that you obtain commerc...

Page 29: ...that the line input does indeed bypass the microphone preamp stage Many consoles route the line input through a loss pad right into the mic preamp In such a case you will still hear the deficiencies...

Page 30: ...en the signal fed to the individual recorder tracks is kept pure and natural Effects and processing are added later during the mix down process In this situation you can bypass the mixing console alto...

Page 31: ...h a thousand words The above illustration gives you an idea of the flexibility of the 1788A Substitute a digital house or monitor mixer analog recorder or any other combination as your design may requ...

Page 32: ...lly 20dB of limiting headroom Effectively that means you get 20dB more preamp headroom before distortion 6 5 USING POLARITY REVERSE There will be times when you need to reverse the polarity phase of a...

Page 33: ...their new ratios or differences 2 The individual channel functions will remain unchanged within the group until a function is operated At that time whatever function is operated passes to all in the g...

Page 34: ...ct unauthorized product modification or failure to follow instructions contained in the User s Manual 3 Resulting from repair or attempted repair by anyone not authorized by Aphex Systems 4 Occurring...

Page 35: ...DIGITAL AUDIO Internal Sample Rates External Sample Rates Resolution Word Clock Input Word Clock Output Dynamic Range Noise Dither Level Equivalency 32KHz 44 1KHz 48KHz Automatically syncs to any word...

Page 36: ...e Main outputs shall occupy individual XLR 3 pin male connectors All eight Aux outputs shall occur on a single 25 pin D Sub connector conforming to the Tascam analog standard pinout The digital output...

Page 37: ...t levels This tutorial will teach you about the principles of balanced and unbalanced lines wiring standards and how to effectively interface them Standards Professional audio equipment usually comes...

Page 38: ...unds and there can be a sig nificant difference of ac voltage between alternating wall outlet grounds For this reason unbalanced sys tems can sometimes never be made hum free and just changing one pie...

Page 39: ...resistance ground current paths that little current is left to flow through your audio grounds You can try adding heavy gauge for example 12 gauge copper wire from chassis to chassis You will need to...

Page 40: ...e standard balanced line wiring recommenda tion from Aphex Engineering is this In the majority of cases maximum noise rejection occurs when the shield is connected to the input ground only espe cially...

Page 41: ...Ground Shield Earth Screen Pin 2 Tip Positive Signal High Hot Pin 3 Ring Negative Signal Reference Return Low Common 1 4 TS Phone RCA Standard Wiring Convention Unbalanced Tip Center Pin Positive Sig...

Page 42: ...andard store bought cable Shield is grounded at both ends Positives Both ends are interchangeable Negatives May cause ground loops through shield contacts BETTER Custom cable Shield is grounded at rec...

Page 43: ...Voltage Balanced Outputs Mono Phone Plug Female XLR SIMPLIFIED SCHEMATIC Don t Ground or Connect Pin 3 Ground Pin 3 Directly to Pin 1 Alternatively Carry Pin 3 Through Twisted Pair Cable and Ground at...

Page 44: ...ALANCED IN Mono TS Phone Plug Stereo TRS Phone Plug Standard Method Standard Cable Guitar Cord Mono TS Phone Plug Stereo TRS Phone Plug Enhanced Method Pseudo Balanced Advantage Reduced Hum and Noise...

Page 45: ...nbalanced Unbalanced Unity Gain2 Balanced Balanced Unity Gain2 Wire single conductor with a shield coax style Wire two conductor with a shield twisted pair Wire two conductor with a shield twisted pai...

Page 46: ...unded to the equipment s ground though the XLR ground drop s case XLR ground drops are useful especially for live sound situations where the same stock of XLR cable may be used for line level patching...

Page 47: ...All matched transmission lines have losses especially at high frequencies When the cable exceeds a certain length depending on the cable s quality cable equalization may be required to recover additi...

Page 48: ...gnitude of jitter rapidly rises Very short cable runs are necessary Every piece of gear gets a separately driven feed and no terminating load is used Figure 4 above illustrates the Brute Force clock p...

Page 49: ...ine the best option for terminating the line as shown in figure 5 Clocking The 1788A With Brute Force Not knowing what the 1788A s word clock input may be driven by we made it automatically accept the...

Page 50: ...under one or more of the following Aphex patents 4 578 648 4 633 501 4 843 626 4 939 471 5 115 471 5 155 769 5 334 947 5 359 665 5 422 602 5 424 488 5 450 034 5 463 695 5 483 600 5 485 077 5 612 612 5...

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