Alto CONTROL30 User Manual Download Page 7

6

4.3. Installation

a. Mono Use of CONTROL30

The CONTROL30's Input2 can be used as MONO input when necessary setting in the proper way the switch
MONO ON/OFF on the back panel of CONTROL30 itself. When the MONO ON/OFF switch is manually set
to ON position, physically the Input2 will be routed also on the internal Input1 line.

If the VU-meter or the Digital Saturation LED on the CONTROL30 begin to clip (turn red), turn down the Input
level or decrease the volume of the source (instrument, mixer, etc.). If the output level is causing the mixer or
amp to distort, turn the Output Level down.

Input 2

Input 1

Input 2

Outputs

When the MONO ON/OFF switch is set to OFF position, the Input2 is no more routed on the Input1 line and
CONTROL30 works in full stereo configuration.
When the input signal is mono, it has to be connected to the Input2 and the MONO ON/OFF switch must be
set to ON.

b. Standard Use

The CONTROL30 may be placed almost anywhere: on a table, on top of an amp, next to a mixing console. If it
will be on furniture, check the rubber feet provided to the bottom of the unit. Make sure to place the CONTROL30
away from other audio equipment that may induce fields and away from the signal wiring.
It is possible that CONTROL30 may pick up noise fields generated by other equipment such as large power
amplifiers; in this case, move the CONTROL30 until the noise goes away.

c. Application Examples

- line Instrument

When connecting audio cables and/or turning power on and off, make sure that all devices in your system have
their volume controls turned down.
CONTROL30 has four inputs (two

XLR balanced inputs) and four outputs (two

1/4" TRS inputs and two

1/4" TRS

outputs and two XLR balanced outputs) allowing the CONTROL30 to be used in a classical Stereo In and Stereo
Out connection or in Mono configuration as described above.

MONO. Set manually the MONO ON/OFF switch to position ON. Connect one audio cable to the

of

Input2

the CONTROL30 from a mono source, and one or two other audio cables from the Output1 and Output2 of the
CONTROL30 to a mono/stereo amplification system or one/two mixer inputs.

STEREO. Set manually the MONO ON/OFF switch to position OFF. Connect two audio cables to the Input1

and Input2 of the CONTROL30 from a stereo source, and two other audio cables from the Output1 and Output2
of the CONTROL30 to a stereo amplification system or two mixer inputs.

This connection scheme is suitable also for processing Hi-Fi stereo sources like CD players or recording decks.
To process the signal coming from low signal voltage devices such as Hi-Fi turntable cartridges or microphones,
please insert before CONTROL30 a suitable pre-amplifier (i.e. a RIAA stage for turntables, our

MicTube for

microphones).

Output 1

Output 1
Output 2

Output 2

Inputs

ON POSITION

OFF POSITION

4.2. Analog

a. Levels Setting

Proper setting of the input and output levels is crucial in order to achieve the maximum signal-to-noise ratio.
It is possible to say that it is usually best to set both input and output level controls at 3/4 or 75% of full. This
will decrease the possibility of overload distortion and keep the amount of background noise to a minimum.

Turn on the power of the CONTROL30, pushing the ON/OFF button on the front panel.
Turn on the power of the amplifier/mixer, and adjust the volume.

Summary of Contents for CONTROL30

Page 1: ...CONTROL30 15 15 Band Digital Equalizer User s Manual LTO R www altoproaudio com Version 2 3 September 2005 English...

Page 2: ...away from naked flames Read these instructions Follow all instructions Keep these instructions Do not discard Heed all warnings Only use attachments accessories specified by the manufacturer Do not t...

Page 3: ...ng attention to your suggestions and your comments Following this idea we create our products and we will create the new ones From our side we guarantee you and we will guarantee you also in future th...

Page 4: ...5 1 Eq Presets a Flat b Bass Debug c BBC Monitor d Brilliant e Hi Definition f Loudness g Percussion h Presence i Soft j Super Boost k Virtual Sub l Functional Data 5 2 Summary Tables a Presets b Bloc...

Page 5: ...hannels allowing to use up to 30 parametric EQ filters in order to obtain the desired sound and timbre out of the musical signals CONTROL30 is a versatile and very powerful machine also don t forget t...

Page 6: ...les so to prevent bad performances of the CONTROL30 itself So it should be good to use low capaci tance shielded cables with a flexible internal conductor Connect the cables to the CONTROL30 properly...

Page 7: ...ned down CONTROL30 has four inputs two XLR balanced inputs and four outputs two 1 4 TRS inputs and two 1 4 TRS outputs and two XLR balanced outputs allowing the CONTROL30 to be used in a classical Ste...

Page 8: ...ctions require a special stereo splitting Y cord to be connected known as TRS connector This connector has a stereo jack which plugs into mixer s channel insert socket and a couple of mono jacks input...

Page 9: ...arameter EDIT shows LNK linked and cannot be changed Parametric 1x30 Mono 30 filters one channel This is a parametric EQ variable Q and frequencies with 30 filters on one channel When this type of EQ...

Page 10: ...nds coming from external MIDI devices When this function is set to ON it is possible to ECHO on the MIDI output of the CONTROL30 MIDI Output all the incoming MIDI messages Output Attenuation This cont...

Page 11: ...eld monitors engineered by BBC decades ago and still used by professionals and enthusiasts worldwide Great for classic British pop recordings b Bass Debug Bass debug is a program particularly suitable...

