Alto CONTROL30 User Manual Download Page 6

3.2. Analog Connections (Back Panel)

a. Analog Inputs/Outputs

inserts of mixing consoles. They may be used with nominal input levels from consumer to professional audio.
For Mono applications, use the Input

once set manually the MONO ON/OFF switch to ON.

2

- Outputs:

These are 1/4"TRS and XLR balanced connectors which connect to devices such as the channel

inserts on a mixing console or power amplifier inputs. For Mono applications, use the Output1 and /or the
Output2 once set manually the MONO ON/OFF switch to ON.

5

- Analog Output Level Potentiometer (16):

The output level control sets the level going to the amplifier or mixer

from

LTO CONTROL30.

b. LED and Illuminated Power Switch

- Digital Saturation LED (1):

Displays the signal level coming into the input during normal operation. If the signal

level is too high, this LED will light and you will begin to hear distortion.

- Meter In/Out LED (2):

These VU-meters show the input signal level [LED (2) OFF] or the output digital signal

level.

- Power On/Off Switch (17):

Turns the apparatus on and off.

b. MIDI Connectors

- MIDI In:

5-poles DIN connector for the MIDI input to the CONTROL30.

- MIDI Thru:

5-poles DIN connector for the MIDI thru.

- MIDI Out:

5-poles DIN connector for the MIDI output from the CONTROL30.

c. Power Connector

- Power Connector:

This is an IEC 3-pole socket for connecting the AC power supply to the CONTROL30.

4. INSTALLATION & CONNECTION

4.1. Power Up and Audio Connections

a. Audio Connections

b. Power Up Setting

The connections between the CONTROL30 and the other audio devices have to be made using high quality
cables so to prevent bad performances of the CONTROL30 itself. So it should be good to use low-capaci-
tance shielded cables with a flexible internal conductor. Connect the cables to the CONTROL30 properly
by observing the following precautions:

Do not bundle audio cables with AC power cords.
Do not place audio cables and CONTROL30 near sources of electromagnetic interference such as
transformers, monitors, computers, etc.
Always unplug cables by firmly grasping the body of the plug and pulling directly outward.
Do not place cables where they can be stepped on.
Avoid twisting a cable or having it make sharp, right angle turns.

Before turning on the CONTROL30's power, check if:

All connections have been made correctly.
The volume controls of the amplifier or mixer are turned down.

Insert the Power plug into the POWER input on the rear panel of the CONTROL30 and plug the power cord
into an AC outlet.

- MONO ON/OFF Switch:

This switch sets the operational mode, switch to ON for MONO applications.

a. Analog Levels

- Analog Input Level Potentiometer (15):

The input level control sets the main input gain, before the signal

reaches the input bus. It controls both the Input 1 and Input 2 levels simultaneously.

MONO

OFF

ON

OUTPUT1

OUTPUT2

INPUT2(MONO)

SERIAL

MODEL

CODE

THRU

OUTPUT

MIDI

INPUT1

INPUT

AC INPUT
95-120V

/210-240V

60-50Hz

Rated Power Consumption 9W

FUSE:
210-240V: T250mAL 250VAC
95-120V: 500mA 250VAC
REPLACE FUSE WITH CORRECT
TYPE ONLY

Apparaten skall anslutas till
jordat uttag nar den ansluts
till ett natverk

A102

TIP/PIN 2
RING/PIN 3
SLEEVE/PIN 1

TIP/PIN 2
RING/PIN 3
SLEEVE/PIN 1

TIP/PIN 2
RING/PIN 3
SLEEVE/PIN 1

PUSH

2

1

3

NEW

TIDE

PUSH

2

1

3

NEW

TIDE

- Inputs:

These are 1/4"TRS and XLR balanced connectors which connect to sources such as the channel

Summary of Contents for CONTROL30

Page 1: ...CONTROL30 15 15 Band Digital Equalizer User s Manual LTO R www altoproaudio com Version 2 3 September 2005 English...

Page 2: ...away from naked flames Read these instructions Follow all instructions Keep these instructions Do not discard Heed all warnings Only use attachments accessories specified by the manufacturer Do not t...

Page 3: ...ng attention to your suggestions and your comments Following this idea we create our products and we will create the new ones From our side we guarantee you and we will guarantee you also in future th...

Page 4: ...5 1 Eq Presets a Flat b Bass Debug c BBC Monitor d Brilliant e Hi Definition f Loudness g Percussion h Presence i Soft j Super Boost k Virtual Sub l Functional Data 5 2 Summary Tables a Presets b Bloc...

Page 5: ...hannels allowing to use up to 30 parametric EQ filters in order to obtain the desired sound and timbre out of the musical signals CONTROL30 is a versatile and very powerful machine also don t forget t...

Page 6: ...les so to prevent bad performances of the CONTROL30 itself So it should be good to use low capaci tance shielded cables with a flexible internal conductor Connect the cables to the CONTROL30 properly...

Page 7: ...ned down CONTROL30 has four inputs two XLR balanced inputs and four outputs two 1 4 TRS inputs and two 1 4 TRS outputs and two XLR balanced outputs allowing the CONTROL30 to be used in a classical Ste...

Page 8: ...ctions require a special stereo splitting Y cord to be connected known as TRS connector This connector has a stereo jack which plugs into mixer s channel insert socket and a couple of mono jacks input...

Page 9: ...arameter EDIT shows LNK linked and cannot be changed Parametric 1x30 Mono 30 filters one channel This is a parametric EQ variable Q and frequencies with 30 filters on one channel When this type of EQ...

Page 10: ...nds coming from external MIDI devices When this function is set to ON it is possible to ECHO on the MIDI output of the CONTROL30 MIDI Output all the incoming MIDI messages Output Attenuation This cont...