Page 12: ...ern symphonic music Keyword is no compromise Selecting Hi definition you are giving your stereo system or recorder a well characterized timbre if you listen to this program with a linear system and a...

Page 13: ...blic diffusion at low volumes g Percussion h Presence 12 Four carefully selected boost peaks improve percussion instruments perception The first peak is located at 100 Hz the second at 250 Hz the thir...

Page 14: ...as if it was tailored on As a matter of fact it is A hot loudness program for modern music lovers Good to revitalise old rock and pop tracks which are scarce in dynamics and frequency extension or to...

Page 15: ...d be the answer On big systems with high power handling and already well capable in the low end this kind of reinforcement could be like an earthquake Definitely to try with game sound systems but pay...

Page 16: ...PEQ 10 PEQ 11 PEQ 12 PEQ 13 PEQ 14 PEQ 15 Loudness Preset 06 Preset 16 Preset 26 Preset 36 15 Percussion Preset 07 Preset 17 Preset 27 Preset 37 Bandwidth Oct Frequency Hz Gain dB PEQ 1 2 5 0 5 0 5 8...

Page 17: ...PEQ 22 PEQ 23 PEQ 24 PEQ 25 PEQ 26 PEQ 27 PEQ 28 PEQ 29 PEQ 30 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 16 Bass Debug Preset 42 Preset 52 Bandwidth Oct Frequency Hz Gain dB PEQ 1 0 0 0...

Page 18: ...Q 25 PEQ 26 PEQ 27 PEQ 28 PEQ 29 PEQ 30 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 17 Hi Definition Preset 45 Preset 55 Bandwidth Oct Frequency Hz Gain dB PEQ 1 0 5 1 0 5 0 5 1 0 0 0 0 0 0...

Page 19: ...30 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 Percussion Preset 47 Preset 57 18 Bandwidth Oct Frequency Hz Gain dB PEQ 1 1 0 0 5 0 5 1 0 0 5 0 5 0 5 0 0 0 0 0 0 20 25 31 5 40 50 63 80 100...

Page 20: ...B PEQ 1 0 0 0 7 3 5 3 5 5 5 5 5 5 4 5 1 1 1 5 0 0 20 25 31 5 40 50 63 80 100 125 160 200 250 315 400 500 0 33 0 33 0 33 0 33 PEQ 2 PEQ 3 PEQ 4 PEQ 5 PEQ 6 PEQ 7 PEQ 8 PEQ 9 PEQ 10 PEQ 11 PEQ 12 PEQ 13...

Page 21: ...pe Frequency Slope L R 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 20Hz 20KHz 1 12...

Page 22: ...n Frequency Bandwidth Frequency Slope Frequency Slope L R Locked 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1...

Page 23: ...in Frequency Bandwidth Frequency Slope Frequency Slope Mono Locked 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz...

Page 24: ...Par Filter 01 Par Filter 02 Par Filter 30 Gain Gain Frequency Slope Frequency Slope Mono Locked 15 15dB 0 5dB 15 15dB 0 5dB 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 6 12 dB Oct 20Hz 20KHz 1 12 Oct 0 6 12...

Page 25: ...ne Par Filter 01 Par Filter 02 Par Filter 15 Gain Gain Frequency Slope Frequency Slope L R Locked 15 15dB 0 5dB 15 15dB 0 5dB 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 6 12 dB Oct 20Hz 20KHz 1 12 Oct 0 6 12...

Page 26: ...Par Filter 01 Par Filter 02 Par Filter 15 Gain Gain Frequency Slope Frequency Slope L R 15 15dB 0 5dB 15 15dB 0 5dB 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 6 12 dB Oct 20Hz 20KHz 1 12 Oct 0 6 12 dB Oct 0...

Page 27: ...ut Signal Output Signal Edit Name Char n 1 Edit Name Char n 2 Edit Name Char n 3 Edit Name Char n 6 OFF 1 2 16 Omni Enter Esc Enter Esc Esc Enter Esc Enter Esc Enter Esc Up Down Up Down Up Down Up Dow...

Page 28: ...raphic Parametric EQ Block Diagram c MIDI MIDI 1 Byte CONTROL CHANGE st Standard MIDI Program Change Control Change Program Change 1 If the system is in Bypass Bypass LED ON whatever preset change req...

Page 29: ...s a default preset for the EQ type 4 Control 0 07 Volume Possible values are 0 1 54 corresponding to 15dB 14 5dB 12dB step 0 5dB 5 Control 0 0E Delay Adj Possible values are 0 1 127 corresponding to 0...

Page 30: ...rol 0 53 LP Slope values 0 1 2 giving bypass filter 6dB Oct 12dB Oct Command Sequence for MIDI standard control 1 Preset change a Make sure the system is not bypassed Control Change command 0 10 value...

Page 31: ...Keyboard VU meter Physical Size Dimensions Analog variable gain 2 XLR F electronically balanced 44 kOhms 15 dBu 4 4V RMS 22 dBu 63mV RMS Analog variable gain 2 XLR M electronically balanced 150 Ohms 1...

Page 32: ...LTO of 1 year from the purchase date if you have completed the Warranty Registration Card in time 3 3 During the warranty service may repair or replace this product at its own option at no charge to...

Page 33: ...3737 email alto altoproaudio com Fax 886 4 22346757 c All rights reserved to ALTO All features and content might be changed without prior notice Any photocopy translation or reproduction of part of th...

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