Page 11: ...eld monitors engineered by BBC decades ago and still used by professionals and enthusiasts worldwide Great for classic British pop recordings b Bass Debug Bass debug is a program particularly suitable...

Page 12: ...ern symphonic music Keyword is no compromise Selecting Hi definition you are giving your stereo system or recorder a well characterized timbre if you listen to this program with a linear system and a...

Page 13: ...blic diffusion at low volumes g Percussion h Presence 12 Four carefully selected boost peaks improve percussion instruments perception The first peak is located at 100 Hz the second at 250 Hz the thir...

Page 14: ...as if it was tailored on As a matter of fact it is A hot loudness program for modern music lovers Good to revitalise old rock and pop tracks which are scarce in dynamics and frequency extension or to...

Page 15: ...d be the answer On big systems with high power handling and already well capable in the low end this kind of reinforcement could be like an earthquake Definitely to try with game sound systems but pay...

Page 16: ...PEQ 10 PEQ 11 PEQ 12 PEQ 13 PEQ 14 PEQ 15 Loudness Preset 06 Preset 16 Preset 26 Preset 36 15 Percussion Preset 07 Preset 17 Preset 27 Preset 37 Bandwidth Oct Frequency Hz Gain dB PEQ 1 2 5 0 5 0 5 8...

Page 17: ...PEQ 22 PEQ 23 PEQ 24 PEQ 25 PEQ 26 PEQ 27 PEQ 28 PEQ 29 PEQ 30 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 16 Bass Debug Preset 42 Preset 52 Bandwidth Oct Frequency Hz Gain dB PEQ 1 0 0 0...

Page 18: ...Q 25 PEQ 26 PEQ 27 PEQ 28 PEQ 29 PEQ 30 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 17 Hi Definition Preset 45 Preset 55 Bandwidth Oct Frequency Hz Gain dB PEQ 1 0 5 1 0 5 0 5 1 0 0 0 0 0 0...

Page 19: ...30 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 0 33 Percussion Preset 47 Preset 57 18 Bandwidth Oct Frequency Hz Gain dB PEQ 1 1 0 0 5 0 5 1 0 0 5 0 5 0 5 0 0 0 0 0 0 20 25 31 5 40 50 63 80 100...

Page 20: ...B PEQ 1 0 0 0 7 3 5 3 5 5 5 5 5 5 4 5 1 1 1 5 0 0 20 25 31 5 40 50 63 80 100 125 160 200 250 315 400 500 0 33 0 33 0 33 0 33 PEQ 2 PEQ 3 PEQ 4 PEQ 5 PEQ 6 PEQ 7 PEQ 8 PEQ 9 PEQ 10 PEQ 11 PEQ 12 PEQ 13...

Page 21: ...pe Frequency Slope L R 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 20Hz 20KHz 1 12...

Page 22: ...n Frequency Bandwidth Frequency Slope Frequency Slope L R Locked 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1...

Page 23: ...in Frequency Bandwidth Frequency Slope Frequency Slope Mono Locked 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 05 3 Oct 0 05 Oct 15 15dB 0 5dB 20Hz 20KHz...

Page 24: ...Par Filter 01 Par Filter 02 Par Filter 30 Gain Gain Frequency Slope Frequency Slope Mono Locked 15 15dB 0 5dB 15 15dB 0 5dB 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 6 12 dB Oct 20Hz 20KHz 1 12 Oct 0 6 12...

Page 25: ...ne Par Filter 01 Par Filter 02 Par Filter 15 Gain Gain Frequency Slope Frequency Slope L R Locked 15 15dB 0 5dB 15 15dB 0 5dB 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 6 12 dB Oct 20Hz 20KHz 1 12 Oct 0 6 12...

Page 26: ...Par Filter 01 Par Filter 02 Par Filter 15 Gain Gain Frequency Slope Frequency Slope L R 15 15dB 0 5dB 15 15dB 0 5dB 15 15dB 0 5dB 20Hz 20KHz 1 12 Oct 0 6 12 dB Oct 20Hz 20KHz 1 12 Oct 0 6 12 dB Oct 0...

Page 27: ...ut Signal Output Signal Edit Name Char n 1 Edit Name Char n 2 Edit Name Char n 3 Edit Name Char n 6 OFF 1 2 16 Omni Enter Esc Enter Esc Esc Enter Esc Enter Esc Enter Esc Up Down Up Down Up Down Up Dow...

Page 28: ...raphic Parametric EQ Block Diagram c MIDI MIDI 1 Byte CONTROL CHANGE st Standard MIDI Program Change Control Change Program Change 1 If the system is in Bypass Bypass LED ON whatever preset change req...

Page 29: ...s a default preset for the EQ type 4 Control 0 07 Volume Possible values are 0 1 54 corresponding to 15dB 14 5dB 12dB step 0 5dB 5 Control 0 0E Delay Adj Possible values are 0 1 127 corresponding to 0...

Page 30: ...rol 0 53 LP Slope values 0 1 2 giving bypass filter 6dB Oct 12dB Oct Command Sequence for MIDI standard control 1 Preset change a Make sure the system is not bypassed Control Change command 0 10 value...

Page 31: ...Keyboard VU meter Physical Size Dimensions Analog variable gain 2 XLR F electronically balanced 44 kOhms 15 dBu 4 4V RMS 22 dBu 63mV RMS Analog variable gain 2 XLR M electronically balanced 150 Ohms 1...

Page 32: ...LTO of 1 year from the purchase date if you have completed the Warranty Registration Card in time 3 3 During the warranty service may repair or replace this product at its own option at no charge to...

Page 33: ...3737 email alto altoproaudio com Fax 886 4 22346757 c All rights reserved to ALTO All features and content might be changed without prior notice Any photocopy translation or reproduction of part of th...

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